7. The sixth no sooner had begun About the beast to grope, Than, seizing on the swinging tail That fell within his scope, "I see," quoth he, "the elephant Is very like a rope!"

8. And so these men of Indostan Disputed loud and long, Each in his own opinion Exceeding stiff and strong, Though each was partly in the right, And all were in the wrong!

XCVII. A HOME SCENE.

Donald Grant Mitch.e.l.l (b. 1822,--). This popular American writer was born in Norwich, Conn. He graduated at Yale in 1841. In 1844 he went to England, and, after traveling through that country on foot, spent some time on the continent. His first volume, "Fresh Gleanings, or a New Sheaf from the Old Fields of Continental Europe, by Ik Marvel," was published in 1847, soon after his return home. He revisited Europe in 1848. On his return, he published "The Battle Summer." Mr. Mitch.e.l.l has contributed to the "Knickerbocker Magazine," the "Atlantic Monthly," and several agricultural journals. His most popular works are "The Reveries of a Bachelor," 1850, and "Dream Life," 1851. Besides these, he has written "My Farm of Edgewood," "Wet Days at Edgewood," "Doctor Johns," a novel "Rural Studies," and other works. He is a charming writer. In 1853 he was appointed United States consul at Venice. In 1855 he settled on a farm near New Haven, Conn., where he now resides. The following selection is from "Dream Life."

1. Little does the boy know, as the tide of years drifts by, floating him out insensibly from the harbor of his home, upon the great sea of life,--what joys, what opportunities, what affections, are slipping from him into the shades of that inexorable Past, where no man can go, save on the wings of his dreams.

2. Little does he think, as he leans upon the lap of his mother, with his eye turned to her, in some earnest pleading for a fancied pleasure of the hour, or in some important story of his griefs, that such sharing of his sorrows, and such sympathy with his wishes, he will find nowhere again.

3. Little does he imagine that the fond sister Nelly, ever thoughtful of his pleasures, ever smiling away his griefs, will soon be beyond the reach of either; and that the waves of the years which come rocking so gently under him will soon toss her far away, upon the great swell of life.

4. But now, you are there. The fire light glimmers upon the walls of your cherished home. The big chair of your father is drawn to its wonted corner by the chimney side; his head, just touched with gray, lies back upon its oaken top. Opposite sits your mother: her figure is thin, her look cheerful, yet subdued;--her arm perhaps resting on your shoulder, as she talks to you in tones of tender admonition, of the days that are to come.

5. The cat is purring on the hearth; the clock that ticked so plainly when Charlie died is ticking on the mantel still. The great table in the middle of the room, with its books and work, waits only for the lighting of the evening lamp, to see a return to its stores of embroidery and of story.

6. Upon a little stand under the mirror, which catches now and then a flicker of the fire light, and makes it play, as if in wanton, upon the ceiling, lies that big book, reverenced of your New England parents--the Family Bible. It is a ponderous, square volume, with heavy silver clasps, that you have often pressed open for a look at its quaint, old pictures, for a study of those prettily bordered pages, which lie between the Testaments, and which hold the Family Record.

7. There are the Births;--your father's and your mother's; it seems as if they were born a long time ago; and even your own date of birth appears an almost incredible distance back. Then there are the Marriages;--only one as yet; and your mother's name looks oddly to you: it is hard to think of her as anyone else than your doting parent.

8. Last of all come the Deaths;--only one. Poor Charlie! How it looks!--"

Died, 12 September, 18--, Charles Henry, aged four years." You know just how it looks. You have turned to it often; there you seem to be joined to him, though only by the turning of a leaf.

9. And over your thoughts, as you look at that page of the Record, there sometimes wanders a vague, shadowy fear, which will come,--that your own name may soon be there. You try to drop the notion, as if it were not fairly your own; you affect to slight it, as you would slight a boy who presumed on your acquaintance, but whom you have no desire to know.

10. Yet your mother--how strange it is!--has no fears of such dark fancies. Even now, as you stand beside her, and as the twilight deepens in the room, her low, silvery voice is stealing upon your ear, telling you that she can not be long with you;--that the time is coming, when you must be guided by your own judgment, and struggle with the world unaided by the friends of your boyhood.

11. There is a little pride, and a great deal more of anxiety, in your thoughts now, as you look steadfastly into the home blaze, while those delicate fingers, so tender of your happiness, play with the locks upon your brow. To struggle with the world,--that is a proud thing; to struggle alone,--there lies the doubt! Then crowds in swift upon the calm of boyhood the first anxious thought of youth.

12. The hands of the old clock upon the mantel that ticked off the hours when Charlie sighed and when Charlie died, draw on toward midnight. The shadows that the fireflame makes grow dimmer and dimmer. And thus it is, that Home,--boy home, pa.s.ses away forever,--like the swaying of a pendulum,--like the fading of a shadow on the floor.

DEFINITIONS.--l. In-ex'or-a-ble, not to be changed. 4. Wont'ed, accustomed. Ad-mo-ni'tion (pro. ad-mo'nish'un), counseling against fault or error. 13. Pon'der-ous, very heavy. Quaint (pro. kwant), odd and antique. 7. In-cred'i-ble, impossible to be believed. Dot'-ing, loving to excess. 9. Vague (pro. vag), indefinite. Pre-sumed', pushed upon or intruded in an impudent manner.

XCVIII. THE LIGHT OF OTHER DAYS.

Thomas Moore (b. 1779. d. 1852) was born in Dublin, Ireland, and he was educated at Trinity College in that city. In 1799, he entered the Middle Temple, London, as a student of law. Soon after the publication of his first poetical productions, he was sent to Bermuda in an official capacity. He subsequently visited the United States. Moore's most famous works are: "Lalla Rookh," an Oriental romance, 1817; "The Loves of the Angels," 1823; and "Irish Melodies," 1834; a "Life of Lord Byron," and "The Epicurean, an Eastern Tale." "Moore's excellencies," says Dr. Angus, "consist in the gracefulness of his thoughts, the wit and fancy of his allusions and imagery, and the music and refinement of his versification."

1. Oft in the stilly night Ere slumber's chain has bound me, Fond memory brings the light Of other days around me: The smiles, the tears Of boyhood's years, The words of love then spoken; The eyes that shone, Now dimmed and gone, The cheerful hearts now broken!

Thus in the stilly night Ere slumber's chain has bound me, Sad memory brings the light Of other days around me.

2. When I remember all The friends so linked together I've seen around me fall Like leaves in wintry weather, I feel like one Who treads alone Some banquet hall deserted, Whose lights are fled Whose garlands dead, And all but he departed.

Thus in the stilly night Ere slumber's chain has bound me, Sad memory brings the light Of other days around me.

XCIX. A CHASE IN THE ENGLISH CHANNEL.

James Fenimore Cooper (b. 1789, d. 1851). This celebrated American novelist was born in Burlington, N.J. His father removed to the state of New York about 1790, and founded Cooperstown, on Otsego Lake. He studied three years at Yale, and then entered the navy as a common sailor. He became a midshipman in 1806, and was afterwards promoted to the rank of lieutenant; but he left the service in 1811. His first novel, "Precaution," was published in 1819; his best work, "The Spy," a tale of the Revolutionary War, in 1821. The success of "The Spy" was almost unprecedented, and its author at once took rank among the most popular writers of the day. "The Pilot" and "The Red Rover" are considered his best sea novels. "The Pioneers," "The Last of the Mohicans," "The Prairie," "The Pathfinder," and "The Deerslayer" are among the best of his tales of frontier life. The best of his novels have been translated into nearly all of the European languages, and into some of those of Asia. "The creations of his genius," says Bryant, "shall survive through centuries to come, and only perish with our language." The following selection is from "The Pilot."

1. The ship which the American frigate had now to oppose, was a vessel of near her own size and equipage; and when Griffith looked at her again, he perceived that she had made her preparations to a.s.sert her equality in manful fight.

2. Her sails had been gradually reduced to the usual quant.i.ty, and, by certain movements on her decks, the lieutenant and his constant attendant, the Pilot, well understood that she only wanted to lessen the distance a few hundred yards to begin the action.

"Now spread everything," whispered the stranger.

3. Griffith applied the trumpet to his mouth, and shouted, in a voice that was carried even to his enemy, "Let fall--out with your booms--sheet home--hoist away of everything!"

4. The inspiring cry was answered by a universal bustle. Fifty men flew out on the dizzy heights of the different spars, while broad sheets of canvas rose as suddenly along the masts, as if some mighty bird were spreading its wings. The Englishman instantly perceived his mistake, and he answered the artifice by a roar of artillery. Griffith watched the effects of the broadside with an absorbing interest as the shot whistled above his head; but when he perceived his masts untouched, and the few unimportant ropes, only, that were cut, he replied to the uproar with a burst of pleasure.

5. A few men were, however, seen clinging with wild frenzy to the cordage, dropping from rope to rope, like wounded birds fluttering through a tree, until they fell heavily into the ocean, the sullen ship sweeping by them in a cold indifference. At the next instant, the spars and masts of their enemy exhibited a display of men similar to their own, when Griffith again placed the trumpet to his mouth, and shouted aloud, "Give it to them; drive them from their yards, boys; scatter them with your grape; unreeve their rigging!"

6. The crew of the American wanted but little encouragement to enter on this experiment with hearty good will, and the close of his cheering words was uttered amid the deafening roar of his own cannon. The Pilot had, however, mistaken the skill and readiness of their foe; for, notwithstanding the disadvantageous circ.u.mstances under which the Englishman increased his sail, the duty was steadily and dexterously performed.

7. The two ships were now running rapidly on parallel lines, hurling at each other their instruments of destruction with furious industry, and with severe and certain loss to both, though with no manifest advantage in favor of either. Both Griffith and the Pilot witnessed, with deep concern, this unexpected defeat of their hopes; for they could not conceal from themselves that each moment lessened their velocity through the water, as the shot of the enemy stripped the canvas from the yards, or dashed aside the lighter spars in their terrible progress.

8. "We find our equal here," said Griffith to the stranger. "The ninety is heaving up again like a mountain; and if we continue to shorten sail at this rate, she will soon be down upon us!"

"You say true, sir," returned the Pilot, musing, "the man shows judgment as well as spirit; but--"

9. He was interrupted by Merry, who rushed from the forward part of the vessel, his whole face betokening the eagerness of his spirit and the importance of his intelligence.--

"The breakers!" he cried, when nigh enough to be heard amid the din; "we are running dead on a ripple, and the sea is white not two hundred yards ahead."

10. The Pilot jumped on a gun, and, bending to catch a glimpse through the smoke, he shouted, in those clear, piercing tones, that could be even heard among the roaring of the cannon,--

"Port, port your helm! we are on the Devil's Grip! Pa.s.s up the trumpet, sir; port your helm, fellow; give it to them, boys--give it to the proud English dogs!"

11. Griffith unhesitatingly relinquished the symbol of his rank, fastening his own firm look on the calm but quick eye of the Pilot, and gathering a.s.surance from the high confidence he read in the countenance of the stranger. The seamen were too busy with their cannon and the rigging to regard the new danger; and the frigate entered one of the dangerous pa.s.ses of the shoals, in the heat of a severely contested battle.

12. The wondering looks of a few of the older sailors glanced at the sheets of foam that flew by them, in doubt whether the wild gambols of the waves were occasioned by the shot of the enemy, when suddenly the noise of cannon was succeeded by the sullen wash of the disturbed element, and presently the vessel glided out of her smoky shroud, and was boldly steering in the center of the narrow pa.s.sages.

13. For ten breathless minutes longer the Pilot continued to hold an uninterrupted sway, during which the vessel ran swiftly by ripples and breakers, by streaks of foam and darker pa.s.sages of deep water, when he threw down his trumpet and exclaimed--

"What threatened to be our destruction has proved our salvation.--Keep yonder hill crowned with wood one point open from the church tower at its base, and steer east and by north; you will run through these shoals on that course in an hour, and by so doing you will gain five leagues of your enemy, who will have to double their trail."

14. Every officer in the ship, after the breathless suspense of uncertainty had pa.s.sed, rushed to those places where a view might be taken of their enemies. The ninety was still steering boldly onward, and had already approached the two-and-thirty, which lay a helpless wreck, rolling on the unruly seas that were rudely tossing her on their wanton billows.

The frigate last engaged was running along the edge of the ripple, with her torn sails flying loosely in the air, her ragged spars tottering in the breeze, and everything above her hull exhibiting the confusion of a sudden and unlooked-for check to her progress.

15. The exulting taunts and mirthful congratulations of the seamen, as they gazed at the English ships, were, however, soon forgotten in the attention that was required to their own vessel. The drums beat the retreat, the guns were lashed, the wounded again removed, and every individual able to keep the deck was required to lend his a.s.sistance in repairing the damages to the frigate, and securing her masts.

16. The promised hour carried the ship safely through all the dangers, which were much lessened by daylight; and by the time the sun had begun to fall over the land, Griffith, who had not quitted the deck during the day, beheld his vessel once more cleared of the confusion of the chase and battle, and ready to meet another foe.