"You never told me about 'Longman' and 'next winter,' and I am _not_ a 'mile-stone.'"[77]

[Footnote 76: The death of his infant G.o.d-daughter, Olivia Byron Moore.]

[Footnote 77: I had accused him of having entirely forgot that, in a preceding letter, I had informed him of my intention to publish with the Messrs. Longman in the ensuing winter, and added that, in giving him this information, I found I had been--to use an elegant Irish metaphor--"whistling jigs to a mile-stone."]

LETTER 219. TO MR. COLERIDGE.

"Piccadilly, March 31. 1815.

"Dear Sir,

"It will give me great pleasure to comply with your request, though I hope there is still taste enough left amongst us to render it almost unnecessary, sordid and interested as, it must be admitted, many of 'the trade' are, where circ.u.mstances give them an advantage. I trust you do not permit yourself to be depressed by the temporary partiality of what is called 'the public' for the favourites of the moment; all experience is against the permanency of such impressions. You must have lived to see many of these pa.s.s away, and will survive many more--I mean personally, for _poetically_, I would not insult you by a comparison.

"If I may be permitted, I would suggest that there never was such an opening for tragedy. In Kean, there is an actor worthy of expressing the thoughts of the characters which you have every power of embodying; and I cannot but regret that the part of Ordonio was disposed of before his appearance at Drury Lane. We have had nothing to be mentioned in the same breath with 'Remorse'

for very many years; and I should think that the reception of that play was sufficient to encourage the highest hopes of author and audience. It is to be hoped that you are proceeding in a career which could not but be successful. With my best respects to Mr.

Bowles, I have the honour to be

"Your obliged and very obedient servant,

"Byron.

"P.S. You mention my 'Satire,' lampoon, or whatever you or others please to call it. I can only say, that it was written when I was very young and very angry, and has been a thorn in my side ever since; more particularly as almost all the persons animadverted upon became subsequently my acquaintances, and some of them my friends, which is 'heaping fire upon an enemy's head,' and forgiving me too readily to permit me to forgive myself. The part applied to you is pert, and petulant, and shallow enough; but, although I have long done every thing in my power to suppress the circulation of the whole thing, I shall always regret the wantonness or generality of many of its attempted attacks."

It was in the course of this spring that Lord Byron and Sir Walter Scott became, for the first time, personally acquainted with each other. Mr.

Murray, having been previously on a visit to the latter gentleman, had been intrusted by him with a superb Turkish dagger as a present to Lord Byron; and the n.o.ble poet, on their meeting this year in London,--the only time when these two great men had ever an opportunity of enjoying each other's society,--presented to Sir Walter, in return, a vase containing some human bones that had been dug up from under a part of the old walls of Athens. The reader, however, will be much better pleased to have these particulars in the words of Sir Walter Scott himself, who, with that good-nature which renders him no less amiable than he is admirable, has found time, in the midst of all his marvellous labours for the world, to favour me with the following interesting communication:[78]--

"My first acquaintance with Byron began in a manner rather doubtful. I was so far from having any thing to do with the offensive criticism in the Edinburgh, that I remember remonstrating against it with our friend, the editor, because I thought the 'Hours of Idleness' treated with undue severity. They were written, like all juvenile poetry, rather from the recollection of what had pleased the author in others than what had been suggested by his own imagination; but, nevertheless, I thought they contained some pa.s.sages of n.o.ble promise. I was so much impressed with this, that I had thoughts of writing to the author; but some exaggerated reports concerning his peculiarities, and a natural unwillingness to intrude an opinion which was uncalled for, induced me to relinquish the idea.

"When Byron wrote his famous Satire, I had my share of flagellation among my betters. My crime was having written a poem (Marmion, I think) for a thousand pounds; which was no otherwise true than that I sold the copy-right for that sum. Now, not to mention that an author can hardly be censured for accepting such a sum as the booksellers are willing to give him, especially as the gentlemen of the trade made no complaints of their bargain, I thought the interference with my private affairs was rather beyond the limits of literary satire. On the other hand, Lord Byron paid me, in several pa.s.sages, so much more praise than I deserved, that I must have been more irritable than I have ever felt upon such subjects, not to sit down contented, and think no more about the matter.

"I was very much struck, with all the rest of the world, at the vigour and force of imagination displayed in the first Cantos of Childe Harold, and the other splendid productions which Lord Byron flung from him to the public with a prompt.i.tude that savoured of profusion. My own popularity, as a poet, was then on the wane, and I was unaffectedly pleased to see an author of so much power and energy taking the field.

Mr. John Murray happened to be in Scotland that season, and as I mentioned to him the pleasure I should have in making Lord Byron's acquaintance, he had the kindness to mention my wish to his Lordship, which led to some correspondence.

"It was in the spring of 1815 that, chancing to be in London, I had the advantage of a personal introduction to Lord Byron. Report had prepared me to meet a man of peculiar habits and a quick temper, and I had some doubts whether we were likely to suit each other in society. I was most agreeably disappointed in this respect. I found Lord Byron in the highest degree courteous, and even kind. We met, for an hour or two almost daily, in Mr. Murray's drawing-room, and found a great deal to say to each other. We also met frequently in parties and evening society, so that for about two months I had the advantage of a considerable intimacy with this distinguished individual. Our sentiments agreed a good deal, except upon the subjects of religion and politics, upon neither of which I was inclined to believe that Lord Byron entertained very fixed opinions. I remember saying to him, that I really thought, that if he lived a few years he would alter his sentiments. He answered, rather sharply, 'I suppose you are one of those who prophesy I will turn Methodist.' I replied, 'No--I don't expect your conversion to be of such an ordinary kind. I would rather look to see you retreat upon the Catholic faith, and distinguish yourself by the austerity of your penances. The species of religion to which you must, or may, one day attach yourself must exercise a strong power on the imagination.' He smiled gravely, and seemed to allow I might be right.

"On politics, he used sometimes to express a high strain of what is now called Liberalism; but it appeared to me that the pleasure it afforded him as a vehicle of displaying his wit and satire against individuals in office was at the bottom of this habit of thinking, rather than any real conviction of the political principles on which he talked. He was certainly proud of his rank and ancient family, and, in that respect, as much an aristocrat as was consistent with good sense and good breeding.

Some disgusts, how adopted I know not, seemed to me to have given this peculiar and, as it appeared to me, contradictory cast of mind: but, at heart, I would have termed Byron a patrician on principle.

"Lord Byron's reading did not seem to me to have been very extensive either in poetry or history. Having the advantage of him in that respect, and possessing a good competent share of such reading as is little read, I was sometimes able to put under his eye objects which had for him the interest of novelty. I remember particularly repeating to him the fine poem of Hardyknute, an imitation of the old Scottish Ballad, with which he was so much affected, that some one who was in the same apartment asked me what I could possibly have been telling Byron by which he was so much agitated.

I saw Byron, for the last time, in 1815, after I returned from France.

He dined, or lunched, with me at Long's in Bond Street. I never saw him so full of gaiety and good-humour, to which the presence of Mr. Mathews, the comedian, added not a little. Poor Terry was also present. After one of the gayest parties I ever was present at, my fellow-traveller, Mr.

Scott, of Gala, and I set off for Scotland, and I never saw Lord Byron again. Several letters pa.s.sed between us--one perhaps every half year.

Like the old heroes in Homer, we exchanged gifts:--I gave Byron a beautiful dagger mounted with gold, which had been the property of the redoubted Elfi Bey. But I was to play the part of Diomed, in the Iliad, for Byron sent me, some time after, a large sepulchral vase of silver.

It was full of dead men's bones, and had inscriptions on two sides of the base. One ran thus:--'The bones contained in this urn were found in certain ancient sepulchres within the land walls of Athens, in the month of February, 1811.' The other face bears the lines of Juvenal:

"Expende--quot libras in duce summo invenies.

--Mors sola fatetur quantula hominum corpuscula."

Juv. x.

To these I have added a third inscription, in these words--'The gift of Lord Byron to Walter Scott.'[79] There was a letter with this vase more valuable to me than the gift itself, from the kindness with which the donor expressed himself towards me. I left it naturally in the urn with the bones,--but it is now missing. As the theft was not of a nature to be practised by a mere domestic, I am compelled to suspect the inhospitality of some individual of higher station,--most gratuitously exercised certainly, since, after what I have here said, no one will probably choose to boast of possessing this literary curiosity.

"We had a good deal of laughing, I remember, on what the public might be supposed to think, or say, concerning the gloomy and ominous nature of our mutual gifts.

"I think I can add little more to my recollections of Byron. He was often melancholy,--almost gloomy. When I observed him in this humour, I used either to wait till it went off of its own accord, or till some natural and easy mode occurred of leading him into conversation, when the shadows almost always left his countenance, like the mist rising from a landscape. In conversation he was very animated.

"I met with him very frequently in society; our mutual acquaintances doing me the honour to think that he liked to meet with me. Some very agreeable parties I can recollect,--particularly one at Sir George Beaumont's, where the amiable landlord had a.s.sembled some persons distinguished for talent. Of these I need only mention the late Sir Humphry Davy, whose talents for literature were as remarkable as his empire over science. Mr. Richard Sharpe and Mr. Rogers were also present.

"I think I also remarked in Byron's temper starts of suspicion, when he seemed to pause and consider whether there had not been a secret, and perhaps offensive, meaning in something casually said to him. In this case, I also judged it best to let his mind, like a troubled spring, work itself clear, which it did in a minute or two. I was considerably older, you will recollect, than my n.o.ble friend, and had no reason to fear his misconstruing my sentiments towards him, nor had I ever the slightest reason to doubt that they were kindly returned on his part. If I had occasion to be mortified by the display of genius which threw into the shade such pretensions as I was then supposed to possess, I might console myself that, in my own case, the materials of mental happiness had been mingled in a greater proportion.

"I rummage my brains in vain for what often rushes into my head unbidden,--little traits and sayings which recall his looks, manner, tone, and gestures; and I have always continued to think that a crisis of life was arrived in which a new career of fame was opened to him, and that had he been permitted to start upon it, he would have obliterated the memory of such parts of his life as friends would wish to forget."

[Footnote 78: A few pa.s.sages at the beginning of these recollections have been omitted, as containing particulars relative to Lord Byron's mother, which have already been mentioned in the early part of this work. Among these, however, there is one anecdote, the repet.i.tion of which will be easily pardoned, on account of the infinitely greater interest as well as authenticity imparted to its details by coming from such an eye-witness as Sir Walter Scott:--"I remember," he says, "having seen Lord Byron's mother before she was married, and a certain coincidence rendered the circ.u.mstance rather remarkable. It was during Mrs. Siddons's first or second visit to Edinburgh, when the music of that wonderful actress's voice, looks, manner, and person, produced the strongest effect which could possibly be exerted by a human being upon her fellow-creatures. Nothing of the kind that I ever witnessed approached it by a hundred degrees. The high state of excitation was aided by the difficulties of obtaining entrance and the exhausting length of time that the audience were contented to wait until the piece commenced. When the curtain fell, a large proportion of the ladies were generally in hysterics.

"I remember Miss Gordon of Ghight, in particular, harrowing the house by the desperate and wild way in which she shrieked out Mrs. Siddons's exclamation, in the character of Isabella, 'Oh my Byron! Oh my Byron!' A well-known medical gentleman, the benevolent Dr. Alexander Wood, tendered his a.s.sistance; but the thick-pressed audience could not for a long time make way for the doctor to approach his patient, or the patient the physician. The remarkable circ.u.mstance was, that the lady had not then seen Captain Byron, who, like Sir Toby, made her conclude with 'Oh!' as she had begun with it."]

[Footnote 79: Mr. Murray had, at the time of giving the vase, suggested to Lord Byron, that it would increase the value of the gift to add some such inscription; but the feeling of the n.o.ble poet on this subject will be understood from the following answer which he returned:--

"April 9. 1815.

"Thanks for the books. I have great objection to your proposition about inscribing the vase,--which is, that it would appear _ostentatious_ on my part; and of course I must send it as it is, without any alteration.

"Yours," &c.

LETTER 220. TO MR. MOORE.

"April 23. 1815.

"Lord Wentworth died last week. The bulk of his property (from seven to eight thousand per ann.) is entailed on Lady Milbanke and Lady Byron. The first is gone to take possession in Leicestershire, and attend the funeral, &c. this day.

"I have mentioned the facts of the settlement of Lord W.'s property, because the newspapers, with their usual accuracy, have been making all kinds of blunders in their statement. His will is just as expected--the princ.i.p.al part settled on Lady Milbanke (now Noel) and Bell, and a separate estate left for sale to pay debts (which are not great) and legacies to his natural son and daughter.

Mrs. * *'s tragedy was last night d.a.m.ned. They may bring it on again, and probably will; but d.a.m.ned it was,--not a word of the last act audible. I went (_malgre_ that I ought to have stayed at home in sackcloth for unc., but I could not resist the _first_ night of any thing) to a private and quiet nook of my private box, and witnessed the whole process. The first three acts, with transient gushes of applause, oozed patiently but heavily on. I must say it was badly acted, particularly by * *, who was groaned upon in the third act,--something about 'horror--such a horror' was the cause. Well, the fourth act became as muddy and turbid as need be; but the fifth--what Garrick used to call (like a fool) the _concoction_ of a play--the fifth act stuck fast at the King's prayer. You know he says, 'he never went to bed without saying them, and did not like to omit them now.' But he was no sooner upon his knees, than the audience got upon their legs--the d.a.m.nable pit--and roared, and groaned, and hissed, and whistled. Well, that was choked a little; but the ruffian-scene--the penitent peasantry--and killing the Bishop and Princes--oh, it was all over.

The curtain fell upon unheard actors, and the announcement attempted by Kean for Monday was equally ineffectual. Mrs. Bartley was so frightened, that, though the people were tolerably quiet, the epilogue was quite inaudible to half the house. In short,--you know all. I clapped till my hands were skinless, and so did Sir James Mackintosh, who was with me in the box. All the world were in the house, from the Jerseys, Greys, &c. &c. downwards. But it would not do. It is, after all, not an _acting_ play; good language, but no power. * * * Women (saving Joanna Baillie) cannot write tragedy: they have not seen enough nor felt enough of life for it. I think Semiramis or Catherine II. might have written (could they have been unqueened) a rare play.

"It is, however, a good warning not to risk or write tragedies. I never had much bent that way; but if I had, this would have cured me.

"Ever, carissime Thom.,

"Thine, B."