'Why, hallo, Bertie dear,' Carol said behind him. 'I want you. Come over here, will you?'

Bertrand had performed a start of surprise and half-turn in one movement. 'Hallo, Carol, but I was just...'

'I shan't keep you a minute,' Carol said, and gripped his arm. 'I'll return him in good condition,' she added over her shoulder to Christine.

'Well... hallo, Christine,' Dixon said.

'Oh, hallo.'

'This really is the last time, isn't it?'

'Yes, that's right.'

He felt petulant and self-pitying. 'You don't seem to mind as much as I do.'

She looked at him for a moment, then abruptly turned her head aside, as if he were showing her a photograph in a book of forensic medicine. 'I've done all my minding,' she said. 'I'm not going to do any more now. Neither will you if you've got any sense.'

'I can't help minding,' he said. 'Minding isn't a thing you can do anything about. I can't help going on with it.'

'What's the matter with your eye?'

'Bertrand and I had a fight this afternoon.'

'A fight? He didn't say anything to me about it. What were you fighting about? A fight?'

'He told me to keep off the gra.s.s where you were concerned, and I said I wouldn't, so we started fighting.'

'But we agreed... You haven't changed your mind about...?'

'No. I just wasn't going to let him tell me what to do, that's all.'

'But fancy having a fight.' She seemed to be repressing a laugh. 'You lost, by the look of you.'

He didn't like that, and remembered her tendency to grin during the hotel tea. 'Not at all. Take a look at Bertrand's ear before you start deciding who won and who lost.'

'Which one?'

'The right. But there probably won't be much to see. The damage was mostly internal, I should think.'

'Did you knock him over?'

'Oh yes, right over. He stayed down for a bit, too.'

'My G.o.d.' She stared at him, her full, dry lips slightly apart. A pang of helpless desire made Dixon feel heavy and immovable, as if he were being talked to by Welch. Then he felt that never had he been reminded so clearly of his first meeting with her as in the last couple of minutes, and glared at her.

At this moment of silence, Bertrand suddenly reappeared from behind the wife of one of the aldermen with a quick shuffling movement, rather like a left-arm bowler coming into a batsman's view round the umpire. His face was red; he was obviously almost beside himself with rage, either in its pure form or compounded with some other emotion. Carol followed him, looking inquisitive.

'That's enough of that,' Bertrand said, his voice a choking bay. 'This is just how I expected things to bam.' He caught hold of Christine's arm and pulled her away with some violence. Before moving off, he said to Dixon: 'Right, my lad. This is the finish for you. You'd better start looking for another job. I mean that.' Christine gave Dixon a brief, startled glance over her shoulder as she was virtually frog-marched towards the group that contained her uncle. Carol too looked at Dixon, a speculative look. Then she followed the other two. A loud homicidal-maniac laugh came from the Princ.i.p.al.

Dixon experienced a return of the ill feeling he'd had some minutes before. Then he found his thoughts being blindly swept along by panic. Bertrand must mean what he said; whatever it was that went on in Welch's head, the facts his son had to reveal must surely have a significant influence and even if they didn't, there were his wife's contributions to add to the scale, that was if she hadn't added them already on her own initiative. Dixon realized he'd been wrong in thinking that the Bertrand-campaign was over and won; the last shot had still to be fired, and he was in the open and unarmed. What he'd warned himself of at the outset had really happened; he'd let himself be carried away, the joy of battle really had robbed him of his discretion and prudence. He was helpless; above all, helpless to prevent that bearded slob from standing there with his hand on Christine's arm, confident, proprietary, victorious. She stood by her boy-friend in an awkward, uncomfortable att.i.tude, even an ungraceful one, but for Dixon's money there could be no more beautiful way for a woman to stand.

'Taking your last look, eh, James?'

At this sudden appearance of Margaret on his blind side, Dixon felt like a man fighting a policeman who sees another approaching on a horse. It dazed him. 'What?' he said.

'You'd better have a good look at her, hadn't you? You won't get another chance.'

'No, I don't suppose I...'

'Unless of course you've fixed it to run up to London every so often, just to keep in touch.'

Dixon stared into her face, genuinely surprised, surprised too that Margaret could, at this stage, do anything to surprise him. 'What do you mean?' he asked dully.

'No use pretending, is there? Doesn't take much imagination to see what you're thinking.' The tip of her nose wiggled slightly as she talked, in the way it always did. She stood with her feet apart and her arms crossed on her breast, as Dixon had seen her many times, making small-talk in this room or one of the little teaching-rooms upstairs. She didn't look at all strained, or excited, or ill-at-ease, or annoyed.

Dixon heaved a sigh of weariness before plunging in with the kind of protests and excuses laid down for him by the conventions of this particular pursuit. As he talked, he reflected how easily, by what deft sleight-of-hand, he'd been deprived of his one moral advantage in recent dealings with Margaret: his uninfluenced decision to take no more active interest in Christine. It was a bit rough to be reproached for hankering after what he'd voluntarily turned down. His spirits were so low that he wanted to lie down and pant like a dog: jobless, Christineless, and now grand-slammed in the Margaret game.

With no conclusion reached, their conversation was brought to an end by the drift of the Princ.i.p.al's group towards the door. Gore-Urquhart was apparently deep in talk with Bertrand and Christine. Welch called: 'Ready, Dixon?' With Mrs Welch at his side, he more than ever resembled an old boxer, given to a bit of poaching now and then, standing with his ex-kitchenmaid wife.

'See you in the Hall, Professor,' Dixon called back; then, with a word to Margaret, he hurried out and into the Staff Cloakroom. Stage-fright was upon him now; his hands were cold and damp, his legs felt like flaccid rubber tubes filled with fine sand, he had difficulty in controlling his breathing. While he was using the lavatory, he began making his Evelyn Waugh face, then abandoned it in favour of one more savage than any he normally used. Gripping his tongue between his teeth, he made his cheeks expand into little hemispherical balloons; he forced his upper lip downwards into an idiotic pout; he protruded his chin like the blade of a shovel. Throughout, he alternately dilated and crossed his eyes. Turning away, he found himself confronted by Gore-Urquhart, allowed his face to collapse, and said: 'Oh, hallo'.

'Hallo, Dixon,' Gore-Urquhart said, walking on past him.

Dixon went to the mirror above the wash-basin and examined his eye. It looked a good many shades brighter than he'd remembered it. In the circ.u.mstances, any attempt at smartness of clothes or hair seemed beside the point. He took from a shelf the stolen R.A.F. file that contained his lecture-script and was about to leave when Gore-Urquhart called: 'Hold on a minute, Dixon, will you?'

Dixon stopped and turned. Gore-Urquhart approached and stood gazing at him intently, as if planning a funny sketch of him, in charcoal, perhaps, or ink-wash, to be begun as soon as the lecture was over. After a moment, he said: 'Are you maybe feeling a little nervous, laddie?'

'Very nervous.'

Gore-Urquhart nodded and produced a sum but substantial flask from his ill-fitting clothes. 'Have a swig.'

'Thanks.' Deciding not to bother about coughing, Dixon took a good pull at what was evidently neat Scotch whisky more evidently than any drink he'd ever had. He coughed wildly.

'Ah, it's good stuff, that. Have another swig.'

'Thanks.' Dixon did exactly as before, then, gasping and wiping his mouth on his sleeve, gave the flask back. 'I'm very grateful for that.'

'It'll do you a power of good. Out of my sherry-cask. Well, we'd best get along if we don't want to keep them waiting.'

The last stragglers were still leaving the Common Room and moving up the stairs. At the stairhead a little group was waiting: the Goldsmiths, Bertrand, Christine, Welch, Beesley, and the other lecturers in the History Department.

'We may as well go up the front, sir,' Bertrand said.

They began moving into the Hall, which was disconcertingly full. The front row of the gallery held an unbroken line of students. There was a loud mixture of conversations.

'Well, give it to them, Jim,' Carol said.

'All the best, old boy,' Cecil said.

'Best of luck, Jim,' Beesley said. They all moved away into their seats.

'Here you go then, laddie,' Gore-Urquhart said in an undertone. 'No need to worry; to h.e.l.l with all this.' He gripped Dixon's arm and withdrew.

Aware that a shuffling for places was going on behind him, Dixon followed Welch on to the platform. The Princ.i.p.al and the fatter of the two aldermen were already there. Dixon found that he felt rather drunk.

XXII.

WELCH uttered the preludial blaring sound, cognate with his son's bay, with which he was accustomed to call for silence at the start of a lecture; Dixon had heard students imitating it. A hush gradually fell. 'We are here tonight', he informed the audience, 'to listen to a lecture.'

While Welch talked, his body swaying to and fro, its upper half more strongly illuminated by the reading-lamp above the lectern, Dixon, so as not to have to listen to what was said, looked furtively round the Hall. It was certainly very full; a few rows at the back were thinly inhabited, but those nearer the front were packed, chiefly with members of Staff and their families and with local people of various degrees of eminence. The gallery, as far as Dixon could see, was also packed; some people were standing up by the rear wall. Dropping his eyes to the nearer seats, Dixon picked out the thinner of the two aldermen, the local composer, and the fashionable clergyman; the t.i.tled physician had presumably come for the sherry only. Before he could look further, Dixon's vague recurrent feeling of illness identified itself as a feeling of faintness; a wave of heat spread from the small of his back and seemed to become established in his scalp. On the point of groaning involuntarily, he tried to will himself into feeling all right; only the nervousness, he told himself. And the drink, of course.

When Welch said '... Mr Dixon' and sat down, Dixon stood up. His knees began shaking violently, as if in caricature of stage-fright. A loud thunder of applause started up, chiefly, it seemed, from the gallery. Dixon could hear heavily-shod feet being stamped. With some difficulty, he took up his stand at the lectern, ran his eye over his first sentence, and raised his head. The applause died away slightly, enough for sounds of laughter to be heard through it; then it gathered force again, soon reaching a higher level than before, especially as regards the feet-stamping. The part of the audience in the gallery had had its first clear view of Dixon's black eye.

Several heads were being turned in the first few rows, and the Princ.i.p.al, Dixon saw, was staring irritably at the area of disturbance. In his own general unease, Dixon, who could never understand afterwards how he came to do it, produced an excellent imitation of Welch's preludial blaring sound. The uproar, pa.s.sing the point where it could still be regarded as legitimate applause, grew louder. The Princ.i.p.al rose slowly to his feet. The uproar died down, though not to complete silence. After a pause, the Princ.i.p.al nodded to Dixon and sat down again.

Dixon's blood rushed in his ears, as if he were about to sneeze. How could he stand up here in front of them all and try to talk? What further animal noises would come out of his mouth if he did? He smoothed the edge of his script and began.

When he'd spoken about half a dozen sentences, Dixon realized that something was still very wrong. The murmuring in the gallery had grown a little louder. Then he realized what it was that was so wrong: he'd gone on using Welch's manner of address. In an effort to make his script sound spontaneous, he'd inserted an 'of course' here, a 'you see' there, an 'as you might call it' somewhere else; nothing so firmly recalled Welch as that sort of thing. Further, in a partly unconscious attempt to make the stuff sound right, i.e. acceptable to Welch, he'd brought in a number of favourite Welch tags: 'integration of the social consciousness', 'identification of work with craft', and so on. And now, as this flashed into his labouring mind, he began to trip up on one or two phrases, to hesitate, and to repeat words, even to lose his place once so that a ten-second pause supervened. The mounting murmur from the gallery indicated that these effects were not pa.s.sing unappreciated. Sweating and flushing, he struggled on a little further, hearing Welch's intonation clinging tightly round his voice, powerless for the moment to strip it away. A surge of drunkenness across his brain informed him of the arrival there of the advance-guard of Gore-Urquhart's whisky or was it only that last sherry? And how hot it was. He stopped speaking, poised his mouth for a tone as different from Welch's as possible, and started off afresh. Everything seemed all right for the moment.

As he talked, he began glancing round the front rows. He saw Gore-Urquhart sitting next to Bertrand, who had his mother on his other side. Christine sat on the far side of her uncle, with Carol next to her, then Cecil, then Beesley. Margaret was at the other end, next to Mrs Welch, but with her gla.s.ses catching the light so that he couldn't see whether she was looking at him or not. He noticed that Christine was whispering something to Carol, and seemed slightly agitated. So that this shouldn't put him off, he looked further afield, trying to pick out Bill Atkinson. Yes, there he was, by the central aisle about half-way back. Over the whisky-bottle an hour and a half earlier, Atkinson had insisted, not only on coming to the lecture, but on announcing his intention of pretending to faint should Dixon, finding things getting out of hand in any way, scratch both his ears simultaneously. 'It'll be a good faint,' Atkinson had said in his arrogant voice. 'It'll create a diversion all right. Don't you worry.' Recalling this now, Dixon had to fight down a burst of laughter. At the same moment, a disturbance nearer the platform attracted his attention: Christine and Carol were pushing past Cecil and Beesley with the clear intention of leaving the Hall; Bertrand was leaning over and stage-whispering to them; Gore-Urquhart, half-risen, looked concerned. Fl.u.s.tered, Dixon stopped talking again; then, when the two women had gained the aisle and were making for the door, went on, sooner than he should have done, in a blurred, halting mumble that suggested the extremity of drunkenness. Shifting nervously on his feet, he half-tripped against the base of the lectern and swayed perilously forward. A hum of voices began again from the gallery. Dixon had a fleeting impression of the thinner alderman and his wife exchanging a glance of disapproving comment. He stopped speaking.

When he recovered himself, he found that he'd once more lost his place in mid-sentence. Biting his lip, he resolved not to run off the rails again. He cleared his throat, found his place, and went on in a clipped tone, emphasizing all the consonants and keeping his voice well up at the end of each phase. At any rate, he thought, they'll hear every word now. As he went on, he was for the second time conscious of something being very wrong. It was some moments before he realized that he was now imitating the Princ.i.p.al.

He looked up; there seemed to be a lot of movement in the gallery. Something heavy crashed to the floor up there. Maconochie, who'd been standing near the doors, went out, presumably to ascend and restore order. Voices were now starting up in the body of the Hall; the fashionable clergyman said something in a rumbling undertone; Dixon saw Beesley twisting about in his seat. 'What's the matter with you, Dixon?' Welch hissed.

'Sorry, sir... bit nervous... all right in a minute...' It was a close evening; Dixon felt intolerably hot. With a shaking hand he poured himself a gla.s.s of water from the carafe before him and drank feverishly. A comment, loud but indistinct, was shouted from the gallery. Dixon felt he was going to burst into tears. Should he throw a faint? It would be easy enough. No; everybody would a.s.sume he'd succ.u.mbed to alcohol. He made a last effort to pull himself together and, the pause now having lasted nearly half a minute, began again, but not in his normal voice. He seemed to have forgotten how to speak ordinarily. This time he chose an exaggerated northern accent as the least likely to give offence or to resemble anybody else's voice. After the first salvo of laughs from the gallery, things quietened down, perhaps under Maconochie's influence, and for a few minutes everything went smoothly. He was now getting on for half-way through.

While he read, things began slowly to go wrong for the third time, but not, as before, with what he was saying or how he was saying it. These things had to do with the inside of his head. A feeling, not so much of drunkenness, but of immense depression and fatigue, was taking almost tangible shape there. While he spoke one sentence, sadness at the thought of Christine seemed to be trying to grip his tongue at the root and reduce him to an elegiac silence; while he spoke another, cries of irritated horror fumbled for admission at his larynx so as to make public what he felt about the Margaret situation; while he spoke the next, anger and fear threatened to twist his mouth, tongue, and lips into the right position for a hysterical denunciation of Bertrand, Mrs Welch, the Princ.i.p.al, the Registrar, the College Council, the College. He began to lose all consciousness of the audience before him; the only member of it he cared about had left and was presumably not going to come back. Well, if this was going to be his last public appearance here, he'd see to it that people didn't forget it in a hurry. He'd do some good, however small, to some of those present, however few. No more imitations, they frightened him too much, but he could suggest by his intonation, very subtly of course, what he thought of his subject and the worth of the statements he was making.

Gradually, but not as gradually as it seemed to some parts of his brain, he began to infuse his tones with a sarcastic, wounding bitterness. n.o.body outside a madhouse, he tried to imply, could take seriously a single phrase of this conjectural, nugatory, deluded, tedious rubbish. Within quite a short time he was contriving to sound like an unusually fanatical n.a.z.i trooper in charge of a book-burning reading out to the crowd excerpts from a pamphlet written by a pacifist, Jewish, literate Communist. A growing mutter, half-amused, half-indignant, arose about him, but he closed his ears to it and read on. Almost unconsciously he began to adopt an unnameable foreign accent and to read faster and faster, his head spinning. As if in a dream he heard Welch stirring, then whispering, then talking at his side. He began punctuating his discourse with smothered snorts of derision. He read on, spitting out the syllables like curses, leaving misp.r.o.nunciations, omissions, spoonerisms uncorrected, turning over the pages of his script like a score-reader following a presto presto movement, raising his voice higher and higher. At last he found his final paragraph confronting him, stopped, and looked at his audience. movement, raising his voice higher and higher. At last he found his final paragraph confronting him, stopped, and looked at his audience.

Below him, the local worthies were staring at him with frozen astonishment and protest. Of the Staff contingent, the senior members looked up with similar expressions, the junior wouldn't look up at all. The only person in the main body of the Hall who was actually producing sounds was Gore-Urquhart, and the sounds he was producing were of loud skirling laughter. Shouts, whistles, and applause came from the gallery. Dixon raised his hand for silence, but the noise continued. It was too much; he felt faint again, and put his hands over his ears. Through all the noise a louder noise became audible, something between a groan and a bellow. Half-way down the Hall Bill Atkinson, unable at that distance, or unwilling, to distinguish between the scratching and the covering of ears, collapsed full length in the aisle. The Princ.i.p.al rose to his feet, opening and shutting his mouth, but without any quietening effect. He bent and began urgently whispering with the alderman at his side. The people near Atkinson started trying to lift him up, but in vain. Welch began calling Dixon's name. A stream of students entered and made towards the rec.u.mbent Atkinson. There were perhaps twenty or thirty of them. Shouting directions and advice to one another, they picked him up and bore him through the doors. Dixon came round in front of the lectern and the uproar died away. 'That'll do, Dixon,' the Princ.i.p.al said loudly, signalling to Welch, but too late.

'What, finally, is the practical application of all this?' Dixon said in his normal voice. He felt he was in the grip of some vertigo, hearing himself talking without consciously willing any words. 'Listen and I'll tell you. The point about Merrie England is that it was about the most un-Merrie period in our history. It's only the home-made pottery crowd, the organic husbandry crowd, the recorder-playing crowd, the Esperanto...' He paused and swayed; the heat, the drink, the nervousness, the guilt at last joined forces in him. His head seemed to be swelling and growing lighter at the same time; his body felt as if it were being ground out into its const.i.tuent granules; his ears hummed and the sides, top, and bottom of his vision were becoming invaded by a smoky, greasy darkness. Chairs sc.r.a.ped at either side of him; a hand caught at his shoulder and made him stumble. With Welch's arm round his shoulders he sank to his knees, half-hearing the Princ.i.p.al's voice saying above a tumult: '... from finishing his lecture through sudden indisposition. I'm sure you'll all...'

I've done it now, he managed to think. And without even telling them... He drew air into his lungs; if he could push it out again he'd be all right, but he couldn't, and everything faded out in a great roar of wordless voices.

XXIII.

'THAT'S all it was,' Beesley said the next morning. 'Quite understandable. But it was that whisky he gave you that really finished you, wasn't it?'

'Yes, I suppose I should have been all right without that. I can't tell Welch that, though.'

'No, of course you can't, Jim. But you can plead nervousness and the heat and so on. After all, you did pa.s.s out.'

'They'll never forgive me for wrecking a public lecture, though. And nervousness wouldn't make me imitate Neddy and the Princ.i.p.al, would it?'

They went in through the College gates. Three students hanging about there fell silent and nudged each other as Dixon pa.s.sed. Beesley said: 'I don't know. You could try it, couldn't you? You've got nothing to lose.'

'No, you're right there, Alfred. Oh, it doesn't matter. I've had it anyway. There's the Christine business too. Welch'll know about that by now.'

'You mustn't be so gloomy. I don't think Welch would take any notice of what Bertram or whatever his b.l.o.o.d.y name is says to him. It's nothing to do with him what you do to his son's girl-friend, is it?'

There's the Margaret angle, you see. There's no doubt he'd look at it as letting her down. Which it was, of course, however you look at it.'

Beesley glanced at him without replying; then, as they went into the Common Room, said: 'Don't let it get you down, Jim. See you coffee-time?'

'Yes,' Dixon said absently. His stomach turned over as he recognized Welch's handwriting on a note in his pigeon-hole. He went out and upstairs reading it. Welch felt he ought to let him know, unofficially, that when the Council met next week, he would be unable to recommend Dixon's retention on the staff. He advised Dixon, also unofficially, to wind up his affairs in the district and leave as soon as possible. He would furnish what testimonials he could for any application Dixon might make for a new job, provided it were outside the city. He himself was sorry Dixon had got to leave, because he'd enjoyed working with him. There was a ps. telling Dixon he needn't worry about 'the matter of the bedclothes'; for his part, Welch was prepared to 'consider it settled'. Well, that was when Dixon felt a sharp stab of conscience at having let Welch down over the lecture, and a less slight one at having spent so much of his time and energy in hating Welch.

He went into the room he shared with Cecil Goldsmith and stood at the window. The sultriness of the previous few days had pa.s.sed without thunder and the sky promised hours of sunshine. Alterations were being made to the Physics Laboratory; a lorry had drawn up by the wall, bricks and cement were being unloaded, and the sound of hammering could be heard. He could easily get a schoolteaching job; his old headmaster had told him at Christmas that a senior history post in the school wouldn't be filled until September. He'd write to him and say he'd decided he wasn't cut out for University teaching. But he wouldn't write today, not today.

What was he going to do today? He wandered from the window and picked up a fat and luxurious periodical that lay on Goldsmith's table, the journal of some Italian historical society. Something on the cover caught his eye and he turned to the relevant page. He'd never learnt any Italian, but the name at the head of this article, L. S. Caton, presented no difficulty, nor, after a minute or two, did the general drift of the text, which was concerned with shipbuilding techniques in Western Europe in the later fifteenth century and their influence on something or other. There could be no doubt about it; this article was either a close paraphrase or a translation of Dixon's own original article. At a loss for faces, he drew in his breath to swear, then cackled hysterically instead. So that was how people got chairs, was it? Chairs of that sort, anyway. Oh well, it didn't matter now. But what a cunning old... That reminded him. One of the things he'd got to do today was to see Johns and abuse, or even a.s.sault, him for his latest piece of treachery. He went out and down the stairs.

Reconstruction of the crime had been easy; by consulting Beesley and Atkinson, Dixon had deduced that Johns must have overheard the other two discussing the Christine tea-date and had taken the first opportunity of pa.s.sing the news on to his friend and patroness. He could have done this, and so he must have done this; at any rate, Dixon had virtually Bertrand's word for it that Johns was the informer, however he got hold of the information. Hatred lit him up briefly like a neon sign as he tapped at the door of Johns's office and went in.

There was n.o.body there. Dixon advanced to the desk, where a lot of insurance policies lay. He pondered for a moment; had he done anything to deserve Johns's two betrayals? The decorations added to the face of the composer on the periodical? A harmless joke. The letter from Joe Higgins? A transparent piece of horseplay. Dixon nodded to himself and, clutching up a handful of the insurance policies, stuffed them into his pocket and left.

A few moments later he was descending cautiously into the boiler-house. There seemed to be n.o.body about. Coal-dust cracked under his feet as he nosed about among the boilers, looking for one in action. There must be one to heat the water for the various cloakrooms. Here it was, smoking vigorously. He picked up some sort of tool from the floor in front of it and shoved the lid aside. The policies burned very quickly and thoroughly; there wouldn't be any sort of trace. He put the lid back and ran up the stairs. n.o.body saw him emerge.

What was he going to do now? He'd come up to College with, he realized, nothing very clear in mind, chiefly out of a reluctance to leave Beesley's company. Now he'd got the sack, however, he didn't want to wait about till coffee-time, when moreover he might run into Welch or the Princ.i.p.al. There was really no reason why he should ever come up here again, unless to remove his belongings. Well, that was clearly the next job, and it could be done in one go, because he'd never brought anything to College beyond two or three reference-books and some lecture-notes. He went back up to his room and started getting these together. Working in his home town, he reflected, would mean seeing less of Margaret, but not enough less, because her home and his were only fifteen miles apart. As experience had already proved, that was a reasonable, or not sufficiently unreasonable, journey to make for an evening together at least once a week during vacation-time. And three months of vacation lay just ahead.

On the way out of College, he found himself being approached by a man he didn't quite recognize, but about whose appearance there was something familiar. This man said: 'That was a very good lecture you gave us last night.'

'Michie,' Dixon said. 'You've shaved off your moustache.'

'That's right. Eileen O'Shaughnessy said she was browned-off with it, so I said farewell to it this morning.'

'Good advice, Michie. A great improvement.'

'Thanks. I hope you're fully recovered from your fainting fit or whatever it was?'

'Oh yes, thanks. No permanent injuries.'

'Good. We all enjoyed your lecture.'

'I'm very glad to hear it.'

'It went down like a bomb.'

'I know.'

'Pity you didn't manage to finish it.'

'Yes.'