"We have to live," said Mike, "since nature has so willed it, but I fully realize the knightliness of your revolt against the principle of life."

John continued his admonitions, and Mike an amused and appreciative listener.

"At all events, I wish you would promise not to indulge in improper conversation when I am present. It is dependent upon me to beg of you to oblige me in this. It will add greatly to your dignity to refrain; but that is your concern; I am thinking now only of myself. Will you promise me this?"

"Yes, and more; I will promise not to indulge in such conversation, even when you are not present. It is, as you say, lowering.... I agree with you. I will strive to mend my ways."

And Mike was sincere; he was determined to become worthy of Lily. And now the best hours of his life--hours strangely tense and strangely personal--were pa.s.sed in that Kensington drawing-room. She was to him like the light of a shrine; he might kneel and adore from afar, but he might not approach. The G.o.ddess had come to him like the moon to Endymion. He knew nothing, not even if he were welcome. Each visit was the same as the preceding. A sweet but exasperating changelessness reigned in that drawing-room--that pretty drawing-room where mother and daughter sat in sweet naturalness, removed from the grossness and meanness of life as he knew it. Neither illicit whispering nor affectation of reserve, only the charm of strict behaviour; unreal and strange was the refinement, material and mental, in which they lived. And for a time the charm sufficed; desire was at rest. But she had been to see him, however at variance such a visit, such event seemed with her present demeanour. And she must come again! In increasing restlessness he conned all the narrow chances of meeting her, of speaking to her alone. But no accident varied the even tenor of their lives, the calm lake-like impa.s.sibility of their relations, and in last resort he urged Frank to give a dance or an At Home. And how ardently he pleaded, one afternoon, sitting face to face with mother and daughter. Inwardly agitated, but with outward calm, he impressed upon them many reasons for their being of the party. The charm of the Temple, the river, and glitter of light, the novel experience of bachelors' quarters....

They promised to come.

CHAPTER V

Mike leaned forward to tie his white cravat. He was slight, and white and black, and he thought of Lily, of the exquisite pleasure of seeing her and leading her away. And he was pleased and surprised to find that his thoughts of her were pure.

The princ.i.p.al contributors to the _Pilgrim_ had been invited, and a selection had been made from the fast and fashionable gang--those who could be trusted neither to become drunk or disorderly. It had been decided, but not without misgivings, to ask Muchross and Snowdown.

The doors were open, servants could be seen pa.s.sing with gla.s.ses and bottles. Frank, who had finished dressing, called from the drawing-room and begged Mike to hasten; for the housemaid was waiting to arrange his room, for it had been decided that this room should serve as a lounge where dancers might sit between the waltzes.

"She can come in now," he shouted. He folded the curtains of his strange bed; he lighted a silver lamp, re-arranged his palms, and smiled, thinking of the astonished questions when he invited young ladies to be seated among the numerous cushions. And Mike determined he would say that he considered his bed-room far too sacred to admit of any of the base wants of life being performed there.

It was well-dressed Bohemia, with many markings and varied with contrasting shades. The air was as sugar about the doorway with the scent of gardenias; young lords shrank from the weather-stained cloth of doubtful journalists, and a lady in long puce Cashmere provoked a smile. Frank received his guests with laughter and epigram.

The emanc.i.p.ation of the women is marked by the decline of the chaperon, and it was not clear under whose protection the young girls had come. Beneath double rows of ruche-rose feet pa.s.sed, and the soft glow of lamps shaded with large leaves of pale gla.s.s bathed the women's flesh in endless half tints; the reflected light of copper shades flushed the blonde hair on Lady Helen's neck to auroral fervencies.

In one group a fat man with white hair and faded blue eyes talked to Mrs. Bentham and Lewis Seymour. A visit to the Haymarket Theatre being arranged, he said--

"May I hope to be permitted to form one of the party?"

Harding overheard the remark. He said, "It is difficult to believe, but I a.s.sure you that that Mr. Senbrook was one of the greatest Don Juans that ever lived."

"We have in this room Don Juan in youth, middle age, and old age--Mike Fletcher, Lewis Seymour, and Mr. Senbrook."

"Did Seymour, that fellow with the wide hips, ever have success with women? How fat he has grown!"

"Rather; [Footnote: See _A Modern Lover_.] don't you know his story?

He came up to London with a few pounds. When we knew him first he was starving in Lambeth. You remember, Thompson, the day he stood us a lunch? He had just taken a decorative panel to a picture-dealer's, for which he had received a few pounds, and he told us how he had met a lady (there's the lady, the woman with the white hair, Mrs.

Bentham) in the picture-dealer's shop. She fell in love with him and took him down to her country house to decorate it. She sent him to Paris to study, and it was said employed a dealer for years to buy his pictures."

"And he dropped her for Lady Helen?"

"Not exactly. Lady Helen dragged him away from her. He never seized or dropped anything."

"Then what explanation do you give of his success?" said a young barrister.

"His manner was always gentle and insinuating. Ladies found him pretty to look upon, and very soothing. Mike is just the same; but of course Seymour never had any of Mike's brilliancy or enthusiasm."

"Do you know anything of the old gentleman--Senbrook's his name?"

"I have heard that those watery eyes of his were once of entrancing violet hue, and I believe he was wildly enthusiastic in his love. His life has been closely connected with mine."

"I didn't know you knew him."

"I do not know him. Yet he poisoned my happiest years; he is the upas-tree in whose shade I slept. When I was in Paris I loved a lady; and I used to make sacrifices for this lady, who was, needless to say, not worthy of them; but she had loved Senbrook in her earliest youth, and it appears when a woman has once loved Senbrook, she can love none other. You wouldn't think it, to look at him now, but I a.s.sure you it is so. France is filled with the women he once loved.

The provincial towns are dotted with them. I know eight--eight exist to my personal knowledge. Sometimes a couple live together, united by the indissoluble fetter of a Senbrook betrayal. They know their lives are broken, and they are content that their lives should be broken.

They have loved Senbrook, therefore there is nothing to do but retire to France. You may think I am joking, but I'm not. It is comic, but that is no reason why it shouldn't be true. And these ladies neither forget nor upbraid; and they will attack you like tigers if you dare say a word against him. This creation of faith is the certain sign of Don Juan! No matter how cruelly the real Don Juan behaves, the women he has deceived are ready to welcome him. After years they meet him in all forgetfulness of wrong. Examine history, and you will find that the love inspired by the real Don Juan ends only with death. Nor am I sure that the women attach much importance to his infidelities; they accept them, his infidelities being a consequential necessity of his being, the eons and the attributes of his G.o.dhead. Don Juan inspires no jealousy; Don Juan stabbed by an infuriated mistress is a psychological impossibility."

"I have heard that Seymour used to drive Lady Helen crazy with jealousy."

"Don Juan disappears at the church-door. He was her husband. The most unfaithful wife is wildly jealous of her husband."

A sudden silence fell, and a young girl was borne out fainting.

"Nothing more common than for young girls to faint when he is present. Go," said Harding, "and you will hear her calling his name."

Then, picking up the thread of the paradox, he continued--"But you can't have Don Juan in this century, our civilization has wiped him out; not the vice of which he is representative--that is eternal--but the spectacle of adventure of which he is the hero. No more fascinating idea. Had the age admitted of Don Juan, I should have written out his soul long ago. I love the idea. With duelling and hose picturesqueness has gone out of life. The mantle and the rapier are essential; and angry words...."

"Are angry words picturesque?"

"Angry words mean angry att.i.tudes; and they are picturesque."

The young men smiled at the fascinating eloquence, and feeling an appreciative audience about him, Harding continued--

"See Mike Fletcher, know him, understand him, and imagine what he would have been in the eighteenth century, the glory of adventure he would have gathered. His life to-day is a mean parody upon an easily realizable might-have-been. So vital is the idea in him that his life to-day is the reflection of a life that burned in another age too ardently to die with death. In another age Mike would have outdone Casanova. Casanova!--what a magnificent Casanova he would have been!

Casanova is to me the most fascinating of characters. He was everything--a frequenter of taverns and palaces, a necromancer. His audacity and unscrupulousness, his comedies, his immortal memoirs!

What was that delightful witty remark he made to some stupid husband who lay on the ground, complaining that Casanova hadn't fought fairly? You remember? it was in an avenue of chestnut trees, approaching a town. Ha! I have forgotten. Mike has all that this man had--love of adventure, daring, courage, strength, beauty, skill. For Mike would have made a unique swordsman. Have you ever seen him ride?

Have you ever seen him shoot? I have seen him knock a dozen pigeons over in succession. Have you ever seen him play billiards? He often makes a break of a hundred. Have you ever seen him play tennis? He is the best man we have in the Temple. And a poet! Have you ever heard him tell of the poem he is writing? The most splendid subject. He says that neither Goethe nor Hugo ever thought of a better."

"You may include self-esteem in your list of his qualities."

"A plat.i.tude! Self-esteem is synonymous to genius. Still, I do not suppose he would in any circ.u.mstances have been a great poet; but there is enough of the poet about him to enhance and complete his Don Juan genius."

"You would have to mend his broken nose before you could cite him as a model Don Juan."

"On the contrary, by breaking his nose chance emphasized nature's intention; for a broken nose is the element of strangeness so essential in modern beauty, or shall I say modern attractiveness? But see that slim figure in hose, sword on thigh, wrapped in rich mantle, arriving on horseback with Liperello! Imagine the castle balcony, and the pale sky, green and rose, pensive as her dream, languid as her att.i.tude. Then again, the grand staircase with courtiers bowing solemnly; or maybe the wave lapping the marble, the gondola shooting through the shadow! What encounters, what a.s.signations, what disappearances, what sudden returnings! So strong is the love idea in him, that it has suscitated all that is inherent and essential in the character. It sent him to Boulogne so that he might fight a duel; and the other day a nun left her convent for him. Curious atavism, curious recrudescence of a dead idea of man! Say, is it his fault if his pleasures are limited to clandestine visits; his fame to a summons to appear in a divorce case; his danger to that most pitiful of modern ignominies--five shillings a week? ... Bah! this age has much to answer for."

"But Casanova was a marvellous necromancer, an extraordinary gambler."

"I know no more enthusiastic gambler than Mike. Have you ever seen him play whist? At Boulogne he cleaned them all out at baccarat."

"And lost heavily next day, and left without paying."

"The facts of the case have not been satisfactorily established. Have you seen him do tricks with cards? He used to be very fond of card tricks; and, by Jove! now I remember, there was a time when ladies came to consult him. He had two pieces of paper folded up in the same way. He gave one to the lady to write her question on; she placed it in a cleft stick and burnt it in a lamp; but the stick was cleft at both ends, and Mike managed it so that she burnt the blank sheet, while he read what she had written. Very trivial; inferior of course to Casanova's immense cabalistic frauds, but it bears out my contention ... Have you ever read the _Memoirs?_ What a prodigious book! Do you remember when the d.u.c.h.esse de Chartres comes to consult the _cabale_ in the little apartment in the Palais Royal as to the best means of getting rid of the pimples on her face? ... and that scene (so exactly like something Wycherley might have written) when he meets the rich farmer's daughter travelling about with her old uncle, the priest?"

Mike was talking to Alice Barton, who was chaperoning Lily. Though she knew nothing of his character she had drawn back instinctively, but her strictness was gradually annealed in his persuasiveness, and when he rose to go out of the room with Lily, she was astonished that she had pleasure in his society.