Mary Wollaston - Part 16
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Part 16

Well--she'd better make it!"

There wasn't time to explore the meaning of that last remark for they were then pulling up at the door. She laid it aside for future reference, however. She was so fortunate as to meet Doctor Darby on the stairs and so to get at once the latest and most authoritative report.

He brightened at the sight of her but she thought he didn't look very hopeful. He said though, that he believed her father was going to get well. "Medically, he hasn't more than an even chance. He hasn't much fight in him somehow. But that stepmother of yours means to pull him through. She doesn't mean to be beaten and I don't believe she will be.

I've never seen the equal of her. It shows they're born, not made. She's never had, your aunt a.s.sures me, any nursing experience whatever."

Mary thought she detected a twinkle in Darby's eye over this mention of Aunt Lucile, but it was gone before she could make sure.

"You're to go up and see him for five minutes," he went on. "Paula's keeping a look-out for you. He mustn't be allowed to talk, of course, but she wants him to know you're back. She has an idea, and she's probably right, that he is worrying about you."

"What is there that I can do?" she asked. "To help, I mean."

"Hope," he told her bluntly. "Pray if you can. Cheer up your aunt a bit, if possible; she's in despair. Only don't try to take away any of her occupations. That's about all."

"In other words, nothing," she commented.

"Well, none of us can do much more than that," he said, "excepting always, Paula."

It was not until she had spent that heart-tearing five minutes at her father's bedside, while she talked cheerful little encouraging futilities in a voice dry with the effort she had to make to keep it from breaking, that she saw her aunt--and felt grateful for Doctor Darby's warning. Mary had never thought of Lucile before as an old woman, but she seemed more than that now,--broken and, literally, in despair--of her brother's life.

And beyond this there was a bitterness which Mary could not, at first, account for.

"Paula, I hear, has allowed you to see him. For five minutes! Well, that is more than she has allowed me. Or any of us. It was a chance for showing off, I suppose, that was more than she could resist."

"I was a little afraid it might be that," Mary admitted. "Afraid of finding her--carefully costumed for the part, you know. But she wasn't.

She didn't come into the room with me at all; just told me not to show I was shocked by the way he looked and not to let him talk. And she seemed glad I was back; not for me but because it might help him. It seems a miracle that he's still alive, after almost a week of that, and I guess it is she who has done it. They all say so."

"Men!" the old woman cried fiercely. "All men! The two nurses as well.

There's something about her that makes idiots of all of them. She knows it. And she revels in it. It's the breath of life to her. She has played fast and loose with your father's happiness for it. And now she's playing with his life as well. And feeling, all the while, that it is a very n.o.ble repentance!"

"Repentance for what?" Mary asked. "Rush said something like that. I thought, before I went away, that father was getting reconciled to the Ravinia idea. Do you think it was worrying about ..."

"No, I don't," Lucile interrupted shortly. "Your father was exposed, soaking wet, to a cold north wind, while he was driving forty miles in an open car. That's the reason he took pneumonia. And it's the only reason.

I don't know what Rush may have been saying to you, but I've known your father ever since he was born, and I can tell you that Paula might have gone on making a fool of herself to the end of time without his dying of it. He was--fond of her, I will admit. But he had a life of his own that she knows nothing about. He was too proud to tell her about it, and she hadn't wit enough to see it for herself. That's the truth, and this emotional sprawl she's indulging in now doesn't change it.--Meanwhile, she is adding to her collection five new men!"

"I don't believe," said Mary quietly, "that there is one of them she knows exists. Or wouldn't poison," she added with a smile, "to improve father's chance of getting well."

This won a nod of grim a.s.sent. "There are plenty of them. She could replace them easily enough. But her hunger for their worship is insatiable. For a while your father's--infatuation satisfied her. She may have tried to pull herself up to his level. I dare say she did. But even at that time she could not abide Wallace Hood, though he was kindness itself to her, simply because he kept his head. Unfortunately, this poor young musician was not able to keep his."

It seemed to Mary, even when allowance was made for the bitterness of the desperate old woman, who then went on for the better part of an hour with her bill of particulars, that this must be true. Paula must have lost her head, at any rate. What Mary herself had seen the beginning of, must have gone on at an accelerated speed until it was beyond all bounds.

There had been few hours when March might not come to the house and none to which he did not stay. There were whole days when Paula was hardly out of his company. She took him about with her to people's houses. She talked about him when she went alone. Those who had at first not known what to think, at last had come to believe that there was only one thing they could.

"I tried to suggest to her, quite early, before it had gone so far, that she was in danger of being misunderstood. It only made her furious. And John was hardly less so when I mentioned to him that I had spoken to her.

He would see nothing; kept a face of granite through it all."

"Aunt Lucile," Mary asked, after a little silence, "do you think she has really been--unfaithful to father?"

Miss Wollaston hesitated. "Should you consider the conduct I have described, to be an example of fidelity?"

"I mean, in the divorce court sense," Mary persisted.

"That," her aunt said, more nearly in her old manner than anything that Mary had yet seen--"that is a matter upon which I have no opinion."

It was a possibility that Mary had contemplated as early as that first night of all, when Paula, having sung his song, had come herself to find him in Annie's old bedroom where she had him hidden and with a broken laugh had pulled him up in her arms and kissed him, unaware that she was not alone with him. One kiss, as an isolated phenomenon, didn't mean much, Mary allowed, but when a man and a woman who were going to be left alone together a lot, started off that way, they were likely to--get somewhere. And where the man was the composer of that love song and the woman the singer of it, it was almost a foregone conclusion that they would.

But this was not the conclusion that she had come to when she stopped old Nat on his way down-stairs to turn March out of the house. The evidence, Rush's and Aunt Lucile's, might seem to point that way but it didn't, somehow, make a convincing picture. I think, though, that in any case, she would have gone down to see him.

He had found himself a seat on a black oak settee in the hall around the corner of the stairs and his att.i.tude, when she came upon him, was very like what it had been the other time, bent forward a little, his hands between his knees, as if he were braced for something.

"Mrs. Wollaston won't be able to see you to-day," she said. He sprang to his feet and she added instantly, "I'm her stepdaughter, Mary Wollaston.

Won't you come in?" Without waiting for an answer, she turned and led the way into the drawing-room.

So far it had been rehea.r.s.ed, on her way down-stairs, even to the chair in the bow window which she indicated, having seated herself, for him to sit down in. She had up to that point an extraordinarily buoyant sense of self-possession. This left her for one panicky instant when she felt him looking at her a little incredulously as if, once more, he wondered whether she were really there.

"I think, perhaps, you haven't heard of father's illness," she began--not just as she had expected to. "Or did you come to ask about him?"

"No," he said. "I hadn't heard. Is it--yes, of course it must be--serious. I'm sorry."

She was struck by the instantaneous change in his manner. From being, part of him, anyhow, a little remote--wool-gathering would have been Aunt Lucile's term--he was, vividly, here. It wasn't possible to doubt the reality of his concern. As a consequence, when she began informing him of the state of things she found herself pulled away, more and more, from the impersonal phraseology of a medical bulletin. She told how the attack had come on; how they had put up a bed for him in the music room, where there was the most air, and begun what it was evident from the first would be a life-and-death struggle; she quoted what Rush had told her when he met the train. "I agree with Rush," she concluded. "They let me see him, for a few minutes, this morning, just so he'd know that I had come back. Yet it isn't possible not to believe that he will get well."

When she had squeezed away the tears that had dimmed her eyes, she saw that his own were bright with them. "He's more than just a great man," he said gravely. Then, after a moment's silence, "If there's anything I can do... It would be a great privilege to be of service to him. As errand boy, any sort of helper. I had some hospital experience at Bordeaux."

It was, on the face of it, just such an offer as any kindly disposed inquirer would have made. Such as Wallace Hood, for example, had, in fact, made, only rather more eloquently less than an hour ago. But Mary's impulse was not to answer as she had answered Wallace with a mere polite acknowledgment of helpless good intentions. In fact, she could find, for the moment, no words in which to answer him at all.

He said then, "I mustn't keep you."

Even in response to that she made no movement of release. "There's nothing, even for me to do," she said, and felt from the look this drew from him that he must, incredibly, have caught from her some inkling of what her admission really meant.

He did not repeat his move to go, nor speak, and there was silence between them for, perhaps, the better part of a minute. It was terminated, startlingly, for her, by her brother's appearance in the doorway. He had on his raincoat and carried his hat and an umbrella in his hands.

"Mary, I'm just going out" ... he began, then broke off short, stared, and came on into the room. March rose, but Mary, after one glance at Rush's face, sat back a little more deeply in her seat. Rush ignored her altogether.

"My sister has been away during the last few weeks," he said to March. It had, oddly, the effect of a set speech. "If she had not been, I'm sure she would have told you, as I do now ..." He stumbled there, evidently from the sudden blighting sense that he was talking like an actor--or an a.s.s. "This isn't the time for you to come here," he went on. "This house isn't the place for you to come. When my father's well enough to take matters into his own hands again, he'll do as he sees fit. For the present you will have to consider that I'm acting for him."

Mary's eyes during the whole of that speech never wavered from March's face. There was nothing in it at all at first but clear astonishment, but presently there came a look of troubled concern that gave her an impulse to smile. Evidently it disconcerted her brother heavily for at the end of an appalling silence, not long enough however, to allow March to get his wits together for a reply, Rush turned about abruptly and strode from the room. A moment later they heard the house door close behind him.

The two in the drawing-room were left looking at each other. Then, "Please sit down again," she said.

CHAPTER XI

NOT COLLECTABLE

The effect of Rush's interruption was rather that of a thunderclap, hardly more. Recalling it, Mary remembered having looked again into March's face as the street door banged shut to see whether he was laughing. She herself was sharply aware of the comic effect of her brother's kicking himself out of the house instead of his intended victim, but she could not easily have forgiven a sign of such awareness from March.

He had betrayed none, had tried, she thought--his amazement and concern had rendered him pretty near inarticulate--to tell her what the look in his face had already made evident even to Rush; his innocence not only of any amorous intent toward Paula but even of the possibility that any one could have interpreted the relation between them in that way. He might have managed some such repudiation as that had she not cut across his effort with an apology for her brother.