Birds belong in trees. I don't go twittering and fluffing about in oaks and chestnuts, perching on the birds' nest steps and getting in their way. And why should some swarthy robin, be she never so matronly, swear at me if I set foot on my own front porch?

A MESSAGE FOR BOONVILLE

When corncob pipes went up from a nickel to six cents, smoking traditions tottered. That was a year or more ago, but one can still recall the indignation written on the faces of nicotine-soaked gaffers who had been buying cobs at a jitney ever since Washington used one to keep warm at Valley Forge. It was the supreme test of our determination to win the war: the price of Missouri meerschaums went up 20 per cent and there was no insurrection.

Yesterday we went out to buy our annual corncob, and were agreeably surprised to learn that the price is still six cents; but our friend the tobacconist said that it may go up again soon. We took the treasure, gleaming yellow with fresh varnish, back to our kennel, and we are smoking it as we set down these words. A corncob is sadly hot and raw until it is well sooted, but the ultimate flavor is worth persecution.

The corncob pipes we always buy come from Boonville, Mo., and we don't see why we shouldn't blow a little whiff of affection and grat.i.tude toward that excellent town. Moreover, Boonville celebrated its centennial recently: it was founded in 1818. If the map is to be believed, it is on the southern bank of the Missouri River, which is there spanned by a very fine bridge; it is reached by two railroads (Missouri Pacific and M., K. and T.) and stands on a bluff 100 feet above the water. According to the two works of reference nearest to our desk, its population is either 4252 or 4377. Perhaps the former census omits the 125 men of the town who are so benighted as to smoke briars or clays.

Delightful town of Boonville, seat of Cooper County, you are well named.

How great a boon you have conferred upon a troubled world! Long after more ambitious towns have faded in the memory of man your quiet and soothing gift to humanity will make your name blessed. I like to imagine your shady streets, drowsing in the summer sun, and the rural philosophers sitting on the verandas of your hotels or on the benches of Harley Park ("comprising fifteen acres"--New International Encyclopedia), looking out across the brown river and puffing clouds of sweet gray reek. Down by the livery stable on Main street (there must be a livery stable on Main street) I can see the old creaky, cane-bottomed chairs (with seats punctured by too much philosophy) tilted against the sycamore trees, ready for the afternoon gossip and s.h.a.g tobacco. I can imagine the small boys of Boonville fishing for catfish from the piers of the bridge or bathing down by the steamboat dock (if there is one), and yearning for the day when they, too, will be grown up and old enough to smoke corncobs.

[Ill.u.s.tration]

What is the subtle magic of a corncob pipe? It is never as sweet or as mellow as a well-seasoned briar, and yet it has a fascination all its own. It is equally dear to those who work hard and those who loaf with intensity. When you put your nose to the blackened mouth of the hot cob its odor is quite different from that fragrance of the crusted wooden bowl. There is a faint bitterness in it, a sour, plaintive aroma. It is a pipe that seems to call aloud for the accompaniment of beer and earnest argument on factional political matters. It is also the pipe for solitary vigils of hard and concentrated work. It is the pipe that a man keeps in the drawer of his desk for savage hours of extra toil after the stenographer has powdered her nose and gone home.

A corncob pipe is a humble badge of philosophy, an evidence of tolerance and even humor. It requires patience and good cheer, for it is slow to "break in." Those who meditate b.e.s.t.i.a.l and brutal designs against the weak and innocent do not smoke it. Probably Hindenburg never saw one.

Missouri's reputation for incredulity may be due to the corncob habit.

One who is accustomed to consider an argument over a burning nest of tobacco, with the smoke fuming upward in a placid haze, will not accept any dogma too immediately.

There is a singular affinity among those who smoke corncobs. A Missouri meerschaum whose bowl is browned and whose fiber stem is frayed and stringy with biting betrays a meditative and reasonable owner. He will have pondered all aspects of life and be equally ready to denounce any of them, but without bitterness. If you see a man on a street corner smoking a cob it will be safe to ask him to watch the baby a minute while you slip around the corner. You would even be safe in asking him to lend you a five. He will be safe, too, because he won't have it.

Think, therefore, of the charm of a town where corncob pipes are the chief industry. Think of them stacked up in bright yellow piles in the warehouse. Think of the warm sun and the wholesome sweetness of broad acres that have grown into the pith of the cob. Think of the bright-eyed Missouri maidens who have turned and scooped and varnished and packed them. Think of the airy streets and wide pavements of Boonville, and the corner drug stores with their shining soda fountains and grape-juice bottles. Think of sitting out on that bluff on a warm evening, watching the broad shimmer of the river slipping down from the sunset, and smoking a serene pipe while the local flappers walk in the coolness wearing crisp, swaying gingham dresses. That's the kind of town we like to think about.

MAKING MARATHON SAFE FOR THE URCHIN

The Urchin and I have been strolling about Marathon on Sunday mornings for more than a year, but not until the gasolineless Sabbaths supervened were we really able to examine the village and see what it is like.

Previously we had been kept busy either dodging motors or admiring them as they sped by. Their rich dazzle of burnished enamel, the purring hum of their great tires, evokes applause from the Urchin. He is learning, as he watches those flashing chariots, that life truly is almost as vivid as the advertis.e.m.e.nts in the _Ladies' Home Journal_, where the shimmer of earthly pageant first was presented to him.

Marathon is a village so genteel and comely that the Urchin and I would like to have some pictures of it for future generations, particularly as we see it on an autumn morning when, as I say, the motors are kenneled and the landscape has ceased to vibrate. In the douce benignance of equinoctial sunshine we gaze about us with eyes of inventory. Where my observation errs by too much sentiment the Urchin checks me by his cooler power of ratiocination.

Marathon is a suburban Xanadu gently caressed by the train service of the Cinder and Bloodshot. It may be recognized as an aristocratic and patrician stronghold by the fact that while luxuries are readily obtainable (for instance, banana splits, or the latest novel by Enoch A.

Bennett), necessaries are had only by prayer and advowson. The drug store will deliver ice cream to your very refrigerator, but it is impossible to get your garbage collected. The cook goes off for her Thursday evening in a taxi, but you will have to mend the roof, stanch the plumbing and curry the furnace with your own hands. There are ten trains to take you to town of an evening, but only two to bring you home. Yet going to town is a luxury, coming home is a necessity. The supply of grape juice seems almost unlimited, yet coal is to be had catch-as-catch-can.

Another proof that Marathon is patrician at heart is that nothing is known by its right name! The drug store is a "pharmacy," Sunday is "the Sabbath," a house is a "residence," a debt is a "balance due on bill rendered." A girls' school is a "young ladies' seminary," A Marathon man is not drafted, he is "inducted into selective service." And the railway station has a porte cochere (with the correct accent) instead of a carriage entrance. A furnace is (how erroneously!) called a "heater."

Marathon people do not die--they "pa.s.s away." Even the cobbler, good fellow, has caught the trick; he calls his shop the "Italo-American Shoe Hospital."

This is an innocent masquerade! If Marathon prefers not to call a flivver a flivver, I shall not expostulate. And yet this quaint subterfuge should not be carried quite so far. Stone walls are made for sunny lounging; yet stone walls in Marathon are built with uneven vertical projections to discourage the sedentary. Nothing is more delightful than a dog; but there are no dogs in Marathon. They are all airedales or spaniels or mastiffs. If an ordinary dog should wag his tail up our street the airedales would cut him dead. Bless me, Nature herself has taken to the same insincerity. The landscape round Marathon is lovely, but it has itself well in hand. The hills all pretend to be gentle declivities. There is a beautiful little sheet of water, reflecting the trailery of willows, a green salute to the eye. In a robuster community it would be a swimming hole--but with us, an ornamental lake. Only in one spot has Nature forgotten herself and been so brusque and rough as to jut up a very sizable cliff. This is the loveliest thing in Marathon: sunlight and shadow break and angle in cubist magnificence among the oddly veined k.n.o.bs and prisms of brown stone. Yet this cliff or quarry is by common consent taboo among us. It is our indelicacy, our indecency. Such "residences" as are near modestly turn their kitchens toward it. Only the blacksmith and the gas tanks are hardy enough to face this nakedness of Mother Earth--they, and excellent Pat Lemon, Marathon's humblest and blackest citizen, who contemplates that rugged and honest beauty as he tills his garden on the land abandoned by squeamish burghers. That is our Aceldama, our Potter's Field, only approached by the athletic, who keep their eyes from Nature's indiscretion by vigorous sets of tennis in the purple shadow of the cliff.

Life is queerly inverted in Marathon. Nature has been so bullied and repressed that she fawns about us timidly. No well-conducted suburban shrubbery would think of a.s.suming autumn tints before the ladies have got into their fall fashions. Indeed none of our chaste trees will even shed their leaves while any one is watching; and they crouch modestly in the shade of our ma.s.sive garages. They have been taught their place. In Marathon it is a worse sin to have your lawn uncut than to have your books or your hair uncut. I have been aware of indignant eyes because I let my back garden run wild. And yet I flatter myself it was not mere sloth. No! I want the Urchin to see what this savage, tempestuous world is like. What preparation for life is a village where Nature comes to heel like a spaniel? When a thunderstorm disorganizes our electric lights for an hour or so we feel it a personal affront. Let my rearward plot be a deep-tangled wild-wood where the happy Urchin may imagine something more ferocious lurking than a posse of radishes. Indeed, I hardly know whether Marathon is a safe place to bring up a child. How can he learn the horrors of drink in a village where there is no saloon?

Or the sadness of the seven deadly sins where there is no movie? Or deference to his betters where the chauffeurs, in their withered leather legs, drive limousines to the drug store to buy expensive cigars, while their employers walk to the station puffing briar pipes?

I had been hoping that the war would knock some of this topsy-turvy nonsense out of us. Maybe it has. Sometimes I see on the faces of our commuters the unaccustomed agitation of thought. At least we still have the grace to call ourselves a suburb, and not (what we fancy ourselves) a superurb. But I don't like the pretense that runs like a jarring note through the music of our life. Why is it that those who are doing the work must pretend they are not doing it; and those not doing the work pretend that they are? I see that the motor messenger girls who drive high-powered cars wear Sam Browne belts and heavy-soled boots, whereas the stalwart colored wenches who labor along the tracks of the Cinder and Bloodshot console themselves with flimsy waists and light slippers.

(A fact!) By and by the Urchin will notice these things. And I don't want him to grow up the kind of chap who, instead of running to catch a train, loiters gracefully to the station and waits to be caught.

THE SMELL OF SMELLS

I Smelt it this morning--I wonder if you know the smell I mean?

It had rained hard during the night, and trees and bushes twinkled in the sharp early sunshine like ballroom chandeliers. As soon as I stepped out of doors I caught that faint but unmistakable musk in the air; that dim, warm sweetness. It was the smell of summer, so wholly different from the crisp tang of spring.

It is a drowsy, magical waft of warmth and fragrance. It comes only when the leaves and vegetation have grown to a certain fullness and juice, and when the sun bends in his...o...b..t near enough to draw out all the subtle vapors of field and woodland. It is a smell that rarely if ever can be discerned in the city. It needs the wider air of the unhampered earth for its circulation and play.

I don't know just why, but I a.s.sociate that peculiar aroma of summer with woodpiles and barnyards. Perhaps because in the area of a farmyard the sunlight is caught and focused and glows with its fullest heat and radiance. And it is in the grasp of the relentless sun that growing things yield up their innermost vitality and emanate their fragrant essence. I have seen fields of tobacco under a hot sun that smelt as blithe as a room thick with blue Havana smoke. I remember a pile of birch logs, heaped up behind a barn in Pike County, where that mellow richness of summer flowed and quivered like a visible exhalation in the air. It is the goodly soul of earth, rendering her health and sweetness to her master, the sun.

[Ill.u.s.tration]

Every one, I suppose, who is a fancier of smells, knows this blithe perfume of the summer air that is so pleasant to the nostril almost any fine forenoon from mid-June until August. It steals pungently through the blue sparkle of the morning, fading away toward noon when the moistness is dried out. But when one first issues from the house at breakfast time it is at its highest savor. Irresistibly it suggests worms and a tin can with the lid jaggedly bent back and a pitchfork turning up the earth behind the cow stable. Fishing was first invented when Adam smelt that odor in the air.

The first fishing morning--can't you imagine it! Has no one ever celebrated it in verse or oils? The world all young and full of unmitigated sweetness; the Garden of Eden bespangled with the early dew; Adam scrabbling up a fistful of worm's and hooking them on a bent thorn and a line of twisted pampas gra.s.s; hurrying down to the branch or the creek or the bayou or whatever it may have been; sitting down on a brand-new stump that the devil had put there to tempt him; throwing out his line; sitting there in the sun dreaming and brooding....

And then a tug, a twitch, a flurry in the clear water of Eden, a pull, a splash, and the First Fish lay on the gra.s.s at Adam's foot. Can you imagine his sensations? How he yelled to Eve to come--look--see, and, how annoyed he was because she called out she was busy....

Probably it was in that moment that all the bickerings and back-talk of husbands and wives originated; when Adam called to Eve to come and look at his First Fish while it was still silver and vivid in its living colors; and Eve answered she was busy. In that moment were born the men's clubs and the women's clubs and the pinochle parties and being detained at the office and Kelly pool and all the other devices and stratagems that keep men and women from taking their amus.e.m.e.nts together.

Well, I didn't mean to go back to the Garden of Eden; I just wanted to say that summer is here again, even though the almanac doesn't vouch for it until the 21st. Those of you who are fond of smells, spread your nostrils about breakfast time tomorrow morning and see if you detect it.

A j.a.pANESE BACHELOR

The first obligation of one who lives by writing is to write what editors will buy. In so doing, how often one laments that one cannot write exactly what happens. Suppose I were to try it--for once!

I have been lying on the bed--where the landlady has put a dark blue spread, instead of the white one, because I drop my tobacco ashes--smoking, and thinking about a new friend I met today. His name is Kenko, a j.a.panese bachelor of the fourteenth century, who wrote a little book of musings which has been translated under the t.i.tle "The Miscellany of a j.a.panese Priest." His candid reflections are those of a shrewd, learned, humane and somewhat misogynist mind. I have been lying on the bed because his book, like all books that make one ponder deeply on human destiny, causes that feeling of mind-sickness, that swimming pain of the mental faculties--or is it caused by too much strong tobacco?

My acquaintance with Kenko began only last night, when I sat in bed reading Mr. Raymond Weaver's very pleasant article about him in a recent _Bookman_. My last act before turning out the light was to lay the magazine on the table, open at Mr. Weaver's essay, to remind me to get a copy of Kenko the first thing this morning. Happily to-day was Sat.u.r.day. I don't know what I should have done if it had been Sunday. I felt that I could not wait another day without owning that book. I suspected it was a good deal in the mood of another bachelor, an Anglo-American Caleb of to-day--Mr. Logan Pearsall Smith, whose whimsical "Trivia" belongs on the same shelf.

This morning I tried to argue myself out of the decision. It may be a very expensive book, I thought; it may cost two or three dollars; I have been spending a lot of money lately, and I certainly ought to buy some new undershirts. Moreover, this has been a bad week; I have never written those paragraphs I promised a certain editor, and I haven't paid the rent yet. Why not try to find the book at a library? But I knew the only library where I would have any chance of finding Kenko would be the big pile at Fifth avenue and Forty-second street, and I could not bear the thought of having to read that book without smoking. I felt instinctively (from what Mr. Weaver had written) that it was the kind of book that requires a pipe.

Well, I thought, I won't decide this too hastily; I'll walk down to the post office (four blocks) and make up my mind on the way. I knew already, however, that if I didn't go downtown for that book it would bother me all day and ruin my work.

I walked down to the post office (to mail to an editor a sonnet I thought fairly well of) saying to myself: That book is imported from England, it may be a big book, it may even cost four dollars. How much better to exhibit the stoic tenacity of all great men, go back to my hall bedroom (which I was temporarily occupying) and concentrate on matters in hand. What right, I said, has a Buddhist recluse, born either in 1281 or 1283, to hara.s.s me so? But I knew in my heart that the matter was already decided. I walked back to the corner of Hallbedroom street, and stood vacillating at the newsstand, pretending to glance over the papers. But across six centuries the insistent ghost of Kenko had me in its grip. Annoyed, and with a sense of chagrin, I hurried to the subway.

In the dimly lit vestibule of the subway car, a boy of sixteen or so sat on an up-ended suitcase, plunged in a book. I can never resist the temptation to try to see what books other people are reading. This innocent curiosity has led me into many rudenesses, for I am short-sighted and have to stare very close to make out the t.i.tles. And usually the people who read books on trolleys, subways and ferries are women. How often I have stalked them warily, trying to identify the volume without seeming too intrusive. That weakness deserves an essay in itself. It has led me into surprising adventures. But in this case my quarry was easy. The lad--I judged him a boarding school boy going back to school after the holidays--was so absorbed in his reading that it was easy to thrust my face over his shoulder and see the running head on the page--"The Light That Failed."