"He kept the table between him and the house and crawled out behind it--trust him not to spoil his picture!" explained Verba. "And trust him to know the tricks of his trade." He tugged at Offutt's elbow. "Come on, boy; I've seen enough and so have you, I guess. Let's go sign him."

He fumbled at the wall.

"Side pa.s.sageway back to the stage ought to be round here somewhere.

Here it is--that's lucky!"

Guiding himself by the touching of his outstretched hands upon the walls of the opening, Verba felt his way behind the box, with Offutt stumbling along in his rear. So progressing, they came to an iron-sheathed door.

Verba lifted its latch and they were in a place of rancid smells and cluttering stage duffel. Roaches fled in front of them. On their left a small wooden door stood partly ajar, and through the cranny they looked, as they pa.s.sed, into a dressing room, where a pallet of old hangings covered half the floor s.p.a.ce, and all manner of dingy stock costumings and stage trappings hung upon hooks.

"Here's where he must sleep," said Verba. "What a place for a white man to be living in!"

He felt for his handkerchief to wipe his soiled hands, and then together they saw Bateman advancing toward them from out of the extreme rear of the stage. Over his shoulders was thrown a robe of heavy ragged sacking and upon his face he had hung a long, false beard of white hair. He glared at them angrily. And Offutt, in instantaneous appraisal, interpreted most surely the look out of those staring big grey eyes.

Verba extended his hand and opened his mouth to speak; but Bateman was already speaking.

"What business have you here?" he demanded. "Strangers are not permitted here during performances. How came the stage doorkeeper to admit you? He has been here too long, that doorkeeper, and he grows careless. I shall have him discharged."

"But, Mr. Bateman," began Verba, half puzzled, half insistent, "I'm in the business myself. I want to----"

"Stand aside!" ordered the old man almost violently. "You cannot have been long in the business, young sir, else you would be more mannerly than to interrupt an artist when his public calls for him. Out of my way, please!"

He strutted by them in stilted vanity and gripped the lifting ropes of the old curtain where they swung in the near angle of the wings, and pulled downward on them with an unexpected display of muscular force.

The curtain rose; and as Blinky, still at his place, uplifted a little yell of approbation the old man, bending his shoulders, pa.s.sed out into the centre of the French drawing-room set and, extending a quivering hand, uttered sonorously the command:

"'Blow, winds, and crack your cheeks! rage! blow!'"

"The mad scene from King Lear," said Offutt.

"Sure--Shakspere!" agreed Verba. "Old Scudder was a bug on that Bard stuff. So was Bateman. He used to know it from cover to cover--Oth.e.l.lo, Hamlet, Lear--the whole string. ... Anyhow, Offutt, I've found the only man to do the grandfather's part in that show of yours, haven't I?"

"I'm sorry to say it, Verba, but you're wrong," stated Offutt.

"How do you mean--I'm wrong?" demanded Verba irritably. Out of the corner of his mouth he aimed the protest at his companion; but his eyes, through the gap of the first entrance, were fixed on Bateman as he strode back and forth, and his ears drank in the splendid full-lunged volume and thrill of Bateman's voice as the player spoke s.n.a.t.c.hes from the play. "He's not too old--if that's what you mean; he's just about old enough. And he's all there, even if he is old. Didn't you see the strength he had when he hoisted up that heavy curtain?"

"I think I know where that strength came from," said Offutt. "Just a minute, Verba--did you ever hear of the Great Auk?"

"He was in vaudeville, wasn't he?" asked Verba, still staring at Bateman. "A trick juggler or something?"

Offutt forgot to smile.

"The Great Auk was a bird," he said.

"Oh, I see; and I've been calling Bateman Old Bird," said Verba. "I get you."

"No, you don't get me," went on Offutt. "The Great Auk was a rare creature. It got rarer and rarer until they thought it had vanished.

They sent an expedition to the Arctic Circle, or wherever it was the thing bred, to get one specimen for the museums; but they came back without it. And now the Great Auk is an extinct species."

"What the devil are you driving at?" snapped Verba, swinging on him.

"Listen yonder!" bade the dramatist. "That old man out yonder is telling you, himself, in better words than I could tell you."

He pointed a finger through the wings. Craning their necks, they heard the deep voice speak the lines:

"'Pray, do not mock me: I am a very foolish fond old man, Fourscore and upward, not an hour more nor less; And, to deal plainly, I fear I am not in my perfect mind.'"

Verba hearkened and he understood. After a little he nodded in gloomy affirmation of the younger man's belief.

"I guess you're right, Offutt," he said disappointedly. "I guess I'd have seen it, too, only I was so sort of carried away. Real acting does me that way--when I see it, which ain't often."

He paused a minute in uncertainty. Then resolution came to him.

"Well," he said, "come on; there's no use of our hanging round here any longer. I'll give Blinky his quarter--he certainly earned it ten times over--and then we'll go back uptown, and I'll telephone Grainger he can have his seventy-five more a week."

"But what are we going to do about--him?" Offutt indicated who he meant with a wave of his arm toward the stage.

It was Verba's turn. Verba knew the stage and its people and its ways as Offutt would never know them. He had been an actor, Verba had, before he turned managing director for Cohalan & Hymen.

"What are we going to do about him?" he repeated; and then, as though surprised that the other should be asking the question: "Why, nothing!

Offutt, every haunted house is ent.i.tled to its ghost. This is a haunted house if ever there was one; and there's its ghost, standing out there.

You mentioned an extinct species, didn't you? Well, you were dead right, son. So take your good-by look now, before we go, at the last of a great breed. There'll be no more like him, I'm thinking."

"But we can't leave him here like this!" said Offutt. "His mind is gone--you admit it yourself. They've got hospitals and asylums in this state--and homes too. It would be a mercy to take him with us."

"Mercy? It would be the dam'dest cruelty on earth!" snapped Verba. "How long do you suppose he'd live in an asylum if we tore him up by the roots and dragged him away from this place? A week? I tell you, a week would be a blamed long time. No, sir; we leave him right here. And we'll keep our mouths shut about this too. Come on!"

He tiptoed to the iron door and opened it softly. Then, with his hand on the latch, he halted.

Bateman was just finishing. He spoke the mad king's mad tag-line and got himself off the stage. He unreeled the stay rope from its chock. The curtain rumbled down. Through it the insistent smacking of Blinky's skinny paws could be heard.

Smiling proudly the old man listened to the sound. He forgot their presence behind him. He stood waiting. Blinky kept on applauding--Blinky was wise in his part too. Then, still smiling, Bateman stripped off his beard, and, putting forth a bony white hand, he plucked aside the flapping curtain and stepped forth once more.

Scrouging up behind him and holding the curtain agape, they saw him bow low to the pit where Blinky was, and to the empty boxes, and to the yawning emptiness of each balcony; and they knew that to him this was not a mangy cavern of dead memories and dead traditions and dead days, peopled only by gnawing rats and crawling vermin and one lone little one-eyed street boy, but a place of living grandeurs and living triumphs. And when he spoke, then they knew he spoke, not to one but to a worshipping, clamorous host.

"Ladies and gentlemen," he began, with a bearing of splendid conceit, "I thank you for the ovation you have given me. To an artist--to an artist who values his art--such moments as this are most precious----"

"Come on, Offutt!" whispered Verba huskily. "Leave him taking his call."

CHAPTER VII

FIRST CORINTHIANS CHAP. XIII., v. 4

Since this must deal in great part with the Finkelstein family and what charity did for them, I began the task by seeking in the pages of an invaluable book called Ten Thousand Familiar Quotations for a line that suitably might serve as the text to my chapter. Delving there I came upon abundant material, all of it more or less appropriate to our present purpose. There were revealed at least a half a dozen extracts from the works of writers of an established standing that might be made to apply. For instance, Wordsworth, an English poet of the Early Victorian Era, that period which gave so much of rhythmic thought to Britain and so much of antirhythmic furniture to us, is credited with having said:

_The charities that soothe and heal and bless Are scattered at the feet of man like flowers._