"Well," said Luby, "the dame who came out in the taxi called the other dame-the dame up there-"

"Mrs. Elliot," said the captain.

"Yeah," said Luby. "She calls Mrs. Elliot something Mr. Elliot don't like, and the next thing I knew, Mr. Elliot had hauled off and-"

Harve Elliot plunged past the light and into the darkness. He charged at the door and the freedom beyond.

Harve lay under an old sedan in a used car lot. He was a block from the Ilium Police Station. His ears roared and his chest quaked. Centuries before he had broken jail. He had knocked people and doors and furniture out of his way effortlessly, had scattered them like leaves.

Guns had gone off, seemingly right by his head.

Now men were shouting in the night, and Harve lay under the car.

One clear image came to Harve from his fantastic flight-and only one. He remembered the face of the policewoman, the first person between him and freedom. Harve had flung her into the glare of the floodlight, had seen her livid, shocked face.

And that was the only face he'd seen.

The hunt for Harve-what Harve heard of it-sounded foolish, slovenly, demoralized. When Harve got his wind and his wits back, he felt marvelous. He wanted to laugh out loud and yell. He had won so far, and he would go on winning. He would get to the State Police. He would bring them back to Ilium to free Claire.

After that, Harve would hire the best lawyer he could find, clear himself, put Luby in prison, and sue the rotten city of Ilium for a blue million.

Harve peered out from under the car. His hunters were not coming toward him. They were moving away, blaming each other with childish querulousness for having let him escape.

Harve crawled out from under the car, crouched, listened. And then he began to walk carefully, always in shadows. He moved with the cunning of an infantry scout. The filth and feeble lights of the city, so recently his enemies, were his friends now.

And, moving with his back to sooty walls, ducking into doorways of decaying buildings, Harve realized that pure evil was his friend, too. Eluding it, outwitting it, planning its destruction all gave his life inconceivably exciting meanings.

A newspaper scuttled by, tumbled in a night breeze, seemed on its raffish way out of Ilium, too.

Far, far away a gun went off. Harve wondered what had been shot at-or shot.

Few cars moved in Ilium. And even rarer were people on foot. Two silent, shabby lovers pa.s.sed within a few feet of Harve without seeing him.

A lurching drunk did see Harve, murmured some quizzical insult, lurched on.

Now a siren wailed-and then another, and yet another. Patrol cars were fanning out from the Ilium Police Station, idiotically advertising themselves with noise and lights.

One car set up a noisy, flashy roadblock not far from Harve. It blocked an underpa.s.s through the high, black rampart of a railroad bed. That much of what the police were doing was intelligent, because the car made a deadend of the route that Harve had been taking.

The railroad bed loomed like the Great Wall of China to Harve. Beyond it lay what he thought of as freedom. He had to think of freedom as being something close, as being just one short rush away. Actually, on the other side of the black rampart lay more of Ilium-more faint lights and broken streets. Hope, real hope, lay far, far beyond-lay miles beyond, lay on a superhighway, the fast, clean realm of the State Police.

But Harve now had to pretend that pa.s.sing over or through the rampart was all that remained for him to do.

He crept to the railroad bed, moved along its cindery face, moved away from the underpa.s.s that the police had blocked.

He found himself approaching yet another underpa.s.s that was blocked by a car. He could hear talk. He recognized the voice of the talker. It was the voice of Captain Luby.

"Don't bother taking this guy alive," the captain said. "He's no good to himself or anybody else alive. Do the taxpayers a favor, and shoot to kill."

Somewhere a train whistle blew.

And then Harve saw a culvert that cut through the bed of the railroad. It seemed at first to be too close to Captain Luby. But then the captain swept the approaches with a powerful flashlight, showed Harve the trench that fed the culvert. It crossed a field littered with oil drums and trash.

When Captain Luby's light went off, Harve crawled out onto the field, reached the ditch, slithered in. In its shallow, slimy shelter, he moved toward the culvert.

The train that had whistled was approaching now. Its progress was grindingly, clankingly slow.

When the train was overhead, its noise at a maximum, Harve ducked into the culvert. Without thought of an ambush on the other side, he emerged, scrambled up the cinder slope.

He swung onboard the rusty rungs of an empty gondola in the moving train.

Eternities later, the slow-moving train had carried Harve Elliot out of Ilium. It was making its complaining way now through a seemingly endless wasteland-through woods and neglected fields.

Harve's eyes, stinging in the night wind, searched for light and motion ahead, for some outpost of the world that would help him rescue his wife.

The train rounded a curve. And Harve saw lights that, in the midst of the rural desolation, looked as lively as a carnival.

What made all that seeming life was a red flasher at a grade crossing, and the headlights of one car stopped by the flasher.

As the gondola rattled over the crossing, Harve dropped off and rolled.

He stood, went unsteadily to the stopped automobile. When he got past the headlights, he could see that the driver was a young woman.

He could see, too, how terrified she was.

"Listen! Wait! Please!" said Harve.

The woman jammed her car in gear, sent the car bucking past Harve and over the crossing as the end of the caboose went by.

Her rear wheels threw cinders in Harve's eyes.

When he had cleared his eyes, her taillights were twinkling off into the night, were gone. The train was gone, too. And the noisy red flasher was dead.

Harve stood alone in a countryside as still and bleak as the arctic. Nowhere was there a light to mark a house.

The train blew its sad horn-far away now.

Harve put his hands to his cheeks. They were wet. They were grimed. And he looked around at the lifeless night, remembered the nightmare in Ilium. He kept his hands on his cheeks. Only his hands and his cheeks seemed real.

He began to walk.

No more cars came.

On he trudged, with no way of knowing where he was, where he was heading. Sometimes he imagined that he heard or saw signs of a busy highway in the distance-the faint singing of tires, the billowing of lights.

He was mistaken.

He came at last to a dark farmhouse. A radio murmured inside.

He knocked on the door.

Somebody stirred. The radio went off.

Harve knocked again. The gla.s.s pane in the door was loose, rattled when Harve knocked. Harve put his face to the pane. He saw the sullen red of a cigarette. It cast only enough light to illuminate the rim of the ashtray in which it rested.

Harve knocked again.

"Come in," said a man's voice. "Ain't locked." Harve went in. "h.e.l.lo?" he said.

No one turned on a light for him. Whoever had invited him in didn't show himself, either. Harve turned this way and that. "I'd like to use your phone," he said to the dark.

"You stay faced right the way you are," said the voice, coming from behind Harve. "I got a double-barreled twelve-gauge shotgun aimed right at your middle, Mr. Elliot. You do anything out of the way at all, and I'll blow you right in two."

Harve raised his hands. "You know my name?" he said.

"That is is your name?" said the voice. your name?" said the voice.

"Yes," said Harve.

"Well, well," said the voice. It cackled. "Here I am, an old, old man. Wife gone, friends gone, children gone. Been thinking the past few days about using this here gun on myself. Just looky here what I would have missed! Just goes to prove-"

"Prove what?" said Harve.

"n.o.body ever knows when he's gonna have a lucky day."

The ceiling fixture in the room went on. It was over Harve's head. Harve looked up at it. He didn't look behind himself, for fear of being blown in two. The ceiling fixture was meant to have three bulbs, had only one. Harve could tell that by the gray ghosts of the missing two.

The frosted shade was dotted with the shadows of the bodies of bugs.

"You can look behind, if you want," said the voice. "See for yourself whether I got a gun or not, Mr. Elliot."

Harve turned slowly to look at a very old man-a scrawny old man with obscenely white and even false teeth. The old man really did have a shotgun-a cavernous, rusty antique. The ornate, arched hammers of the gun were c.o.c.ked.

The old man was scared. But he was pleased and excited, too.

"Don't make any trouble, Mr. Elliot," he said, "and we'll get along just fine. You're looking at a man who went over the top eight times in the Great War, so you ain't looking at anybody who'd be too chickenhearted to shoot. Shooting a man ain't something I never done before."

"All right-no trouble," said Harve.

"Wouldn't be the first man I shot," said the old man. "Wouldn't be the tenth, far as that goes."

"I believe you," said Harve. "Can I ask you how you happen to know my name?"

"Radio," said the old man. He motioned to an armchair, a chair with burst upholstering, with sagging springs. "You better set there, Mr. Elliot."

Harve did as he was told. "There's news of me on the radio?" he said.

"I guess there is," said the old man. "I expect you're on television, too. Don't have no television. No sense getting television at my age. Radio does me fine."

"What does the radio say about me?" said Harve.

"Killed a woman-broke jail," said the old man. "Worth a thousand dollars, dead or alive." He moved toward a telephone, keeping the gun aimed at Harve. "You're a lucky man, Mr. Elliot."

"Lucky?" said Harve.

"That's what I said," said the old man. "Whole county knows there's a crazy man loose. Radio's been telling 'em, 'Lock your doors and windows, turn out your lights, stay inside, don't let no strangers in.' Practically any house you would have walked up to, they would have shot first and asked questions afterwards. Just lucky you walked up to a house where there was somebody who don't scare easy." He took the telephone from its cradle.

"I never hurt anybody in my life," said Harve.

"That's what the radio said," said the old man. "Said you just went crazy tonight." He dialed for an operator, said to her, "Get me the Ilium Police Department."

"Wait!" said Harve.

"You want more time to figure how to kill me?" said the old man.

"The State Police-call the State Police!" said Harve. The old man smiled foxily, shook his head. "They ain't the ones offering the big reward," he said.

The call went through. The Ilium Police were told where they could find Harve. The old man explained again and again where he lived. The Ilium Police would be coming out into unfamiliar territory. They had no jurisdiction there.

"He's all quiet now," said the old man. "I got him all calmed down."

And that was a fact.

Harve was feeling the relaxation of a very hard game's being over. The relaxation was a close relative of death.

"Funny thing to happen to an old man-right at the end of his days," said the old man. "Now I get a thousand dollars, picture in the paper-G.o.d knows what all-"

"You want to hear my story?" said Harve.

"Pa.s.s the time?" said the old man amiably. "All right with me. Just don't you budge from that chair."

So Harve Elliot told his tale. He told it pretty well, listened to the story himself. He astonished himself with the tale-and, with that astonishment, anger and terror began to seep into his being again.

"You've got to believe me!" said Harve. "You've got to let me call the State Police!"

The old man smiled indulgently. "Got to, you say?" he said.

"Don't you know what kind of a town Ilium is?" said Harve.

"Expect I do," said the old man. "I grew up there-and my father and grandfather, too."

"Do you know what Ed Luby's done to the town?" said Harve.

"Oh, I hear a few things now and then," said the old man. "He gave a new wing for the hospital, I know. I know, on account of I was in that wing one time. Generous man, I'd say."

"You can say that, even after what I've told you?" said Harve.

"Mr. Elliot," said the old man, with very real sympathy, "I don't think you're in any condition to talk about who's good and who's bad. I know what I'm talking about when I say that, on account of I was crazy once myself."