knaw you've got a auld man's blessin' 'long wi' it."

"Mother," said Tom, a minute later, "uncle have gived me a bit o' gawld!"

She took the coin from him and her eyes rested on it lovingly while the outlines of her face grew softer and she moistened her lips.

"First gawld's ever I had," commented Tom.

"You'm 'mazin' generous wi' your moneys, uncle, an' I thank 'e hearty for the bwoy. Mighty good of 'e--so much money to wance," said Thomasin, showing more gratification than she knew.

"I wants en to be thrifty," answered the old man, very wisely. "You knaws how hard it is to teach young people the worth o' money."

"Ay, an' some auld wans! Blest if I doan't think you'd give your head away if 'e could. But I'll take this here half-suvrin' for Tom. 'Tis a nest-egg as he shall add to as he may."

Tom did not foresee this arrangement, and had something to say as he tramped off with his mother to town; but though he could do more with her and get more out of her than anybody else in the world, money was a subject concerning which Mrs. Tregenza always had her way. She understood it and loved it and allowed no interference from anybody, Michael alone excepted.

But he cared not much for money and was well content to let his wife hold the purse; yet when he did occasionally demand an account, it was always forthcoming to the uttermost farthing, and he fully believed what other people told him that Thomasin could make a sixpenny-piece go further than any other woman in Newlyn.

Mother and son presently departed; while Mr. Chirgwin took off his coat, lighted his pipe, and walked with Joan round about the orchard. He foretold great things for the plums, now in full flower; he poked the pigs with his stick and spoke encouragingly of their future also. Then he discussed Joan's prospects and gladdened her heart by telling her the past must be let alone and need never be reverted to again.

"Mary's gettin' over it tu," he said, "least-ways I think she is. Her knaws wheer to look for comfort, bless her. Us must all keep friendly for life's not long enough to do 'nough good in, I allus says, let alone the doin' o'

bad."

Then he discussed Joe Noy, and Joan was startled to find, when she came to think seriously upon the subject, that though but a week and three days had pa.s.sed since she bid her lover "good-by," yet the picture of him in her mind already grew a trifle dim, and the prospect of his absence for a year held not the least sorrow in it for her.

Presently, after looking to his horse, Uncle Thomas hinted at forty winks, if the same would be quite convenient, and Joan, settling him with some approach to comfort upon n little horsehair sofa in the parlor, turned her attention to the making of saffron cakes for tea.

CHAPTER EIGHT

THE MAKING OF PROGRESS

John Barron held strong theories about the importance of the mental condition when work was in hand. Once fairly engaged upon a picture, he painted very fast, labored without cessation, and separated himself as far as might be from every outside influence. No new interests were suffered to intrude upon his mind; no distractions of any sort, intellectual or otherwise, were permitted to occupy even those leisure intervals which of necessity lay between the periods of his work. On the present occasion he merely fed and slept and dwelt solitary, shunning society of every sort and spending as little time in Newlyn as possible. Fortunately for his achievement the weather continued wonderfully fine and each successive day brought like conditions of sunshine and color, light and air. This circ.u.mstance enabled him to proceed rapidly, and another fact also contributed to progress; the temperature kept high and the cow-byre, wherein Barren stored his implements and growing picture, proved so well-built and so snug withal that on more than one occasion he spent the entire night there. Sweet brown bracken filled a manger, and of this he pulled down sufficient quant.i.ties to make, with railway rugs, an ample bed.

The outdoor life appeared to suit his health well; some color had come to his pale cheeks; he felt considerably stronger in body and mentally invigorated by the strain of work now upon him.

But though he turned his back on his fellow-men they sought him out, and rumors at length grew to a certainty that Barron was busy painting somewhere on the cliffs beyond Mousehole. Everybody supposed he had abandoned his ambition to get a portrait of Joan Tregenza; but one man was in his confidence: Edmund Murdoch. The young artist had been useful to Barron. On many occasions he tramped out from Newlyn with additions to the scanty larder kept at the cow-byre. He would bring hard-boiled eggs, sandwiches, bottles of soda-water and whisky; and once he arrived at six o'clock in the morning with a pony cart in which was a little oil stove.

Barron had confided in Murdoch, but begged he would let it be known that he courted no society for the present. As the work grew he spent more and more time upon it. He explained to his friend quite seriously that he was painting the gorse, but that Joan Tregenza had consented to fill a part of the picture--a statement which amused the younger artist not a little.

"But the gorse is extraordinary, I'll admit. You must have worked without ceasing. She will be exquisite. Where shall you get the blue for her eyes?"

"Out of the sky and the sea."

"Does the girl inspire you herself, John? I swear something has. This is going to be great."

"It's going to be true, that's all. No, Joan is a dear child, but her body's no more than a perfect casket to a commonplace little soul. She talks a great deal and I like nothing better than to listen; for although what she says is naught, yet her manner of saying it does not lack charm.

Her voice is wonderfully sweet--it comes from her throat like a wood-pigeon's, and education has not ruined her diction."

"She's as shy as any wood-pigeon, too--we all know that; and you've done a clever thing to tame her."

"G.o.d forbid that I should tame her. We met and grew friendly as wild things both. She is a child of Nature, her mind is as pure as the sea. Moreover, Joan walks saint-guided. Folklore and local twaddle does not appeal overmuch to me, as you know, yet the stories drop prettily from her lips and I find pleasure in listening."

Murdoch whistled.

"By Jove! I never heard you so enthusiastic, so positive, so personally alive and awake and interested. Don't fall in love with the girl before you know it."

To this warning Barron made a curious reply.

"Everything depends on my picture. You know my rule of life; to sacrifice all things to mood. I shall do so here. The best I can do must be done whatever the cost."

A shadow almost sinister lay behind the utterance, yet young Murdoch could not fathom it. Barren spoke in his usual slow, unaffected tones, and painted all the time; for the conversation took place on Gorse Point.

"Not sure if I quite understand you, old man," said Murdoch.

"It doesn't matter in the least if you don't, my dear fellow."

His words were hardly civil, but the tone in which Barren spoke robbed the utterance of any offense.

"All you need do," he continued, "is to keep silent in the interests of art and of Joan. I don't want her precious visits to me to get back to her father's ears or they will cease, and I don't wish to do her a bad turn in her home, for I owe her a great debt of grat.i.tude. If men ask what I'm doing, lie to them and beg them not to disturb me, for the sake of Art.

What a glint the east wind gives to color! Yet this is hardly to be called an east wind, so soft and balmy does it keep."

"Well, you seem to be the better for your work, at any rate. You're getting absolutely fat. If Newlyn brings you health as well as fame, I hope you'll retract some of the many hard things you have said about it."

"It has brought me an interest, and for that at any rate I am grateful.

Good-by. I shall probably come down to-night, despite the fact that you have replenished my stores so handsomely."

Murdoch started homeward and met Joan Tregenza upon the way. She had given Barron one further sitting after Uncle Chirgwin's call at Newlyn, but since the last occasion, and for a period of two days, chance prevented the girl from paying him another visit. Now she arrived, however, as early as half-past ten, and Murdoch, while he pa.s.sed her on the hill from Mousehole, envied his friend the morning's work before him.

Joan was very hot and very apologetic upon her arrival.

"I began to fear you had forgotten me," the artist said, but she was loud in protestations to the contrary.

"No, no, Mister Jan. I've fretted 'bout not comin' up like anything; ay, an' I've cried of a night 'cause I thot you'd be reckoning I waddun comin'

no more. But 'tweern't my doin' no ways."

"You hadn't forgotten me?"

"Indeed an' I hadn't. An' I'd be sorrerful if I thot you thot so."

She walked to the old position before the gorse and fell naturally into it, speaking the while.

"Tis this way: mother's been bad wi' faace ache arter my brother Tom went to sea wi' faither. An' mother grizzled an' worrited herself reg'lar ill an' stopped in bed two days an' kep on whinin' 'bout what I was to do if she died; cause she s'posed she was gwained to. But so soon as Tom comed off his first trip, mother cheered wonnerful, an' riz up to see to en, an'

hear tell 'bout how he fared on the water."

"Your head a wee bit higher, Joan. Well, I'm thankful to see you again. I was getting very, very lonely, I promise you. And the more I thought about the picture the more unhappy I became. There's such a lot to do and only such a clumsy hand to do it. The better I know you, Joan, the harder become the problems you set me. How am I going to get your soul looking out of your eyes, d'you think? How am I to make those who may see my picture some day--years after you and I are both dead and gone, Joan--fall in love with you?"

"La! I dunnaw, Mister Jan."

"Nor do I. How shall I make the picture so true that generations unborn will delight in the portrait and deem it great and fine?"