There was a pause; then she came waveringly forward, put her hands on his shoulders, and seemed to collapse, or be dragging him, on to the bed. Unregarded, her spectacles fell off. She was making a curious noise, a steady, repeated, low-pitched moan that sounded as if it came from the pit of her stomach, as if she'd been sick over and over again and still wanted to be sick. Dixon half-helped, half-lifted her on to the bed. Now and then she gave a quiet, almost skittish little scream. Her face was pushed hard against his chest. Dixon didn't know whether she was fainting, or having a fit of hysterics, or simply breaking down and crying. Whatever it was he didn't know how to deal with it. When she felt that she was sitting on the bed next to him she threw herself forward so that her face was on his thigh. In a moment he felt moisture creeping through to his skin. He tried to lift her, but she was immovably heavy; her shoulders were shaking more rapidly than seemed to him normal even in a condition of this kind. Then she raised herself, tense but still trembling, and began a series of high-pitched, inward screams which alternated with the deep moans. Both were quite loud. Her hair was in her eyes, her lips were drawn back, and her teeth chattered. Her face was wet, with saliva as well as tears. At last, as he began speaking her name, she threw herself violently backwards and sideways on to the bed. While she lay there with her arms spread out, writhing, she screamed half a dozen times, very loudly, then went on more quietly, moaning with every outward breath. Dixon seized her wrists and shouted: 'Margaret. Margaret.' She looked at him with dilated eyes and began struggling, trying to free herself from him. Two lots of footsteps were now approaching outside, one ascending the stairs, the other descending. The door opened and Bill Atkinson came in, followed by Miss Cutler. Dixon looked up at them.

'Hysterics, eh?' Atkinson said, and slapped Margaret several times on the face, very hard, Dixon thought. He pushed Dixon out of the way and sat down on the bed, gripping Margaret by the shoulders and shaking her vigorously. 'There's some whisky up in my cupboard. Go and get it.'

Dixon ran out and up the stairs. The only thought that presented itself to him at all clearly was one of mild surprise that the fictional or cinematic treatment of hysterics should be based so firmly on what was evidently the right treatment. He found the whisky; his hand was shaking so much that he nearly dropped the bottle. He uncorked it and took a quick swig, trying not to cough. Down in his room again, he found everything much quieter. Miss Cutler, who'd been watching Atkinson and Margaret, gave Dixon a glance, not of suspicion or reproach, but of rea.s.surance; she said nothing. As he felt at the moment, this made him want to cry. Atkinson looked up without taking the bottle. 'Get a gla.s.s or a cup.' He got a cup from the cupboard, poured some of the whisky into it, and gave it to Atkinson. Miss Cutler, as much in awe of him as ever, stood at Dixon's side and watched Margaret being given some whisky.

Atkinson heaved her up into a half-sitting position. Her moans had stopped and she was trembling less violently. Her face was red from Atkinson's blows. When he put the cup to her mouth it rattled once or twice on her teeth and her breathing was audible. With eerie predictability she choked and coughed, swallowed some, coughed again, swallowed some more. Quite soon she stopped trembling altogether and began to look round at them. 'Sorry about that,' she said faintly.

'That's all right, girlie,' Atkinson said. 'Like a f.a.g?'

'Yes please.'

'Forward, Jim.'

Miss Cutler smiled at them all, mouthed something, and went quietly out. Dixon lit cigarettes for the three of them and Margaret sat up on the edge of the bed; Atkinson still kept his arm round her. 'Were you the one that slapped my face?' she asked him.

'That's right, girlie. It did you a power of good. How do you feel now?'

'A lot better, thanks. A bit hazy, but otherwise all right.'

'Good. Don't you try to move around for a bit. Here, put your feet up and have a rest.'

'There's really no need...'

He pulled her feet up on to the bed and took off her shoes, then stood looking down at her. 'You stay there for ten minutes at least. I'll leave you to the care of brother Jim now. Have some more whisky when you've finished that, but don't let Jim get at it. I promised his mother not to let him drink himself to death.' He turned his Tartar's face on Dixon. 'All right, old man?'

'Yes thanks, Bill. It's been very good of you.'

'All right, girlie?'

'Thank you so much, Mr Atkinson; you've been wonderful. I just can't thank you enough.'

'That's all right, girlie.' He nodded to them and went out.

'I'm sorry about all that, James,' she said as soon as the door was shut.

'It was my fault.'

'No, you always say that. This time I'm not going to let you. I just couldn't take what you said, that's all. I thought to myself, I can't bear it, I must stop him, and then I simply lost control of myself. Nothing more to it than that. And it was all so silly and childish, because you were absolutely right, saying what you did. Much better to clear the air like that. I just behaved like a perfect idiot.'

'There's no point in reproaching yourself. You couldn't help it.'

'No, but I ought to have been able to. Do sit down, James; you're getting on my nerves, prowling around like that.'

Dixon pulled the cane-bottomed chair to beside the bed. When he was settled and looking at Margaret, he was reminded of how he'd sat at her side, just like this, when he visited her in hospital after her suicide attempt. But she'd looked different then, thinner and weaker, with her hair drawn back to the nape of her neck; and, in a way, less distressing than she looked now. The sight of her smudged lipstick, her damp nose, her disordered, stiff hair filled him with a profound and tranquil depression. 'I'd better come back to the Welches' with you,' he said.

'My dear, I wouldn't hear of it. You'd better keep clear of that place as long as you can.'

'I don't care about any of that. And in any case I needn't come in. I'll just come back on the bus with you.'

'Don't be so ridiculous, James. It's absolutely unnecessary. I'm perfectly all right now. At least I will be when I've had another go at nice Mr Atkinson's whisky. Would you be an angel and pour me some?'

While he complied, Dixon thought with relief that he needn't go back on the bus with her. By now he could always tell what Margaret wanted, whatever she might say, and it was clear that this refusal of services was genuine. It wasn't that he didn't feel concern for her; he felt a lot, so much that the load was intolerable intolerable, too, was the way in which to feel concern had now come, for him, to confuse itself utterly with the feeling of guilt. He gave her the cup, not looking at her; he said nothing, not for the familiar reason of not being able to say what he wanted to say, but because he could think of nothing to say.

'I'll just drink this and finish my cigarette, and then I'll be off. There's a bus at twenty to; it'll get me in nicely. Would you get me an ashtray, James?'

He brought her a copper one which bore the representation, in high-relief, of a small antique warship and the caption 'H.M. Torpedo-Boat Destroyer Ribble'. Ribble'. She dropped ash on to it, then sat up on the edge of the bed and, taking cosmetics from her handbag, began making up her face. Looking into her compact-mirror, she said conversationally: 'It's strange that it should end like this, isn't it? In such a very undignified fashion.' When he still said nothing, she went on, moving her mouth about now and then to put lipstick on it: 'But then it hasn't been very dignified all the way through, has it? It's just been me flying off the handle in one way and another, and you rather reluctantly trying to get me to grow up. No, that's not fair to you.' She worked lipstick over her mouth, then peered into the mirror again. 'You did all a man could do, and more than most would, believe me. You've got nothing to reproach yourself with. Really, I don't know how you stuck it. I'm afraid none of it's been much fun for you. Just as well you decided to call it quits.' She snapped the compact shut and put it into her handbag. She dropped ash on to it, then sat up on the edge of the bed and, taking cosmetics from her handbag, began making up her face. Looking into her compact-mirror, she said conversationally: 'It's strange that it should end like this, isn't it? In such a very undignified fashion.' When he still said nothing, she went on, moving her mouth about now and then to put lipstick on it: 'But then it hasn't been very dignified all the way through, has it? It's just been me flying off the handle in one way and another, and you rather reluctantly trying to get me to grow up. No, that's not fair to you.' She worked lipstick over her mouth, then peered into the mirror again. 'You did all a man could do, and more than most would, believe me. You've got nothing to reproach yourself with. Really, I don't know how you stuck it. I'm afraid none of it's been much fun for you. Just as well you decided to call it quits.' She snapped the compact shut and put it into her handbag.

'You know I'm fond of you, Margaret,' Dixon said. 'It's just that it wouldn't work, that's all.'

'I know, James. Don't you worry about anything. I shall be all right.'

'You must always come to me if anything goes wrong. That I can do anything about.'

She smiled slightly at his reservation. 'Of course I will,' she said as if she were soothing him.

He raised his head and looked at her. Under the powder, her cheeks were still slightly mottled where the redness was fading, but with her gla.s.ses back on the slight puffiness round her eyes was scarcely noticeable. That she'd only recently finished being hysterical seemed incredible to him, as did the thought that he could ever have said to her anything important enough to make her hysterical. As he watched her, she put out her cigarette on H.M.S. Ribble Ribble and stood up, brushing the ash from her dress. 'That just about takes care of everything, I think,' she said lightly. 'Well, good-bye, James.' and stood up, brushing the ash from her dress. 'That just about takes care of everything, I think,' she said lightly. 'Well, good-bye, James.'

Dixon smiled uncertainly. What a pity it was, he thought, that she wasn't better-looking, that she didn't read the articles in the three-halfpenny Press that told you which colour lipstick went with which natural colouring. With twenty per cent more of what she lacked in these ways, she'd never have run into any of her appalling difficulties: the vices and morbidities bred of loneliness would have remained safely dormant until old age. 'Are you sure you're all right?' he asked her.

'Stop worrying about me; I'm perfectly all right. Now I must be off, or I shall miss my bus, and that'll make me late for lunch, and you know what Mrs Neddy is about meal-times. Well, I dare say we shall run into each other before very long. Good-bye.'

'Good-bye, Margaret. See you soon.'

She went out without replying.

Dixon put his own cigarette out, jabbing at Ribble's Ribble's bridge in a feeble rage he couldn't find any source for. He tried to tell himself that when he'd got over his own feelings of shock, he'd begin to be glad at having told Margaret what he'd been wanting to tell her for so long, but it wasn't convincing. He thought of his appointment with Christine the next day but one, and regarded it entirely without pleasure. Some part of what had happened in the last half-hour had spoilt all that, though he didn't know which part. Somewhere his path to Christine was blocked; it was all going to go wrong in some way he couldn't foresee. It wasn't that Margaret herself would take a hand in the matter and upset things by somehow alerting Bertrand and the senior Welches; it wasn't that he might be forced to withdraw his recent declarations to Margaret. It was something less unlikely than the first, harder to fight than the second, and much vaguer than either. It was just that everything seemed to be spoilt. bridge in a feeble rage he couldn't find any source for. He tried to tell himself that when he'd got over his own feelings of shock, he'd begin to be glad at having told Margaret what he'd been wanting to tell her for so long, but it wasn't convincing. He thought of his appointment with Christine the next day but one, and regarded it entirely without pleasure. Some part of what had happened in the last half-hour had spoilt all that, though he didn't know which part. Somewhere his path to Christine was blocked; it was all going to go wrong in some way he couldn't foresee. It wasn't that Margaret herself would take a hand in the matter and upset things by somehow alerting Bertrand and the senior Welches; it wasn't that he might be forced to withdraw his recent declarations to Margaret. It was something less unlikely than the first, harder to fight than the second, and much vaguer than either. It was just that everything seemed to be spoilt.

He began abstractedly brushing his hair in front of his small unframed mirror. He refused to think directly about Margaret's fit of hysterics. Soon enough, he knew, it would take its place with those three or four memories which could make him actually twist about in his chair or bed with remorse, fear, or embarra.s.sment. It would probably supplant the present top-of-the-list item, the time he'd been pushed out in front of the curtain after a school concert to make the audience sing the National Anthem. He could hear his own voice now, saying in those flat tones, heavy with insincerity: 'And now... I want you all... to join with me, if you will... in singing...' And then he'd led off in a key that must have been exactly half an octave above or below the proper one. Switching every few notes, like everybody else, from one octave to the other, half a beat in front of or behind everybody else, he'd gone through the whole thing. Cheers, applause, and laughter had followed him when he ducked his burning face back through the curtains. He looked at his face now in the mirror: it looked back at him, humourless and self-pitying.

He picked up Atkinson's whisky-bottle and went to the door, intending to suggest a couple of pints of beer at the pub round the corner; then he turned back and picked up the letter to Johns. There seemed no point in not posting it.

XVII.

DIXON plunged down the lodging-house stairs at eight-fifteen the next morning, not so much so as to be sure of being there while Johns read his letter as because he wanted, or rather had got, to spend a long morning in writing up his Merrie England lecture. He didn't like having to breakfast so early. There was something about Miss Cutler's cornflakes, her pallid fried eggs or bright red bacon, her explosive toast, her diuretic coffee which, much better than bearable at nine o'clock, his usual breakfast-time, seemed at eight-fifteen to summon from all the recesses of his frame every lingering vestige of c.r.a.pulent headache, every relic of past nauseas, every echo of noises in the head. This retrospective vertigo collared him this morning as roughly as always. The three pints of bitter he'd drunk last night with Bill Atkinson and Beesley might, by means of some garbaged alley through the s.p.a.ce-time continuum, have been preceded by a bottle of British sherry and followed by half a dozen breakfast-cups of red biddy. Holding his hands over his eyes, he circled the table like one trying to evade the smoke from a bonfire, then sat down heavily and saturated a plate of cornflakes with bluish milk. He was alone in the room.

Avoiding thinking about Margaret, and for some reason not wanting to think about Christine, he found his thoughts turning towards his lecture. Early the previous evening he'd tried working his notes for it up into a script. The first page of notes had yielded a page and three lines of script. At that rate he'd be able to talk for eleven and a half minutes as his notes now stood. Some sort of pabulum for a further forty-eight and a half minutes was evidently required, with perhaps a minute off for being introduced to the audience, another minute for water-drinking, coughing, and page-turning, and nothing at all for applause or curtain-calls. Where was he going to find this supplementary pabulum? The only answer to this question seemed to be Yes, that's right, where? Ah, wait a minute; he'd get Barclay to find him a book on medieval music. Twenty minutes at least on that, with an apology for 'having let my interest run away with me'. Welch would absolutely eat that. He blew bubbles for a moment with the milk in his spoon at the thought of having to transcribe so many hateful facts, then cheered up at the thought of being able to do himself so much good without having to think at all. 'It may perhaps be thought', he muttered to himself, 'that the character of an age, a nation, a cla.s.s, would be but poorly revealed in anything so apparently divorced from ordinary habits of thought as its music, as its musical culture.' He leant forward impressively over the cruet. 'Nothing could be further from the truth.'

At that moment Beesley entered, rubbing his hands in the way he had. 'Hallo, Jim,' he said. 'Post here yet?'

'No, not yet. Is he coming?'

'He's finished in the bathroom. Shouldn't be long now.'

'Good. What about Bill?'

'He was up before me; I heard him trampling the floor. Wait a minute; I think this must be him.'

While Beesley sat down and started on his cornflakes, Atkinson came slowly into the room. As so often, especially in the mornings, his demeanour seemed to imply that he was unacquainted with the other two and had, at the moment, no intention of striking up any sort of relation with them. This morning he looked more than ever like Genghis Khan meditating a purge of his captains. He halted contemptuously at his chair, clicking his tongue and sighing histrionically like one kept waiting in a shop. His dark, mysterious eyes ran round the walls, making leisured halts at each photograph, summing up adversely Miss Cutler's nephew in the uniform of a Pay Corps lance-corporal, Miss Cutler's cousin's two little girls, Miss Cutler's former employer's country house with a gig at the portico, Miss Cutler vehemently dressed as a bridesmaid in the fashions of the First World War. He was perhaps engaged in whittling down the huge volume of abuse evoked by these sights into four tiny toxic gouts of hatred, one for each photograph. Still silent, however, he took his place at the table, his large hairy hands idle and palm-upwards on the cloth. He never ate cereals.

While Miss Cutler was in the room dispensing vermilion bacon, the day's post could be heard arriving. Beesley nodded significantly at Dixon and went out into the hall. When he came back he nodded again, more significantly. Dixon felt none of the pleasurable excitement he'd expected; even when, a couple of minutes later, Johns came silently in holding his letter, he was still almost unmoved. Why was this? Merrie England? Yes, and other things too, but never mind about them. He tried to fasten his attention on the letter, which Johns was now opening and unfolding. Beesley, his mouth full of food, had stopped chewing; Atkinson, outwardly unconcerned, was watching Johns through his thick lashes. Johns began reading. The silence was intense.

Johns put his spoon down carefully. There seemed to be something subtly wrong about his hair. His usual lard-like pallor, though diversified this morning by several inflamed patches (the consequence, no doubt, of shaving with a blade far too blunt for anybody with a normal att.i.tude towards money), was too extreme to allow of any further whitening in consequence of emotions like alarm or fury. Soon, however, he raised his eyes, not, of course, to the level of the others' faces, but much nearer it than usual. Once Dixon even fancied he caught Johns's glance for a moment or two. The man was evidently stirred in some way; he was twisting about with a sort of arch, self-deprecatory motion. After reading the letter through once or twice, he stuffed it quickly back in its envelope and shoved it into his breast-pocket. Looking up again and finding the others still watching him, he picked up his spoon so hurriedly that it spattered milk over his navy-blue cardigan. A bursting sound came from Beesley.

'What's the matter, sonny boy?' Atkinson asked Johns, clearly and very slowly. 'Had a bit of bad news?'

'No.'

'Because I shouldn't like to feel that you'd had a bit of bad news. It would spoil my day. Are you sure you haven't had a bit of bad news?'

'Nothing at all.'

'Haven't you had a bit of bad news?'

'No.'

'Oh. Well, be sure to let me know if you ever do. I might be able to give you some advice. Mightn't I?'

Atkinson lit a cigarette. 'Not much of a talker, are you?' he asked Johns. 'Is he?' he asked the other two.

'No,' they said.

Atkinson nodded and went out. From the pa.s.sage they heard his rare laugh; without any definite point of change, it led to a fit of coughing which gradually receded up the stairs.

Johns began on his bacon. 'It isn't funny,' he said, suddenly and surprisingly. 'It isn't funny at all.'

Dixon caught a glimpse of Beesley's flushed, delighted face. 'What isn't?' he asked.

'You know what, Dixon. Two can play at that game. You'll see.' With a shaking, wristless hand he poured himself some coffee.

The encounter ended with no more said. With a last hostile glance in the direction of Dixon's tie, Johns hurried out. His work on the College staff's superannuation policies and National Health cards began at nine o'clock. As he went, Dixon saw that there was something funny about the back of his head.

Beesley leaned over. 'All right, eh, Jim?'

'Not too bad.'

'Did you notice how much he said? An absolute b.l.o.o.d.y flood of eloquence. It's what I've always maintained: he never says a word unless he feels he's being threatened in some way. Hey, I haven't told you. Did you notice how queer his hair looked?'

'Now you mention it, I did think it looked a bit odd.'

Beesley began eating toast and marmalade. Chewing angrily, he went on: 'He's bought himself a pair of hair-clippers. I found them in the bathroom yesterday. Cuts his own hair now, you see. Too sodding mean to pay out his one-and-six, that's what it is. My G.o.d.'

This, then, was why, from the back, Johns appeared to be wearing a blatant toupee which had slipped over slightly to one side, and why, from the front, his face appeared to be surmounted by a curious helmet. Dixon was silent, thinking that Johns had at last done something he rather respected.

'What's up, Jim? You don't look too happy.'

'I'm all right.'

'Still worrying about the lecture? Look, I've got those notes on The Age of Chaucer I promised you. They're not very exciting, but there'll be a few things you can probably use. I'll stick them in your room.'

Dixon cheered up again; if he could dare to wait long enough, he might be able to construct the rest of his lecture entirely out of others' efforts. 'Thanks, Alfred,' he said; 'that'll be fine.'

'Going up to College at all?'

'Yes, I want to see Barclay.'

'Barclay? I shouldn't have thought you'd have much to say to him.'

'I want to pick his brains on medieval music.'

'Ah, got you now. Going up straight away, are you?'

'In a few minutes.'

'Grand, I'll go up with you.'

It was a warm day, but overcast. As they strolled up College Road, Beesley began talking about the examination results in his Department. The visit of the External Examiner at the end of the week would settle a number of doubtful cases, but the main outlines of the results were already clear. The position was the same in Dixon's own Department, so that there was something to discuss.

'One thing I like about Fred Karno,' Beesley said, 'though it's about the only thing when I come to think of it: he'll never try to push anyone through that he doesn't really think's worth it. No Firsts this year for us, four Thirds, and forty-five per cent of the first-year people failed; that's the way to deal with 'em. Fred's about the only prof. in the place who's resisting all this outside pressure to chuck Firsts around like teaching diplomas and push every b.u.g.g.e.r who can write his name through the Pa.s.s courses. What's Neddy's angle on the business? Or hasn't he got round to getting one yet?'

'That's right. He leaves most of it to Cecil Goldsmith, and that means everyone gets through. Cecil's a tender-hearted chap, you know.'

'Tender-headed, you mean. It's the same everywhere you look; not only this place, but all the provincial universities are going the same way. Not London, I suppose, and not the Scottish ones. But my G.o.d, go to most places and try and get someone turfed out merely because he's too stupid to pa.s.s his exams it'd be easier to sack a prof. That's the trouble with having so many people here on Education Authority grants, you see.'

'How do you mean? The students have got to get their money from somewhere.'

'Well, you know, Jim. You can see the Authorities' point in a way. "We pay for John Smith to enter College here and now you tell us, after seven years, that he'll never get a degree. You're wasting our money." If we inst.i.tute an entrance exam to keep out the ones who can't read or write, the entry goes down by half, and half of us lose our jobs. And then the other demand: "We want two hundred teachers this year and we mean to have them." All right, we'll lower the pa.s.s mark to twenty per cent and give you the quant.i.ty you want, but for G.o.d's sake don't start complaining in two years' time that your schools are full of teachers who couldn't pa.s.s the General Certificate themselves, let alone teach anyone else to pa.s.s it. It's a wonderful position, isn't it?'

Dixon agreed rather than disagreed with Beesley, but he didn't feel interested enough to say so. It was one of those days when he felt quite convinced of his impending expulsion from academic life. What would he do afterwards? Teach in a school? Oh dear no. Go to London and get a job in an office. What job? Whose office? Shut up.

They entered the main building in silence, went into the Common Room, and moved over to their pigeon-holes. Dixon took out of his a reminder that he hadn't yet paid his Common Room subscription for the year and a postcard, addressed to Jas d.i.c.kson Esq BA, informing him of the publication of some flatulent work on textile trades in the time of the Tudors. These he dropped into the wastepaper-basket with the maximum of dispatch. Beesley was looking through a newly-arrived issue of the journal of university affairs to which he subscribed, muttering to himself. There was n.o.body else in the room. Before rousing himself to find Barclay, Dixon, feeling he could do with a sit-down at the start of such a day, dropped into an armchair and yawned.

In a moment or two Beesley came over, holding his journal open. 'Something that'll interest you here, Jim. "New appointments. Dr L. S. Caton to the Chair of History of Commerce, University of Tuc.u.man, Argentina." Isn't that the chap you sent your article to?'

'Christ, let me have a look.'

'You'd better get through to him a bit sharpish, before he escapes on the banana-boat. Looks as if his new review'll be packing up, unless he thinks he can edit it from there.'

'Oh G.o.d, this looks pretty bad.'

'I should get through to him on the blower if I were you.'

'Oh G.o.d. Yes, I will. Well, thanks for pointing it out to me, Alfred. I'd better find Barclay before he gets a job out there too.'

A prey to vague but powerful misgiving, Dixon hurried out and over to the Music School, where, to his surprise, Barclay proved to be present, available, cooperative, and in possession of just the sort of book Dixon wanted. Feeling a little less disturbed, Dixon went round with it to the library and obtained, with almost sinister prompt.i.tude, a book on medieval costume and furniture. In the revolving door on the way out, his movement was abruptly checked by the intervention of somebody outside trying to revolve the door in the opposite, and (according to several large, well-designed notices) wrong, direction. It was Welch, looking suspiciously about him, stepping back with a frown as Dixon went on pushing and emerged by his side.

'Good morning, Professor.'