According to the terms of this decree--which is still preserved among the archives of Frankfort-on-the-Main, and which is known as the _bulle d'or_, or golden bull, from the fact of its bearing a seal of pure gold--on the death of an emperor, the Archbishop of Mayence summoned, for an appointed day, the Prince Electors of the Empire, who, during the whole course of the Middle Ages, remained seven in number, "in honour," says the bull, "of the seven candlesticks mentioned in the Apocalypse." These Electors--who occupied the same position near the Emperor that the twelve peers did in relation to the King of France--were the Archbishops of Mayence, of Treves, and of Cologne, the King of Bohemia, the Count Palatine of the Rhine, the Duke of Saxony, and the Margrave of Brandenburg. On the appointed day, the ma.s.s of the Holy Spirit was duly solemnized in the Church of St. Bartholomew of Frankfort, a town in which not only the election of the Emperor, but also his coronation, almost always took place, though one might have supposed that Aix-la-Chapelle would have been selected for such ceremonies. The Electors attended, and after the service was concluded, they retired to the sacristy of the church, accompanied by their officers and secretaries, They had thirty days for deliberation, but beyond that period they were not allowed "to eat bread or drink water"

until they had agreed, at least by a majority, to give _a temporal chief to the Christian people, that is to say, a King of the Romans, who should in due time be promoted to be Emperor_, The newly-elected prince was, in fact, at first simply _King of the Romans_, and this t.i.tle was often borne by persons who were merely nominated for the office by the voice of the Electors, or by political combinations. In order to be promoted to the full measure of power and authority, the King of the Romans had to receive both religions consecration and the crown. The ceremonies adopted at this solemnity were very a.n.a.logous to those used at the consecrations of the kings of France, as well as to those of installation of all Christian princes. The service was celebrated by the Archbishop of Cologne, who placed the crown on the head of the sovereign-elect, whom he consecrated Emperor. The symbols of his authority were handed to him by the Electors, and then he was proclaimed, "_Caesar, most sacred, ever august Majesty, Emperor, of the Holy Roman Empire of the nation of Germany_."

[Ill.u.s.tration: Fig. 388.--Costume of Emperors at their Coronation since the Time of Charlemagne.--From an Engraving in a Work ent.i.tled "Insignia Sacre Majistatis Caesarum Principum." Frankfort, 1579, in folio.]

The imperial _cortege_ then came out from the Church of St. Bartholomew, and went through the town, halting at the town-hall (called the _Roemer_, in commemoration of the n.o.ble name of Rome), where a splendid banquet, prepared in the _Kaysersaal_ (hall of the Caesars), awaited the princ.i.p.al performers in this august ceremony.

At the moment that the Emperor set foot on the threshold of the Roemer, the Elector of Saxony, Chief Marshal of the Empire, on horseback, galloped at full speed towards a heap of oats which was piled up in the middle of the square. Holding in one hand a silver measure, and in the other a sc.r.a.per of the same metal, each of which weighed six marks, he filled the measure with oats, levelled it with the sc.r.a.per, and handed it over to the hereditary marshal. The rest of the heap was noisily scrambled for by the people who had been witnesses of this allegorical performance. Then the Count Palatine, as chief seneschal, proceeded to perform his part in the ceremony, which consisted of placing before the Emperor, who was sitting at table, four silver dishes, each weighing three marks. The King of Bohemia, as chief butler, handed to the monarch wine and water in a silver cup weighing twelve marks; and then the Margrave of Magdeburg presented to him a silver basin of the same weight for washing his hands. The other three Electors, or arch-chancellors, provided at their own expense the silver baton, weighing twelve marks, suspended to which one of them carried the seals of the empire. Lastly, the Emperor, and with him the Empress if he was married, the princes, and the Electors, sat down to a banquet at separate tables, and were waited upon by their respective officers. On another table or stage were placed the Imperial insignia. The ceremony was concluded outside by public rejoicings: fountains were set to play; wine, beer, and other beverages were distributed; gigantic bonfires were made, at which whole oxen were roasted; refreshment tables were set out in the open air, at which any one might sit down and partake, and, in a word, every bounty as well as every amus.e.m.e.nt was provided. In this way for centuries public fetes were celebrated on these occasions.

[Ill.u.s.tration: Fig. 389.--Imperial Procession.--From an Engraving of the "Solemn Entry of Charles V. and Clement VII. into Bologna," by L. de Cranach, from a Fres...o...b.. Brusasorci, of Verona.]

The doges of Venice, as well as the emperors of Germany, and some other heads of states, differed from other Christian sovereigns in this respect, that, instead of holding their high office by hereditary or divine right, they were installed therein by election. At Venice, a conclave, consisting of forty electors, appointed by a much more numerous body of men of high position, elected the Doge, or president of _the most serene Republic_.

From the day when Laurent Tiepolo, immediately after his election in 1268, was spontaneously carried in triumph by the Venetian sailors, it became the custom for a similar ovation to take place in honour of any newly-elected doge. In order to do this, the workmen of the harbour had the new Doge seated in a splendid palanquin, and carried him on their shoulders in great pomp round the Piazza San Marco. But another still more characteristic ceremony distinguished this magisterial election. On Ascension Day, the Doge, entering a magnificent galley, called the _Bucentaur_, which was elegantly equipped, and resplendent with gold and precious stuffs, crossed the Grand Ca.n.a.l, went outside the town, and proceeded in the midst of a nautical _cortege_, escorted by bands of music, to the distance of about a league from the town on the Adriatic Gulf. Then the Patriarch of Venice gave his blessing to the sea, and the Doge, taking the helm, threw a gold ring into the water, saying, "O sea! I espouse thee in the name, and in token, of our true and perpetual sovereignty." Immediately the waters were strewed with flowers, and the shouts of joy, and the clapping of hands of the crowd, were intermingled with the strains of instruments of music of all sorts, whilst the glorious sky of Venice smiled on the poetic scene.

The greater part of the princ.i.p.al ceremonies of the Middle Ages acquired, from various accessory and local circ.u.mstances, a character of grandeur well fitted to impress the minds of the populace. On these memorable occasions the exhibition of some historical memorial, of certain traditional symbols, of certain relics, &c., brought to the recollection the most celebrated events in national history--events already possessing the prestige of antiquity as well as the veneration of the people. Thus, as a memorial of the consecration of the kings of Hungary, the actual crown of holy King Stephen was used; at the consecration of the kings of England, the actual chair of Edward the Confessor was used; at the consecration of the emperors of Germany, the imperial insignia actually used by Charlemagne formed part of the display; at the consecration of the kings of France at a certain period, the hand of justice of St. Louis, which has been before alluded to, was produced.

[Ill.u.s.tration: Fig. 390.--Standards of the Church and the Empire.--Reduced from an Engraving of the "Entry of Charles V. and Clement VII. into Bologna," by Lucas de Cranach, from a Fres...o...b.. Brusasorci, of Verona.]

After their consecration by the Church and by the spiritual power, the sovereigns had simply to take actual possession of their dominions, and, so to speak, of their subjects. This positive act of sovereignty was often accompanied by another cla.s.s of ceremonies, called _joyous entry_, or _public entry._ These entries, of which numerous accounts have been handed down to us by historians, and which for the most part were very varied in character, naturally took place in the capital city. We will limit ourselves to transcribing the account given by the ancient chronicler, Juvenal des Ursins, of the entry into Paris of Queen Isabel of Bavaria, wife of Charles VI., which was a curious specimen of the public fetes of this kind.

[Ill.u.s.tration: Fig. 391.--Grand Procession of the Doge, Venice (Sixteenth Century).--Reduced from one of fourteen Engravings representing this Ceremony, designed and engraved by J. Amman.]

"In the year 1389, the King was desirous that the Queen should make a public entry into Paris, and this he made known to the inhabitants, in order that they should make preparations for it. And there were at each cross roads divers _histoires_ (historical representations, pictures, or tableaux vivants), and fountains sending forth water, wine, and milk. The people of Paris in great numbers went out to meet the Queen, with the Provost of the Merchants, crying '_Noel!_' The bridge by which she pa.s.sed was covered with blue taffeta, embroidered with golden fleurs-de-lys. A man of light weight, dressed in the guise of an angel, came down, by means of some well-constructed machinery, from one of the towers of Notre-Dame, to the said bridge through an opening in the said blue taffeta, at the moment when the Queen was pa.s.sing, and placed a beautiful crown on her head. After he had done this, he withdrew through the said opening by the same means, and thus appeared as if he were returning to the skies of his own accord. Before the Grand Chastelet there was a splendid court adorned with azure tapestry, which was intended to be a representation of the _lit-de-justice,_ and it was very large and richly decorated. In the middle of it was a very large pure white artificial stag, its horns gilt, and its neck encircled with a crown of gold. It was so ingeniously constructed that its eyes, horns, mouth, and all its limbs, were put in motion by a man who was secreted within its body. Hanging to its neck were the King's arms--that is to say, three gold fleur-de-lys on an azure shield.... Near the stag there was a large sword, beautiful and bright, unsheathed; and when the Queen pa.s.sed, the stag was made to take the sword in the right fore-foot, to hold it out straight, and to brandish it. It was reported to the King that the said preparations were made, and he said to Savoisy, who was one of those nearest to him, 'Savoisy, I earnestly entreat thee to mount a good horse, and I will ride behind thee, and we will so dress ourselves that no one will know us, and let us go and see the entry of my wife.' And, although Savoisy did all he could to dissuade him, the King insisted, and ordered that it should be done. So Savoisy did what the King had ordered, and disguised himself as well as he could, and mounted on a powerful horse with the King behind him. They went through the town, and managed so as to reach the Chastelet at the time the Queen was pa.s.sing. There was a great crowd, and Savoisy placed himself as near as he could, and there were sergeants on all sides with thick birch wands, who, in order to prevent the crowd from pressing upon and injuring the court where the stag was, hit away with their wands as hard as they could.

Savoisy struggled continually to get nearer and nearer, and the sergeants, who neither knew the King nor Savoisy, struck away at them, and the King received several very hard and well-directed blows on the shoulders. In the evening, in the presence of the ladies, the matter was talked over, and they began to joke about it, and even the King himself laughed at the blows he had received. The Queen on her entry was seated on a litter, and very magnificently dressed, as were also the ladies and maids of honour.

It was indeed a splendid sight; and if any one wished to describe the dresses of the ladies, of the knights and squires, and of those who escorted the Queen, it would take a long time to do so. After supper, singing and dancing commenced, which continued until daylight. The next day there were tournaments and other sports" (Fig. 392).

[Ill.u.s.tration: Entry of Charles the Seventh into Paris

A miniature from _Monstrelet the Chronicles_ in the Bibl. nat. de Paris, no 20,861 Costumes of the Sixteenth century.]

[Ill.u.s.tration: Fig. 392.--Tournaments in honour of the Entry of Queen Isabel into Paris--From a Miniature in the "Chroniques" of Froissart, Ma.n.u.script of the Fifteenth Century (National Library of Paris).]

[Ill.u.s.tration: Fig. 393.--Seat of Justice, held by King Philippe de Valois, on the 8th April, 1332, for the Trial of Robert, Comte d'Artois.--From a Pen-and-ink Sketch in an Original Ma.n.u.script (Arch. of the Empire)]

In the course of this simple and graphic description mention has been made of the _lit de justice_ (seat of justice). All judicial or legislative a.s.semblies at which the King considered it his duty to be present were thus designated; when the King came there simply as a looker-on, they were more commonly called _plaidoyers_, and, in this case, no change was made in the ordinary arrangements; but when the King presided they were called _conseils_, and then a special ceremonial was required. In fact, by _lit de justice_ (Fig. 393), or _cour des pairs_, we understand a court consisting of the high officers of the crown, and of the great executive of the State, whose duty it was to determine whether any peer of France should be tried on a criminal charge; gravely to deliberate on any political matter of special interest; or to register, in the name of the absolute sovereignty of the King, any edict of importance. We know the prominent, and, we may say, even the fatal, part played by these solemnities, which were being continually re-enacted, and on every sort of pretext, during the latter days of monarchy. These courts were always held with impressive pomp. The sovereign usually summoned to them the princes of the blood royal and the officers of his household; the members of the Parliament took their seats in scarlet robes, the presidents being habited in their caps and their mantles, and the registrars of the court also wearing their official dress. The High Chancellor, the First Chamberlain, and the Provost of Paris, sat at the King's feet. The Chancellor of France, the presidents and councillors of the Parliament, occupied the bar, and the ushers of the court were in a kneeling posture.

Having thus mentioned the a.s.semblies of persons of distinction, the interviews of sovereigns (Fig. 394), and the reception of amba.s.sadors--without describing them in detail, which would involve more s.p.a.ce than we have at our command--we will enter upon the subject of the special ceremonial adopted by the n.o.bility, taking as our guide the standard book called "Honneurs de la Cour," compiled at the end of the fifteenth century by the celebrated Alienor de Poitiers. In addition to her own observations, she gives those of her mother, Isabelle de Souza, who herself had but continued the work of another n.o.ble lady, Jeanne d'Harcourt--married in 1391 to the Count William de Namur--who was considered the best authority to be found in the kingdom of France. This collection of the customs of the court forms a kind of family diary embracing three generations, and extending back over more than a century.

Notwithstanding the curious and interesting character of this book, and the authority which it possesses on this subject, we cannot, much to our regret, do more than borrow a few pa.s.sages from it; but these, carefully selected, will no doubt suffice to give some idea of the manners and customs of the n.o.bility during the fifteenth century, and to ill.u.s.trate the laws of etiquette of which it was the recognised code.

One of the early chapters of the work sets forth this fundamental law of French ceremonial, namely, that, "according to the traditions or customs of France, women, however exalted their position, be they even king's daughters, rank with their husbands." We find on the occasion of the marriage of King Charles VII. with Mary of Anjou, in 1413, although probably there had never been a.s.sembled together so many princes and ladies of rank, that at the banquet the ladies alone dined with the Queen, "and no gentlemen sat with them." We may remark, whilst on this subject, that before the reign of Francis I. it was not customary for the two s.e.xes to be a.s.sociated together in the ordinary intercourse of court life; and we have elsewhere remarked (see chapter on Private Life) that this departure from ancient custom exerted a considerable influence, not only on manners, but also on public affairs.

[Ill.u.s.tration: Fig. 394.--Interview of King Charles V. with the Emperor Charles IV. in Paris in 1378.--Fac-simile of a Miniature in the Description of this Interview, Ma.n.u.script of the Fifteenth Century, in the Library of the a.r.s.enal of Paris.]

The auth.o.r.ess of the "Honneurs de la Cour" specially mentions the respect which Queen Mary of Anjou paid to the d.u.c.h.ess of Burgundy when she was at Chalons in Champagne in 1445: "The d.u.c.h.ess came with all her retinue, on horseback and in carriages, into the courtyard of the mansion where the King and Queen were, and there alighted, her first maid of honour acting as her train-bearer. M. de Bourbon gave her his right hand, and the gentlemen went on in front. In this manner she was conducted to the hall which served as the ante-chamber to the Queen's apartment. There she stopped, and sent in M. de Crequi to ask the Queen if it was her pleasure that she should enter.... When the d.u.c.h.ess came to the door she took the train of her dress from the lady who bore it and let it trail on the ground, and as she entered she knelt and then adyanced to the middle of the room. There she made the same obeisance, and moved straight towards the Queen, who was standing close to the foot of her throne. When the d.u.c.h.ess had performed a further act of homage, the Queen advanced two or three steps, and the d.u.c.h.ess fell on her knees; the Queen then put her hand on her shoulder, embraced her, kissed her, and commanded her to rise."

The d.u.c.h.ess then went up to Margaret of Scotland, wife of the Dauphin, afterwards Louis XI., "who was four or five feet from the Queen," and paid her the same honours as she had done to the Queen, although the Dauphine appeared to wish to prevent her from absolutely kneeling to her. After this she turned towards the Queen of Sicily (Isabelle de Lorraine, wife of Rene of Anjou, brother-in-law of the King), "who was two or three feet from the Dauphine," and merely bowed to her, and the same to another Princess, Madame de Calabre, who was still more distantly connected with the blood royal. Then the Queen, and after her the Dauphine, kissed the three maids of honour of the d.u.c.h.ess and the wives of the gentlemen. The d.u.c.h.ess did the same to the ladies who accompanied the Queen and the Dauphine, "but of those of the Queen of Sicily the d.u.c.h.ess kissed none, inasmuch as the Queen had not kissed hers. And the d.u.c.h.ess would not walk behind the Queen, for she said that the Duke of Burgundy was nearer the crown of France than was the King of Sicily, and also that she was daughter of the King of Portugal, who was greater than the King of Sicily."

Further on, from the details given of a similar reception, we learn that etiquette was not at that time regulated by the laws of politeness as now understood, inasmuch as the voluntary respect paid by men to the gentle s.e.x was influenced much by social rank. Thus, at the time of a visit of Louis XI., then Dauphin, to the court of Brussels, to which place he went to seek refuge against the anger of his father, the d.u.c.h.esses of Burgundy, of Charolais, and of Cleves, his near relatives, exhibited towards him all the tokens of submission and inferiority which he might have received from a va.s.sal. The Dauphin, it is true, wished to avoid this homage, and a disussion on the subject of "more than a quarter of an hour ensued;" at last he took the d.u.c.h.ess of Burgundy by the arm and led her away, in order to cut short the ceremonies "about which Madame made so much to do." This, however, did not prevent the princesses, on their withdrawing, from kneeling to the ground in order to show their respect for the son of the King of France.

[Ill.u.s.tration: Fig. 395.--The Entry of Louis XI. into Paris.--Fac-simile of a Miniature in the "Chroniques" of Monstrelet, Ma.n.u.script of the Fifteenth Century (Imperial Library of Paris).]

We have already seen that the d.u.c.h.ess of Burgundy, when about to appear before the Queen, took her train from her train-bearer in order that she might carry it herself. In this she was only conforming to a general principle, which was, that in the presence of a superior, a person, however high his rank, should not himself receive honours whilst at the same time paying them to another. Thus a duke and a d.u.c.h.ess amidst their court had all the things which were used at their table covered--hence the modern expression, _mettre le couvert_ (to lay the cloth)--even the wash-hand basin and the _cadenas_, a kind of case in which the cups, knives, and other table articles were kept; but when they were entertaining a king all these marks of superiority were removed, as a matter of etiquette, from the table at which they sat, and were pa.s.sed on as an act of respect to the sovereign present.

The book of Dame Alienor, in a series of articles to which we shall merely allude, speaks at great length and enters into detail respecting the interior arrangements of the rooms in which princes and other n.o.ble children were born. The formalities gone through on these occasions were as curious as they were complicated; and Dame Alienor regretted to see them falling into disuse, "owing to which," she says, "we fear that the possessions of the great houses of the n.o.bility are getting too large, as every one admits, and chicanery or concealment of birth, so as to make away with too many children, is on the increase."

Mourning is the next subject which we shall notice. The King never wore black for mourning, not even for his father, but scarlet or violet. The Queen wore white, and did not leave her apartments for a whole year. Hence the name of _chateau, hotel,_ or _tour de la Reine Blanche_, which many of the buildings of the Middle Ages still bear, from the fact that widowed queens inhabited them during the first year of their widowhood. On occasions of mourning, the various reception rooms of a house were hung with black. In deep mourning, such as that for a husband or a father, a lady wore neither gloves, jewels, nor silk. The head was covered with a low black head-dress, with trailing lappets, called _chaperons, barbettes, couvre-chefs_, and _tourets_. A d.u.c.h.ess and the wife of a knight or a banneret, on going into mourning, stayed in their apartments for six weeks; the former, during the whole of this time, when in deep mourning, remained lying down all day on a bed covered with a white sheet; whereas the latter, at the end of nine days, got up, and until the six weeks were over, remained sitting in front of the bed on a black sheet.

Ladies did not attend the funerals of their husbands, though it was usual for them to be present at those of their fathers and mothers. For an elder brother, they wore the same mourning as for a father, but they did not lie down as above described.

[Ill.u.s.tration: Fig. 396.--"How the King-at-Arms presents the Sword to the Duke of Bourbon."--From a Miniature in "Tournois du Roi Rene," Ma.n.u.script of the Fifteenth Century (Imperial Library of Paris).]

In their everyday intercourse with one another, kings, princes, dukes, and d.u.c.h.esses called one another _monsieur_ and _madame_, adding the Christian name or that of the estate. A superior speaking or writing to an inferior, might prefix to his or her t.i.tle of relationship _beau_ or _belle_; for instance, _mon bel oncle, ma belle cousine_. People in a lower sphere of life, on being introduced to one another, did not say, "Monsieur Jean, ma belle tante"--"Mr. John, allow me to introduce you to my aunt"--but simply, "Jean, ma tante." The head of a house had his seat under a canopy or _dosseret_ (Fig. 396), which he only relinquished to his sovereign, when he had the honour of entertaining him. "Such," says Alienor, in conclusion, "are the points of etiquette which are observed in Germany, in France, in Naples, in Italy, and in all other civilised countries and kingdoms." We may here remark, that etiquette, after having originated in France, spread throughout all Christian nations, and when it had become naturalised, as it were, amongst the latter, it acquired a settled position, which it retained more firmly than it did in France. In this latter country, it was only from the seventeenth century, and particularly under Louis XIV., that court etiquette really became a science, and almost a species of religions observance, whose minutiae were attended to as much as if they were sacramental rites, though they were not unfrequently of the most childish character, and whose pomp and precision often caused the most insufferable annoyance. But notwithstanding the perpetual changes of times and customs, the French nation has always been distinguished for n.o.bility and dignity, tempered with good sense and elegance.

If we now direct our attention to the _tiers etat_, that cla.s.s which, to quote a celebrated expression, "was destined to become everything, after having for a long time been looked upon as nothing," we shall notice that there, too, custom and tradition had much to do with ceremonies of all kinds. The presence of the middle cla.s.ses not only gave, as it were, a stamp of grandeur to fetes of an aristocratic and religions character, but, in addition, the people themselves had a number of ceremonies of every description, in which etiquette was not one whit less strict than in those of the court. The variety of civic and popular ceremonies is so great, that it would require a large volume, ill.u.s.trated with numerous engravings, to explain fully their characteristic features. The simple enumeration of the various public fetes, each of which was necessarily accompanied by a distinct ceremonial, would take up much time were we to attempt to give it even in the shortest manner.

[Ill.u.s.tration: Fig. 397.--Entry of the Roi de l'Epinette at Lille, in the Sixteenth Century.--From a Miniature in a Ma.n.u.script of the Library of Rouen.]

Besides the numerous ceremonies which were purely religious, namely, the procession of the _Fete-Dieu_, in Rogation week, and the fetes which were both of a superst.i.tions and burlesque character, such as _des Fous, de l'Ane, des Innocents_, and others of the same kind, so much in vogue during the Middle Ages, and which we shall describe more in detail hereafter, we should like to mention the military or gymnastic fetes.

Amongst these were what were called the processions of the _Confreres de l'Arquebuse_, the _Archers_, the _Papegaut_, the _roi de l'Epinette_, at Lille (Fig. 397), and the _Forestier_ at Bruges. There were also what may be termed the fetes peculiar to certain places, such as those of _Behors_, of the _Champs Galat_ at Epinal, of the _Laboureurs_ at Montelimar, of _Guy l'an neuf_ at Anjou. Also of the fetes of _May_, of the _sheaf_, of the _spring_, of the _roses_, of the _fires of St. John_, &c. Then there were the historical or commemorative fetes, such as those of the _Geant Reuss_ at Dunkerque, of the _Gayant_ at Douai, &c.; also of _Guet de Saint-Maxime_ at Riez in Provence, the processions of _Jeanne d'Arc_ at Orleans, of _Jeanne Hachette_ at Beauvais; and lastly, the numerous fetes of public corporations, such as the _ecoliers_, the _Nations_, the _Universites_; also the _Lendit_, the _Saint-Charlemagne_, the _Baillee des roses au Parlement_; the literary fetes of the _Pays et Chambres de rhetorique_ of Picardy and Flanders, of the _Clemence Isaure_ at Toulouse, and of the _Capitole_ at Rome, &c.; the fetes of the _Serments, Metiers_, and _Devoirs_ of the working men's corporation; and lastly, the _Fetes Patronales_, called also _a.s.semblees, Duca.s.ses, Folies, Foires, Kermesses, Pardons_, &c.

From this simple enumeration, it can easily be understood what a useless task we should impose upon ourselves were we merely to enter upon so wide and difficult a subject. Apart from the infinite variety of details resulting from the local circ.u.mstances under which these ceremonies had been inst.i.tuted, which were everywhere celebrated at fixed periods, a kind of general principle regulated and directed their arrangement. Nearly all these fetes and public rejoicings, which to a certain extent const.i.tuted the common basis of popular ceremonial, bore much a.n.a.logy to one another.

There are, however, certain peculiarities less known and more striking than the rest, which deserve to be mentioned, and we shall then conclude this part of our subject.

[Ill.u.s.tration: Fig. 398.--Representation of a Ballet before Henri III.

and his Court, in the Gallery of the Louvre.--Fac-simile of an Engraving on Copper of the "Ballet de la Royne," by Balthazar de Beaujoyeulx (folio, Paris, Mamert Patisson, 1582.)]

Those rites, ceremonies, and customs, which are the most commonly observed, and which most persistently keep their place amongst us, are far from being of modern origin. Thus, the custom of jovially celebrating the commencement of the new year, or of devoting certain particular days to festivity, is still universally followed in every country in the world.

The practice of sending presents on _New Year's Day_ is to be found among civilised nations in the East as well as in our own country. In the Middle Ages the intimate friends of princes, and especially of the kings of France, received Christmas gifts, for which they considered themselves bound to make an ample return. In England these interchanges of generosity also take place on Christmas Day. In Russia, on Easter Day, the people, on meeting in the street, salute one another by saying "Christ is risen."

These practices, as well as many others, have no doubt been handed down to us from the early ages of Christianity. The same may be said of a vast number of customs of a more or less local character, which have been observed in various countries for centuries. In former times, at Ochsenbach, in Wurtemberg, during the carnival, women held a feast at which they were waited upon by men, and, after it was over, they formed themselves into a sort of court of plenary indulgence, from which the men were uniformly excluded, and sat in judgment on one another. At Ramerupt, a small town in Champagne, every year, on the 1st of May, twenty of the citizens repaired to the adjoining hamlet of St. Remy, hunting as they went along. They were called _the fools of Rameru_, and it was said that the greatest fool led the band. The inhabitants of St. Remy were bound to receive them gratuitously, and to supply them, as well as their horses and dogs, with what they required, to have a ma.s.s said for them, to put up with all the absurd vagaries of the captain and his troop, and to supply them with a _fine and handsome horned ram,_ which was led back in triumph.

On their return into Ramerupt they set up shouts at the door of the cure, the procurator fiscal, and the collector of taxes, and, after the invention of gunpowder, fireworks were let off. They then went to the market-place, where they danced round the ram, which was decorated with ribbons. No doubt this was a relic of the feasts of ancient heathenism.

A more curious ceremony still, whose origin, we think, may be traced to the Dionysian feasts of heathenism, has continued to be observed to this day at Beziers. It bears the names of the _Feast of Pepezuch_, the _Triumph of Beziers,_ or the _Feast of Caritats_ or _Charites_. At the bottom of the Rue Francaise at Beziers, a statue is to be seen which, notwithstanding the mutilations to which it has been subjected, still distinctly bears traces of being an ancient work of the most refined period of art. This statue represents Pepezuch, a citizen of Beziers, who, according to somewhat questionable tradition, valiantly defended the town against the Goths, or, as some say, against the English; its origin, therefore, cannot be later than the thirteenth century. On Ascension Day, the day of the Feast of Pepezuch, an immense procession went about the town. Three remarkable machines were particularly noticeable; the first was an enormous wooden camel made to walk by mechanism, and to move its limbs and jaws; the second was a galley on wheels fully manned; the third consisted of a cart on which a travelling theatre was erected. The consuls and other civic authorities, the corporations of trades having the pastors walking in front of them, the farriers on horseback, all bearing their respective insignia and banners, formed the procession. A double column, composed of a division of young men and young women holding white hoops decorated with ribbons and many-coloured streamers, was preceded by a young girl crowned with flowers, half veiled, and carrying a basket. This brilliant procession marched to the sound of music, and, at certain distances, the youthful couples of the two s.e.xes halted, in order to perform, with the a.s.sistance of their hoops, various figures, which were called the _Danse des Treilles_. The machines also stopped from time to time at various places. The camel was especially made to enter the Church of St. Aphrodise, because it was said that the apostle had first come on a camel to preach the Gospel in that country, and there to receive the palm of martyrdom. On arriving before the statue of Pepezuch the young people decorated it with garlands. When the square of the town was reached, the theatre was stopped like the ancient car of Thespis, and the actors treated the people to a few comical drolleries in imitation of Aristophanes. From the galley the youths flung sugar-plums and sweetmeats, which the spectators returned in equal profusion. The procession closed with a number of men, crowned with green leaves, carrying on their heads loaves of bread, which, with other provisions contained in the galley, were distributed amongst the poor of the town.

In Germany and in France it was the custom at the public entries of kings, princes, and persons of rank, to offer them the wines made in the district and commonly sold in the town. At Langres, for instance, these wines were put into four pewter vessels called _cimaises_, which are still to be seen. They were called the _lion, monkey, sheep_, and _pig_ wines, symbolical names, which expressed the different degrees or phases of drunkenness which they were supposed to be capable of producing: the lion, courage; the monkey, cunning; the sheep, good temper; the pig, b.e.s.t.i.a.lity.

We will now conclude by borrowing, from the excellent work of M. Alfred Michiels on Dutch and Flemish painting, the abridged description of a procession of corporations of trades, which took place at Antwerp in 1520, on the Sunday after Ascension Day. "All the corporations of trades were present, every member being dressed in his best suit." In front of each guild a banner floated; and immediately behind an enormous lighted wax-taper was carried. March music was played on long silver trumpets, flutes, and drums. The goldsmiths, painters, masons, silk embroiderers, sculptors, carpenters, boatmen, fishermen, butchers, curriers, drapers, bakers, tailors, and men of every other trade marched two abreast. Then came crossbowmen, arquebusiers, archers, &c., some on foot and some on horseback. After them came the various monastic orders; and then followed a crowd of bourgeois magnificently dressed. A numerous company of widows, dressed in white from head to foot, particularly attracted attention; they const.i.tuted a sort of sisterhood, observing certain rules, and gaining their livelihood by various descriptions of manual work. The cathedral canons and the other priests walked in the procession in their gorgeous silk vestments sparkling with gold. Twenty persons carried on their shoulders a huge figure of the Virgin, with the infant Saviour in her arms, splendidly decorated. At the end of the procession were chariots and ships on wheels. There were various groups in the procession representing scenes from the Old and New Testament, such as the _Salutation of the Angels_, the _Visitation of the Magi_, who appeared riding on camels, the _Flight into Egypt_, and other well-known historical incidents. The last machine represented a dragon being led by St. Margaret with a magnificent bridle, and was followed by St. George and several brilliantly attired knights.

[Ill.u.s.tration: Fig. 399.--Sandal and Buskin of Charlemagne.--From the Abbey of St. Denis.]

Costumes.

Influence of Ancient Costume.--Costume in the Fifth Century.--Hair.--Costumes in the Time of Charlemagne.--Origin of Modern National Dress.--Head-dresses and Beards: Time of St. Louis.--Progress of Dress: Trousers, Hose, Shoes, Coats, Surcoats, Capes.--Changes in the Fashions of Shoes and Hoods.--_Livree_,--Cloaks and Capes.--Edicts against Extravagant Fashions.--Female Dress: Gowns, Bonnets, Head-dresses, &c.--Disappearance of Ancient Dress.--Tight-fitting Gowns.--General Character of Dress under Francis I.--Uniformity of Dress.