Mariposilla - Part 16
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Part 16

Forgetting all restraint, all method, she abandoned her liberated body to the emotions of her throbbing soul.

Long afterward, all remembered how she had swayed the great house into irresistible tumult; then suddenly had floated mysteriously away, lost in the dazzling retreat of the senoritas.

The pageant terminated with a superb tableau, symbolizing the end of the prolific rose season.

At Easter, and for a number of weeks after, nature grows prodigal. Then comes a lull. The roses have exhausted themselves. The brilliant carnival is over, and a number of weeks must now elapse before the vines and bushes gather strength to flower again.

With an appropriate accordance to reality, the closing tableau represented, with poetic significance, the return of Spring, accompanied by wild flowers and roses, to the Magic Canon.

From the front of the garden the brilliant procession wound upward in tiers of harmonious color, until, far above in the mountains, the Silver Harlequin and Spring stood close to the entrance of the Magic Canon. From the heart of this enchanted spot all had issued--a divine secret; all were again returning to sleep until nature bid them once more arouse. This last magnificent spectacle was glorified by strong rose lights; while from above a silent rain of variegated rose petals fell like a soothing benediction.

When the curtain was at last down, the artistic and financial success of the pageant was the theme of the entire community.

The profits of the matinee, to be given the next afternoon, would more than defray expenses, and the proceeds of this victorious night would be safe.

Ethel and her able a.s.sistants were happy with excitement. Upon the now demoralized stage they were receiving congratulations from throngs of friends. Ethel stood like a delighted child between her father and the rector, when Mrs. Sanderson approached to utter the pretty things she always said so well.

At her side stood Mariposilla, flushed and submissive to the woman's bold caresses.

"Our little b.u.t.terfly is weary after her wonderful flight," the lady said, turning to the rector in her inimitable way. "Bring the little one's cloak, Sidney," she continued, addressing her son, who went at once to find a rich, fur-lined garment belonging to his mother.

"There," she said, when the young man returned with the wrap and placed it solicitously about Mariposilla, "the dear child will now be quite safe from a cold."

The running hither and thither was at last decreasing. The lights were growing dim and the performers were rapidly dispersing. We ourselves were just leaving the stage, when Ethel flew to my side and claimed Mariposilla for the night.

"She must come home with me," she declared. "I want to take care of her for to-morrow. It is perfect nonsense for her to drive to San Gabriel when she must return at noon to-morrow. I am determined to have my own way to-night," she cried. "It is the duty of all to spoil me this once,"

she declared, when Sidney interfered, volunteering to bring Mariposilla to the opera house in good season the next day.

"No, sir," said the girl with an oracular shake of her finger, "Mariposilla belongs to me to-night. You may control her movements after to-morrow."

Reluctantly the child yielded to the decision of Ethel. As she parted from her lover she unconsciously smiled up into his face a regretful good-night that answered touchingly his own silent renunciation.

CHAPTER XIX.

Ethel went early to the opera house the morning after the eventful night of the pageant. The flowers would need freshening, and the girl was determined that the matinee should give full satisfaction to those who had been denied the excitement of the opening night. She knew that many delicate persons and children would attend in the afternoon. There would also be critical ones, who, having failed to secure tickets in time for the evening performance, would come to the matinee, perhaps with ungenerous spirits. For these reasons Ethel desired that the decorations of the house and stage should both delight and astonish, as they had done upon the previous evening.

Afterward the girl told how she had felt almost like weeping when she entered alone the dark, chilly opera house.

"It seemed like a great tomb, with its thousands of wilting roses," she said. "Until joined by others, I was filled with a horrible depression.

I felt as if something miserable was about to happen. The flowers really looked no worse than I had expected, for the gorgeous band was still effective; but its first, perfect freshness was gone, its roses were dying, and I was alone at their death. Of course," she continued, "I felt better when we covered the withered places with fresh roses, but I was still restless and foolishly apprehensive."

Yet, with all the girl's uneasiness, she had little time for indulging nervous presentiments. There was much work to be done, and the time was short. Even when the decorations had been satisfactorily freshened, her unreliable performers would have to be looked after.

One girl had left a candlestick, which must be retrimmed; another had forgotten to take home her hoop, which had to be twined with fresh Gold of Ophir roses. Last of all she must collect and sort carefully all the necessary articles that would be called for by fair irresponsibles at the very last moment.

When I joined her in the green room at one o'clock, she looked anything but dejected, as she dabbed energetically the contents of a rouge pot onto the cheeks of a procession of maidens, filing in turn before her.

"There! go in peace, and dance your best," she cried, flinging away the ruddy rag as the last of the file pa.s.sed on to the artist who was doing the eyes.

"Everything moves anxiously to-day," the girl said, pathetically, while she rested a moment against the wall. "I suppose I am a simpleton, but I feel as if the crack of doom were at hand. Mariposilla is late, although I told them to send her at half past twelve, and the Harlequin's wife has forgotten his cap," she said, almost hysterically, as she turned from my side to answer a volley of unnecessary questions.

"Where shall we go, Miss Walton?"

"Miss Walton, can't I have some paint on my cheeks?"

"Please, Miss Walton, my slipper is untied!"

"Miss Walton, my sister has lost her hat."

"Go directly onto the stage and stay, in readiness for your positions,"

the girl answered, distractedly.

"Come," I said, hoping to take her a moment out of herself, "Come with me into one of the flies; I have something to tell you."

"Dear me," she exclaimed, "what can have become of Mariposilla?"

"She is safe to-day," I answered, as we entered the fly. "She is safe to-day! But what will become of her to-morrow? The Sandersons have gone!"

"The Sandersons gone!" the girl repeated, in excitement. "Where have they gone?"

"They left to-day at noon for New York, to enable Sidney to marry, if possible, Gladys Carpenter. Her father has just died. With his death the daughter inherits three millions."

The words had but escaped my lips when a commotion in the adjoining fly betokened some catastrophe. In a second we had pushed through a crowd of frightened girls, to bend in horror over the prostrate form of Mariposilla.

"She is dead," cried Ethel. "She heard what we said and our words have killed her."

"Hush!" I whispered, "she has only fainted. Get water quickly."

Ethel flew at my bidding, while I unfastened the little bodice that but a moment before had heaved so lightly with the pulsations of a happy heart. Dear little b.u.t.terfly, I thought, how cruelly have your poor little wings been crushed!

Hot, indignant tears rained from my eyes, as I superst.i.tiously unclasped the opal necklace, once worn by the beautiful, unfortunate Lola.

Ethel had now returned with the water, and the crowd, still pressing about us, was creating a panic.

"Stand back," I cried. "Don't you see you are taking every breath of the air?" As I spoke, the excited, curious, theatrical throng fell away.

Enveloped in her mother's wedding lace, that in the fall had shrouded her with prophetic significance, Mariposilla lay like one dead, unconscious of a miserable awakening. As I bent beside her I almost dreaded to see the heavy fringes lift from the beautiful eyes that I feared would never shine again with their old happy light.

"Dear child!" I whispered, as I applied the water, "what can we do to mend your poor little broken heart?"

While I yet spoke, the delicate eyelids began to quiver, and a little hand to tremble. A tired sigh and then a stifled sob burst from the lips.

"Darling, be brave, you have only fainted. I will take you home to the dear Dona Maria," I said, as naturally as I could.