But Count Blier could see it without pity; and so, probably, could this boy Joey, a boy who could outshoot him with his own gun. Joey was very good-looking. He was a [email protected], as they said in Mexico; [email protected], almost white. In certain moods, Lichtenberg might have offered him a coin.

Boys were usually easier than women, but not this boy, this with eyes like the famous Count Blier's.

Maria saw Joey looking at the old German's things. His eyes turned again and again to the rifle case. She also saw that the old German looked at Joey as he looked at her. She wished the man would go; too much trouble would come, of his visit. But when you wished men to go they never did, and the old German was no exception. He stayed for four nights. Four times she had to persuade Roberto to sleep on the ground. He didn't like it. He cursed her and he cursed the German, but he only hit her once, and he didn't bother the German.

On the fifth morning, as Lichtenberg was leaving, Joey stole six coins from his valise.

Lichtenberg was drunk when he left, and didn't notice. Joey went down the river and bought a horse, a black gelding, three years old.

When he rode home with it, Maria knew he had robbed the German. Her best hope was that the old German wouldn't notice. Otherwise, Doniphan and his deputies would come.

"I didn't know you owned a horse," Maria said to Joey. "Yesterday you didn't own a horse." "I only stole six coins, Mother," Joey said. "If the old man comes back, I'll just kill him." "What if Doniphan comes?" Maria asked.

"Tell him to find me in the City of Mexico," Joey said.

That night, he left. After four or five days, Maria relaxed a little. Lichtenberg was many miles away. Even if he missed the coins, he wouldn't come back. A year later, she learned that the old man had drowned in Sonora.

He had attempted to cross a wash, when the wash was running, and the water had swept him away. The vaquero who found his body took some silver ore from his saddlebags, but Lichtenberg was dead and could not tell where he had found the silver.

The news of his death made Maria feel light. That night, she danced in the cantina, and several vaqueros fell in love with her. When she danced, she often became happy, became welcoming, and men fell in love with her. It was the death of the German that allowed her to feel light.

If he was dead, she was safe from his vengeance.

Only when men were dead could she feel really safe from their vengeance. If he were alive, old Lichtenberg might ride in someday, with Doniphan to back him up, and beat her half to death, because Joey had stolen those coins.

In the City of Mexico, Joey Garza felt at home for the first time. He felt that he had come to the place where he belonged. All night there were people in the streets. The air was soft, the ringing of the church bells beautiful. Young priests went barefoot in the street, particularly around the great cathedral. Joey was not a worshiper, but he loved the great cathedral. Several times he came back to stand inside, happy just to look at the high ceiling and the great s.p.a.ce it contained. In Ojinaga all the ceilings were low. As he walked in the night, wh.o.r.es followed him, because of his horse.

They thought he was rich, for in the City of Mexico not many boys his age had fine black geldings.

Joey ignored the wh.o.r.es, and didn't frequent the cantinas. He had come for a gun-- if possible, one with a little spygla.s.s on it. It took him three days to find the gun he wanted.

An old trader had it, a Frenchman, a man with a vast belly and empty eyes. Joey had the urge to stick a knife in the man's belly, to see if he could cause the emptiness to leave his eyes. Perhaps as he died, the man would look alive for a few moments. When Joey showed him the five coins--he had spent one on the gelding--the man didn't say a word. He just put the rifle away and nodded for Joey to get out of his shop.

That night, Joey walked the cantinas, looking for card players who were winning. In a cantina not far from the great cathedral, he saw a small man with quick hands who had many gold coins.

When the man had enough of the card game, he put the coins in a little sack and had a wh.o.r.e carry it.

When a second wh.o.r.e wanted to go with him, he shoved her away. Joey followed the man for a while, as he lurched along. He kept sticking his hand under the dress of the young wh.o.r.e. It reminded Joey of the way Benito had behaved with his mother; of how all men behaved with his mother. All her husbands put their hands on her, in the house.

They didn't care who saw them.

Joey followed the man and the wh.o.r.e until they were well away from the cantina. As he was walking along a cobbled street, he saw a cobblestone that had come loose. Joey believed in omens. The loose cobblestone meant that it was time for him to act.

He picked up the cobblestone, came quickly up behind the small man, and smashed his head with it. He grabbed the wh.o.r.e and took the sack of money from her. The wh.o.r.e became frightened, and fled.

Joey did not check to see whether the small man was dead. He took the sack of coins, got his horse, and rode to the edge of the City of Mexico, where he slept. The next day, he walked into the fat Frenchman's shop, jingling the coins. The fat man didn't change expressions, but he sold Joey the rifle.

Later, Joey bought some bullets, two pistols, and a fine saddle. He went to stand in the great cathedral once more, and then rode north, out of Mexico.

Ten days later, on the Texas border west of Laredo, Joey robbed his first train. The robbery was an accident, in a sense. The train was stopped at a water tank. It was a train carrying sheep. Two sheepherders and the four men who ran the train were standing around the water tank, smoking. Joey was three hundred yards away.

The heat was so great that it cast a haze. No one from the train crew had seen him. Joey decided it was an excellent chance to practice with his new rifle, so he tied his horse and crept a little closer to the men. He shot the two sheepherders first; it was easy to tell they were sheepherders because they wore huge sombreros and looked s.h.a.ggy, like the animals they cared for. Joey then shot two of the railroad men, the two fat ones. He didn't like fat people, there were too many of them in the world. Juan Castro and Roberto Sanchez, two of the husbands his mother wh.o.r.ed with, had been fat.

As a child, he had often wakened to see a fat body on his mother's. Her husbands grunted like pigs, when they were on her. Shooting the fat railroad men was only a small revenge, for the pain his whoring mother had caused him.

The two other railroad men began to run, not into the train, but down the river, toward Laredo. Joey watched them run. He was trying to judge what would be a fair distance to shoot, a distance that would allow his rifle to perform at its best.

When the man in the lead was about four hundred yards away, Joey looked through the spygla.s.s and shot. He aimed for the neck, but the man was running downhill and his aim was a little high. The bullet blew the man's face off. Joey rode over later to inspect the body, and most of the man's face was gone.

The sixth man ran for his life. He sped along the river so fast that it annoyed Joey.

Joey loped away, on the black gelding, letting the man see him, letting him think that he had abandoned the hunt. The man slowed to a trot, and then to a walk. Joey loped down the river, until he was well in front of the man. He was satisfied with his rifle; now he wanted to try his new pistols, and at close range.

The man from the train finally stumbled out of a gully, not thirty yards from where Joey sat on the black horse. The man was terrified. He began to plead, and name the saints.

Hearing the saints named only angered Joey.

A priest in the village had the habit of twisting his ear cruelly, while talking to him about the saints. Joey began to shoot at the weeping, pleading man, but, to his annoyance, shooting a pistol proved far more difficult than shooting his fine rifle. He emptied the two pistols, twelve shots, and did no more than nick the man's arm. Joey threw the pistols away, disgusted. They were poor weapons. He was not ready to admit that his aim was bad.

Joey rode to a little rise, overlooking the river. When the man was about seventy yards away, Joey took out the great rifle and shot the man twice, aiming for his knees. He did not mean to cut the man's arms and legs off, as he had Benito's, but he did mean to cripple him. The man's knees were shattered, and he writhed on the ground, screaming. When he pa.s.sed out, Joey rode close to look at him. His legs were leaking a pool of blood. Probably the man would bleed to death, as Benito had. Benito had made his mother wh.o.r.e like a beast, on all fours. Joey had seen them in the bed, many times, in the early morning. Benito would be behind his mother, prodding her as bulls prodded, or dogs. That was why Joey followed him, roped him, and cut off his hands and feet with the machete, so that he would not prod his mother on all fours again.

The railroad man was not so guilty, but he looked a little like Benito, which was his misfortune.

His mother didn't even know that Joey had seen her, in her shame, or that he had followed Benito and killed him.

Later, in a cooler mood, Joey went back and got his pistols. He shot the bleeding railroad man at close range, ten yards away. Then he rode back to the train. He had never been on a train, and was curious about it. The men he had killed must have some possessions. There might be things he would want, among their baggage.

What he found far exceeded his expectations.

Three of the men had Winchesters, fairly new.

Winchesters he could sell.

Besides the rifles he found two watches, a nice knife, a razor with ivory sides, a little shaving brush, and some soap that smelled like the soap a woman might use. The soap surprised Joey. The men were just men, not clean, not neat. He wondered which one had used the fancy soap.

He also found three hundred Yankee dollars, in gold. Finding the money stunned him.

Three hundred dollars was more than all the people in the village of Ojinaga had, put together. It was more money than he had ever expected to see. And yet this was just a poor train, carrying a few hundred sheep.

If such a train yielded several guns, the knife, the razor, the watches, the nice-smelling soap, and the three hundred dollars, what would he find if he robbed a train with many people on it? What if he robbed a train with rich gringos on it? What would they have?

Joey had only killed the men to try out his new rifle. He had not been particularly interested in robbing the train. But now that he had robbed it, he began to think it might be interesting to rob a better train, a train with wealthy people on it, people who would own interesting things.

Once Joey had combed through the men's effects again--he had missed two coins and a nice pocketknife--he prepared to ride away, into Texas. When they discovered the bodies they would expect him to go into Mexico, but they did not think very well, the Texans. He thought he might go to San Antonio and buy things with his new money.

As he prepared to ride away, he paused for a moment to consider the sheep. There were several hundred of them stuffed into the hot boxcars. The day was very hot, and the sheep had no water, no food. If he didn't let them out, or if someone didn't find the train, all the sheep would be dead.

Joey thought about letting the sheep out; he could use them for target practice. He could let them graze a few hundred yards away and pick them off with his great gun, pretending they were gringos. But his ammunition was limited. He did not have cartridges to waste on sheep. His brother, Rafael, lived with sheep and goats. He would have brought them into the house, if his mother had permitted it. Rafael, with his curly, dirty hair, looked like a sheep. He sang like a sheep, too. His little songs were like bleats. Teresa defended Rafael fiercely. Once, when Joey was teasing him, she had managed to grab a knife and stick him in the shoulder, through his shirt.