"She wouldn't have no watcher in his bedroom, though; she was determined to do everything but turn him an' lift him herself, but there was al'ays one or two settin' round to keep the fires goin' an'

make sure there was enough cooked up. I swan, I never see a woman so happy round a bed o' sickness as Lyddy Ann was! She never made no fuss when Josh was awake, but if he shet his eyes, she'd kind o' hang over the bed an' smooth the clo'es as if they was kittens, an' once I ketched her huggin' up the sleeve of his old barn coat that hung outside the door. If ever a woman made a fool of herself over a man that wa'n't wuth it, 'twas Lyddy Ann Marden!

"Well, Josh he hung on for a good while, an' we couldn't make out whether he had his senses or not. He kep' his eyes shet most o' the time; but when Lyddy Ann's back was turned, he seemed to know it somehow, an' he'd open 'em an' foller her all round the room. But he never spoke. I asked the doctor about it.

"'Can't he speak, doctor?' says I. 'He can move that hand a leetle to-day. Don't you s'pose he could speak, if he'd a mind to?'

"The doctor he squinted up his eyes--he al'ays done that when he didn't want to answer--an' he says,--

"'I guess he's thinkin' on't over.'

"But one day, Lyddy Ann found she was all beat out, an' she laid down in the best bedroom an' went to sleep. I set with Josh. I was narrerin'

off, but when I looked up, he was beckonin' with his well hand. I got up, an' went to the bed.

"'Be you dry?' says I. He made a little motion, an' then he lifted his hand an' p'inted out into the settin'-room.

"Do you want Lyddy Ann?' says I. 'She's laid down.' No, he didn't want her. I went to the settin'-room door an' looked out, an'--I dunno how 'twas--it all come to me.

"'Is it that gravel-heap?' says I. 'Do you want it carried off, an' the floor swop up?' An' he made a motion to say 'Yes.' I called Cyrus, an'

we made short work o' that gravel. When, I'd took up the last mite on't, I went back to the bed.

"'Josh Marden,' says I, 'can you speak, or can't you?' But he shet his eyes, an' wouldn't say a word.

"When Lyddy Ann come out, I told her what he'd done, an' then she did give way a little mite. Two tears come out o' her eyes, an' jest rolled down her cheeks, but she didn't give up to 'em.

"'Sally,' says she, sort o' peaceful, 'I guess I'll have a cup o' tea.'

"Well, there was times when we thought Josh would git round ag'in, if he didn't have another stroke. I dunno whether he did have another or not, but one night, he seemed to be sort o' sinkin' away. Lyddy Ann she begun to turn white, an' she set down by him an' rubbed his sick hand.

He looked at her,--fust time he had, fair an' square,--an' then he begun to wobble his lips round an' make a queer noise with 'em. She put her head down, an' then she says, 'Yes, Joshuay! yes, dear!' An' she got up an' took the pocket-book 'Mandy had gi'n him off the top o' the bureau, an' laid it down on the bed where he could git it. But he shook his head, an' said the word ag'in, an' a queer look--as if she was scairt an' pleased--flashed over Lyddy Ann's face. She run into the parlor, an' come back with that old pocket-book he'd give up to her, an' she put it into his well hand. That was what he wanted. His fingers gripped it up, an' he shet his eyes. He never spoke ag'in. He died that night."

"I guess she died, too!" said Lucy Staples, under her breath, stealthily wiping a tear from her faded cheek.

"No, she didn't, either!" retorted Sally Flint, hastily, getting up to peer from the window down the country road. "She lived a good many year, right in that very room he'd drove her out on, an' she looked as if she owned the airth. I've studied on it consid'able, an' I al'ays s'posed 'twas because she'd got him, an' that was all she cared for.

There's the hea.r.s.e now, an' two carriages, step an' step."

"Land! who's dead?" exclaimed Mrs. Forbes, getting up in haste, while her ball rolled unhindered to the other end of the room.

"It's Lyddy Ann Marden," returned Sally Flint, with the triumphant quiet of one first at the goal. "I see it this mornin' in the 'County Democrat,' when I was doin' up my wrist, an' you was all so busy."

HEMAN'S MA.

It was half-past nine of a radiant winter's night, and the Widder Poll's tooth still ached, though she was chewing cloves, and had applied a cracker poultice to her cheek. She was walking back and forth through the great low-studded kitchen, where uncouth shadows lurked and brooded, still showing themselves ready to leap aloft with any slightest motion of the flames that lived behind the old black fire-dogs. At every trip across the room, she stopped to look from the window into the silver paradise without, and at every glance she groaned, as if groaning were a duty. The kitchen was unlighted save by the fire and one guttering candle; but even through such inadequate illumination the Widder Poll was a figure calculated to stir rich merriment in a satirical mind. Her contour was rather square than oblong, and she was very heavy. In fact, she had begun to announce that her ankles wouldn't bear her much longer, and she should "see the day when she'd have to set by, from mornin' to night, like old Anrutty Green that had the dropsy so many years afore she was laid away." Her face, also, was cut upon the broadest pattern in common use, and her small, dull eyes and closely shut mouth gave token of that firmness which, save in ourselves, we call obstinacy. To-night, however, her features were devoid of even their wonted dignity, compressed, as they had been, by the bandage encircling her face. She looked like a caricature of her unprepossessing self. On one of her uneasy journeys to the window, she caught the sound of sleigh-bells; and staying only to a.s.sure herself of their familiar ring, she hastily closed the shutter, and, going back to the fireplace, sank into a chair there, and huddled over the blaze. The sleigh drove slowly into the yard, and after the necessary delay of unharnessing, a man pushed open the side door, and entered the kitchen. He, too, was short and square of build, though he had no superfluous flesh. His ankles would doubtless continue to bear him for many a year to come. His face was but slightly accented; he had very thin eyebrows, light hair, and only a s.h.a.ggy fringe of whisker beneath the chin. This was Heman Blaisdell, the Widder Poll's brother-in-law, for whom she had persistently kept house ever since the death of his wife, four years ago. He came in without speaking, and after shaking himself out of his great-coat, sat silently down in his armchair by the fire. The Widder Poll held both hands to her face, and groaned again. At length, curiosity overcame her, and, quite against her judgment, she spoke. She was always resolving that she would never again take the initiative; but every time her resolution went down before the certainty that if she did not talk, there would be no conversation at all,--for Heman had a staying power that was positively amazing.

"Well?" she began, interrogatively.

Heman only stirred slightly in his chair.

"_Well!_ ain't you goin' to tell me what went on at the meetin'?"

Her quarry answered patiently, yet with a certain dogged resistance of her,--

"I dunno's there's anything to tell."

"How'd it go off?"

"'Bout as usual."

"Did you speak?"

"No."

"Lead in prayer?"

"No."

"Wa'n't you _asked_?"

"No."

"Well, my soul! Was Roxy Cole there?"

"Yes."

"Did you fetch her home?"

"No, I didn't!" Some mild exasperation animated his tone at last. The Widder detected it, and occupied herself with her tooth.

"My soul an' body! I wonder if it's goin' to grumble all night long!"

she exclaimed, bending lower over the blaze. "I've tried everything but a roasted raisin, an' I b'lieve I shall come to that."

Heman rose, and opened the clock on the mantel; he drew forth the key from under the pendulum, and slowly wound up the time-worn machinery.

In another instant, he would be on his way to bed; the Widder knew she must waste no time in hurt silence, if she meant to find out anything.

She began hastily,--

"Did they say anything about the church fair?"

"They ain't goin' to have it."

"Not have it! Well, how _be_ they goin' to git the shinglin' paid for?"

"They've got up the idee of an Old Folks' Concert."

"Singin'?"

"Singin' an' playin'."