"Right. Now, the moonbus * it's rocket-propelled, see? Funny thing, of course is that instead of polluting the atmosphere, we're giving the moon an atmosphere * an infinitesimal one, to be sure * and all of it is rocket exhaust. Now, for the Moonbus, we use monohydrazinea"

I could see that it was going to be a very long trip.

I was slowly getting the hang of walking with my new legs, thanks to Karen Bessarian's help. I'd always been impatient; I suppose thinking you didn't have much time left was part of the cause. Of course, Karen * in her eighties * must have similarly felt that her days had been numbered. But she'd apparently adapted immediately to the notion of being more or less immortal, whereas I was still stuck in the time-is-running-out mindset.

Ah, well. I'm sure I'd make the transition. After all, it's supposed to be old people who are set in their ways, not guys like me. But no * that was unfair. They say you're as young as you feel, and Karen certainly didn't feel old now; maybe she never had.

Four others besides Karen and me had received new bodies today. I'm sure they'd all been at the same sales pitch I'd attended, but I hadn't talked to anyone except Karen there, and these people now had faces so much younger than what I'd presumably seen then that I didn't recognize any of them. We were all to spend the next three days here, undergoing physical and psychological testing ("hardware and software diagnostics," I'd overheard one of the Immortex employees say to Dr. Porter, who had given the younger man a very stern look).

I was pleased to see that I wasn't the only one who'd been having trouble walking. A girl * yes, damn it, she looked like a girl, all of sixteen * was using a wheelchair.

Immortex clients could choose just about any age to look like, of course. This reconstruction must have been based on 2D photos * if this girl were Karen, she'd have been sixteen in the mid-nineteen seventies * where, I think, hairstyles had been all fluffy, and blue eye shadow had been in vogue. But whoever this was wasn't trying to regress: her hair was short and tightly curled, in today's fashion, and she had a band of bright pink from temple to temple, across the bridge of her nose, the kind of makeup kids today liked.

Two of the others were also female, and three of them were white. Like Karen, they had opted to look about thirty * meaning, ironically, that all these minds that were much older than mine were housed in bodies that appeared substantially younger than even my new one did. The other upload was a black male. He'd adopted a serene face of perhaps fifty. Actually, now that I thought about it, he looked a lot like Will Smith; I wondered if that's what his original had looked like, or if he'd opted for a new face.

Karen was chatting with the other women. She apparently knew at least one of them from philanthropic circles. I suppose it was natural that the four old women would spend tune together. And, by default, that meant I ended up talking with the other man.

"Malcolm Draper," the man said, extending a large hand.

"Jake Sullivan," I replied, taking it. Neither of us were inclined to that silly male game of demonstrating how strong we were by squeezing too hard * probably just as well, given our new robotic hands.

"Where are you from, Jake?"

"Here. Toronto."

Malcolm nodded. "I live in New York. Manhattan. But of course you can't get this service down there. So, what do you do, Jake?"

The question I always hated. I didn't actually do anything * not for a living. "I'm into investments," I said. "You?"

"I'm a lawyer * do you call them solicitors up here?"

"Only in formal contexts. Lawyer, attorney."

"Well, that's what I am."

"What kind of law?" I asked.

"Civil liberties."

I gave the mental command that used to reconfigure my features into an impressed expression, but I really had no idea what it did to my face now. "How's business?"

"In the present political climate? Lots of cases, damn few victories. I can see the Statue of Liberty from my office window * but they should rename the old girl the Statue of Do Exactly What the Government Says You Should Do." He shook his head. "That's why I uploaded, see? Not too many of my generation left * people who actually remember what it was like to have civil liberties, before Homeland Security, before Littler v. Carvey, before every dollar bill and retail product had an RFID tracking chip in it. If we let the good old days pass from living memory, we'll never be able to get them back."

"So you're still going to practice law?" I asked.

"Yes, indeed * when interesting-enough cases come along, that is." He reached into a pocket. "Here, let me give you my card a just in case."

Weightlessness was wonderful!

Some of the old people were afraid of it, and stayed securely fastened in their ergo-chairs. But I undid my seat belt and floated around the cabin, gently pushing off walls, the floor, and the ceiling. We'd all had antinausea injections before takeoff, and, at least for me, the medicine was working perfectly. I found I could twirl along my head-to-toe axis at a great speed and not get dizzy. The flight attendant showed us some neat things, including water pulling itself into a floating ball. He also showed us how hard it was to throw something to another person: the brain refused to believe that throwing it in a straight line was the way to do it, and we all kept sending them up, as if in parabolic trajectories against gravity.

Karen Bessarian was enjoying weightlessness, too. The cabin walls were completely covered with little black foam pyramids, which I'd at first taken for acoustic insulation but now realized were really to prevent injuries when one went flying into them. Still, Karen was taking it fairly easy, not trying anything as athletic or adventurous as I was.

"If you look out the right-hand-side windows," said the flight attendant, "you can see the International Space Station." I happened to be upside down at that moment, so pushed off the wall and started drifting toward the left side. The flight attendant was deadpan. "The other right-hand-side, Mr. Sullivan."

I smiled sheepishly, and pushed off again with my palm. I found a spot by one of the windows and looked outside. The International Space Station * all cylinders and right angles * had been abandoned for decades. Too big to crash safely into the ocean, it was occasionally given a boost to keep it orbiting. The last astronaut to depart had left the two Canadian-built remote-manipulator arms shaking hands with each other.

"In about ten minutes," said the flight attendant, "we'll be docking with the moonship. You should be strapped in for docking * but, don't worry, you'll get three full days of weightlessness on your way to the moon."

On my way to the moona I shook my head.

On my way to the fucking moon.

10.

It was well after midnight. Dr. Porter had long since gone home, but there were all sorts of Immortex staff still around to cater to our every need * not that we had many.

We didn't eat, so there was no point in putting out a fancy buffet for us. I should have thought that through, should have had a special last meal just before uploading.

Of course, Immortex hadn't suggested we do so, I guess because a final meal was what the condemned, not the liberated, were supposed to enjoy.

More: we didn't drink, so there was no point in having an open bar. Indeed, I realized with a pang of guilt that I couldn't remember the last time I'd had a Sullivan's Select a and now I never would again. My great grandfather * Old Sully himself * was probably spinning in his grave at the thought of a scion of his dynasty giving up beer for anything, even immortality.

And, most astonishing of all, we didn't sleep. How often I'd said there were too few hours in a day! But now it seemed as though there were far too many.

We, this little band of new uploads, were to spend the night together in this party room; the first night was apparently very difficult for a lot of people. Two Immortex therapists milled about, as did someone who seemed to be the landlocked equivalent of a cruise director, coming up with activities to keep people occupied. Being up constantly, not getting tired, not needing to sleep, not wanting to sleep: it was going to be quite an adjustment, even for those who, in their old age, had slept lightly and had needed only five or six hours a night.

Two of the recently uploaded women were chatting away about things that didn't interest me. The third woman and Draper were playing a trivia game that the cruise director had brought up on a wall monitor, but the questions were geared toward their youth, and I knew none of the answers.

And so I ended up spending more time with Karen. Part of it was kindness on her part, I'm sure; she seemed to recognize that I was a fish out of water. Indeed, I felt compelled to comment on that as we went outside, exiting onto the treed Immortex grounds, a gibbous moon overhead. "Thanks," I said to Karen as we walked along, "for spending so much time with me."

Karen smiled her new-and-improved perfectly symmetrical smile. "Don't be silly," she said. "Who else would I talk to about physics or philosophy? In fact, I've got another joke for you. Rene Descartes goes into a bar and orders a drink. The bartender serves it up. Old Rene, he nurses it for a while, but at last it's gone. And so the barkeep says to him, 'Hey, Rene, care for another?' To which Descartes replies, 'I think not' * and disappears."

I laughed, and even though my new laugh sounded strange to me, it made me feel good. August nights were filled with mosquitoes, but I quickly recognized another advantage to an artificial body: the bugs left us alone. "But, y'know," I said, as we walked along, "I'm actually surprised that we don't need to sleep. I thought it was necessary for the consolidation of memory."

"A popular misconception," said Karen, and, with her lovely Georgia accent, the words didn't sound condescending. "But it's just not true. It takes time to consolidate memories, and normal humans can't go for any length without sleeping * but the sleeping has nothing to do with the consolidation."

"Really?"

"Oh, yes. We're going to be fine."

"Good."

We walked for a while in companionable silence, then Karen said, "Anyway, I should be the one thanking you for spending time with me."

"Why's that?"

"Well, half the reason I uploaded was to get away from old people. Can you imagine me in an old-folks' home?"

I laughed. "No, I guess not."

"The other people here who are my age," she said, shaking her head. "Their goal in life was to become rich. There's something ruthless about that, and something shallow, too. I never intended to be rich * it just happened, and no one was more surprised by it than me. And you didn't intend to be rich, either."

"But if it weren't for money," I said, "we'd both be dead or worse soon."

"Oh, I know! I know! But that's bound to change. Immortality is expensive right now, but it's got to come down in price; technology always does. Can you imagine a world in which the only thing that mattered was how rich you are?"

"You don't sound very*" Damn it! Another thought I'd intended to keep to myself partially leaking out.

"Very what?" said Karen. "Very American? Very capitalist?" She shook her head. "I don't think any serious writer can be a capitalist. I mean, look at me: to my own astonishment, I'm one of the best-selling authors of all time. But am I one of the best writers ever in the English language? Not by a long shot. Work in a field in which financial reward has no correlation with actual worth and you can't be a capitalist. I don't say there's a negative correlation: there are great writers who sell very well. But there is no meaningful correlation. It's just a crapshoot."

"So, are you going to go back to writing now that you're a Mindscan?" I asked. It had been years since there'd been a new Karen Bessarian book.

"Yes, I intend to. In fact, being a writer is the main reason I uploaded. See, I love my characters * Prince Scales, Doctor Hiss. I love them all. And, as I told you before, I created them. They came right out of here." She tapped the side of her head.

"Yes. So?"

"So, I've watched the ebb and flow of copyright legislation over my lifetime. It's been a battle between warring factions: those who want works to be protected forever, and those who believe works should fall into public domain as fast as possible. When I was young, works stayed in copyright for fifty years after the authors' death. Then it was lengthened to seventy years, and that's still the current figure, but it isn't long enough."

"Why?"

"Well, because if I had a child today * not that I could * and I died tomorrow * not that I'm going to * that child would receive the royalties from my books until he or she was seventy. And then, suddenly, my child * by that point, an old man or woman * would be cut off; my work would be declared public domain, and no more royalties would ever have to be paid on it. The child of my body would be denied the benefits of the children of my mind. And that's just not right."

"But, well, isn't the culture enriched when material goes into the public domain?" I asked. "Surely you wouldn't want Shakespeare or Dickens to still be protected by copyright?"

"Why not? J.K. Rowling is still in copyright; so is Stephen King and Marcos Donnelly * and they all have had, and continue to have, a huge impact on our culture."

"I guessa" I said, still not sure.

"Look," said Karen, gently, "one of your ancestors started a brewing company, right?"

I nodded. "My great grandfather, Reuben Sullivan * Old Sully, they called him."

"Right. And you benefit financially from that to this day. Should the government instead have confiscated all the assets of Sullivan Brewing, or whatever the company's called, on the seventieth anniversary of Old Sully's death? Intellectual property is still property, and it should be treated the same as anything else human beings build or create."

I had a hard time with this; I never used anything but open-source software * and there was a difference between a building and an idea; there was, in fact, a material difference. "So you uploaded in order to make sure you keep getting royalties on DinoWorld forever?"

"It's not just that," Karen said. "In fact, it's not even principally that. When something falls into public domain, anyone can do anything with the material. You want to make a porno film with my characters? You want to write bad fiction featuring my characters? You can, once my works go into public domain. And that's not right; they're mine."

"But by living forever, you can protect them?" I said.

"Exactly. If I don't die, they never fall into public domain."

We continued walking; I was getting the hang of it * and the motor in my belly could keep me doing it for weeks on end, or so Porter had told me. It was now almost 5:00 a.m. * I couldn't remember the last time I'd been up so late. I hadn't realized that Orion was visible in summer if you stayed up this long. Clamhead must be missing me something fierce, although the robokitchen would be feeding her, and my next-door neighbor had agreed to take her for walks.

We passed under a lamp, and to my astonishment I noticed that my arm was wet; I could see it glistening in the lamp light. Only a little later did I experience a physical sensation of dampness. I rubbed a finger along my arm. "Good grief!" I said. "It's dew."

Karen laughed, not at all perturbed. "So it is."

"You're taking all this so well," I said to her.

"I try to take everything in stride," Karen replied. "It's all material."

"What?"

"Sorry. Writer's mantra. 'It's all material.' It all goes into the hopper. Everything you experience is fodder for future writing."

"That's, um, an unusual way of going through life."

"You sound like Daron. When he and I used to go for dinner, he'd be embarrassed when a couple at a nearby table was having a fight. Me, I'm always leaning closer and cocking my head to hear better, thinking, 'Oh, this is great; this is pure gold.' "

"Hmph," I said. I was getting good at making all those sounds that aren't words but still convey meaning.

"And," said Karen, "with these new ears * God, they're sensitive! * I'll be able to hear even more. Poor Daron would hate that."

"Who's Daron?"

"Oh, sorry. My first husband, Daron Bessarian, and the last one whose name I took; my maiden name was Cohen. Daron was a nice Armenian boy, from my high school.

We were a funny couple, in a way. We used to argue about whose people had suffered the worse holocaust."

I didn't know how to reply to that, so instead I said, "Maybe we should go inside before we get too damp."

She nodded, and we headed into the party room. Draper * the black lawyer * was now playing chess with one of the women; a second woman * the faux sixteen-year-old * was reading something on a datapad; and the third woman was, to my astonishment, doing jumping jacks, under the supervision of an Immortex personal trainer. I thought it incredibly pointless * an upload's artificial form hardly needed the exercise. But then I realized it must in fact be luxurious to suddenly be nimble and limber again, after years of being trapped in an aged, decaying body.

"Want to catch the 5:00 a.m. newscast?" I asked Karen.

"Sure."

We walked down a corridor, and found a room I'd noted earlier in the day that had a wall screen.

"Do you mind the CBC?" I said.

"Not at all. I watch it all the time from Detroit. It's the only way I can find out what's really going on in my country * or in the rest of the world."

I told the TV to turn on. It did so. I'd watched newscasts on this channel hundreds of times before, but this one looked completely different, now that I was seeing in full color. I wondered about that, about where the connections in my brain that allowed me to perceive colors I'd never seen before had come from.

The newscaster * a turbaned Sikh whose shift, I knew, went until 9:00 a.m. * was speaking while news footage ran behind him. "Despite another protest on Parliament Hill yesterday afternoon, it seems almost certain that Canada will go ahead and legalize multiple marriages later this month. Prime Minister Chen has scheduled a press conference for this morning, anda"

Karen shook her head, and the movement caught my eye. "You don't approve?" I asked.

"No," she said.