"It is strange," said the lawyer.

"And he was getting on so well," muttered a hungry-looking man.

"And his place is vacant!" repeated the employee, as he quitted the crowd abstractedly.

In the house of Olivier Dalibard sits Lucretia alone, and in her own usual morning-room. The officer appointed to such tasks by the French law has performed his visit, and made his notes, and expressed condolence with the widow, and promised justice and retribution, and placed his seal on the locks till the representatives of the heir-at-law shall arrive; and the heir-at-law is the very boy who had succeeded so unexpectedly to the wealth of Jean Bellanger the contractor! But Lucretia has obtained beforehand all she wishes to save from the rest.

An open box is on the floor, into which her hand drops noiselessly a volume in ma.n.u.script. On the forefinger of that hand is a ring, larger and more ma.s.sive than those usually worn by women,--by Lucretia never worn before. Why should that ring have been selected with such care from the dead man's h.o.a.rds? Why so precious the dull opal in that c.u.mbrous setting? From the hand the volume drops without sound into the box, as those whom the secrets of the volume instruct you to destroy may drop without noise into the grave. The trace of some illness, recent and deep, nor conquered yet, has ploughed lines in that young countenance, and dimmed the light of those searching eyes. Yet courage! the poison is arrested, the poisoner is no more. Minds like thine, stern woman, are cased in coffers of steel, and the rust as yet has gnawed no deeper than the surface. So over that face, stamped with bodily suffering, plays a calm smile of triumph. The schemer has baffled the schemer! Turn now to the right, pa.s.s by that narrow corridor: you are in the marriage-chamber; the windows are closed; tall tapers burn at the foot of the bed. Now go back to that narrow corridor. Disregarded, thrown aside, are a cloth and a besom: the cloth is wet still; but here and there the red stains are dry, and clotted as with b.l.o.o.d.y glue; and the hairs of the besom start up, torn and ragged, as if the bristles had a sense of some horror, as if things inanimate still partook of men's dread at men's deeds. If you pa.s.sed through the corridor and saw in the shadow of the wall that homeliest of instruments cast away and forgotten, you would smile at the slatternly housework. But if you knew that a corpse had been borne down those stairs to the left,--borne along those floors to that marriage-bed,--with the blood oozing and gus.h.i.+ng and plas.h.i.+ng below as the bearers pa.s.sed with their burden, then straight that dead thing would take the awe of the dead being; it told its own tale of violence and murder; it had dabbled in the gore of the violated clay; it had become an evidence of the crime. No wonder that its hairs bristled up, sharp and ragged, in the shadow of the wall.

The first part of the tragedy ends; let fall the curtain. When next it rises, years will have pa.s.sed away, graves uncounted will have wrought fresh hollows in our merry sepulchre,--sweet earth! Take a sand from the sh.o.r.e, take a drop from the ocean,--less than sand-grain and drop in man's planet one Death and one Crime! On the map, trace all oceans, and search out every sh.o.r.e,--more than seas, more than lands, in G.o.d's balance shall weigh one Death and one Crime!

PART THE SECOND.

PROLOGUE TO PART THE SECOND.

The century has advanced. The rush of the deluge has ebbed back; the old landmarks have reappeared; the dynasties Napoleon willed into life have crumbled to the dust; the plough has pa.s.sed over Waterloo; autumn after autumn the harvests have glittered on that grave of an empire. Through the immense ocean of universal change we look back on the single track which our frail boat has cut through the waste. As a star s.h.i.+nes impartially over the measureless expanse, though it seems to gild but one broken line into each eye, so, as our memory gazes on the past, the light spreads not over all the breadth of the waste where nations have battled and argosies gone down,--it falls narrow and confined along the single course we have taken; we lean over the small raft on which we float, and see the sparkles but reflected from the waves that it divides.

On the terrace at Laughton but one step paces slowly. The bride clings not now to the bridegroom's arm. Though pale and worn, it is still the same gentle face; but the blush of woman's love has gone from it evermore.

Charles Vernon (to call him still by the name in which he is best known to us) sleeps in the vault of the St. Johns. He had lived longer than he himself had expected, than his physician had hoped,--lived, cheerful and happy, amidst quiet pursuits and innocent excitements. Three sons had blessed his hearth, to mourn over his grave. But the two elder were delicate and sickly. They did not long survive him, and died within a few months of each other. The third seemed formed of a different mould and const.i.tution from his brethren. To him descended the ancient heritage of Laughton, and he promised to enjoy it long.

It is Vernon's widow who walks alone in the stately terrace; sad still, for she loved well the choice of her youth, and she misses yet the children in the grave. From the date of Vernon's death, she wore mourning without and within; and the sorrows that came later broke more the bruised reed,--sad still, but resigned. One son survives, and earth yet has the troubled hopes and the holy fears of affection. Though that son be afar, in sport or in earnest, in pleasure or in toil, working out his destiny as man, still that step is less solitary than it seems. When does the son's image not walk beside the mother? Though she lives in seclusion, though the gay world tempts no more, the gay world is yet linked to her thoughts. From the distance she hears its murmurs in music. Her fancy still mingles with the crowd, and follows on, to her eye, outs.h.i.+ning all the rest. Never vain in herself, she is vain now of another; and the small triumphs of the young and well-born seem trophies of renown to the eyes so tenderly deceived.

In the old-fas.h.i.+oned market-town still the business goes on, still the doors of the bank open and close every moment on the great day of the week; but the names over the threshold are partially changed. The junior partner is busy no more at the desk; not wholly forgotten, if his name still is spoken, it is not with thankfulness and praise. A something rests on the name,--that something which dims and attaints; not proven, not certain, but suspected and dubious. The head shakes, the voice whispers; and the attorney now lives in the solid red house at the verge of the town.

In the vicarage, Time, the old scythe-bearer, has not paused from his work. Still employed on Greek texts, little changed, save that his hair is gray and that some lines in his kindly face tell of sorrows as of years, the vicar sits in his parlour; but the children no longer, blithe-voiced and rose-cheeked, dart through the rustling espaliers.

Those children, grave men or staid matrons (save one whom Death chose, and therefore now of all best beloved!) are at their posts in the world.

The young ones are flown from the nest, and, with anxious wings, here and there, search food in their turn for their young. But the blithe voice and rose-cheek of the child make not that loss which the hearth misses the most. From childhood to manhood, and from manhood to departure, the natural changes are gradual and prepared. The absence most missed is that household life which presided, which kept things in order, and must be coaxed if a chair were displaced. That providence in trifles, that clasp of small links, that dear, bustling agency,--now pleased, now complaining,--dear alike in each change of its humour; that active life which has no self of its own; like the mind of a poet, though its prose be the humblest, transferring self into others, with its right to be cross, and its charter to scold; for the motive is clear,--it takes what it loves too anxiously to heart. The door of the parlour is open, the garden-path still pa.s.ses before the threshold; but no step now has full right to halt at the door and interrupt the grave thought on Greek texts; no small talk on details and wise sayings chimes in with the wrath of "Medea." The Prudent Genius is gone from the household; and perhaps as the good scholar now wearily pauses, and looks out on the silent garden, he would have given with joy all that Athens produced, from Aeschylus to Plato, to hear again from the old familiar lips the lament on torn jackets, or the statistical economy of eggs.

But see, though the wife is no more, though the children have departed, the vicar's home is not utterly desolate. See, along the same walk on which William soothed Susan's fears and won her consent,--see, what fairy advances? Is it Susan returned to youth? How like! Yet look again, and how unlike! The same, the pure, candid regard; the same, the clear, limpid blue of the eye; the same, that fair hue of the hair,--light, but not auburn; more subdued, more harmonious than that equivocal colour which too nearly approaches to red. But how much more blooming and joyous than Susan's is that exquisite face in which all Hebe smiles forth; how much airier the tread, light with health; how much rounder, if slighter still, the wave of that undulating form! She smiles, her lips move, she is conversing with herself; she cannot be all silent, even when alone, for the sunny gladness of her nature must have vent like a bird's. But do not fancy that that gladness speaks the levity which comes from the absence of thought; it is rather from the depth of thought that it springs, as from the depth of a sea comes its music.

See, while she pauses and listens, with her finger half-raised to her lip, as amidst that careless jubilee of birds she hears a note more grave and sustained,--the nightingale singing by day (as sometimes, though rarely, he is heard,--perhaps because he misses his mate; perhaps because he sees from his bower the creeping form of some foe to his race),--see, as she listens now to that plaintive, low-chanted warble, how quickly the smile is sobered, how the shade, soft and pensive, steals over the brow. It is but the mystic sympathy with Nature that bestows the smile or the shade. In that heart lightly moved beats the fine sense of the poet. It is the exquisite sensibility of the nerves that sends its blithe play to those spirits, and from the clearness of the atmosphere comes, warm and ethereal, the ray of that light.

And does the roof of the pastor give shelter to Helen Mainwaring's youth? Has Death taken from her the natural protectors? Those forms which we saw so full of youth and youth's heart in that very spot, has the grave closed on them yet? Yet! How few attain to the age of the Psalmist! Twenty-seven years have pa.s.sed since that date: how often, in those years, have the dark doors opened for the young as for the old!

William Mainwaring died first, careworn and shamebowed; the blot on his name had cankered into his heart. Susan's life, always precarious, had struggled on, while he lived, by the strong power of affection and will; she would not die, for who then could console him? But at his death the power gave way. She lingered, but lingered dyingly, for three years; and then, for the first time since William's death, she smiled: that smile remained on the lips of the corpse. They had had many trials, that young couple whom we left so prosperous and happy. Not till many years after their marriage had one sweet consoler been born to them. In the season of poverty and shame and grief it came; and there was no pride on Mainwaring's brow when they placed his first-born in his arms. By her will, the widow consigned Helen to the joint guardians.h.i.+p of Mr. Fielden and her sister; but the latter was abroad, her address unknown, so the vicar for two years had had sole charge of the orphan. She was not unprovided for. The sum that Susan brought to her husband had been long since gone, it is true,--lost in the calamity which had wrecked William Mainwaring's name and blighted his prospects; but Helen's grandfather, the landagent, had died some time subsequent to that event, and, indeed, just before William's death. He had never forgiven his son the stain on his name,--never a.s.sisted, never even seen him since that fatal day; but he left to Helen a sum of about 8,000 pounds; for she, at least, was innocent. In Mr. Fielden's eyes, Helen was therefore an heiress. And who amongst his small range of acquaintance was good enough for her?--not only so richly portioned, but so lovely,--accomplished, too; for her parents had of late years lived chiefly in France, and languages there are easily learned, and masters cheap. Mr. Fielden knew but one, whom Providence had also consigned to his charge,--the supposed son of his old pupil Ardworth; but though a tender affection existed between the two young persons, it seemed too like that of brother and sister to afford much ground for Mr. Fielden's anxiety or hope.

From his window the vicar observed the still att.i.tude of the young orphan for a few moments; then he pushed aside his books, rose, and approached her. At the sound of his tread she woke from her revery and bounded lightly towards him.

"Ah, you would not see me before!" she said, in a voice in which there was the slightest possible foreign accent, which betrayed the country in which her childhood had been pa.s.sed; "I peeped in twice at the window.

I wanted you so much to walk to the village. But you will come now, will you not?" added the girl, coaxingly, as she looked up at him under the shade of her straw hat.

"And what do you want in the village, my pretty Helen?"

"Why, you know it is fair day, and you promised Bessie that you would buy her a fairing,--to say nothing of me."

"Very true, and I ought to look in; it will help to keep the poor people from drinking. A clergyman should mix with his paris.h.i.+oners in their holidays. We must not a.s.sociate our office only with grief and sickness and preaching. We will go. And what fairing are you to have?"

"Oh, something very brilliant, I promise you! I have formed grand notions of a fair. I am sure it must be like the bazaars we read of last night in that charming 'Tour in the East.'"

The vicar smiled, half benignly, half anxiously. "My dear child, it is so like you to suppose a village fair must be an Eastern bazaar. If you always thus judge of things by your fancy, how this sober world will deceive you, poor Helen!"

"It is not my fault; ne me grondez pas, mechant," answered Helen, hanging her head. "But come, sir, allow, at least, that if I let my romance, as you call it, run away with me now and then, I can still content myself with the reality. What, you shake your head still? Don't you remember the sparrow?"

"Ha! ha! yes,--the sparrow that the pedlar sold you for a goldfinch; and you were so proud of your purchase, and wondered so much why you could not coax the goldfinch to sing, till at last the paint wore away, and it was only a poor little sparrow!"

"Go on! Confess: did I fret then? Was I not as pleased with my dear sparrow as I should have been with the prettiest goldfinch that ever sang? Does not the sparrow follow me about and nestle on my shoulder, dear little thing? And I was right after all; for if I had not fancied it a goldfinch, I should not have bought it, perhaps. But now I would not change it for a goldfinch,--no, not even for that nightingale I heard just now. So let me still fancy the poor fair a bazaar; it is a double pleasure, first to fancy the bazaar, and then to be surprised at the fair."

"You argue well," said the vicar, as they now entered the village; "I really think, in spite of all your turn for poetry and Goldsmith and Cowper, that you would take as kindly to mathematics as your cousin John Ardworth, poor lad!

"Not if mathematics have made him so grave, and so churlish, I was going to say; but that word does him wrong, dear cousin, so kind and so rough!"

"It is not mathematics that are to blame if he is grave and absorbed," said the vicar, with a sigh; "it is the two cares that gnaw most,--poverty and ambition."

"Nay, do not sigh; it must be such a pleasure to feel, as he does, that one must triumph at last!"

"Umph! John must have nearly reached London by this time," said Mr.

Fielden, "for he is a stout walker, and this is the third day since he left us. Well, now that he is about fairly to be called to the Bar, I hope that his fever will cool, and he will settle calmly to work. I have felt great pain for him during this last visit."

"Pain! But why?"

"My dear, do you remember what I read to you both from Sir William Temple the night before John left us?"

Helen put her hand to her brow, and with a readiness which showed a memory equally quick and retentive, replied, "Yes; was it not to this effect? I am not sure of the exact words: 'To have something we have not, and be something we are not, is the root of all evil.'"

"Well remembered, my darling!"

"Ah, but," said Helen, archly, "I remember too what my cousin replied: 'If Sir William Temple had practised his theory, he would not have been amba.s.sador at the Hague, or--"

"Pshaw! the boy's always ready enough with his answers," interrupted Mr.

Fielden, rather petulantly. "There's the fair, my dear,--more in your way, I see, than Sir William Temple's philosophy."

And Helen was right; the fair was no Eastern bazaar, but how delighted that young, impressionable mind was, notwithstanding,--delighted with the swings and the roundabouts, the shows, the booths, even down to the gilt gingerbread kings and queens! All minds genuinely poetical are peculiarly susceptible to movement,--that is, to the excitement of numbers. If the movement is sincerely joyous, as in the mirth of a village holiday, such a nature shares insensibly in the joy; but if the movement is a false and spurious gayety, as in a state ball, where the impa.s.sive face and languid step are out of harmony with the evident object of the scene, then the nature we speak of feels chilled and dejected. Hence it really is that the more delicate and ideal order of minds soon grow inexpressibly weary of the hack routine of what are called fas.h.i.+onable pleasures. Hence the same person most alive to a dance on the green, would be without enjoyment at Almack's. It was not because one scene is a village green, and the other a room in King Street, nor is it because the actors in the one are of the humble, in the others of the n.o.ble cla.s.s; but simply because the enjoyment in the first is visible and hearty, because in the other it is a listless and melancholy pretence. Helen fancied it was the swings and the booths that gave her that innocent exhilaration,--it was not so; it was the unconscious sympathy with the crowd around her. When the poetical nature quits its own dreams for the actual world, it enters and transfuses itself into the hearts and humours of others. The two wings of that spirit which we call Genius are revery and sympathy. But poor little Helen had no idea that she had genius. Whether chasing the b.u.t.terfly or talking fond fancies to her birds, or whether with earnest, musing eyes watching the stars come forth, and the dark pine-trees gleam into silver; whether with airy daydreams and credulous wonder poring over the magic tales of Mirglip or Aladdin, or whether spellbound to awe by the solemn woes of Lear, or following the blind great bard into "the heaven of heavens, an earthly guest, to draw empyreal air,"--she obeyed but the honest and varying impulse in each change of her pliant mood, and would have ascribed with genuine humility to the vagaries of childhood that prompt gathering of pleasure, that quick-s.h.i.+fting sport of the fancy by which Nature binds to itself, in chains undulating as melody, the lively senses of genius.

While Helen, leaning on the vicar's arm, thus surrendered herself to the innocent excitement of the moment, the vicar himself smiled and nodded to his paris.h.i.+oners, or paused to exchange a friendly word or two with the youngest or the eldest loiterers (those two extremes of mortality which the Church so tenderly unites) whom the scene drew to its tempting vortex, when a rough-haired lad, with a leather bag strapped across his waist, turned from one of the gingerbread booths, and touching his hat, said, "Please you, sir, I was a coming to your house with a letter."

The vicar's correspondence was confined and rare, despite his distant children, for letters but a few years ago were costly luxuries to persons of narrow income, and therefore the juvenile letter-carrier who plied between the post-town and the village failed to excite in his breast that indignation for being an hour or more behind his time which would have animated one to whom the post brings the usual event of the day. He took the letter from the boy's hand, and paid for it with a thrifty sigh as he glanced at a handwriting unfamiliar to him,--perhaps from some clergyman poorer than himself. However, that was not the place to read letters, so he put the epistle into his pocket, until Helen, who watched his countenance to see when he grew tired of the scene, kindly proposed to return home. As they gained a stile half-way, Mr. Fielden remembered his letter, took it forth, and put on his spectacles. Helen stooped over the bank to gather violets; the vicar seated himself on the stile. As he again looked at the address, the handwriting, before unfamiliar, seemed to grow indistinctly on his recollection. That bold, firm hand--thin and fine as woman's, but large and regular as man's--was too peculiar to be forgotten. He uttered a brief exclamation of surprise and recognition, and hastily broke the seal. The contents ran thus:--

DEAR SIR,--So many years have pa.s.sed since any communication has taken place between us that the name of Lucretia Dalibard will seem more strange to you than that of Lucretia Clavering. I have recently returned to England after long residence abroad. I perceive by my deceased sister's will that she has confided her only daughter to my guardians.h.i.+p, conjointly with yourself. I am anxious to partic.i.p.ate in that tender charge. I am alone in the world,--an habitual sufferer; afflicted with a partial paralysis that deprives me of the use of my limbs. In such circ.u.mstances, it is the more natural that I should turn to the only relative left me. My journey to England has so exhausted my strength, and all movement is so painful, that I must request you to excuse me for not coming in person for my niece. Your benevolence, however, will, I am sure, prompt you to afford me the comfort of her society, and as soon as you can, contrive some suitable arrangement for her journey. Begging you to express to Helen, in my name, the a.s.surance of such a welcome as is due from me to my sister's child, and waiting with great anxiety your reply, I am, dear Sir, Your very faithful servant, LUCRETIA DALIBARD.

P. S. I can scarcely venture to ask you to bring Helen yourself to town, but I should be glad if other inducements to take the journey afforded me the pleasure of seeing you once again. I am anxious, in addition to such details of my late sister as you may be enabled to give me, to learn something of the history of her connection with Mr. Ardworth, in whom I felt much interested years ago, and who, I am recently informed, left an infant, his supposed son, under your care. So long absent from England, how much have I to learn, and how little the mere gravestones tell us of the dead!

While the vicar is absorbed in this letter, equally unwelcome and unexpected; while, unconscious as the daughter of Ceres, gathering flowers when the h.e.l.l King drew near, of the change that awaited her and the grim presence that approached on her fate, Helen bends still over the bank odorous with shrinking violets,--we turn where the new generation equally invites our gaze, and make our first acquaintance with two persons connected with the progress of our tale.

The britzska stopped. The servant, who had been gradually acc.u.mulating present dust and future rheumatisms on the "bad eminence" of a rumble-tumble, exposed to the nipping airs of an English sky, leaped to the ground and opened the carriage-door.