We breakfasted on very good coffee, and very good tea, and very good eggs, b.u.t.ter kept in the midst of ice, and hot rolls. Lady Holland told us her dreams; how she had dreamed that a mad dog bit her foot, and how she set off to Brodie, and lost her way in St. Martin's Lane, and could not find him. She hoped, she said, the dream would not come true. I said that I had had a dream which admitted of no such hope; for I had dreamed that I heard Pollock speak in the House of Commons, that the speech was very long, and that he was coughed down. This dream of mine diverted them much.

After breakfast Lady Holland offered to conduct me to her own drawing-room, or, rather, commanded my attendance. A very beautiful room it is, opening on a terrace, and wainscoted with miniature paintings interesting from their merit, and interesting from their history. Among them I remarked a great many,--thirty, I should think,--which even I, who am no great connoisseur, saw at once could come from no hand but Stothard's. They were all on subjects from Lord Byron's poems. "Yes,"

said she; "poor Lord Byron sent them to me a short time before the separation. I sent them back, and told him that, if he gave them away, he ought to give them to Lady Byron. But he said that he would not, and that if I did not take them, the bailiffs would, and that they would be lost in the wreck." Her ladyship then honoured me so far as to conduct me through her dressing-room into the great family bedchamber to show me a very fine picture by Reynolds of Fox, when a boy, birds-nesting. She then consigned me to Luttrell, asking him to show me the grounds.

Through the grounds we went, and very pretty I thought them. In the Dutch garden is a fine bronze bust of Napoleon, which Lord Holland put up in 1817, while Napoleon was a prisoner at St. Helena. The inscription was selected by his lordship, and is remarkably happy. It is from Homer's Odyssey. I will translate it, as well as I can extempore, into a measure which gives a better idea of Homer's manner than Pope's singsong couplet.

For not, be sure, within the grave Is hid that prince, the wise, the brave; But in an islet's narrow bound, With the great Ocean roaring round, The captive of a foeman base He pines to view his native place.

There is a seat near the spot which is called Rogers's seat. The poet loves, it seems, to sit there. A very elegant inscription by Lord Holland is placed over it.

"Here Rogers sate; and here for ever dwell With me those pleasures which he sang so well."

Very neat and condensed, I think. Another inscription by Luttrell hangs there. Luttrell adjured me with mock pathos to spare his blushes; but I am author enough to know what the blushes of authors mean. So I read the lines, and very pretty and polished they were, but too many to be remembered from one reading.

Having gone round the grounds I took my leave, very much pleased with the place. Lord Holland is extremely kind. But that is of course; for he is kindness itself. Her ladyship too, which is by no means of course, is all graciousness and civility. But, for all this, I would much rather be quietly walking with you; and the great use of going to these fine places is to learn how happy it is possible to be without them. Indeed, I care so little for them that I certainly should not have gone to-day, but that I thought that I should be able to find materials for a letter which you might like.

Farewell.

T. B. MACAULAY.

To Hannah M. Macaulay.

London: June 3, 1831.

My dear Sister,--I cannot tell you how delighted I am to find that my letters amuse you. But sometimes I must be dull like my neighbours.

I paid no visits yesterday, and have no news to relate to-day. I am sitting again in Basinghall Street and Basil Montagu is haranguing about Lord Verulam, and the way of inoculating one's mind with truth; and all this a propos of a lying bankrupt's balance-sheet. ["Those who are acquainted with the Courts in which Mr. Montagu practises with so much ability and success, will know how often he enlivens the discussion of a point of law by citing some weighty aphorism, or some brilliant ill.u.s.tration, from the De Augmentis or the Novum Organum."--Macaulay's Review of Basil Montagu's Edition of Bacon.]

Send me some gossip, my love. Tell me how you go on with German. What novel have you commenced? Or, rather, how many dozen have you finished?

Recommend me one. What say you to "Destiny"? Is the "Young Duke" worth reading? and what do you think of "Laurie Todd"?

I am writing about Lord Byron so pathetically that I make Margaret cry, but so slowly that I am afraid I shall make Napier wait. Rogers, like a civil gentleman, told me last week to write no more reviews, and to publish separate works; adding, what for him is a very rare thing, a compliment: "You may do anything, Mr. Macaulay." See how vain and insincere human nature is! I have been put into so good a temper with Rogers that I have paid him, what is as rare with me as with him, a very handsome compliment in my review. ["Well do we remember to have heard a most correct judge of poetry revile Mr. Rogers for the incorrectness of that most sweet and graceful pa.s.sage:--

'Such grief was ours,--it seems but yesterday,-- When in thy prime, wishing so much to stay, Twas thine, Maria, thine without a sigh At midnight in a sister's arms to die, Oh! thou wast lovely; lovely was thy frame, And pure thy spirit as from heaven it came; And, when recalled to join the blest above, Thou diedst a victim to exceeding love Nursing the young to health. In happier hours, When idle Fancy wove luxuriant flowers, Once in thy mirth thou badst me write on thee; And now I write what thou shalt never see.'

Macaulay's Essay on Byron.] It is not undeserved; but I confess that I cannot understand the popularity of his poetry. It is pleasant and flowing enough; less monotonous than most of the imitations of Pope and Goldsmith; and calls up many agreeable images and recollections. But that such men as Lord Granville, Lord Holland, Hobhouse, Lord Byron, and others of high rank in intellect, should place Rogers, as they do, above Southey, Moore, and even Scott himself, is what I cannot conceive. But this comes of being in the highest society of London. What Lady Jane Granville called the Patronage of Fashion can do as much for a middling poet as for a plain girl like Miss Arabella Falconer. [Lady Jane, and Miss Arabella, appear in Miss Edgeworth's "Patronage."]

But I must stop. This rambling talk has been scrawled in the middle of haranguing, squabbling, swearing, and crying. Since I began it I have taxed four bills, taken forty depositions, and rated several perjured witnesses.

Ever yours

T. B. M.

To Hannah and Margaret Macaulay.

London: June 7, 1831.

Yesterday I dined at Marshall's, and was almost consoled for not meeting Ramohun Roy by a very pleasant party. The great sight was the two wits, Rogers and Sydney Smith. Singly I have often seen them; but to see them both together was a novelty, and a novelty not the less curious because their mutual hostility is well known, and the hard hits which they have given to each other are in everybody's mouth. They were very civil, however. But I was struck by the truth of what Matthew Bramble, a person of whom you probably never heard, says in Smollett's Humphrey Clinker: that one wit in a company, like a knuckle of ham in soup, gives a flavour; but two are too many. Rogers and Sydney Smith would not come into conflict. If one had possession of the company, the other was silent; and, as you may conceive, the one who had possession of the company was always Sydney Smith, and the one who was silent was always Rogers. Sometimes, however, the company divided, and each of them had a small congregation. I had a good deal of talk with both of them; for, in whatever they may disagree, they agree in always treating me with very marked kindness.

I had a good deal of pleasant conversation with Rogers. He was telling me of the curiosity and interest which attached to the persons of Sir Walter Scott and Lord Byron. When Sir Walter Scott dined at a gentleman's in London some time ago, all the servant-maids in the house asked leave to stand in the pa.s.sage and see him pa.s.s. He was, as you may conceive, greatly flattered. About Lord Byron, whom he knew well, he told me some curious anecdotes. When Lord Byron pa.s.sed through Florence, Rogers was there. They had a good deal of conversation, and Rogers accompanied him to his carriage. The inn had fifty windows in front. All the windows were crowded with women, mostly English women, to catch a glance at their favourite poet. Among them were some at whose houses he had often been in England, and with whom he had lived on friendly terms.

He would not notice them, or return their salutations. Rogers was the only person that he spoke to.

The worst thing that I know about Lord Byron is the very unfavourable impression which he made on men, who certainly were not inclined to judge him harshly, and who, as far as I know, were never personally ill-used by him. Sharp and Rogers both speak of him as an unpleasant, affected, splenetic person. I have heard hundreds and thousands of people who never saw him rant about him; but I never heard a single expression of fondness for him fall from the lips of any of those who knew him well. Yet, even now, after the lapse of five-and-twenty years, there are those who cannot talk for a quarter of an hour about Charles Fox without tears.

Sydney Smith leaves London on the 20th, the day before Parliament meets for business. I advised him to stay, and see something of his friends who would be crowding to London. "My flock!" said this good shepherd.

"My dear Sir, remember my flock! The hungry sheep look up and are not fed."

I could say nothing to such an argument; but I could not help thinking that, if Mr. Daniel Wilson had said such a thing, it would infallibly have appeared in his funeral sermon, and in his Life by Baptist Noel.

But in poor Sydney's mouth it sounded like a joke. He begged me to come and see him at Combe Florey. "There I am, Sir, the priest of the Flowery Valley, in a delightful parsonage, about which I care a good deal, and a delightful country, about which I do not care a straw." I told him that my meeting him was some compensation for missing Ramohun Roy. Sydney broke forth:

"Compensation! Do you mean to insult me? A beneficed clergyman, an orthodox clergyman, a n.o.bleman's chaplain, to be no more than compensation for a Brahmin; and a heretic Brahmin too, a fellow who has lost his own religion and can't find another; a vile heterodox dog, who, as I am credibly informed eats beef-steaks in private! A man who has lost his caste! who ought to have melted lead poured down his nostrils, if the good old Vedas were in force as they ought to be."

These are some Boswelliana of Sydney; not very clerical, you will say, but indescribably amusing to the hearers, whatever the readers may think of them. Nothing can present a more striking contrast to his rapid, loud, laughing utterance, and his rector-like amplitude and rubicundity, than the low, slow, emphatic tone, and the corpse-like face of Rogers.

There is as great a difference in what they say as in the voice and look with which they say it. The conversation of Rogers is remarkably polished and artificial. What he says seems to have been long meditated, and might be published with little correction. Sydney talks from the impulse of the moment, and his fun is quite inexhaustible.

Ever yours

T. B. M.

To Hannah M Macaulay.

London: June 8, 1831.

My dear Sister,--Yesterday night I went to the Jew's. I had indeed no excuse for forgetting the invitation; for, about a week after I had received the green varnished billet, and answered it, came another in the self-same words, and addressed to Mr. Macaulay, Junior. I thought that my answer had miscarried; so down I sate, and composed a second epistle to the Hebrews. I afterwards found that the second invitation was meant for Charles.

I set off a little after ten, having attired myself simply as for a dinner-party. The house is a very fine one. The door was guarded by peace-officers, and besieged by starers. My host met me in a superb court-dress, with his sword at his side. There was a most sumptuous-looking Persian, covered with gold lace. Then there was an Italian bravo with a long beard. Two old gentlemen, who ought to have been wiser, were fools enough to come in splendid Turkish costumes at which everybody laughed. The fancy-dresses were worn almost exclusively by the young people. The ladies for the most part contented themselves with a few flowers and ribands oddly disposed. There was, however, a beautiful Mary Queen of Scots, who looked as well as dressed the character perfectly; an angel of a Jewess in a Highland plaid; and an old woman, or rather a woman,--for through her disguise it was impossible to ascertain her age,--in the absurdest costume of the last century. These good people soon began their quadrilles and galopades, and were enlivened by all the noise that twelve fiddlers could make for their lives.

You must not suppose the company was made up of these mummers. There was Dr. Lardner, and Long, the Greek Professor in the London University, and Sheil, and Strutt, and Romilly, and Owen the philanthropist. Owen laid bold on Sheil, and gave him a lecture on Co-operation which lasted for half an hour. At last Sheil made his escape. Then Owen seized Mrs.

Sheil,--a good Catholic, and a very agreeable woman,--and began to prove to her that there could be no such thing as moral responsibility. I had fled at the first sound of his discourse, and was talking with Strutt and Romilly, when behold! I saw Owen leave Mrs. Sheil and come towards us. So I cried out "Sauve qui peut!" and we ran off. But before we had got five feet from where we were standing, who should meet us face to face but Old Basil Montagu? "Nay, then," said I, "the game is up. The Prussians are on our rear. If we are to be bored to death there is no help for it." Basil seized Romilly; Owen took possession of Strutt; and I was blessing myself on my escape, when the only human being worthy to make a third with such a pair, J--, caught me by the arm, and begged to have a quarter of an hour's conversation with me. While I was suffering under J--, a smart impudent-looking young dog, dressed like a sailor in a blue jacket and check shirt, marched up, and asked a Jewish-looking damsel near me to dance with him. I thought that I had seen the fellow before; and, after a little looking, I perceived that it was Charles; and most knowingly, I a.s.sure you, did he perform a quadrille with Miss Hilpah Mana.s.ses.

If I were to tell you all that I saw I should exceed my ounce. There was Martin the painter, and Proctor, alias Barry Cornwall, the poet or poetaster. I did not see one Peer, or one star, except a foreign order or two, which I generally consider as an intimation to look to my pockets. A German knight is a dangerous neighbour in a crowd. [Macaulay ended by being a German knight himself.] After seeing a galopade very prettily danced by the Israelitish women, I went downstairs, reclaimed my hat, and walked into the dining-room. There, with some difficulty, I squeezed myself between a Turk and a Bernese peasant, and obtained an ice, a macaroon, and a gla.s.s of wine. Charles was there, very active in his attendance on his fair Hilpah. I bade him good night. "What!" said young Hopeful, "are you going yet?" It was near one o'clock; but this joyous tar seemed to think it impossible that anybody could dream of leaving such delightful enjoyments till daybreak. I left him staying Hilpah with flagons, and walked quietly home. But it was some time before I could get to sleep. The sound of fiddles was in mine ears; and gaudy dresses, and black hair, and Jewish noses, were fluctuating up and down before mine eyes.

There is a fancy ball for you. If Charles writes a history of it, tell me which of us does it best.

Ever yours

T. B. M.

To Hannah M Macaulay.

London: June 10. 1835.

My dear Sister,--I am at Basinghall Street, and I s.n.a.t.c.h this quarter of an hour, the only quarter of an hour which I am likely to secure during the day, to write to you. I will not omit writing two days running, because, if my letters give you half the pleasure which your letters give me, you will, I am sure, miss them. I have not, however, much to tell. I have been very busy with my article on Moore's Life of Byron. I never wrote anything with less heart. I do not like the book; I do not like the hero; I have said the most I could for him, and yet I shall be abused for speaking as coldly of him as I have done.

I dined the day before yesterday at Sir George Philips's with Sotheby, Morier the author of "Hadji Baba," and Sir James Mackintosh. Morier began to quote Latin before the ladies had left the room, and quoted it by no means to the purpose. After their departure he fell to repeating Virgil, choosing pa.s.sages which everybody else knows and does not repeat. He, though he tried to repeat them, did not know them, and could not get on without my prompting. Sotheby was full of his translation of Homer's Iliad, some specimens of which he has already published. It is a complete failure; more literal than that of Pope, but still tainted with the deep radical vice of Pope's version, a thoroughly modern and artificial manner. It bears the same kind of relation to the Iliad that Robertson's narrative bears to the story of Joseph in the book of Genesis.

There is a pretty allegory in Homer--I think in the last book, but I forget precisely where--about two vessels, the one filled with blessings and the other with sorrow, which stand, says the poet, on the right and left hand of Jupiter's throne, and from which he dispenses good and evil at his pleasure among men. What word to use for these vessels has long posed the translators of Homer. Pope, who loves to be fine, calls them _urns_. Cowper, who loves to be coa.r.s.e, calls them _casks_;--a translation more improper than Pope's; for a cask is, in our general understanding, a wooden vessel; and the Greek word means an earthen vessel. There is a curious letter of Cowper's to one of his female correspondents about this unfortunate word. She begged that Jupiter might be allowed a more elegant piece of furniture for his throne than a cask. But Cowper was peremptory. I mentioned this incidentally when we were talking about translations. This set Sotheby off. "I," said he, "have translated it _vase_. I hope that meets your ideas. Don't you think vase will do? Does it satisfy you?" I told him, sincerely enough, that it satisfied me; for I must be most unreasonable to be dissatisfied at anything that he chooses to put in a book which I never shall read.

Mackintosh was very agreeable; and, as usually happens when I meet him, I learned something from him. [Macaulay wrote to one of his nieces in September 1859: "I am glad that Mackintosh's Life interests you. I knew him well; and a kind friend he was to me when I was a young fellow, fighting my way uphill."]

The great topic now in London is not, as you perhaps fancy, Reform, but Cholera. There is a great panic; as great a panic as I remember, particularly in the City. Rice shakes his head, and says that this is the most serious thing that has happened in his time; and a.s.suredly, if the disease were to rage in London as it has lately raged in Riga, it would be difficult to imagine anything more horrible. I, however, feel no uneasiness. In the first place I have a strong leaning towards the doctrines of the anti-contagionists. In the next place I repose a great confidence in the excellent food and the cleanliness of the English.