I looked at her, and she did appear surprised and shocked that she had shot the man. She looked down at him and p.r.o.nounced something in Arabic. But her tone sounded a bit harsh for an apology; in fact it sounded like a threat, and he quickly muttered something in reply that resembled a wounded animal mewling.

I said to Bian, "Whatever you're doing . . . stop now."

She ignored me and prodded the man on the ground with her boot. She said something with a harsh undertone in Arabic.

He said, "Okay . . . yes, yes . . . I speak English. Not good, though. Do not shoot me again, please."

Bian stepped back from him and asked, "Which of these men is Ali bin Pacha?"

"Uh, oooh, you have ruined my knee . . . Ow, I am in great pain . . . I--"

"Answer me. Which one?"

"Who . . . who is this name?"

"Ali bin Pacha. Point him out."

The man rocked around a bit, holding his knee and contemplating his pain, which appeared to be considerable. Finally he said to her, "Me. I am this man you search for . . . this Ali bin Pacha."

"Liar."

"No, American lady. This is truth. Please, not to shoot me again. Please--"

"You're not not bin Pacha. If you don't point him out, I'll blow your brains across the floor." bin Pacha. If you don't point him out, I'll blow your brains across the floor."

On the one hand, I should yank her out of the room; on the other hand, I wanted to hear this guy's response. Possibly, his shooting was an accident, and while that act was unfortunate, sometimes good comes from bad. On the other hand, what if it wasn't an accident? Was she really ready to blow this guy's brains out?

She jammed the barrel of her weapon down hard on the man's wounded knee. He cringed and howled with pain.

That answered it. I quickly stepped toward her, intending to take the weapon out of her hands.

But Hardy Harda.s.s had the same idea, and he was closer. He lunged at Bian, who was ignoring him, and had carelessly allowed herself to get too close to the prisoners.

Before I could take a step, his arms were wrapped around Bian, and he had her M16 across her throat.

He was pulling it upward, screaming, "Allah Akbar, Allah Akbar." Bian's feet were off the ground. She was struggling and kicking, but he was large and strong, and she looked a rag doll being shaken in a mad dog's mouth.

I drew back my M16, then shoved it forward, b.u.t.tstroking the center of his forehead. There was a nasty cracking sound and his head jerked backward, but he did not loosen his grip. Now ugly gurgling sounds were erupting from Bian's mouth.

I once again drew back my weapon, b.u.t.tstroked him harder, and I knew I had hit the sweet spot, because a loud "Ooof" popped out of his throat. He released Bian and sank to his knees, groaning.

Bian also collapsed to her knees, heaving and coughing.

Now Sean Drummond also had stopped paying attention to the threat in the wings, and I swung around and directed my weapon at the two men against the wall who were edging toward me. "Don't." They seemed to understand, if not my words then Mr. Automatic Rifle, because both froze.

Eventually, Bian pushed herself off the floor, stood, and straightened up. She picked up her weapon and turned her gaze to Hardy Harda.s.s, who was transfixed by his own problems, such as the torrent of blood flowing down his forehead. She said something short and sharp in Arabic. Slowly he stumbled to his feet and moved back against the wall. I asked Bian, "Are you okay?"

"I'm . . ." That answer stopped in midsentence, and she stared off into s.p.a.ce.

"Are you--"

"Yes. I'm fine. A little dazed . . . out of breath . . ."

Before I could say another word, she swung to her right and-- bang, bang, bang--first one, then another prisoner crumpled to the floor. I looked at her, and I looked at them. Two of the prisoners, like Nervous Nellie, now lay on the floor holding their hands on their left knees, writhing and howling from pain. The other, Joe Cool, sort of sank to the floor, staring at Bian, in no apparent pain, just mildly surprised.

I, also, stared at Bian. She avoided my eyes.

"What did you just do?"

After a moment without a reply, I told her what she had done. "You just shot unarmed prisoners."

She glanced at me, and for a moment I wondered if I was next.

"Hand me your weapon, Bian."

She did not hand me her weapon but did say, "I didn't kill them."

"Your weapon--now."

"I did what was needed. And it worked."

She straightened up and for a moment seemed to contemplate what she had done. I examined her face, and did not like what I saw; she should have looked shocked, or enraged, but instead she struck me as completely in control of her emotions and senses. Aloof, actually. Finally, she said in a surprisingly calm tone, "Sean, please. Go downstairs. Tell Eric we need him and his men up here right away."

"You go downstairs. I'm not leaving you alone with these men." go downstairs. I'm not leaving you alone with these men."

Instead of addressing that thought, she said, "Give me your chador, please."

I thought she was going to use it to sponge or stem the flow of blood from one of the men she had just shot. So I handed it to her, keeping a spring in my step and an eye on her weapon. Instead she bent over and used it to gag Nervous Nellie, who was making whiny noises and looked ready to empty his bowels into his pants.

Then the door burst open and the argument was settled about either of us going downstairs. Eric and two of his men came barging through the doorway, weapons directed at us.

"It's safe," I yelled before anyone made a nervous mistake. "We're in control."

Eric lowered his weapon and examined the bodies on the floor. He said, "What the f.u.c.k?"

He was not expecting a reply, and continued, in a furious tone, "Didn't I tell you two to keep your weapons on safe? Holy s.h.i.t--those shots were heard for ten blocks around."

I looked at him, then at Bian, and suddenly I understood what-- and more to the point, why why--she had done what she'd done. The message from Charabi to Daniels had described Ali bin Pacha as having lost his left leg, and therefore Bian had fired into their knees, a field expedient method for determining whose legs were real and whose were not.

I faced Eric and said, "Dress their wounds, and cuff and gag all of them."

"The h.e.l.l with that. Those shots alerted every jihadi in this sector. Time to leave--now."

"Do it." I pointed at Nervous Nellie, and then at Joe Cool--aka Ali bin Pacha--who was observing me with a look of calculation from the floor. "They're the lucky two getting the all-expenses-paid trip."

"Are you nuts? Listen, in about two minutes the whole city is going to kick our a.s.ses."

I stared at him. He stared back.

He shook his head and turned to his two men. "All right. Hurry."

But Ali bin Pacha had other ideas. He suddenly pushed himself to his feet and launched himself at Bian, who was paying too much attention to our conversation and not enough to the guy her back was turned to.

He yanked the M16 from her hands and spun. It happened so suddenly that, before I could move, I was staring down a gun barrel.

I saw that it was pointed at my face, and in the brief instant I had to observe his eyes and face, I saw that his diffidence had disappeared; his lips were curled into a nasty smile, and his dark eyes were blazing with intense hatred.

I squeezed shut my eyes and heard a shot, amazed that I didn't feel my brains fly out the back of my skull.

When I opened my eyes, bin Pacha stood with his weapon pointed at the floor, and he was looking back at me with equal amazement. He sank to his knees and the M16 fell out of his hands.

I was yelling, "Don't shoot him. s.h.i.t . . . don't shoot him him." Well, Eric had already shot him.

I walked over and kicked the M16 out of bin Pacha's reach. He was teetering on his knees, and he stared into my eyes, then down at his stomach at the dark blood leaking out of a small hole in his shirt. He looked a little surprised, and a lot annoyed.

I shoved him on his back and got down on my knees and pressed down hard with my right hand on his wound. I said to n.o.body and everybody, "Get me a field dressing. Now."

Bian handed me a dressing. She asked, "How bad is it?"

"I don't know. It's not pumping, right? So it's not arterial. That's good. But something vital inside might be punctured." I tore open his T-shirt and examined the location of the wound. He was going into shock, mumbling incoherently, perhaps curses, perhaps prayers.

The hole was about three inches to the left of his navel. I tried to recall from my high school biology days which internal organs were located in this region. Kidneys? Spleen? Intestines, probably, and that meant a high likelihood of infection. Also, I remembered from personal experience that, as wounds go, this one really really hurt. hurt.

I reached a hand underneath him and felt around. No exit wound. So the good news was there was only one exterior wound through which he could bleed to death; the bad news was he almost certainly was was bleeding to death, internally. bleeding to death, internally.

I placed the field dressing over the hole in his stomach and wrapped the tie-offs around his back, then knotted them tightly.

As I did, Eric and his men used green rags to gag the men, field-dressed their wounds, and attached police-style plastic cuffs to their wrists. In less than a minute, everybody was gagged and wrapped, and their bleeding was stemmed, which would put one point back on the board at a war crimes tribunal.

I glanced at Bian, who looked back and nodded. This was neither the time nor the place to discuss it, but we both knew our relationship had just changed.

Eric's men hoisted Nervous Nellie and Ali bin Pacha over their shoulders and hauled them out of the room. We departed directly behind them, leaving behind a corpse, two wounded men, and a bad memory.

Evidently, Eric had already alerted his people that it was time to egress, because two cars--the silver sedan and the cramped red Corolla--were idling curbside by the entrance.

Nervous Nellie was thrown roughly in the trunk of the silver car, and I helped place bin Pacha upright in the backseat of the Corolla, where I could keep a close eye on his vital signs.

We all piled into the cars, and Eric punched the pedal and burned rubber.

Eric had his night-vision goggles on and the car's headlights off. He was pushing at least forty through narrow streets with sharp turns that were unsafe at twenty. I couldn't tell which was the more imminent threat, a bunch of p.i.s.sed-off jihadis or Eric's lead foot. Then I recalled how jihadis handle prisoners and said to Eric, "Faster."

Bian and I sat on both sides of Ali bin Pacha, and with all the sharp turns, he was being tossed between us like a broken rag doll.

In less than three minutes the buildings thinned out and we were back in the outskirts of the city. I'm usually good at remembering places I've been, and saw no recognizable landmarks, so this wasn't the same way we entered--presumably Eric was following good trade-craft and varying our route. I overheard him conversing with his team, and it sounded like one or two of the other teams were trailing us, guarding our back door to be sure we made it out with our cargo.

Bian said not a word. I felt no need to tell her how I felt. I was p.i.s.sed; she knew it. Not only had she shot the prisoners, she had compounded her sins with inexcusable carelessness and twice allowed the bad guys to get the drop on her. The second time nearly got my head blown off; I take this personally. Also, our precious prisoner might not live long enough for an interrogation, this whole trip might be a waste of time, and Phyllis and I were going to have a long, one-way conversation.

Anyway, we now were out of the built-up area, bouncing along the same dusty road we took into the city, and I realized that Eric had somehow found a way to take us back through the lines of Captain Yuknis's company. I checked my watch: 3:20. I relaxed. Okay, Ali bin Pacha might expire before we got to Baghdad, but that aside, the worst was behind us. What more could go wrong?

Well, one shouldn't test the fates, because suddenly we were bathed in lights, and Eric hit the brakes hard enough that bin Pacha flew forward and slammed headfirst into a seat back.

The lights shut off nearly as quickly as they'd flashed on, and an American voice yelled, "Driver, out of the car. Hands above your head."

Eric stepped out again. This time, however, rather than the tall, lean silhouette of Captain Yuknis, the figure approaching through the darkness was short and squat, he moved with an affected John Waynish swagger, and he was accompanied by a pair of large Marines pointing M16s at Eric.

I rolled down my window and could overhear Eric and the officer speaking; arguing, actually. A minute pa.s.sed, and things were not improving. Eric's voice was getting louder, and his interrogator's tone was turning nastier, and more imperious.

Great. I was here because my duplicitous boss outwitted me, my partner had just committed a war crime, my prisoner was probably bleeding to death, and--well, you get the picture.

I needed to vent, and this situation--and this guy--would do nicely.

I threw open the car door. "Sean, don't . . ." Bian insisted. "Please, leave this to Eric."

"Shut up."

I stepped out of the car and began walking toward Eric. In the near distance I heard the sound of M16 charging handles being c.o.c.ked, and a little late, I recalled my Arab clothing. I stopped, reached into my pocket, withdrew my little American flag, and began frantically waving it, even as I slowly and carefully pulled the abaya over my head and set it on the ground.

The officer was yelling in Eric's face, "I really don't give a s.h.i.t who you say say you are, or who you you are, or who you claim claim you coordinated this with. I'm--" you coordinated this with. I'm--"

"Captain Yuknis. I told you."

"Yuknis was called to a meeting at the Tactical Operations Center. I'm in charge now, and I'm placing you and that car under military custody. And yes, it will be searched. Explain your story to an interrogator when one becomes available."

"The car can't be searched."

And so on.

I approached the officer and directed the beam of my flashlight first at his chest, then on his collar. His nametag read Berry, and he sported the black bar of a first lieutenant, indicating he was Captain Yuknis's second in command.

I then shifted the beam to the lieutenant's face and was surprised by how youthful, actually baby-faced, he was. The longer I've stayed in, the more I've noticed that lieutenants are becoming younger and younger. But the junior officer in the military is an interesting creature, endowed with powers and responsibilities that far outstrip his experience and wisdom level. Some respond to this gap with intelligent humility, some with a self-destructive insecurity, and others by the silly illusion that it is deserved. Had I not guessed where Lieutenant Berry fell on this spectrum, he barked, "Get that d.a.m.ned light out of my eyes."

I replied, good-naturedly, "Good morning, Lieutenant Berry. Fine day, don't you think?"

"Who are you?" he demanded in a nasty tone.

"You're the executive officer of this company, right?"

"Who the f.u.c.k are you?" he repeated.

"If it was your business, don't you think I would've answered the first time?"

"Oh . . . a wisea.s.s," he said, showing surprising perceptiveness. After a moment, he ordered, "Put your hands over your head."

"Why would I want to do that?"

"Because I'm ordering you to."

"Silly reason."