"You'd have thought me more of a whining wife than ever."

"Well, it's over, anyway. Won't you forget it?"

"I'm just delighted to forget it. But there's a kind of joy in remembering all the same, such as a man feels in thinking of his starvation early days after he's made himself rich."

"And now I'm to be starved instead?"

Then she collected her muff and gloves, closed her coat, pinning the violets outside, thanked him for a nice lunch and left him. He paid the bill in a hurry and hastened after her, catching up with her upon the kerb.

"Well," he said in her ear, "I shall keep on asking. What do you think?"

She signalled a passing omnibus to stop and boarding it left him with a smile and wave of the hand. For a few seconds, he stood on the kerb, at grips with a feeling of humiliation and defeat, then he began to walk back to his work. He was not yet accustomed to the setting of this new act he was playing with his wife--he thought of it thus--though it was making him smart badly. As he went forward, threading his way among the hurrying after-lunch throngs, he was thinking hard. He attracted some attention from women's eyes as he swung along, oblivious, big, straight-shouldered and masculine. All the afternoon, while his mind was ostensibly upon his business, he fumed and fretted.

In taking up his job in London, he found a good deal to do and to book that first day. He had to pay rushing visits to two agents, talk over his tour with the head of the firm, and drive about the Park, in a Runaway, a rich undecided peer who couldn't make up his mind to buy her. But he bought the car _de luxe_ before they parted, and his cheque lay in Osborn's pocket.

Another twenty-pounds commission, and what for? To spend on a woman who coolly didn't want it. Osborn Kerr started for home, chafing sorely.

On his way to the Piccadilly Tube he passed the Piccadilly Theatre.

Outside the doors hung a big frame of photographs of the entire cast of Sautree's new production, and he paused to look, absent-minded as he was, with male interest in that galaxy of charm. In the second row of faces he met Roselle's. She photographed well, her big, smooth shoulders bare, her hair smooth and smart, her chin uptilted so that she looked out, foreshortened. She smiled inscrutably. He knew the smile well, although he had never translated it so far as to guess that it covered stupidity in a sphinx's mask that baffled and piqued.

That smile was of sterling value to Roselle; it was like so many pounds paid regularly into her pocket; it set men wondering what her meaning was when all the while she meant nothing. As Osborn Kerr paused before the rows of portraits, he wondered, a little yet, what Roselle meant when, so inscrutably, she smiled.

She was beautiful, there was no doubt of it. He remembered with some self-gratulation those hours spent with her in the blue Runaway with its silver fittings; Roselle in her fur coat and the purple velvet hat crushed close, in a cheeky fashion, over her night-black hair; and people turning to look at them both. He had seen in men's faces as they passed that they thought him a lucky fellow. They would have liked to be in his shoes, or rather, in his seat beside her, in the Runaway.

He passed on, the trouble in his heart a shade lighter for the intrusion of something else, something pleasant. It was like diluting a nasty draught, or soothing pain by partly anaesthetising it.

He reached home at his old time; it seemed so familiar to fit the key into the lock and step into the hall, redolent, even through the closed kitchen door, of the savoury preparations for dinner. But no little woman ran out, smiling and anxious, to ascertain his mood.

He had to go in search of her; he opened the sitting-room door and found her ensconced on the chesterfield, knitting those socks. This evening she had on a purply thing, a wrap, a tea-gown--he did not know what to call it--very graceful. It made her look slimmer than ever; and stranger. All these strange clothes had the effect of increasing the gulf between them. In the old days she had to ask him, and she did not do it very often, for what she wanted, and it was his to withhold or to give. Everything about her then had seemed familiar because, in a way, it was his. But now she had a horrible independence, a mastery of life, even to spending her own money upon her own clothes. He did not mind that, of course; he liked her to be able to buy what she wanted; but it made a difference.

She wore her amethyst earrings, but not the hair ornament from Paris.

Coming up behind her quickly, he bent over and kissed her cheek, it being all that she offered. He laid a box of sweets on a table near, and it reminded her of that evening before he went away, when he had brought home a packet of chocolates to sugar his news.

"Not lost your sweet tooth I hope," he smiled.

"It's sweeter than ever."

He untied the ribbons. "Do you still thread these in your cammies?"

"If they're pretty. That'll do for Minna--I'm wearing mauve now."

"I'd noticed."

"Because of poor mother, you know."

"Oh, of course." He put a bonbon in her mouth.

"What a nice baby it is!" he said softly, stroking her silk knee.

He knew himself to be a fool, but all that evening he let himself remain on the rack, wondering; wondering if she'd relent; if her stoniness wasn't just a mood, and if it hadn't passed away; wondering if he couldn't break down that unnatural opposition in her. And when at ten o'clock she rose and nodded "Good night," he detained her, asking again urgently:

"Can't we--can't we--be as we were before?"

"Thank heaven, no!" she replied, with a tiny shudder.

Osborn looked at her narrowly and spoke crudely:

"Do you know, if I were like some men, I should tell you that I wouldn't stand such fool nonsense; and there'd be an end of it?"

She went a trifle paler, but displayed no fear. "Don't you dare!" she said between her teeth. "I'd leave you next day."

Again he went a little way up the corridor, but stopped before the aloof reserve of her look.

"Believe me," she said gravely, "I couldn't stand you."

He bit his lip sharply. "It's dangerous, you know, what you're doing.

I told you last night men are natural animals all the world over. I shan't stand being turned down like this for ever; it's absurd, unnatural; it's preposterous after we've been married all these years.

I tell you what you're doing is not safe. You'll drive me elsewhere."

"Make your own life," she said, with a cheerful indifference; "I have all I want in mine."

Osborn turned away with a sharp exclamation; and heard her door click behind her while he still stood in the corridor.

"That's that!" he breathed hard.

The next morning he took a bag with him and in the afternoon he wired home: "Shall not be back for dinner."

She read the telegram, uncaring. Two years ago it would have made her fear. She would have trembled over it; her heart would have leapt as at a thunderbolt; she would have run to her glass and reckoned with the sallowness of her face, the little lines about her eyes, each representing little anxieties about little things; her chapped hands and her dull wits. She would have thought of the other women, the hundreds of them, the younger, freer and fresher women who passed him by every day in the streets. But now she smiled; she felt awfully old, experienced in reading under and between the brief message.

She mused: "Tactics! How funny men are! Can he think I'll mind?"

It occurred to her, too, that perhaps it was not tactics; perhaps he genuinely quested in other directions; perhaps, already, she had driven him elsewhere. And still she was unmoved; she could not care.

She longed to care very deeply, tragically, to thrill to the pulse of life again, but she could not. She even told herself that she was a little glad on his behalf and her own, if such was the solution. As she went in to dinner, and seated herself at the solitary table, she liked it; privacy had returned to her. This was almost like the year of her grass-widowhood.

CHAPTER XXIV

FOOL'S CAP

Osborn visited a smart flower shop when he went out to lunch and ordered carnations, a generous sheaf of them, to be sent to Miss Roselle Dates at the Piccadilly Theatre at half-past seven. He rang up and booked a stall for himself and, later, sent the wire to his wife.

"She's cut me loose," he said to himself, "and that's that."

He lunched as he liked now, with a memory that could afford to be humorous of the five-shilling weekly limit to which he had cut himself down in the bad old days only just over a year ago. But they were dear old days, too, when this extraordinary complication between his wife and him wasn't even thought of....