Cornered, the rat found a tiger in himself. He wrenched the chair from me, fired a sixth round that blew out an oven window.

He threw the chair. I dodged.

Gasping for breath, wheezing out the fumes of pepper spray, streaming tears from bloodshot eyes, waving the gun, he staggered across the kitchen, nearly cold-cocked himself with the refrigerator, slammed through the swinging door into the dining room.

Lorrie had fallen into a terrible silence, a perfect stillness on the oak. Shot. And oh, God, the blood.

I could not leave her there alone, yet I could not stay at her side with Beezo loose in the house.

This rending dilemma was in an instant resolved by one of the many tough equations of love. I loved Lorrie more than I loved life. But the two of us loved our children more than ourselves, which in the language of mathematics, you might call love-squared. Love plus love-squared equalled an inevitable choice.

Sickened by the prospect of an intolerable loss, terrified by the anticipation of another loss unendurable, I went after Beezo, desperate to stop him before he found the kids.

He wouldn't be content to escape and return another day. We had seen his new Brazilian face. Never again would he enjoy the advantage of surprise.

We were in the end game. He would have his compensation, his something for something, Andy for his Punchinello. He would murder the girls, too, and call it fair interest on the debt.

As I crashed through the swinging door into the dining room, he staggered out of there, clipping the frame of the archway with his shoulder.

In the living room, he shot at me. Pepper-blurred as his vision must have been, luck rather than skill guided the bullet.

Fire seared my right ear. Although the flash of pain was not disabling, it scared me into a stumble, a fall.

I scrambled up.

Beezo had vanished.

In the foyer, I found him with the pistol in his right hand, his left hand clutching the bannister on the balustrade, doggedly climbing the stairs, with half of the first flight already behind him.

He must have thought that I had been head-shot and disabled, or even killed, because he didn't look back or seem to hear me in pursuit.

Before he reached the first landing, I seized him from behind and dragged him down.

Fear for family and the terror of a life alone made me not courageous, really, but venturous, even heedless.

We fell against the balustrade. Wood cracked. He dropped the gun, and we tumbled together to the foyer floor.

I had him in a choke hold, my right arm across his throat, pulling back hard on my right wrist with my left hand. Untroubled by the slightest compunction, I would have tightened the hold until I crushejd his windpipe, would have listened with savage pleasure as he drummed his heels against the floor in death throes.

Before I'd been able to lock the hold, however, Beezo had gotten his chin down, wedging it against my arm, making it impossible for me to apply full killing pressure.

He reached behind his head, clawing with both hands, hoping to blind me. Those cruel hands that had strangled Nedra Lamm. Those merciless hands that had shot Dr. MacDonald, Nurse Hanson.

I strove to keep my face away from him.

He snared my bullet-grazed ear and twisted.

Pain flared so intensely that all breath flew from me, and I almost passed out.

When Beezo felt the choke hold relent for an instant and then discovered his fingers slick with my blood, he knew my weak spot. He bucked and wrenched this way and that in a bid to break my grip, all the while groping backward for my ear.

Sooner than later, he would snare it again.

Next time the pain would trigger a trapdoor, a plunge into unconsciousness, vulnerability, death.

The pistol lay a few feet away, on the bottom step.

Simultaneously, I released the choke hold and shoved Beezo away from me.

One roll carried me to the bottom of the stairs. I plucked the pistol off the step, turned, and fired.

At such close range, as he reached for me, the' bullet tore out his throat. He flopped faceup, arms spread, the back of his right hand rapping spasmodically against the floor.

Assuming that my count proved correct, eight shots had been fired. If the weapon contained the usual magazine, two rounds remained.

Gagging, gushing, whistling air through his ruined throat, Konrad Beezo was dying in wheezes and spurts.

I wish that I could say mercy motivated me to shoot him twice again, but mercy had nothing to do with it.

Death took his life, and something worse collected his soul. I could almost feel the chill of that collector stepping in to take what was owed to him.

His eyes-one blue now and one hazel-looked as round as those of a fish, glazed and senseless, yet filled with the mysteries of ten thousand fathoms.

My right ear was a cup full to the brim with warm blood, but I still heard Annie in the second-floor hallway, calling "Daddy? Mommy?" I heard Lucy, too, and Andy.

The kids were not yet at the head of the stairs, but they were coming.

Frantic to spare them the sight of Beezo torn and dead, I thundered, "Get in your room! Lock the door! There's a monster down here!"

We never teased them about monsters. We treated their fears solemnly and with respect.

Consequently, they took me at my word. I heard running feet followed by the boom of the girls' bedroom door thrown shut with such force that the walls shook, the windowpanes vibrated, and the sprig of mistletoe hanging from the foyer light fixture trembled on the suspending ribbon.

"Lorrie," I whispered, hushed by the fear that Death, having come to gather Beezo, might linger for one more harvest.

I ran to the kitchen. ove can do all but raise the Dead. '

The mind is quicksand, letting nothing go, and even what is learned reluctantly in school, once thought to be forgotten, rises to the surface less when needed than when some dark spirit would mock us with the uselessness of all we know.

As I rushed to the kitchen, that line of verse-Love can do all but raise the Dead-returned to me from English studies, as did the name of the poet, Emily Dickinson. She had often written to comfort the heart, but these words tortured mine.

What we learn is not the same as what we know. Pushing through the swinging door into the kitchen, I knew that my love was so fierce that it could do what the poet said it couldn't.

Were I to find Lorrie dead, I would resurrect her by an act of will, by the power of my need always to be with her, and lips to lips would pour into her my own life through sweet resuscitative breaths.

Although I knew a conviction in my reanimating power was crazy, as insane as anything that Beezo had believed, a part of me remained certain of it nonetheless, because to believe that even my love could not raise the dead would be to collapse into hopelessness and a kind of living death.

In the kitchen, every moment mattered and every action had to be taken not only quickly but also in its proper order. Otherwise all would be lost.

First, around the broken chair to the telephone, leaving Lorrie unexamined. The handset slippery in my sweaty grip, I keyed in 911 and endured two rings, each eternal.

When the police operator answered before the third ring, she was a woman I knew, Denise Deerborn. We had dated twice. We liked each other well enough not to waste each other's time on a third date.

I spoke urgently, voice raw and trembling: "Denise, this is Jimmy Tock, my wife's been shot, Lorrie, she's been shot bad, we need an ambulance, please, now, please Aware that our address had appeared on the computer in front of Denise the moment that the connection had been made, I wasted no more time with her, dropped the receiver, letting it dangle on its cord and bang against the cabinetry.

I knelt at Lorrie's side, in her spreading blood. Beauty this perfect and this pale usually could be found only in sculpture, on marble monuments.

She appeared to have been shot in the abdomen.

Her eyes were closed. No movement under the lids.

Pressing fingertips to her throat, I felt and felt, and feared the worst, then found a pulse-rapid and weak, but a pulse.

A sob exploded from me, and another, until I realized that even though unconscious, she might hear me and be frightened by my grief. For her sake, I controlled myself, and although my chest heaved with sobs unexpressed, I let out only the ragged sound of my panicked breathing.

Although she seemed to be unconscious, her respiration was rapid, shallow. I touched her face, her arm. Her skin felt cold and clammy.

Shock.

My shock was emotional, to the mind and heart, but she suffered physiological shock from the violence of the trauma and the loss of blood. If her wounds didn't kill her, shock might.

She was lying flat on her back, an ideal position for treatment.

After folding a dish towel, I eased it under her head merely to cushion her. Only her feet should be raised.

I pulled cookbooks from nearby shelves, made a pallet of them, and carefully elevated her feet about ten inches.

Combined with plummeting blood pressure, heat loss could prove deadly in her condition. I needed blankets but dared not leave her side long enough to sprint upstairs and get them.

If she died, I would not let her die alone.

The adjacent laundry served also as a mud room. I plucked winter coats from wall pegs.

Again in the kitchen, I blanketed her with coats. My coat and hers.

Annie's, Lucy's, Andy's coats.

Lying beside her, heedless of the blood, I pressed my body against hers for what warmth I might provide.

As a siren rose in the distance, I felt her throat. Her pulse wasn't any stronger than before, but I assured myself that it wasn't any weaker, either-and knew that I lied.

I spoke into the delicate shell of her ear, hoping that she would hold fast to my voice, that my words would tether her to this world. I said things I can't remember, assurances and encouragements; but soon I had been reduced to three words, the greatest truth I knew, repeated with urgency and passion: "I love you, I love you, I love you, I love you"

My father urged the worried neighbors to move back, off the front-porch steps, off the walkway, onto the lawn among the Christmas figures.

Immediately behind Dad came two paramedics, wheeling Lorrie out of the house on a gurney. She lay unconscious beneath a wool blanket, receiving plasma through an IV drip.

I moved at her side, holding high the bottle of plasma. The paramedics preferred the assistance of a police officer, but I trusted only myself with the task.

They had to lift the gurney down the steps. The wheels met the walkway with a clatter, rolled squeakily toward the street.

My mother was upstairs in the girls' room with all three kids, comforting them and making sure they didn't look out a window.

Half a dozen police vehicles angled along the street, engines idling, their arrays of emergency beacons painting the snow-crusted trees and the surrounding houses red, blue, red, blue. The ambulance waited curbside, behind the Mercury Mountaineer in which Konrad Beezo had arrived.

Kevin Tolliver, the paramedic who would treat Lorrie en route to the hospital, took the bottle of plasma from me and climbed into the back of the ambulance as his partner, Carlos Nunez, shoved the gurney into the vehicle.

When I started to climb inside, Carlos stopped me. "No room, Jimmy.

Kevin's going to be busy. You don't want to make things harder for him."

"But I've got to-"

"I know," Carlos interrupted. "But when we get to the hospital, she'll go straight to surgery. You can't follow her there, either."

Reluctantly, I stepped back.

Closing the doors between her and me, closing the doors on what might be my last sight of her alive, he said, "Your dad will drive you, Jimmy. You'll be right behind us."

As Carlos hurried forward and got in the driver's seat, Dad appeared at my side and led me out of the street, onto the sideValk.

We passed the manger where angels, wise men, and humble beasts watched over the holy family.

A small spotlight had burned out, leaving one of the angels in shadow.

In the otherwise lighted tableau, this dark form with half-furled wings looked ominous, waiting.

In the driveway of my parents' house, crystallized exhaust vapor plumed from the tailpipe of Dad's Chevy Blazer.

Grandma Rowena had moved the SUV out of the garage and readied it for our use. She stood there, dressed for a ham dinner, coatless.

Although she was eighty-five, she could just about break your ribs with a hug.

Pumping the siren, Carlos swung the ambulance away from the curb. A policeman waved him through the nearby intersection.

As the siren rapidly receded, Grandma pressed something into my right hand, kissed me, and urged me into the Blazer.

The policeman at the intersection waved us through, and as we drove toward the hospital, I regarded my clenched right hand. The fingers were crusted with my blood and the blood of my beloved wife.

When I opened my hand, I discovered that Grandma, who for a while had been upstairs with Mom and the kids, had retrieved from Lorrie's jewelry box the cameo pendant that I had given her when we were dating.

The pendant was one of only three things to survive the fire that destroyed our first home. As delicate as it was, it should have been lost. The gold chain and the gold-plated mounting should have melted.

The carved white soapstone cameo of a woman in profile should have cracked, blackened.

The only damage, however, was a slight discoloration of a few locks of the woman's soapstone hair. Her features were as finely engraved as ever they had been.

Some things aren't as fragile as they appear.