'You couldn't have gone to Mrs Welch and explained, of course.'

'No, "of course" is right, I couldn't have. I'd have been out of my job in five minutes.' He produced and lit cigarettes for the two of them, trying to remember whether Bertrand's girl had said anything about owning up to Mrs Welch. He didn't think she had, which was odd in a way.

'You'll be out in less time than that if she ever finds that table.'

'She won't find it,' he said irritably, beginning to pace up and down the room.

'What about that sheet? You say it was Christine Callaghan's idea to remake the bed?'

'Well, what about it? And what about the sheet?'

'You seem to have got on a good deal better with her than you did last night.'

'Yes, that's good, isn't it?'

'Incidentally I thought she was abominably rude just now.'

'How do you mean?'

'Barging in and sending you off with that table like that.'

Stung with this reflection on his dignity, Dixon said: 'You've got this "rude" business on the winkle, Margaret. She was absolutely right: one of the Welches might have turned up at any moment. And if anyone barged in, it was you, not her.' He began regretting this speech well before it was over.

She stared at him with her mouth a little open, then whipped abruptly round away from him. 'I'm sorry, I won't barge in again.'

'Now, Margaret, you know I didn't mean it like that; don't be ridiculous. I was only...'

In a high voice, kept steady only by obvious effort, she said: 'Please go.'

Dixon fought hard to drive away the opinion that, both as actress and as script-writer, she was doing rather well, and hated himself for failing. Trying to haul urgency into his tone, he began: 'You mustn't take it like that. It was a b.l.o.o.d.y stupid thing to say, on my part, I admit. I didn't mean you actually barged in, in that way, of course I didn't. You must see...'

'Oh, I see all right, James. I see perfectly.' This time her voice was flat. She wore a sort of arty get-up of multi-coloured shirt, skirt with fringed hem and pocket, low-heeled shoes, and wooden beads. The smoke from her cigarette curled up, blue and ashy in a sunbeam, round her bare forearm. Dixon moved closer and saw that her hair had been recently washed; it lay in dry l.u.s.treless wisps on the back of her neck. In that condition it struck him as quintessentially feminine, much more feminine than the Callaghan girl's shining fair crop. Poor old Margaret, he thought, and rested his hand, in a gesture he hoped was solicitous, on her nearer shoulder.

Before he could speak she'd shaken his hand off, moved over to the window, and begun to talk in a strain that marked the opening, he soon realized, of a totally new phase of the scene they were evidently having. 'Get away. How dare you. Stop pushing and pulling me about. Who do you think you are? You haven't even had the grace to apologize for last night. You behaved disgracefully. I hope you realize you absolutely stank of beer. I've never given you the least impression... Whatever made you think you could get away with that sort of thing? What the h.e.l.l do you take me for? It isn't as if you didn't know what I've had to put up with, all these last weeks. It's intolerable, absolutely intolerable. I won't stand for it. You must have known how I've been feeling.'

She went on like this while Dixon looked her in the eyes. His panic mounted in sincerity and volume. Her body moved jerkily about; her head bobbed from side to side on its rather long neck, shaking the wooden beads about on the multi-coloured shirt. He found himself thinking that the whole arty get-up seemed oddly at variance with the way she was acting. People who wore clothes of that sort oughtn't to mind things of this sort, certainly not as much as Margaret clearly minded this thing. It was surely wrong to dress, and to behave most of the time, in a way that was so un-prim when you were really so proper all of the time. But then, with Catchpole at any rate, she hadn't been proper all of the time, had she? But of course it was all wrong to think like this, very bad, in fact, to allow his irritation with some of the things about her to do what it always did, to obscure what was most important: she was a neurotic who'd recently taken a bad beating. Yes, she was right really, though not in the way she meant. He had behaved badly, he had been inconsiderate. He'd better devote all his energy to apologizing. He booted out of his mind the reflection, derived apparently from nowhere, that in spite of her emotion she seemed well able to keep her voice down.

'I was thinking only yesterday afternoon about the relationship we'd been building up, how valuable it was, something really good. But that was silly, wasn't it? I was dead wrong, I...'

'No, you're dead wrong now, you were right then,' he broke in. 'These things don't stop just like that, you know; human beings aren't as simple as that, they're not like machines.'

He went on like this while she looked him in the eyes. The rotten triteness of his words seemed, if anything, to help him to meet her gaze. She stood with one leg partly crossed over the other in her favourite att.i.tude, no doubt designed to show off her legs, for they were good, her best feature. At one point she moved slightly so that her spectacles caught the light and prevented him seeing where she was looking. The eeriness of this disconcerted him a good deal, but he soldiered pluckily on to his objective, the promise or avowal, not yet in sight, which would end this encounter, bring some respite from the trek away from honesty. Boots, boots, boots, boots, marching up and down again.

After a while she was no more than implacably annoyed; then annoyed; then sullen and monosyllabic. 'Oh James,' she said at last, smoothing her hair with a convex palm; 'do let's stop this for now. I'm tired, I'm terribly tired, I can't go on any more. I'm going back to bed; I couldn't manage to sleep much last night. I just want to be left alone. Try to understand.'

'What about your breakfast?'

'I don't want any. It'll be over by now, anyway. And I don't want to have to talk to anybody.' She sank on to the bed and closed her eyes. 'Just leave me alone.'

'Are you sure you'll be all right?'

She said 'Oh yes' on a great sigh. 'Please.'

'Don't forget what I said.'

When no reply came, he went quietly out and into his bedroom, where he lay on the bed smoking a cigarette and reflecting, to small purpose, on the events of the last hour. Margaret he succeeded in putting from his mind almost at once; it was all very complicated, but then it had always been that, and he'd hated what she'd said to him and what he'd said to her, but then he'd been bound to do that. How well, really, the Callaghan girl had behaved, in spite of her stand-offishness at times, and how sound her suggestion had been. That, and her laughing fit, proved that she wasn't as 'dignant' as she looked. He remembered uneasily the awful glow of her skin, the distressing clarity of her eyes, the immoderate whiteness of those slightly irregular teeth. Then he cheered up a little as he put it to himself that her attachment to Bertrand was a fair guarantee of her being really very nasty. Yes, Bertrand; he must either make peace with him or keep out of his way. Keeping out of his way would almost certainly be better; he could combine it with keeping out of Margaret's way. If Atkinson phoned punctually he'd be out of the house in well under the hour.

He put out his cigarette in the ashtray, taking twenty or thirty seconds over the job, then went and had a shave. Some time later a loud baying bawl of 'Dixon' brought him to the stairhead. 'Somebody want me?' he roared.

'Telephone. Dixon. Dixon. Telephone.'

In the drawing-room, Bertrand was sitting with his parents and his girl. He pointed to the phone with his big head, then went on listening to his father, who, canted over in his chair like a broken robot, was saying splenetically: 'In children's art, you see, you get what you might call a clarity of vision, a sort of thinking in terms of the world as it appears, you see, not as the adult knows it to be. Well, this... this...'

'That you, Jim?' said Atkinson's cruel voice. 'How are things at Barnum and Bailey's?'

'All the better for hearing your voice, Bill.'

While Atkinson, unexpectedly garrulous, described a case he'd been reading about in the News of the World, asked Dixon's opinion on a clue in its prize crossword, and made an impracticable suggestion for the entertainment of the company at the Welches', Dixon watched the Callaghan girl listening to something Bertrand was explaining about art. She was sitting bolt upright in her chair, her lips compressed, wearing, he noticed for the first time, exactly what she'd been wearing the previous evening. Everything about her looked severe, and yet she didn't mind sheets and charred table-tops, and Margaret did. This girl hadn't minded fried eggs eaten with the fingers, either. It was a puzzle.

Raising his voice a little, Dixon said: 'Well, thanks very much for ringing, Bill. Apologize to my parents, will you, and tell them I'll be back as soon as I can?'

'Tell Johns from me where to put his oboe before you go.'

'I'll do my best. Good-bye.'

'That's the real point about Mexican art, Christine,' Bertrand was saying. 'Primitive technique can't have any virtue in itself, obviouslam.'

'No of course not; I see,' she said.

'I'm afraid I shall have to leave right away, Mrs Welch,' Dixon said. 'That phone call...'

They all looked round at him, Bertrand impatiently, Mrs Welch censoriously, Welch with incomprehension, Bertrand's girl without curiosity. Before Dixon could begin to explain, Margaret walked in through the open door, followed by Johns. Her recovery from prostrating fatigue had been rapid; had Johns somehow a.s.sisted it?

'A-ah,' Margaret said. It was her usual greeting to a roomful of people; a long, exhaled, downward glissando. 'Hallo, everybody.'

Those already in the room began moving uneasily about in response to this. Welch and Bertrand began talking simultaneously, Mrs Welch looked rapidly to and fro between Dixon and Margaret, Johns hung whey-faced at the threshold. When Welch, still talking, sprang ataxically from his chair towards Johns, Dixon, finding his own chance to talk about to lapse, moved forward. He heard Welch use the phrase 'figured ba.s.s'. He coughed, then said loudly and with unforeseen hoa.r.s.eness: 'I'm afraid I've got to be off now. My parents have come to see me unexpectedly.' He paused, to give room for any cries of protest and regret. When none came, he hurried on: 'Thank you very much for putting me up, Mrs Welch; I've enjoyed myself very much. And now I'm afraid I really must be off. Good-bye, all.'

Avoiding Margaret's eye, he walked through the silence and out of the door. Apart from making him feel he might die or go mad at any moment, his hangover had vanished. Johns grinned at him as he pa.s.sed.

VIII.

'OH, Dixon, can I have a word with you?'

To its recipient, this was the most dreadful of all summonses. It had been a favourite of his Flight-Sergeant's, a Regular with old-fashioned ideas about the propriety of getting an N.C.O. out of the men's hearing before subjecting him, not to a word, but to an uproar of abuse and threats about some harmless oversight. Welch had revived it as a short maestoso maestoso introduction to the allegro con fuoco of his displeasure over each new item in the 'bad impression' Dixon had been building up, and it heralded at best the imposition of some fresh academic task designed, conceivably, to probe his value to the Department. Michie, too, had more than once used it to signal a desire to talk, and ask questions, about Medieval Life and Culture. It was Welch who delivered the summons now, swaying about in the doorway of the little teaching room which Dixon shared with Goldsmith. Intellectually, Dixon could conceive of such a request leading to praise for work done on indexing Welch's notes for his book, to the offer of a staff post on Medium Aevum, to an invitation to an indecent house-party, but emotionally and physically he was half-throttled by the certainty of nastiness. introduction to the allegro con fuoco of his displeasure over each new item in the 'bad impression' Dixon had been building up, and it heralded at best the imposition of some fresh academic task designed, conceivably, to probe his value to the Department. Michie, too, had more than once used it to signal a desire to talk, and ask questions, about Medieval Life and Culture. It was Welch who delivered the summons now, swaying about in the doorway of the little teaching room which Dixon shared with Goldsmith. Intellectually, Dixon could conceive of such a request leading to praise for work done on indexing Welch's notes for his book, to the offer of a staff post on Medium Aevum, to an invitation to an indecent house-party, but emotionally and physically he was half-throttled by the certainty of nastiness.

'Of course, Professor.' While he followed Welch next door, wondering whether the subject for debate was the sheet, or his dismissal, or the sheet and his dismissal, Dixon reeled off a long string of swear-words in a mumbling undertone, so that he'd be in credit, as it were, for the first few minutes of the interview. He stamped his feet hard as he walked, partly to keep his courage up, partly to drown his own mutterings, partly because he hadn't yet smoked that morning.

Welch sat down at his misleadingly littered desk. 'Oh... uh... Dixon.'

'Yes, Professor?'

'I've... about this article of yours.'

With all his incoherences, Welch was always straightforward when reproofs were to be delivered, so that this remark was comparatively encouraging. Dixon said guardedly: 'Oh yes?'

'I was having a chat the other day with an old friend of mine from South Wales. The Professor at the University College of Abertawe, he is now. Athro Haines; I expect you know his book on medieval Cwmrhydyceirw.'

Dixon said 'Oh yes' in a different tone, but still guardedly. He wanted to indicate eager and devout recognition that should not at the same time imply first-hand knowledge of the work in question, in case Welch should demand an epitome of its argument.

'Of course, their problems down there are very different from... from... The Pa.s.s cla.s.ses in particular. He was telling me... It seems that in the first year everybody, doesn't matter whether they're going to go on with History or not, they all have to get through a certain amount of...'

Dixon switched off most of his attention, just keeping enough of it going to enable him to nod at proper intervals. He felt relieved; nothing really bad was going to happen, whatever might prove to be the bridge over the fast-widening gap between his article and this Haines character. A resolve began to form in his mind, frightening him before he could properly identify it. Now that he was alone with Welch, he'd have a show-down with him, force him to reveal what had been decided about his future, or, if nothing was definite yet, when it would be definite and what issue was going to make it definite. He was tired of being blackmailed, by the hope of improving his chances, into grubbing about in the public library for material that 'might come in handy' for Welch's book on local history, into 'just glancing through' (i.e. (i.e. correcting) the proofs of a long article Welch was having printed in a local journal of antiquities, into holding himself in readiness to attend a folk-dancing conference (thank G.o.d he hadn't had to go after all), into attending that terrible arty week-end last month, into agreeing to lecture on Merrie England especially that. And it was getting very late in the term: less than a month to go. Somehow he must mortar or bayonet Welch out of his prepared positions of reticence, irrelevance, and the long-lived, wondering frown. correcting) the proofs of a long article Welch was having printed in a local journal of antiquities, into holding himself in readiness to attend a folk-dancing conference (thank G.o.d he hadn't had to go after all), into attending that terrible arty week-end last month, into agreeing to lecture on Merrie England especially that. And it was getting very late in the term: less than a month to go. Somehow he must mortar or bayonet Welch out of his prepared positions of reticence, irrelevance, and the long-lived, wondering frown.

Welch suddenly made him switch everything on again by saying: 'Apparently this Caton fellow was in for the chair at Abertawe at the same time as Haines, three or four years ago it must be now. Well, naturally Haines couldn't tell me much, but he gave me the impression that Caton might well have got the chair instead of him, only there was something rather shady about him, you see. Don't let this out, will you, Dixon? but there was something like a forged testimonial or something of the sort, I gathered. Something rather shady, anyway. Now, of course, this journal of his may be quite above-board and so on, I'm not saying it isn't; it may be quite... above-board. But I thought I ought to let you know about this, Dixon, so that you can take any action you think... you think you... you think fit, you...'

'Well, thank you very much, Professor, it's very good of you to warn me. Perhaps I'd better write to him again and ask...'

'You haven't had a reply to your letter asking for something definite about when he's publishing your thing?'

'No, not a word.'

'Well then, you must certainly write to him again, Dixon, and say you must have a definite date of publication. Say you've had an inquiry from another journal about what you're writing. Say you must know definitely within a week.' Such fluency, like the keen glance which accompanied it, Welch seemed to reserve specially for telling people what to do.

'I'll certainly do that, yes.'

'Do it today, will you, Dixon?'

'Yes, I will.'

'After all, it's important to you, isn't it?'

This was the cue he'd been hoping for. 'Yes, sir. Actually I've been meaning to ask you about that.'

Welch's s.h.a.ggy eyebrows descended a little. 'About what?'

'Well, I'm sure you appreciate, Professor, that I've been worrying rather about my position here, in the last few months.'

'Oh yes?' Welch said cheerfully, his eyebrows restored.

'I've been wondering just how I stand, you know.'

'How you stand?'

'Yes, I... I mean, I'm afraid I got off on the wrong foot here rather, when I first came. I did some rather silly things. Well, now that my first year's nearly over, naturally I can't help feeling a bit anxious.'

'Yes, I know a lot of young chaps find some difficulty in settling down to their first job. It's only to be expected, after a war, after all. I don't know if you've ever met young Faulkner, at Nottingham he is now; he got a job here in nineteen hundred', here he paused, 'and forty-five. Well, he'd had rather a rough time in the war, what with one thing and another; he'd been out East for a time, you know, in the Fleet Air Arm he was, and then they switched him back to the Mediterranean. I remember him telling me how difficult he found it to adapt his way of thinking, when he had to settle down here and...'

Stop himself from dashing his fist into your face, Dixon thought. He waited for a time, then, when Welch produced another of his pauses, said: 'Yes, and of course it's doubly difficult when one doesn't feel very secure in one's I'd work much better, I know, if I could feel settled about...'

'Well, insecurity is the great enemy of concentration, I know. And, of course, one does tend to lose the habit of concentration as one grows older. It's amazing how distractions one wouldn't have noticed in one's early days become absolutely shattering when one... grows older. I remember when they were putting up the new chemistry labs here, well, I say new, you could hardly call them new now, I suppose. At the time I'm speaking of, some years before the war, they were laying the foundations about Easter time it must have been, and the concrete-mixer or whatever it was...'

Dixon wondered if Welch could hear him grinding his teeth. If he did, he gave no sign of it. Like a boxer still incredibly on his feet after ten rounds of punishment, Dixon got in with: 'I could feel quite happy about everything, if only my big worry were out of the way.'

Welch's head lifted slowly, like the muzzle of some obsolete howitzer. The wondering frown quickly began to form. 'I don't quite see...'

'My probation,' Dixon said loudly.

The frown cleared. 'Oh. That. You're on two years' probation here, Dixon, not one year. It's all there in your contract, you know. Two years.'

'Yes, I know, but that just means that I can't be taken on to the permanent staff until two years are up. It doesn't mean that I can't be... asked to leave at the end of the first year.'

'Oh no,' Welch said warmly; 'no.' He left it open whether he was reinforcing Dixon's negative or dissenting from it.

'I can be asked to leave at the end of the first year, can't I, Professor?' Dixon said quickly, pressing himself against the back of his chair.

'Yes, I suppose so,' Welch said, coldly this time, as if he were being asked to make some concession which, though theoretically due, no decent man would claim.

'Well I'm just wondering what's happening about it, that's all.'

'Yes, I've no doubt you are,' Welch said in the same tone. Dixon waited, planning faces. He looked round the small, cosy room with its fitted carpet, its rows of superseded books, its filing cabinets full of antique examination papers and of dossiers relating to past generations of students, its view from closed windows on to the sunlit wall of the Physics Laboratory. Behind Welch's head hung the departmental timetable, drawn up by Welch himself in five different-coloured inks corresponding to the five teaching members of the Department. The sight of this seemed to undam Dixon's mind; for the first time since arriving at the College he thought he felt real, over-mastering, orgiastic boredom, and its companion, real hatred. If Welch didn't speak in the next five seconds, he'd do something which would get himself flung out without possible question not the things he'd often dreamed of when sitting next door pretending to work. He no longer wanted, for example, to inscribe on the departmental timetable a short account, well tricked-out with obscenities, of his views on the Professor of History, the Department of History, medieval history, history, and Margaret and hang it out of the window for the information of pa.s.sing students and lecturers, nor did he, on the whole, now intend to tie Welch up in his chair and beat him about the head and shoulders with a bottle until he disclosed why, without being French himself, he'd given his sons French names, nor... No, he'd just say, quite quietly and very slowly and distinctly, to give Welch a good chance of catching his general drift: Look here, you old c.o.c.kchafer, what makes you think you can run a history department, even at a place like this, eh, you old c.o.c.kchafer? I know what you'd be good at, you old c.o.c.kchafer...

'Well, these things aren't as easy as you might imagine, you know,' Welch said suddenly. 'This is a very difficult matter, Dixon, you see. There's a great deal, a lot of things you've got to keep in mind.'

'I see that, of course, Professor. I just wanted to ask when the decision will be taken, that's all. If I'm to go, it's only fair I should be told soon.' He felt his head trembling slightly with rage as he said this.

Welch's glance, which had flicked two or three times at Dixon's face, now dropped to a half-curled-up letter on the desk. He muttered: 'Yes... well... I...'

Dixon said in a still louder voice: 'Because I shall have to start looking for another job, you see. And most of the schools will have made their appointments for September before they break up in July. So I shall want to know in good time.'

An expression of unhappiness was beginning to settle on Welch's small-eyed face. Dixon was at first pleased to see this evidence that Welch's mind could still be reached from the outside; next he felt a momentary compunction at the spectacle of one man disliking to reveal something that would cause pain to another; finally panic engulfed him. What was Welch's reluctance concealing? He, Dixon, was done for. If so, he would at any rate be able to deliver the c.o.c.kchafer speech, though he wished his audience were larger.

'Let you know as soon as anything's decided,' Welch said with incredible speed. 'Nothing is yet.'

Left with nothing to say, Dixon realized how wild a notion the c.o.c.kchafer speech had been. He'd never be able to tell Welch what he wanted to tell him, any more than he'd ever be able to do the same with Margaret. All the time he'd thought he was bringing the matter of his probation to a head he'd merely been a winkle on the pin of Welch's evasion-technique; verbal this time instead of the more familiar physical form, but a technique adapted to meet stronger pressure than he himself could hope to bring to bear on it.

Now, as Dixon had been half expecting all along, Welch produced his handkerchief. It was clear that he was about to blow his nose. This was usually horrible, if only because it drew unwilling attention to Welch's nose itself, a large, open-pored tetrahedron. But when the familiar miraculously-sustained blares beat against the walls and windows, Dixon hardly minded at all; the noise had the effect of changing his mood. Any statement that could be battered out of Welch was invariably trustworthy, so that Dixon was back where he started. But how lovely to be back where he started, instead of out in front where he didn't want to be. How wrong people always were when they said: 'It's better to know the worst than go on not knowing either way.' No; they had it exactly the wrong way round. Tell me the truth, doctor, I'd sooner know. But only if the truth is what I want to hear.

When he was sure that Welch had finished blowing his nose, Dixon got up and thanked him for their chat almost with sincerity, and the sight of Welch's 'bag' and fishing-hat on a nearby chair, normally a certain infuriant, only made him hum his Welch tune as he went out. This tune featured in the 'rondo' of some boring piano concerto Welch had once insisted on playing him on his complicated exponential-horned gramophone. It had come after about four of the huge double-sided red-labelled records, and Dixon had fitted words to it. Going down the stairs towards the Common Room, where coffee would now be available, he articulated these words behind closed lips: 'You ignorant ignorant clod, you clod, you stupid stupid old sod, you old sod, you havering havering slavering slavering get...' Here intervened a string of unmentionables, corresponding with an oom-pah sort of effect in the orchestra. 'You get...' Here intervened a string of unmentionables, corresponding with an oom-pah sort of effect in the orchestra. 'You wordy wordy old old t.u.r.dy t.u.r.dy old sc.u.m, you old sc.u.m, you griping griping old old piping piping old b.u.m...' Dixon didn't mind the obscurity of the reference, in 'piping', to Welch's recorder; he knew what he meant. old b.u.m...' Dixon didn't mind the obscurity of the reference, in 'piping', to Welch's recorder; he knew what he meant.

The examinations were now in progress, and Dixon had nothing to do that morning but turn up at the a.s.sembly Hall at twelve-thirty to collect some scripts. They would contain answers to questions he'd set about the Middle Ages. As he approached the Common Room he thought briefly about the Middle Ages. Those who professed themselves unable to believe in the reality of human progress ought to cheer themselves up, as the students under examination had conceivably been cheered up, by a short study of the Middle Ages. The hydrogen bomb, the South African Government, Chiang Kaishek, Senator McCarthy himself, would then seem a light price to pay for no longer being in the Middle Ages. Had people ever been as nasty, as self-indulgent, as dull, as miserable, as c.o.c.ksure, as bad at art, as dismally ludicrous, or as wrong as they'd been in the Middle Age Margaret's way of referring to the Middle Ages? He grinned at this last thought, then stopped doing that on entering the Common Room and catching sight of her, pale and heavy-eyed, on her own near the empty fireplace.

Their relations hadn't altered materially during the ten days or so since the arty week-end. It had taken him the whole of an evening in the Oak Lounge and a great deal of expense and hypocrisy to get her to admit that she still had a grievance against him, and more of the same sorts of commodity to persuade her to define, amplify, discuss, moderate, and finally abandon it. For some reason, periodically operative but impossible to name, the sight of her now filled him with affection and remorse. Rejecting coffee in favour of lemon squash, for it was a hot day, he got some from the overalled woman at the serving-table and went through the chatting groups over to Margaret.

She was wearing her arty get-up, but had discarded the wooden beads in favour of a brooch consisting of a wooden letter M. A large envelope full of examination scripts was on the floor beside her chair. A falsetto explosion from the coffee-urn across the room made him start slightly; then he said: 'Hallo, dear, how are you today?'

'All right, thanks.'