"Oh, oh, you awful, awful bad girl, Lizzie Gordon!" she screamed, whereupon Elizabeth knew she had not been bad at all, but had said something that had mightily pleased Sarah Emily.

"But did they though?" she insisted, showing her even white teeth in a sympathetic laugh. "Eh, Sarah Emily?"

The young woman straightened herself and suddenly became dignified.

She darted a withering glance at Elizabeth. "Not much, they didn't!"

she cried righteously. "Jist let me ketch any o' them--yes, jist any one o' the whole gang up to any such penoeuvres. I'd soon fix 'em!"

There was so much scorn in her demeanor that Elizabeth was disconcerted.

"Why?" she asked anxiously. "Ain't it nice, Sarah Emily?"

"No, it ain't!" snapped Sarah Emily emphatically.

Elizabeth was much taken aback. It was surely not possible that Annie could do anything impolite or ungenteel--Annie, the only one in the family whom Aunt Margaret never scolded. She was puzzled and troubled.

There was no one to whom she could take the matter for advice.

Elizabeth had no close confidant. John was the nearest, but there were so few things John understood. Then one never dared tell Mary anything. Mary did not mean to be a tell-tale, but somehow everything she knew always oozed out sooner or later. Yes, this was a puzzle Elizabeth must work out alone.

"Well," she said at last, determined to uphold Annie at all costs, "it's all right in stories, anyhow. I mean when people are going to get married some day. I read about it in that story about Lady Evelina in the _Chronicle_. Now, if you were going to get married to Tom Teeter, Sarah Emily----"

Sarah Emily exploded in another spasm of shrieks and giggles. She leaned against the wall, overcome with laughter, wiping her eyes, and declaring that if Lizzie didn't hold still she'd be the death of her.

Elizabeth became impatient. Her older self rose up, protesting that Sarah Emily was very silly, indeed.

"Oh, bother you, Sarah Emily," she cried, "you're a big goose!"

Sarah Emily made a leap towards her. "You jist say that again, Lizzie Gordon, and I'll give you a clout over the head that'll make you jump."

Elizabeth dodged round to the other side of the table, and promptly said it again--said it many times, dancing derisively upon her toes and waving her towel; sang it, too, in the most insulting manner to the tune of "My Grandmother Lives, etc."

Then ensued a mad chase around the table, attended with uproar and disaster. A plate fell crashing to the floor, the dish-pan was upset, the water splashed in all directions, and the small figure with shrieks of laughter dodged this way and that, followed by the big clumsy one shouting vengeance.

And then there suddenly fell a great silence as from the heavens. The door had opened, and Miss Gordon was standing in it. Elizabeth stood rigid in a pool of dish-water, and instinctively felt to find how many b.u.t.tons of her pinafore were undone. Sarah Emily promptly turned away and went vigorously to work, presenting a solid wall of indifference to her mistress, in the form of a broad pink calico back with a row of black b.u.t.tons down the middle.

Elizabeth was not so incased in armor. One swift glance of shame and contrition she gave towards her aunt, and then hung her head, waiting for the blow to fall. Miss Gordon had never seemed so remote and so chillingly genteel.

"Elizabeth," she said in a despairing tone, "how is it that I can never trust you for even a few minutes out of my sight? You grow more rebellious and unmanageable every day. I have given up my home, and slaved and worked for you all, and you alone show me no grat.i.tude. I can never make a lady of you, I see. How any child belonging to a Gordon could be so entirely ungenteel----"

On and on Miss Gordon's quiet, well-bred voice continued, every word falling like a whip upon Elizabeth's sensitive heart. She writhed in agony under a sense of her own sinfulness, coupled with a keen sense of injustice. She had been bad--oh, frightfully wicked--but Aunt Margaret never arraigned a culprit for any particular crime without gathering up all her past iniquities and heaping them upon her in one load of despair.

She listened until she could bear no more, and then, darting past her aunt, she tore madly upstairs in a pa.s.sion of rage and grief. Miss Gordon's genteel voice went steadily on, adding the sin of an evil and uncontrollable temper to Elizabeth's black catalogue. But Elizabeth was out of hearing by this time. She had shut herself, with a sounding bang, into the little bedroom where she and Mary slept, and flung herself upon the mat before the bed. Even in her headlong despair she had refrained from pitching herself upon the bed, which Annie and Jean had arranged so neatly under its faded patch-work quilt. Instead she lay p.r.o.ne upon the floor and wept bitterly. Anger and a sense of injustice came first, and then bitter repentance. She loved her aunt, and Sarah Emily, and she had injured both. She was always doing wrong, always causing trouble. Aunt Margaret could not understand her being a Gordon at all. Probably she wasn't one. Yes, that was the solution of the whole matter. She was an adopted child, and not like the rest.

She was sure of it now. Hadn't Aunt Margaret hinted it again and again?

Elizabeth always went through this mental process during her many tempests of anguish. But always, through it all, the older self sat waiting, sometimes quite out of sight, but always there. And in the end she brought up a picture of Elizabeth's mother--the bright little mother whom she never forgot and who used to say, "Little Lizzie is more like me than any of my children." That a.s.surance always came to Elizabeth. No, her whole family might forsake her, but her mother was always her very own. Her mother could never, never have been so cruel as merely to adopt her. Next, as always, came contrition, and deep self-abas.e.m.e.nt. She stopped crying and lay still, wondering why it was she could never be good like Annie, or even Jean. Then there was Constance Holworth, the lonely girl in the Sunday-school library book.

She never got into a temper. And if she ever did, or even thought the smallest wrong thought, she always went down to the drawing-room and said sweetly, "Dear mamma, please forgive me." Even Elizabeth's imagination could not draw a congruous picture of herself speaking thus to Sarah Emily without some strange result. Besides, they had no drawing-room, and evidently one needed that sort of chamber for the proper atmosphere. Elizabeth wondered drearily what a drawing-room could be. Most likely a room in which one sat and drew pictures all day long. This reminded her of her own drawing materials lying in the bottom drawer, one of her birthday presents from Mrs. Jarvis. She half arose, with the thought that she might get out her paint-box or the old faded doll that Mary and she shared, then sank back despairingly upon the mat again. What was the use trying to solace a broken heart with such trifles?

But when she grew up and became a great artist, and drew pictures as big as the Vicar of Wakefield's family group, and all the Gordons came to her drawing-room to wonder and admire,--Sarah Emily and Aunt Margaret the most eager and admiring of all,--then, though she would be very kind to them all, she would never smile. She would always wear a look of heart-broken melancholy, and when people would ask what made the great Miss Gordon, who was Mrs. Jarvis's adopted daughter, so very, very sad, Mrs. Jarvis would explain that dreadful afflictions in her childhood had blighted her whole life. And then Sarah Emily and Aunt Margaret would go away weeping over the havoc they had wrought.

Elizabeth gained so much comfort from these reflections that she came up from the depths of despair sufficiently to take note of her surroundings. The window looking out upon the orchard was open, and from the pasture-field there arose a great noise--whistling, shouting, rattling of tin pails, and barking. She sprang up and darted to the window. That double racket always proclaimed the approach of Charles Stuart and Trip. Yes, there they were, the former just vaulting over the bars, the latter wriggling through them. Charles Stuart had a big tin pail and a small tin cup, and, just as sure as she was a living, breathing person, he and John would be off in two minutes to pick strawberries in Sandy McLachlan's slash!

Elizabeth went down the stairs three steps at a time. Miss Gordon was sitting by the dining-room window, Annie at her side. Both were sewing, and Annie's cheeks so pink and her eyes so bright that her aunt looked at her curiously from time to time. They were interrupted by the bursting open of the door, and like a whirlwind a disheveled little person, wild-eyed and tear-stained, in a dirty, streaked pinafore, flung herself into the room.

"Oh, Aunt Margaret! The boys are going pickin' berries. Can't I go, too? Oh, do let me go?"

Elizabeth stood before her aunt twisting her pinafore into a string in an agony of suspense.

Miss Gordon looked at the turbulent little figure in silent despair, and Annie ventured gently:

"It would be nice to have strawberries for tea, aunt, and Lizzie could help John."

Miss Gordon sighed. "If I could only trust you, Elizabeth," she said.

"But I wonder what new trouble you'll get into?"

"Oh, I promise I won't get into any!" gasped Elizabeth in solemn pledge, all unconscious that it was equivalent to a promise from the wind not to blow.

"It's no use promising," said Miss Gordon mournfully. "You know, Elizabeth, I have warned you repeatedly against the wild streak in you, and yet in the face of all my admonitions you still persist in acting in an unladylike manner. Now, when I was a little girl, I never went anywhere with my brother, your dear papa, except perhaps for a little genteel stroll----"

Elizabeth could bear no more. The last prop of endurance gave way at the sight of John and Charles Stuart marching calmly past the window, rattling their tin pails.

"Oh, Aunt Margaret!" she burst out in anguished tones, "couldn't you--would you please finish scolding me when I get back. The boys are gone!"

Miss Gordon paused, completely baffled. This strangest child of all this strange family of William's was quite beyond her.

"Go then," she said, with a gesture of despair. "Go. I have nothing more to say."

Elizabeth was tearing down the garden path before she had finished. To be cast off as hopeless was anguish, but it was nothing to the horror of being kept at home to be made genteel. In a moment more, with shrieks of joy, she was flying down the lane, towards two disgusted looking boys reluctantly awaiting her at the edge of the mill-pond.

CHAPTER V

A ROYAL t.i.tLE

"The Slash" was the name given to a piece of partially cleared land lying between the mill-pond and Sandy McLachlan's clearing. The timber on it had been cut down and it had grown up in a wild luxuriance of underbrush and berry bushes. The latter had from time to time been cleared away in patches, and here and there between the fallen tree-trunks were stretches of green gra.s.s, where the wild strawberries grew. The Slash was the most delightful place in which to go roaming at large and give oneself up to a buccaneer life. On schooldays, though the Gordons pa.s.sed through it morning and afternoon, there was little opportunity to linger over its treasures. But the memory of its cool, flowery glades, its sunny uplands, its wealth of berries or wild grapes or hazel-nuts as the season of each came round, always beckoned the children on holidays. The Gordon boys had long used it as a playground. Here they could indulge in games of wild Indians and pirates, setting fire to the brush-wood, cutting down trees, and engaging in such other escapades as were not sufficiently genteel to be carried on under their aunt's eye. So on holidays thither they always repaired, either with the excuse of accompanying Charles Stuart to the mill, or carrying a pail or a fishing-rod to give the proper coloring to their departure.

But on this first summer holiday John and Charles Stuart found themselves, upon setting out, hampered by a much worse enc.u.mbrance than a berry-pail.

"Lizzie Gordon!" said her brother sternly, "you ain't comin'."

"I am so!" declared Elizabeth, secure in permission from the powers at home. "Aunt said I could."

John looked at Charles Stuart, and Charles Stuart winked at John and nodded towards the opposite edge of the pond. Elizabeth knew only too well that those significant glances meant, "We'll run away from her and hide as soon as we're into The Slash."

"No, you can't then," she cried triumphantly, just as though they had spoken. "I can beat you at running, Charles Stuart MacAllister."

This was a fact Charles Stuart could not contradict. Elizabeth was the wind itself for speed, and many a time he and John had tried in vain to leave her behind. But her brother knew a manoeuvre that always brought capitulation from the enemy. He turned away and walked for some paces at Charles Stuart's side, then glanced back at Elizabeth resolutely following.

"Aw, you're a nice one," he exclaimed, "followin' boys when they're goin' swimmin'!"