MirrorWorld - Part 22
Library

Part 22

I chamber a round. At its base, the munition is an inch across so just one will get the job done and then some. I focus on the target. Mothman number 5 is fleeing south, but at an angle. I gauge the distance. Half mile. Moving fast. I pan slowly, following my target, then lead it, aiming at the open air, where it will be in the next second.

I exhale.

Finger on the trigger.

The weapon bucks hard and coughs loudly when the round tears off through the sky. Compared to other sound-suppressed weapons, it's loud, but the noise isn't sharp. Pinpointing its origin would be difficult, especially to the people far below us.

The Dread continues on its way, unmarred.

I chamber a second round.

"You missed?" Allenby says. It's the most surprised I've heard her.

"I've been in a psych ward for a year, and though I seem to know how to operate this beast, I have no actual memory of doing so." I look through the scope. "But I'm not worried."

"That's because you don't get worried," Allenby says.

I pull the trigger. The big gun kicks, sending a second round tearing toward the Dread. I'm hoping to see the thing twitch and fall to the ground, but that's not what happens. The d.a.m.n thing explodes, bursting into a mash of black and red goo that rains down into the forest. I chuckle in surprise and lean back. "Got him."

"What did they look like?" Katzman says. He's got goggles pulled over his eyes. Can see that we're in the clear now. But if reinforcements show up and he's wearing them, he'll be useless.

I point at the goggles. "Better to take those off. Let me handle this."

He lifts the goggles.

I point at the Mothman being dragged up onto the roof by the two Dread Squad members, who are doing their best to not look at it. "All five were like that one. Mothmen."

"Hey!"

We all turn toward the voice. It's Dearborn. He's running toward us from the elevator, waving excitedly. He's got a d.a.m.n smile on his face. "I saw it from the security room."

"Are you nuts?" Katzman asks. "You're supposed to be leaving with the others."

"No way, man," Dearborn says. "This is modern myth in the making, demiG.o.d and all. I need to see this. I need to bear witness."

"I'm no demiG.o.d," I say.

"The Dread have been worshiped as G.o.ds," he says. "You're part Dread. Ipso fa-"

"Ispo f.u.c.k off," I say. "You're going to get yourself killed."

He ignores me and leans over the mothman's body, which has been laid out on the roof by the Dread Squad guys. It's very dead and covered in its own gore, but that doesn't seem to bother Dearborn. "It's a mothman." He looks up at me. "You're lucky you saw it."

He's clearly not going anywhere, and I don't have time to force him. I lift the sniper rifle and lug it back toward the roof's edge. "Why's that?"

Dearborn walks beside me. "The amount of fear generated by different subspecies of Dread varies-we think. Looking at the history of Dread encounters and comparing sightings of various species with the resulting effect on humanity, we can paint a rough picture of which Dread can do what. While bulls can instigate people to violence, it takes time. Mobs and confusion are their territory. Historically, mothmen most often lead to dramatically violent events. The 1967 encounters in West Virginia culminated with the collapse of a bridge that killed forty-six people. They're also more likely to enter the physical realm, as you just saw."

"The claw I took?"

He nods. "A mothman."

I turn to Allenby, who is on my other side. "Maya? And Simon?"

"Most likely," she says. "Hugh and your parents, too."

a.s.sa.s.sins, then. Like me. I'll keep that in mind next time I come face-to-ugly-face with one.

I crouch by the side of the roof. Moving slowly, I put the rifle down, leaning the bipod on the top of the foot-tall wall surrounding the rooftop. "Anything worse than a mothman?"

"Not that we, or previous you, has seen or captured thus far," Dearborn says, "but it seems likely. While humanity divides race by skin color and facial features, the Dread vary far more widely. It's more like different species of Dread, rather than races, though each species might also have its own geographically separated races. We don't know, and thinking we've experienced all of them would be like going to a mall and a.s.suming all races of humanity are represented." Dearborn peeks over the wall. "From what we know, the Dread we've encountered are just the grunts. Following orders. They're closer to trained animals than intelligent beings. I suppose you might find out when you visit the colony, eh? If you're still keen on playing G.I. Joe."

I lift the sniper rifle, placing the stock against my shoulder. "Just need a little target practice first." I look through the scope and take aim at the crowded parking lot.

"Triangular-shaped head, wider at the top. Tall but hunched body. Kind of like Lyons. Its legs are covered by some kind of cloth. Black. Wispy. Almost like a skirt. Has four eyes like the others. Two on the outside, two nearer the middle. Bright yellow veins all over. Two arms, but they split into tentacles. Too many to count. Each ends with a glowing yellow tip, and it's poking them into the backs of people's heads as it pa.s.ses through the crowd." I lean away from the sniper scope and look at Dearborn. He's shaking his head, a hint of a smile. Allenby just looks mortified. "Something new?"

Both nod. My past and forgotten experience with the Dread is starting to appear fairly limited. Bulls, pugs, and mothmen seem to be the limit of Neuro's Dread-related knowledge base. Of course, back then, the Dread weren't trying to instigate rebellions and world wars, so I suppose it makes sense that we're encountering previously unseen species.

I return my eye to the scope. "There's only one of them down there. Eight bulls. Maybe twenty pugs."

"Pugs?" Allenby asks.

"The little ones. They look like alien pugs. The dog breed."

"You said the new one was wearing clothing?" Katzman asks, standing behind us, far enough away from the roof's edge to not be visible.

I focus on the monster in question as it flits about the agitated crowd, moving from one person to the next, pausing just long enough to ... what? "That unusual?"

Katzman kneels behind the wall, peeking over the top. He slowly lowers his goggles into place. His body goes rigid just from seeing the thing. He curses, yanks the goggles up, catches his breath, and says, "According to your past accounts, it's a first."

"Whatever it is," I say, "it's not really scaring anyone." I watch the way the bulls and pugs shimmer closer to our frequency and the effect their brush with our reality has on the people nearby. They're pumping fear and paranoia into the crowd, keeping them on the edge. But Medusa-hands seems to be directing the flow of ideas. Those it touches move forward, toward the front doors. If this goes on much longer, they might have this mob storm the building. Lyons has faith in the building's defenses, but I have my doubts. If there is anything a mob is good at, it's finding a way through a building's windows, even if those windows are three stories up. And these people are supercharged by fear. Some of the most heinous and desperate acts in human history have been fueled by fear. If these people get inside, anyone left will be in serious trouble. Of course, so will those who get inside. Once we evacuate the remaining staff, the people left inside will either be inner-circle scientists or heavily armed guards and Dread Squad members. The pristine hallways beneath us could very quickly get a fresh coat of red.

"Can you take it out?" Katzman asks.

I center my scope on the thing's wide head. It's always moving and, despite the creature's size, remains ducked down behind the people it's affecting. I could shoot it, but not without risk of hitting someone. While I'm fairly certain I could squeak a round between some protesters without hitting them, I don't know if the ma.s.sive round will be stopped by the Dread's body. It could very easily pa.s.s straight through the Dread-and whoever is behind it. I might drop the monster and a line of ten people with it. War between overlapping dimensions is a complicated thing, especially when the bullets exist in both worlds.

But do they have to?

I grip the large rifle with both hands. "I'll be right back."

"What are you doing?" Allenby asks.

"Just make sure the drivers are ready to go." To Katzman. "We're leaving in one minute."

I slip into the mirror dimension, skipping right past the world in between. I force my shout of pain to come out as a gasp. My body lurches, spasms, and then feels whole and normal again. Much better, I think. But still far from a painless experience. Still, the transition from one world to the other is getting easier. How much more like the Dread will I become? Right now, I still look, feel, and think like me, but will those things change as well? If I keep flexing these Dread muscles and perceptions, will they overpower my humanity?

Questions without answers. No one knows.

From my low position on the oscillium rooftop, all I can see is purple sky. I search it for mothmen and see nothing but the storm approaching in both dimensions. I lean up over the edge. The Dread below flicker in and out of view, slipping into the world between before returning to their own frequency. They do it without effort or obvious pain. For them, it's like walking.

On this side of reality there will be no people to keep the Dread's attention. I will be easy to spot, especially when I open fire. For a moment, I debate this strategy. Open myself up for attack or let the chaos of the crowd hide me? Since I have no desire to accidentally kill innocents, and no concern for my own well-being, it's a short debate. I lean up, raising the rifle in position. Before taking aim, I focus on the weapon, willing it to exist only in the mirror universe. While I know it's possible, there's no way to know if it worked.

Or is there?

I put the weapon down, flash back to the real world with a grunt, and confirm that the sniper rifle is gone. "Nice," I say, only partially aware that I've just surprised the others, and then slip back into the mirror world, grunting once again, but never slowing.

I retrieve the weapon and peer through the scope. The bulls and pugs are all there, running and slipping back and forth between frequencies, pushing their fear between worlds. So is Medusa-hands. I can see it fully now. The way it moves is unnatural, which I suppose isn't surprising given the fact that it's from a dimension beyond human perception. I can't see its legs because of the sheet of black hanging from its waist, but given the way it moves smoothly across the ground, which is now thick muck, I'd guess the same tentacles writhing at the end of its arms also serve as legs.

Ignoring the pugs, I search for my targets. Medusa-hands will be the first. It's most likely the brains. I figure I can take two or three of the bulls before they figure out where I am, and another two if they come for me. But then I'll need to move. There's no way I can take out all of them, but I think it will be enough to disrupt the mob. At least, I hope it will be.

I slip my finger over the trigger, zero in on Medusa-hands, and expel my breath. Before pulling the trigger, I hear an uptick in the whispering that permeates the mirror dimension. This time, I sense a direction.

Behind me.

I turn back slowly.

Mothmen.

Ten of them. And something else. Something larger. They're at least a mile off, but closing fast.

Nothing like a little external motivation, I think, and look back through the scope. Medusa-hands is no longer moving. Its broad head is turned up toward me. I pull the trigger. The gun coughs. A ma.s.sive oscillium round pokes a clean hole in the front of Medusa-hands's triangular head, right between the eyes. The round mushrooms inside the beast, expanding and creating a wave of pressure of flesh, bone, and yellow blood, all of which exits the back of the thing's head through a basketball-sized hole. But the pressure wave also moves outward in all directions, and the explosive force shatters the thing's head like a stick of dynamite inside a pumpkin.

I slap in a fresh magazine and shift my aim to the next target, a bull, now looking back and forth. I pull the trigger. The thing detonates as the round moves through its thick body, front to back. The pressure is so great that gushing wounds erupt from its torso, outlining the round's path through the monster's body.

A second bull fills the lens as I turn to the right. This one has spotted me. It takes a step forward and then ceases to exist, its head folding in and then erupting out-explosive red gore and green blood.

I find my next target already charging, which means the others are, too. But it's not stupid. The bull ducks and weaves as it runs, slowing its charge but making itself a harder target. Too bad for the bull; it's big as h.e.l.l. I pull the trigger. It loses a leg and falls into the mud, trailing a luminescent green streak of blood. It moans in pain, drowning out the frenetic whispering now filling my mind.

I look back. The mothmen are closing in. The thing with them now looks like some kind of bus-sized flying centipede, undulating up and down while gliding on pterodactyl-sized, fleshy wings. Maybe this is the j.a.panese, man-eating centipede Dearborn mentioned? mukade. But with wings. Could this, as he guessed, simply be a different race of that species? Maybe in j.a.pan this thing doesn't have wings? Or maybe the poor souls who saw it just couldn't remember the wings? It pulses with veins of color-green, yellow, red, and purple. Four wide eyes stare at me. I have no idea what this thing is, but, fear or no fear, I don't want to find out.

Back in the parking lot, two bulls rush toward the building. The rest stay put, pushing their fear into the mob outside Neuro. With little time to spare, I abandon the rifle and step out of the mirror and back into reality.

I'm back for just a fraction of a second, recovering from the painful shift, when Allenby shouts, "What did you do?"

I look out over the parking lot, expecting to see the remains of people whom I'd mistakenly shot with bullets from the mirror dimension. But there are no bodies and no blood. Even the Dread remains are gone, back in their home dimension. It's the living who have Allenby spooked. The mob is marching forward, just one hundred feet out and closing.

"You need to get back inside," I say to Allenby and Dearborn before turning to Katzman and the two Dread Squad soldiers. "h.e.l.l is about to rain down on this place from the north. If you're out here when they arrive, you'll all be shooting each other or jumping off the building."

"Back inside," Katzman says to his men, who eagerly obey.

Allenby lingers. "What's coming?"

"Bunch of mothmen and some kind of giant flying-centipede thing."

Dearborn gasps. "mukade."

"I think so, yeah." I grasp Allenby's arm. She doesn't want to leave. Probably thinks she'll never see me again. And she might be right, but if she stays here, distracting me, we're both going to die. "Go. Now."

When Katzman takes her arm and pulls, she relents. With one last look of concern cast in my direction, she flees past the immobile helicopter and toward the rooftop elevator doors.

Without watching to make sure they make it, I pick up the bow, cinch the a.s.sault rifle's strap tighter, and leap over the side of the roof. I land on the slanted windows and quickly pick up speed, doing a repeat performance of my previous escape, this time with more guns and a clearer purpose. Nine stories slide past in seconds. When I near the bottom, the crowd is within thirty feet. I splay my arms and legs, pushing my palms and boot soles hard against the gla.s.s.

My drop off the edge is controlled, and I land on my feet. The mob is upon me, just fifteen feet. Running now. Arms outstretched, eyes angry.

Or is it fear?

If it is, it's a kind of fear I've never seen before. Afraid or angry, the violent intent of this group is impossible to miss. Their fingers are either hooked or clenched. Some hold weapons-bottles, tools, whatever happened to be nearby when the Dread tore them out of their lives and sent them on a rampage-but all of them look ready to kill.

No time like the present to test the crux of my plan. Rather than draw a weapon, I must become one. Same as the Dread. I siphon all of my anger, all of the frustration I feel about not remembering my past, and I channel it. My body tingles, and then explodes from the inside out. Or, at least, it feels like it does. The first and last time I tried this, the pain nearly dropped me. For this plan to work, I'm going to need to redefine the boundary of my pain threshold. The discomfort moves from my extremities to my core and then-outward. I don't think the mob can "hear" what I can-the static whisper of broadcast fear-but they sure as h.e.l.l feel it. The burst of fear is quick, snuffed out by pulsing agony that stumbles my feet and slows my pace, but the effect is powerful.

With a unified shriek of surprise, the leading wave of the stampede skids to a halt, fighting to go back the way they came. But they're met by their still-charging counterparts and collide like two waves of human flesh. People scream. Limbs snap. Bodies are trampled.

Will any of them remember why they were here? Why they were crushed? Why they were propelled to violence, or why they collectively feared a single man? I decide it doesn't matter and leave them to their self-inflicted turmoil.

Running along the side of the building, I continue pushing my own brand of fear on the encroaching ma.s.ses, creating a ten-foot buffer between them and the building. I'm slowed by the electric, muscle-tensing pain brought with each output of fear, but my hobbling progress is, at least, steady. The trouble is that each push is harder than the last, the c.u.mulative effect heading toward a crescendo that might rob me of consciousness. Thinking of the lives at stake and the greater threat to humanity, I grind my teeth and growl through it. Behind me, the mob has now reached the building and is pounding on its side, demanding entry. Those I pushed back have either rejoined the crowd or have been trampled by it.

Movement ahead focuses me. A garage door opens. A black ATV sits idling, waiting for me.

Soaked in sweat and near collapsing, I stop broadcasting fear as I approach the ATV. I'm going to need to recover from the effort if I'm going to have any chance of getting through the crowd.

The bow and quiver of arrows attach to the back of the ATV. I keep the rest of my personal a.r.s.enal wrapped, clipped, and strapped to my body. The four-wheeler is idling, so I just slip it into gear and pull out.

The vehicle's engine draws attention from both sides of the mirror. Shifting my view between worlds, I see the crowd of people and the Dread nipping at their heels turn their focus to me. Here comes part 2 of the plan, or is it part 3? We never really broke it down like that. It was all just one long, crazy idea.

I speed toward the crowd, racing to meet the wall of humanity. Seconds from impact, I pour on the fear and push the mental whisper out in front of me like a tidal wave. That's how I envisioned it happening. In reality, the automatic reflex of my body to undo intense pain turns the tidal wave into a sputtering garden hose. Screaming through the ache, I push harder. Something inside my body shifts, physically, like an organ has just slid out of place. The muscles in my gut spasm. My mind says that I'm killing myself, that something catastrophic is happening to my body, but my will ignores the screaming warnings. They don't frighten me. Then, all at once, the coughing emotional engine roars to life, and I feel the wave of energy flow outward.

People scream as they're sandwiched between the fear pushing them forward and the fear now rolling out in front of me like a pressure wave. They leap in the only direction that no longer terrifies them, to either side and out of the way.

A path clears. Mostly. The Dread don't move.

But they should.

With one hand on the steering bar, holding the throttle, I draw the Desert Eagle from my chest holster. No longer concerned about noise, I aim the .50 caliber gun at the nearest Dread, a feisty pug. It all but vaporizes when I pull the trigger, the significant recoil absorbed by a special wrist guard developed by the military for a Delta unit that had a penchant for the big gun. A second pug snaps to attention, turning its body and four round eyes in my direction. It's the closest thing to startled I've seen a Dread. Then I pull the trigger and wipe the look off of its face, along with the rest of its head.

The Desert Eagle's kick sends a jolt through my body that intensifies the torment of pushing fear. It takes all my concentration to keep the ATV moving in a straight line. The fear flowing from my body flickers and ceases, the whisper fading, but the path ahead is clear of humanity. Unfortunately, the pain remains as whatever shifted inside my body slides back into place, moved by an invisible s.a.d.i.s.t stirring my insides with his hand.

A bull closes in from the side, a pug scurrying close behind it. I fire three .50 caliber rounds at the bull. It takes the first two and keeps coming, despite the fact that half of its right side is trailing bright-green loops of entrails. The third shot caves in the thing's domed skull and drops it.

The pug lunges for me, its jaws open wide enough to envelop my face. Its teeth are small but sharp, and the inside of its tongueless mouth is lined with small, undulating tentacles. Like the four eyes and external vascular system, some form of tendril seems to be a common trait among the Dread. It's about to cling to my face like an Alien face hugger, so I lean to the side and let the thing sail past.

The path ahead is clear of anything large, so I aim for the far end of the parking lot. Pugs scramble out of the way. The remaining bulls keep their distance, focusing on fueling the mob, which is now behind us.

I'm in the clear, I think, looking back at the now-fading ma.s.s of people and Dread. Then I turn forward and realize I've underestimated the scope of the a.s.sault.

Eight mothmen swarm toward me. I brace myself for their attack, but then they're beyond me. My eyes track them over the parking lot, where they merge with a cloud of mothmen circling the Neuro building like the Wicked Witch of the West's flying monkeys around a volcano. At the center of the Dread cyclone is the centipede thing-mukade-which angles itself downward and falls. The impact shakes the earth in all dimensions as the ma.s.sive body strikes the oscillium frame. While the building is well defended against the Dread, I don't think anyone planned on facing such a colossal specimen. How could they? It's never been seen before.

But mukade isn't just a heavy hitter. It's a transport. Bulls, pugs, and Medusa-hands jump from the thing's sides, where they'd been clinging. Lyons said that the Dread are driven by a territorial nature, that they're ruled by emotions, feelings, instincts. But what I'm seeing looks like a very well thought out and coordinated attack plan. Military precision and forethought. This isn't purely instinctual behavior. We already know the Dread are highly intelligent, but Lyons has underestimated their capabilities and intellect.

They're ignoring me. I'm the guy who can move between dimensions. Who can kill them. Reveal them. But they're not interested in me. Not right now.