This was Chapter Eleven's contribution. One night, my then seventeen-year-old brother had gone down into the kitchen to make himself a late-night snack. He found some hot dogs in the refrigerator. Not wanting to wait for water to boil, he got out a frying pan. Next he decided to cut the hot dogs in half. "I wanted to increase the surface area," he explained to me later. Rather than slicing the hot dogs lengthwise, Chapter Eleven tried various combinations to amuse himself. He made notches here and slits there and then he put all the hot dogs in a pan and watched what happened.

Not much, that first night. But a few of my brother's incisions resulted in the hot dogs assuming funny shapes. After that, it became a kind of game with him. He grew adept at manipulating the shapes of cooking hot dogs and, for fun, developed an entire line of gag frankfurters. There was the hot dog that stood on end when heated, resembling the Tower of Pisa. In honor of the moon landing, there was the Apollo 11, whose skin gradually stretched until, bursting, the wiener appeared to blast off into the air. Chapter Eleven made hot dogs that danced to Sammy Davis's rendition of "Bojangles" and others that formed letters, L L and and S S, though he never accomplished a decent Z Z. (For his friends he had hot dogs do other things. Laughter emanated from the kitchen late at night. You heard Chapter Eleven: "I call this the Harry Reems," and then the other boys shouting: "No way, Stephanides!" And while we're on the subject, was I the only one who was shocked by those old Ball Park ads with their shots of red franks swelling and lengthening? Where were the censors? Did anyone notice the expressions on mothers' faces when those ads played, or the way, right afterward, they often discussed what kind of "buns" they preferred? I certainly noticed, because I was a girl at the time and those ads were designed to get my attention.) Once you ate a Hercules hot dog you never forgot it. Very quickly they had wide name recognition. A large food processing company offered to buy the rights and sell the hot dogs in stores, but Milton, mistakenly thinking that popularity is eternal, rejected it.

Aside from inventing the Herculean frankfurters, my brother had little interest in the family business. "I'm an inventor," he said. "Not a hot dog man." In Grosse Pointe he fell into a group of boys whose main bond was their unpopularity. A hot Saturday night for them consisted of sitting in my brother's room, staring at Escher prints. For hours they followed figures up staircases that were also going down, or watched geese turn into fish and then into geese again. They ate peanut butter crackers, getting gunk all over their teeth while quizzing each other on the periodic table. Steve Munger, Chapter Eleven's best friend, used to infuriate my father with philosophical arguments. ("But how can you prove prove you exist, Mr. Stephanides?") Whenever we picked my brother up at school I saw him through a stranger's eyes. Chapter Eleven was geeky, nerdy. His body was a stalk supporting the tulip of his brain. As he walked to the car, his head was often tilted back, alert to phenomena in the trees. He didn't pick up on styles or trends. Tessie still bought his clothes for him. Because he was my older brother, I admired him; but because I was his sister, I felt superior. In doling out our respective gifts God had given me all the important ones. Mathematical aptitude: to Chapter Eleven. Verbal aptitude: to me. Fix-it handiness: to Chapter Eleven. Imagination: to me. Musical talent: to Chapter Eleven. Looks: to me. you exist, Mr. Stephanides?") Whenever we picked my brother up at school I saw him through a stranger's eyes. Chapter Eleven was geeky, nerdy. His body was a stalk supporting the tulip of his brain. As he walked to the car, his head was often tilted back, alert to phenomena in the trees. He didn't pick up on styles or trends. Tessie still bought his clothes for him. Because he was my older brother, I admired him; but because I was his sister, I felt superior. In doling out our respective gifts God had given me all the important ones. Mathematical aptitude: to Chapter Eleven. Verbal aptitude: to me. Fix-it handiness: to Chapter Eleven. Imagination: to me. Musical talent: to Chapter Eleven. Looks: to me.

The beauty I possessed as a baby only increased as I grew into a girl. It was no surprise why Clementine Stark had wanted to practice kissing with me. Everyone wanted to. Elderly waitresses bent close to take my order. Red-faced boys appeared at my desk, stammering, "Y-y-you dropped your eraser." Even Tessie, angry about something, would look down at me-at my Cleopatra eyes-and forget what she was mad about. Wasn't there the slightest rumble in the air whenever I brought in drinks to the Sunday debaters? Uncle Pete, Jimmy Fioretos, Gus Panos, men fifty, sixty, seventy years old looking up over expansive bellies and having thoughts they didn't admit? Back in Bithynios, where sustained respiration rendered a bachelor eligible, men of equivalent age had successfully asked for the hand of a girl like me. Were they remembering those days, lounging on our love seats? Were they thinking, "If this wasn't America, I just might..."? I can't say. Looking back now, I can only remember a time when the world seemed to have a million eyes, silently opening wherever I went. Most of the time they were camouflaged, like the closed eyes of green lizards in green trees. But then they snapped open-on the bus, in the pharmacy-and I felt the intensity of all that looking, the desire and the desperation.

For hours at a time I would admire my looks myself, turning this way and that before the mirror, or assuming a relaxed pose to see what I looked like in real life. By holding a hand mirror I could see my profile, still harmonious at the time. I combed my long hair and sometimes stole my mother's mascara to do my eyes. But increasingly my narcissistic pleasure was tempered by the unlovely condition of the pool into which I gazed.

"He's popping his zits again!" I complained to my mother.

"Don't be so squeamish, Callie. It's just a little... here, I'll wipe it off."

"Gross!"

"Wait'll you get pimples!" Chapter Eleven shouted, ashamed and furious, from the hallway.

"I'm not going to."

"You will, too! Everybody's sebaceous glands overproduce when they go through puberty!"

"Quiet, both of you," said Tessie, but she didn't need to. I'd already gotten quiet on my own. It was that word: puberty puberty. The source of a great amount of anxious speculation on my part at the time. A word that lay in wait for me, jumping out now and then, scaring me because I didn't know exactly what it meant. But now at least I knew one thing: Chapter Eleven was involved in it somehow. Maybe that explained not only the pimples but the other thing about my brother I'd been noticing lately.

Not long after Desdemona took to her bed, I'd begun to notice, in the vague creepy way of a sister with a brother, a new, solitary pastime of Chapter Eleven's. It was a matter of a perceptible activity behind the locked bathroom door. Of a certain strain to the reply, "Just a minute," when I knocked. Still, I was younger than he was and ignorant of the pressing needs of adolescent boys.

But let me backtrack a minute. Three years earlier, when Chapter Eleven was fourteen and I was eight, my brother had played a trick on me. It happened on a night when our parents had gone out to dinner. It was raining and thundering. I was watching television when Chapter Eleven suddenly appeared. He was holding out a lemon cake. "Look what I have!" he sang.

Magnanimously he cut me a slice. He watched me eat it. Then he said, "I'm telling! That cake was for Sunday."

"No fair!"

I ran at him. I tried to hit him, but he caught my arms. We wrestled standing up, until finally Chapter Eleven offered a deal.

As I said: in those days, the world was always growing eyes. Here were two more. They belonged to my brother, who, in the guest bathroom, amid the fancy hand towels, stood watching as I pulled down my underpants and lifted my skirt. (If I showed him, he wouldn't tell.) Fascinated as he was, he stayed at a distance. His Adam's apple rose and fell. He looked amazed and frightened. He didn't have much to compare me to, but what he saw didn't misinform him either: pink folds, a cleft. For ten seconds Chapter Eleven studied my documents, detecting no forgery, as the clouds burst overhead, and I made him get me one more piece of cake.

Apparently, Chapter Eleven's curiosity hadn't been satisfied by looking at his eight-year-old sister. Now, I suspected, he was looking at pictures of the real thing.

In 1971, all the men in our lives were gone, Lefty to death, Milton to Hercules Hot Dogs, and Chapter Eleven to bathroom solitaire. Leaving Tessie and me to deal with Desdemona.

We had to cut her toenails. We had to hunt down flies that found their way into her room. We had to move her birdcages around according to the light. We had to turn on the television for the day's soap operas and we had to turn it off before the murders on the evening news. Desdemona didn't want to lose her dignity, however. When nature called, she called us on the intercom, and we helped her out of bed and into the bathroom.

The simplest way to say it is: years passed. As the seasons changed outside the windows, as the weeping willows shed their million leaves, as snow fell on the flat roof and the angle of sunlight declined, Desdemona remained in bed. She was still there when the snow melted and the willows budded again. She was there when the sun, climbing higher, dropped a sunbeam straight though the skylight, like a ladder to heaven she was more than eager to climb.

What happened while Desdemona was in bed: Aunt Lina's friend Mrs. Watson died, and with the poor judgment grief always brings, Sourmelina decided to sell their adobe house and move back north to be close to her family. She arrived in Detroit in February of 1972. The winter weather felt colder than she ever remembered. Worse, her time in the Southwest had changed her. Somehow in the course of her life Sourmelina had become an American. Almost nothing of the village remained in her. Her self-entombed cousin, on the other hand, had never left it. They were both in their seventies, but Desdemona was an old, gray-haired widow waiting to die while Lina, another kind of widow entirely, was a bottle redhead who drove a Firebird and wore belted denim skirts with turquoise belt buckles. After her life in the sexual counterculture, Lina found my parents' heterosexuality as quaint as a sampler. Chapter Eleven's acne alarmed her. She disliked sharing a shower with him. A strained atmosphere existed in our house while Sourmelina stayed with us. She was as garish and out of place in our living room as a retired Vegas showgirl, and because we watched her so closely out of the corners of our eyes, everything she did made too much noise, her cigarette smoke got into everything, she drank too much wine at dinner.

We got to know our new neighbors. There were the Picketts, Nelson, who'd played tackle for Georgia Tech and now worked for Parke-Davis, the pharmaceutical company, and his wife, Bonnie, who was always reading the miraculous tales in Guideposts Guideposts. Across the street was Stew "Bright Eyes" Fiddler, an industrial parts salesman with a taste for bourbon and barmaids, and his wife, Mizzi, whose hair changed color like a mood ring. At the end of the block were Sam and Hettie Grossinger, the first Orthodox Jews we'd ever met, and their only child, Maxine, a shy violin prodigy. Sam, however, was funny, and Hettie was loud, and they talked about money without thinking it was impolite, and so we felt comfortable around them. Milt and Tessie often had the Grossingers over to dinner, though their dietary restrictions continually baffled us. My mother would drive all the way across town to buy kosher meat, for instance, only to serve it with a cream sauce. Or she would skip the meat and cream altogether and serve crab cakes. Though faithful to their religion, the Grossingers were midwestern Jews, low-key and assimilationist. They hid behind their wall of cypresses and at Christmas put up a Santa Claus along with lights.

In 1971: Judge Stephen J. Roth of the U.S. District Court ruled that de jure de jure segregation existed in the Detroit school system. He immediately ordered the schools to be desegregated. There was only one problem. By 1971 the Detroit student population was 80 percent black. "That busing judge can bus all he wants," Milton crowed, reading about the decision in the paper. "Doesn't make any difference now. You see, Tessie? You understand why your dear old husband wanted to get the kids out of that school system? Because if I didn't, that goddamn Roth would be busing them to school in downtown Nairobi, that's why." segregation existed in the Detroit school system. He immediately ordered the schools to be desegregated. There was only one problem. By 1971 the Detroit student population was 80 percent black. "That busing judge can bus all he wants," Milton crowed, reading about the decision in the paper. "Doesn't make any difference now. You see, Tessie? You understand why your dear old husband wanted to get the kids out of that school system? Because if I didn't, that goddamn Roth would be busing them to school in downtown Nairobi, that's why."

In 1972: Five-foot five-inch S. Miyamoto, rejected by the Detroit police force for failing to meet the five-foot seven-inch requirement (he had tried elevator heels, etc.), appeared on The Tonight Show The Tonight Show to plead his case. I wrote a letter to the police commissioner myself in support of Miyamoto, but I never received a reply, and Miyamoto was rejected. A few months later, Police Commissioner Nichols was thrown from his horse during a parade. "That's what you get!" I said. to plead his case. I wrote a letter to the police commissioner myself in support of Miyamoto, but I never received a reply, and Miyamoto was rejected. A few months later, Police Commissioner Nichols was thrown from his horse during a parade. "That's what you get!" I said.

In 1972: H. D. Jackson and L. D. Moore, who had brought a police brutality case for four million dollars, hijacked a Southern Airways jet to Cuba, outraged at being awarded damages in the amount of twenty-five dollars.

In 1972: Mayor Roman Gribbs claimed that Detroit had turned around. The city had overcome the trauma of the '67 riots. Therefore, he wasn't planning on running for another term. A new candidate appeared, the man who would become the city's first African American mayor, Coleman A. Young.

And I turned twelve.

A few months earlier, on the first day of sixth grade, Carol Horning came into class wearing a slight but unmistakably self-satisfied smile. Below this smile, as if displayed on a trophy shelf, were the new breasts she had gotten over the summer. She wasn't the only one. During the growing months, quite a few of my schoolmates had-as adults liked to say-"developed."

I wasn't entirely unprepared for this. I'd spent a month the previous summer at Camp Ponshewaing, near Port Huron. During the slow march of summer days I was aware, as one is aware of a drum steadily beating across a lake, of something unspooling itself in the bodies of my campmates. Girls were growing modest. They turned their backs to dress. Some had surnames stitched onto not only shorts and socks but training bras, too. Mostly, it was a personal matter that no one spoke about. But now and then there were dramatic manifestations. One afternoon during swimming hour, the tin door of the changing room clanged open and shut. The sound caromed off the trunks of pine trees, carrying past the meager beach out over the water, where I floated on an inner tube, reading Love Story Love Story. (Swimming hour was the only time I could get any reading done, and though the camp counselors tried to motivate me to practice my freestyle, I persevered every day in reading the new bestseller I'd found on my mother's night table.) Now I looked up. Along a dusty brown path in the pine needles, Jenny Simonson was advancing in a red, white, and blue swimsuit. All nature grew hushed at the sight. Birds fell silent. Lake swans unfurled tremendous necks to get a glimpse. Even a chainsaw in the distance cut its engine. I beheld the magnificence of Jenny S. The golden, late afternoon light intensified around her. Her patriotic swimsuit swelled in ways no one else's did. Muscles flexed in her long thighs. She ran to the end of the dock and plunged into the lake, where a throng of naiads (her friends from Cedar Rapids) swam over to meet her.

Lowering my book, I looked down at my own body. There it was, as usual: the flat chest, the nothing hips, the forked, mosquito-bitten legs. Lake water and sun were making my skin peel. My fingers had gotten all wrinkly.

Thanks to Dr. Phil's decrepitude and Tessie's prudishness, I arrived at puberty not knowing much about what to expect. Dr. Philobosian still had an office near Women's Hospital, though the hospital itself had been closed down by then. His practice had changed considerably. There were a few remaining elderly patients who, having survived so long under his care, were afraid to change doctors. The rest were welfare families. Nurse Rosalee ran the office. She and Dr. Phil had been married a year after they met delivering me. Now she did the scheduling and administered shots. Her Appalachian childhood had acquainted her with government assistance, and she was a whiz with the Medicaid forms.

In his eighties, Dr. Phil had taken up painting. His office walls were covered salon-style with thick, swirling oils. He didn't use a brush much, mainly a palette knife. And what did he paint? Smyrna? The quay at dawn? The terrible fire? No. Like many amateurs, Dr. Phil assumed that the only proper subject for art was a picturesque landscape that had nothing to do with his experience. He painted sea vistas he'd never seen and forest hamlets he'd never visited, complete with a pipe-smoking figure resting on a log. Dr. Philobosian never talked about Smyrna and left the room if anyone did. He never mentioned his first wife, or his murdered sons and daughters. Maybe this was the reason for his survival.

Nevertheless, Dr. Phil was becoming a fossil. For my annual physical in 1972 he used diagnostic methods popular back in medical school in 1910. There was a trick where he pretended to slap me in the face to check my reflexes. There was an auscultation accomplished with a wineglass. When he bent his head to listen to my heart I was treated to an aerial view of the Galapagos of scabs on his bald pate. (The archipelago changed position from year to year, continentally drifting across the globe of his skull but never healing.) Dr. Philobosian smelled like an old couch, of hair oil and spilled soup, of unscheduled naps. His medical diploma looked as if it were written on parchment. I wouldn't have been surprised if, to cure fever, Dr. Phil had written out a prescription for leeches. He was correct with me, never friendly, and directed most of his conversation to Tessie, who sat in a chair in the corner. What memories, I wonder, was Dr. Phil avoiding in not looking at me? Did the ghosts of Levantine girls haunt those cursory checkups, suggested by the fragility of my collarbone, or the birdcall of my small, congested lungs? Was he trying not to think of water palaces and loosened robes, or was he just tired, old, half-blind, and too proud to admit it?

Whatever the answer, year after year, Tessie faithfully took me to him, in repayment for an act of charity during a catastrophe he would no longer acknowledge. In his waiting room I encountered the same tattered Highlights Highlights magazine every visit. "Can you find these?" the puzzle asked inside. And there in the spreading chestnut tree were the knife, the dog, the fish, the old woman, the candlestick-all circled by my own hand, shaky with earache, years and years before. magazine every visit. "Can you find these?" the puzzle asked inside. And there in the spreading chestnut tree were the knife, the dog, the fish, the old woman, the candlestick-all circled by my own hand, shaky with earache, years and years before.

My mother avoided bodily matters, too. She never spoke openly about sex. She never undressed in front of me. She disliked dirty jokes or nudity in movies. For his own part, Milton was unable to discuss the birds and the bees with his young daughter, and so I was left, in those years, to figure things out for myself.

From hints Aunt Zo let slip in the kitchen I was aware that something happened to women every so often, something they didn't like, something men didn't have to put up with (like everything else). Whatever it was, it seemed safely far off, like getting married or giving birth. And then one day at Camp Ponshewaing, Rebecca Urbanus climbed up on a chair. Rebecca was from South Carolina. She had slave-owning ancestors and a trained voice. During dances with the boys from the neighboring camp, she waved a hand in front of her face as though holding a fan. Why was she up on a chair? We were having a talent show. Rebecca Urbanus was maybe singing or reciting the poetry of Walter de la Mare. The sun was still high and her shorts were white. And then suddenly, as she sang (or recited), the back of her white shorts darkened. At first it appeared to be only a shadow of the surrounding trees. Some kid's waving hand. But no: while our band of twelve-year-olds sat watching, each of us in camp T-shirt and Indian headband, we saw what Rebecca Urbanus didn't. While her upper half performed, her bottom half upstaged her. The stain grew, and it was red. Camp counselors were unsure how to react. Rebecca sang, arms outflung. She revolved on her chair before her theater-in-the-round: us, staring, perplexed and horrified. Certain "advanced" girls understood. Others, like me, thought: knife wound, bear attack. Right then Rebecca Urbanus saw us looking. She looked down herself. And screamed. And fled the stage.

I returned from camp browner and leaner, pinned with a single badge (ironically, for orienteering). But that other badge, which Carol Horning displayed so proudly the first day of school, I was still without. I felt ambivalent about this. On the one hand, if Rebecca Urbanus's mishap was any indication, it might be safer to stay the way I was. What if something similar happened to me? I went through my closet and threw out anything white. I stopped singing altogether. You couldn't control it. You never knew. It could happen anytime.

Except, with me, it didn't. Gradually, as most of the other girls in my grade began to undergo their own transformations, I began to worry less about possible accidents and more about being left behind, left out.

I am in math class, sometime during the winter of sixth grade. Miss Grotowski, our youngish teacher, is writing an equation on the blackboard. Behind her, at wooden-topped desks, students follow her calculations, or doze, or kick each other from behind. A gray winter Michigan day. The grass outside resembles pewter. Overhead, fluorescent lights attempt to dispel the season's dimness. A picture of the great mathematician Ramanujan (whom we girls at first took to be Miss Grotowski's foreign boyfriend) hangs on the wall. The air is stuffy in the way only air at school can be stuffy.

And behind our teacher's back, in our desks, we are flying through time. Thirty kids, in six neat rows, being borne along at a speed we can't perceive. As Miss Grotowski sketches equations on the board, my classmates all around me begin to change. Jane Blunt's thighs, for instance, seem to get a little bit longer every week. Her sweater swells in front. Then one day Beverly Maas, who sits right next to me, raises her hand and I see darkness up her sleeve: a patch of light brown hair. When did it appear? Yesterday? The day before? The equations get longer and longer throughout the year, more complicated, and maybe it's all the numbers, or the multiplication tables; we are learning to quantify large sums as, by new math, bodies arrive at unexpected answers. Peter Quail's voice is two octaves lower than last month and he doesn't notice. Why not? He's flying too fast. Boys are getting peach fuzz on upper lips. Foreheads and noses are breaking out. Most spectacularly of all, girls are becoming women. Not mentally or emotionally even, but physically. Nature is making its preparations. Deadlines encoded in the species are met.

Only Calliope, in the second row, is motionless, her desk stalled somehow, so that she's the only one who takes in the true extent of the metamorphoses around her. While solving proofs she is aware of Tricia Lamb's purse on the floor next to her desk, of the tampon she glimpsed inside it that morning-which you use how, exactly?-and whom can she ask? Still pretty, Calliope soon finds herself the shortest girl in the room. She drops her eraser. No boy brings it back. In the Christmas pageant she is cast not as Mary as in past years but as an elf... But there's still hope, isn't there?... because the desks are flying, day after day; arranged in their squadron, the students bank and roar through time, so that Callie looks up from her ink-stained paper one afternoon and sees it is spring, flowers budding, forsythia in bloom, elms greening; at recess girls and boys hold hands, kissing sometimes behind trees, and Calliope feels gypped, cheated. "Remember me?" she says, to nature. "I'm waiting. I'm still here."

As was Desdemona. By April of 1972, her application to join her husband in heaven was still working its way though a vast, celestial bureaucracy. Though Desdemona was perfectly healthy when she got into bed, the weeks, months, and finally years of inactivity, coupled with her own remarkable willpower to do away with herself, brought her the reward of a Physician's Handbook Physician's Handbook of ailments. During her bedridden years Desdemona had fluid in her lungs; lumbago; bursitis; a spell of eclampsia that manifested itself a half-century later than etiologically normal and then just as mysteriously vanished, to Desdemona's regret; a severe case of shingles that made her ribs and back the color and texture of ripe strawberries and stung like a cattle prod; nineteen colds; a week of purely figurative "walking" pneumonia; ulcers; psychosomatic cataracts which clouded her vision on the anniversaries of her husband's death and which she basically just cried away; and Dupuytren's contracture, where inflamed fascia in her hand curled her thumb and three fingers painfully into her palm, leaving her middle finger raised in an obscene gesture. of ailments. During her bedridden years Desdemona had fluid in her lungs; lumbago; bursitis; a spell of eclampsia that manifested itself a half-century later than etiologically normal and then just as mysteriously vanished, to Desdemona's regret; a severe case of shingles that made her ribs and back the color and texture of ripe strawberries and stung like a cattle prod; nineteen colds; a week of purely figurative "walking" pneumonia; ulcers; psychosomatic cataracts which clouded her vision on the anniversaries of her husband's death and which she basically just cried away; and Dupuytren's contracture, where inflamed fascia in her hand curled her thumb and three fingers painfully into her palm, leaving her middle finger raised in an obscene gesture.

One doctor enrolled Desdemona in a longevity study. He was writing an article for a medical journal on "The Mediterranean Diet." To that end he plied Desdemona with questions about the cuisine of her homeland. How much yogurt had she consumed as a child? How much olive oil? Garlic? She answered every one of his queries because she thought his interest indicated that there was something, at last, organically the matter with her, and because she never missed a chance to stroll through the precincts of her childhood. The doctor's name was Muller. German by blood, he renounced his race when it came to its cooking. With postwar guilt, he decried bratwurst, sauerbraten, and Konigsberger Klopse as dishes verging on poison. They were the Hitler of foods. Instead he looked to our own Greek diet-our eggplant aswim in tomato sauce, our cucumber dressings and fish-egg spreads, our pilafi pilafi, raisins, and figs-as potential curatives, as life-giving, artery-cleansing, skin-smoothing wonder drugs. And what Dr. Muller said appeared to be true: though he was only forty-two, his face was wrinkled, burdened with jowls. Gray hair prickled up on the sides of his head; whereas my father, at forty-eight, despite the coffee stains beneath his eyes, was still the possessor of an unlined olive complexion and a rich, glossy, black head of hair. They didn't call it Grecian Formula for nothing. It was in our food! A veritable fountain of youth in our dolmades and taramasalata and even in our baklava, which didn't commit the sin of containing refined sugar but had only honey. Dr. Muller showed us graphs he'd made, listing the names and birth dates of Italians, Greeks, and a Bulgarian living in the Detroit metropolitan area, and we saw our own entrant-Desdemona Stephanides, age ninety-one-going strong in the midst of the rest. Plotted against Poles killed off by kielbasa, or Belgians done in by pommes frites, or Anglo-Saxons disappeared by puddings, or Spaniards stopped cold by chorizo, our Greek dotted line kept going where theirs tailed off in a tangle of downward trajectories. Who knew? As a people we hadn't had, for the past few millennia, that much to be proud of. So it was perhaps understandable that during Dr. Muller's house calls we failed to mention the troubling anomaly of Lefty's multiple strokes. We didn't want to skew the graph with new data, and so didn't mention that Desdemona was actually seventy-one, not ninety-one, and that she always confused sevens with nines. We didn't mention her aunts, Thalia and Victoria, who both died of breast cancer as young women; and we said nothing about the high blood pressure that taxed the veins within Milton's own smooth, youthful exterior. We couldn't. We didn't want to lose out to the Italians or even that one Bulgarian. And Dr. Muller, lost in his research, didn't notice the store display of mortuary services next to Desdemona's bed, the photograph of the dead husband next to the photograph of his grave, the abundant paraphernalia of a widow abandoned on earth. Not a member of a band of immortals from Mount Olympus. Just the only member left alive.

Meanwhile, tensions between my mother and me were rising.

"Don't laugh laugh!"

"I'm sorry, honey. But it's just, you've got nothing to... to..."

"Mom!"

"...to hold it up."

A tantrum-edged scream. Twelve-year-old feet running up the stairs, while Tessie called out, "Don't be so dramatic, Callie. We'll get you a bra if you want." Up into my bedroom, where, after locking the door, I pulled off my shirt before the mirror to see... that my mother was right. Nothing! Nothing at all to hold up anything. And I burst into tears of frustration and rage.

That evening, when I finally came back down to dinner, I retaliated in the only way I could.

"What's the matter? You're not hungry?"

"I want normal food."

"What do you mean normal food?"

"American food."

"I have to make what yia yia yia yia likes." likes."

"What about what I I like?" like?"

"You like spanikopita. You've always liked spanikopita."

"Well, I don't anymore."

"Okay, then. Don't eat. Starve if you want. If you don't like what we give you, you can just sit at the table until we're finished."

Faced with the mirror's evidence, laughed at by my own mother, surrounded by developing classmates, I had come to a dire conclusion. I had begun to believe that the Mediterranean Diet that kept my grandmother alive against her will was also sinisterly retarding my maturity. It only served to reason that the olive oil Tessie drizzled over everything had some mysterious power to stop the body's clock, while the mind, impervious to cooking oils, kept going. That was why Desdemona had the despair and fatigue of a person of ninety along with the arteries of a fifty-year-old. Might it be, I wondered, that the omega-3 fatty acids and the three-vegetables-per-meal I consumed were responsible for retarding my sexual maturity? Was yogurt for breakfast stalling my breast development? It was possible.

"What's the matter, Cal?" asked Milton, eating while reading the evening newspaper. "Don't you want to live to be a hundred?"

"Not if I have to eat this stuff the whole time."

But now Tessie was the one tearing up. Tessie who for almost two years now had taken care of an old lady who wouldn't get out of bed. Tessie who had a husband more in love with hot dogs than her. Tessie who secretly monitored her children's bowel movements and so of course knew exactly how greasy American foods could disrupt their digestion. "You don't do the shopping," she said, tearfully. "You don't see what I see. When's the last time you've been to the drugstore, Little Miss Normal Food? You know what the shelves are full of? Laxatives! Every time I go to the drugstore the person in front of me is buying Ex-Lax. And not just one box. They buy it by the bushel."

"That's just old people."

"It's not just old people. I see young mothers buying it. I see teenagers buying it. You want to know the truth? This entire country can't do number two!"

"Oh, now I really want to eat."

"Is this about the bra, Callie? Because if it is, I told you-"

"Mo-om!"

But it was too late. "What bra?" Chapter Eleven asked. And now, smiling: "Does the Great Salt Lake think she needs a bra?"

"Shut up."

"Here. My glasses must be dirty. Let me clean them. Ah, that's better. Now let's have a look-"

"Shut up up!"

"No, I wouldn't say the Great Salt Lake has undergone any kind of geological-"

"Well, your face has, zithead!"

"Still as flat as ever. Perfect for time trials."

But then Milton shouted, "Goddamn it!"-drowning us both out.

We thought he was tired of our bickering.

"That goddamn judge!"

He wasn't looking at us. He was staring at the front page of The Detroit News The Detroit News. He was turning red and then-that high blood pressure we hadn't mentioned-almost purple.

That morning, at U.S. District Court, Judge Roth had devised a clever way to desegregate the schools. If there weren't enough white students left in Detroit to go around, he would get them from somewhere else. Judge Roth had claimed jurisdiction over the entire "metropolitan area." Jurisdiction over the city of Detroit and the surrounding fifty-three suburbs. Including Grosse Pointe.

"Just when we get you kids out of that hellhole," Milton was shouting, "that goddamn Roth wants to send you back!"

The Wolverette

If you've just tuned in, we have one humdinger of a field hockey game on our hands! Final seconds of the last game of the season between those two archrivals, the BCDS Hornets and the B&I Wolverettes. Score tied 4 to 4. Face off at midfield and... the Hornets have it! Chamberlain stick-handling, passes to O'Rourke on the wing. O'Rourke faking left, going right... she's by one Wolverette, by another... and now she passes crossfield to Amigliato! Here comes Becky Amigliato down the sideline! Ten seconds left, nine seconds! In goal for the Wolverettes it's Stephanides and-oh my, my, she doesn't see Amigliato coming! What in the devil?... She's looking at a leaf, folks! Callie Stephanides is admiring a gorgeous, fire-red autumn leaf, but what a time to do it! Here comes Amigliato. Five seconds! Four seconds! This is it, folks, the championship of the Middle School Junior Varsity season is on the line-but hold on... Stephanides hears footsteps. Now she looks up... and Amigliato takes a slap shot! Ooowhee, it's a bullet! You can feel that one all the way up here in the booth. The ball's heading straight for Stephanides' head! She drops the leaf! She's watching it... watching it... gosh, you hate to see this, folks..."

Is it true that right before death (by field hockey ball or otherwise) your life flashes before your eyes? Maybe not your whole life, but parts of it. As Becky Amigliato's slap shot made for my face that fall day, the events of the last half year flickered in my possibly-soon-to-be-extinguished consciousness.

First of all, our Cadillac-by then the golden Fleetwood-wending its way the previous summer up the long driveway of the Baker & Inglis School for Girls. In the backseat, one very unhappy twelve-year-old, me, arriving under duress for an interview. "I don't want to go to a girls' school," I'm complaining. "I'd rather be bused."

And next another car picking me up, the following September, for my first day of seventh grade. Previously, I'd always walked to Trombley Elementary; but prep school has brought with it a host of changes: my new school uniform, for instance, crested and tartaned. Also: this carpool itself, a light green station wagon driven by a lady named Mrs. Drexel. Her hair is greasy, thinning. Above her upper lip, in an example of the foreshadowing I will learn to identify in the coming year's English class, is a mustache.

And now the station wagon is driving along a few weeks later. I'm looking out the window while Mrs. Drexel's cigarette uncoils a rope of smoke. We head into the heart of Grosse Pointe. We pass long, gated driveways, the kind that always fill my family with wonder and awe. But now Mrs. Drexel is turning up these drives. (It is my new classmates who live at the end of them.) We rumble past privet hedges and under topiary arches to arrive at secluded lakefront homes where girls wait with satchels, standing very straight. They wear the same uniform I do, but somehow it looks different on them, neater, more stylish. Occasionally there is also a well-coifed mother in the picture, clipping a rose from the garden.

And next it is two months later, near the end of the fall term, and the station wagon is climbing the hill to my no-longer-brand-new school. The car is full of girls. Mrs. Drexel is lighting another cigarette. She's pulling up to the curb and getting ready to lay a curse on us. Shaking her head at the view-of the hilly, green campus, the lake in the distance-she says, "Youse girls better enjoy it now. Best time of life is when you're young." (At twelve, I hated her for saying that. I couldn't imagine a worse thing to tell a kid. But maybe also, due to certain other changes that began that year, I suspected that the happy period of my childhood was coming to an end.) What else came back to me, as the hockey ball zeroed in? Just about everything a field hockey ball could symbolize. Field hockey, that New England game, handed down from old old England, just like everything else in our school. The building with its long echoing hallways and churchy smell, its leaded windows, its Gothic gloom. The Latin primers the color of gruel. The afternoon teas. The curtsying of our tennis team. The tweediness of our faculty, and the curriculum itself, which began, Hellenically, Byronically, with Homer, and then skipped straight to Chaucer, moving on to Shakespeare, Donne, Swift, Wordsworth, Dickens, Tennyson, and E. M. Forster. Only connect. England, just like everything else in our school. The building with its long echoing hallways and churchy smell, its leaded windows, its Gothic gloom. The Latin primers the color of gruel. The afternoon teas. The curtsying of our tennis team. The tweediness of our faculty, and the curriculum itself, which began, Hellenically, Byronically, with Homer, and then skipped straight to Chaucer, moving on to Shakespeare, Donne, Swift, Wordsworth, Dickens, Tennyson, and E. M. Forster. Only connect.

Miss Baker and Miss Inglis had founded the school back in 1911, in the words of the charter, "to educate girls in the humanities and sciences and to cultivate in them a love of learning, a modest comportment, an amiable grace, and an interest in civic duty above all." The two women had lived together on the far side of the campus in "The Cottage," a shingled bower that occupied a place in school mythology akin to Lincoln's log cabin in national legend. Fifth graders were given a tour every spring. They filed by the two single bedrooms (which fooled them maybe), the founders' writing desks still laid with fountain pens and licorice drops, and the gramophone on which they'd listened to Sousa marches. Miss Baker's and Miss Inglis's ghosts haunted the school, along with actual busts and portraits. A statue in the courtyard showed the bespectacled educators in a fanciful, springtime mood, Miss Baker gesturing, Pope-like, to bless the air, while Miss Inglis (forever the bottom) turned to see what her colleague was bringing to her attention. Miss Inglis's floppy hat obscured her plain features. In the work's only avant-garde touch, a thick wire extended from Miss Baker's head, at the top of which hovered the object of wonder: a hummingbird.

...All this was suggested by the spinning hockey ball. But there was something else, something more personal, that explained why I was its target. What was Calliope doing playing goalie? Why was she encumbered by mask and pads? Why was Coach Stork hollering at her to make the save?

To answer simply: I wasn't very good at sports. Softball, basketball, tennis: I was hopeless in every one. Field hockey was even worse. I couldn't get used to the funny little sticks or the nebulous, European strategies. Short on players, Coach Stork put me in goal and hoped for the best. It rarely happened. With a lack of team spirit, some Wolverettes maintained that I possessed no coordination whatsoever. Did this charge have merit? Is there any connection between my present desk job and a lack of physical grace? I'm not going to answer that. But in my defense I will say that none of my more athletic teammates ever inhabited such a problematic body. They didn't have, as I did, two testicles squatting illegally in their inguinal canals. Unknown to me, those anarchists had taken up residence in my abdomen, and were even hooked up to the utilities. If I crossed my leg the wrong way or moved too quickly, a spasm shot across my groin. On the hockey field I often doubled over, my eyes tearing up, while Coach Stork swatted me on the rump. "It's just a cramp cramp, Stephanides. Run it off." (And now, as I moved to block the slap shot, just such a pain hit me. My insides twisted, erupting with a lava flow of pain. I bent forward, tripping on my goalie stick. And then I was tumbling, falling...) But there's still time to record a few other physical changes. At the beginning of seventh grade I got braces, a full set. Rubber bands now hooked my upper and lower palates together. My jaw felt springy, like a ventriloquist dummy's. Every night before going to sleep I dutifully fit my medieval headgear on. But in the darkness, while my teeth were slowly coerced into straightness, the rest of my face had begun to give in to a stronger, genetic predisposition toward crookedness. To paraphrase Nietzsche, there are two types of Greek: the Apollonian and the Dionysian. I'd been born Apollonian, a sun-kissed girl with a face ringed with curls. But as I approached thirteen a Dionysian element stole over my features. My nose, at first delicately, then not so delicately, began to arch. My eyebrows, growing shaggier, arched, too. Something sinister, wily, literally "satyrical" entered my expression.

And so the last thing the hockey ball (coming closer now, unwilling to endure any more exposition)-the last thing the hockey ball symbolized was Time itself, the unstoppability of it, the way we're chained to our bodies, which are chained to Time.

The hockey ball rocketed forward. It hit the side of my mask, which deflected it into the center of the net. We lost. The Hornets celebrated.

In disgrace, as usual, I returned to the gymnasium. Carrying my mask, I climbed out of the green bowl of the hockey field, which was like an outdoor theater. Taking small steps, I walked along the gravel path back to the school. In the distance, down the hill and across the road, lay Lake St. Clair, where my grandfather Jimmy Zizmo had faked his death. The lake still froze in winter, but bootleggers didn't drive over it anymore. Lake St. Clair had lost its sinister glamour and, like everything else, had become suburban. Freighters still plied the shipping channel, but now you mostly saw pleasure boats, Chris-Crafts, Santanas, Flying Dutchmen, 470s. On sunny days the lake still managed to look blue. Most of the time, however, it was the color of cold pea soup.

But I wasn't thinking about any of that. I was measuring my steps, trying to go as slowly as possible. I was looking at the gymnasium doors with an expression of wariness and anxiety.

It was now, when the game was over for everyone else, that it began for me. While my teammates were catching their breath, I was psyching myself up. I had to act with grace, with swift, athletic timing. I had to shout from the sidelines of my being, "Heads up, Stephanides!" I had to be coach, star player, and cheerleader all in one.