But my Hiawatha's patience, His politeness and his patience, Unaccountably had vanished, And he left that happy party.

Neither did he leave them slowly, With the calm deliberation, The intense deliberation, Of a photographic artist: But he left them in a hurry, Left them in a mighty hurry, Stating that he would not stand it, Stating in emphatic language What he'd be before he'd stand it.

Hurriedly he packed his boxes: Hurriedly the porter trundled On a barrow all his boxes: Hurriedly he took his ticket: Hurriedly the train received him: Thus departed Hiawatha.

But perhaps the cleverest part of the poem is the seemingly innocent paragraph of introduction which reads as follows:

"In an age of imitation, I can claim no special merit for this slight attempt at doing what is known to be so easy. Any fairly practiced writer, with the slightest ear for rhythm, could compose, for hours together, in the easy running meter of 'The Song of Hiawatha.' Having, then, distinctly stated that I challenge no attention in the following little poem to its merely verbal jingle, I must beg the candid reader to confine his criticism to its treatment of the subject."

Notice how metrically this sounds. Tune up to the Hiawatha pitch and you will have the same swinging measure in the above sentences.

Lewis Carroll's real acquaintance with Tennyson began in that eventful year of 1856. The odd, s.h.a.ggy man, with the fine head and the keen, restless eyes, fascinated the young Student greatly. He went often to Tennyson's home and did his best to be interested in the poet's two little boys, Hallam and Lionel. Had they been girls there would have been no difficulty, but he always had strained relations with boys; still, as these "roundabouts" belonged to the little Tennysons, we find a sort of armed truce kept up between them. He bargained with Lionel to exchange ma.n.u.scripts, and he got both boys to sign their names in his alb.u.m; he even condescended to play a game of chess with Lionel, checkmating him in six moves, but he distinctly refused to allow that young gentleman to give him a blow on the head with a mallet in exchange for some of his verses.

However, we may be pretty sure that Lewis Carroll's visits to the Tennysons were much pleasanter when the "roundabouts" were not visible.

That same year he made the acquaintance of John Ruskin, and the great art critic turned out to be a very valuable friend, as was also Sir James Paget, the eminent surgeon, who gave him many hints on medicine and surgery, in which Charles Dodgson was deeply interested. His medical knowledge was quite remarkable, and the books he collected on the subject would have been valuable additions to any physician's library. In the year 1857 he met Thackeray, who had come to Oxford to deliver his lecture on George III, and liked him very much. The Oxford "dons" were certainly fortunate in meeting all the "great ones" and seeing them generally at their best.

The year 1858 was an uneventful year; college routine varied by much reading, afternoons on the river or in the country, and evenings devoted to preparations for the morrow's work. Lewis Carroll kept a diary which harbored many fine thoughts and n.o.ble resolves, many doubts and fears, many hopes, many plans for the future, for he was making up his mind to the final step in the life of a Christ Church Student--that of taking Holy Orders, in other words, of being ordained as a clergyman.

There were one or two points to be considered: first, regarding an impediment in his speech which would make constant preaching almost impossible. He stammered, not on all occasions, but quite enough to make steady speaking an effort, painful to himself and his hearers. The other objection lay in the fact that Christ Church had rigid laws for its clergy concerning amus.e.m.e.nts. Charles Dodgson had no wish to be shut out of the world; he was fond of theaters and operas, and he did not see that he was doing any special good to his fellow-creatures by putting them out of his life. But at last, after battling with his conscience, and earnest consultation with a few wise friends, he decided that he would be ordained, though he would not become a regular preaching clergyman.

It took him two years to reach this decision, for he was slow to act on such occasions, but strong of purpose when the step was taken. On October 17, 1859, the young Prince of Wales (the late King Edward VII) came into residence at Christ Church College. This was a mark of special favor to Dean Liddell, who had for many years been chaplain to Queen Victoria and her husband, the Prince Consort. Of course there was much ceremony attending the arrival of his Royal Highness; the Dean went in person to the station to meet him, and all the "dons" were drawn up in a body in Tom Quadrangle to give him the proper sort of greeting. "Hiawatha" had his camera along--"in its case it lay compactly," but his poor little Highness had been "served up" on the camera to his utter disgust, and nothing would induce him to be photographed.

Later in the season, the Queen, the Prince Consort, and several princes and princesses came up to Oxford and surprised everybody. Christ Church was certainly in a flutter, and the day was turned into a gala occasion.

There was a brilliant reception that evening at Dean Liddell's and _tableaux vivants_, to which we may be sure our modest Lewis Carroll gave much a.s.sistance. He was already on intimate terms with the three little Liddells, Lorina, Alice, and Edith, and as the children were to pose in a tableau, he was certainly there to help and suggest with a score of quaint ideas.

He had a pleasant talk with the Prince of Wales, who shook hands cordially and condescended to ask several questions of the young photographer, praising the photographs which he had seen, and promised to choose some for himself some day. He regarded the pleasant-looking, chatty young fellow as just one of the college "dons"; he had never even heard of Lewis Carroll, indeed that gentleman was too newly born to be known very well anywhere outside of Charles Lutwidge Dodgson's study, and it is extremely doubtful if the grave Student himself knew of half the fun and merriment hidden away in the new name. As a result of his interview with the prince, Lewis Carroll obtained his autograph, which was quite a gem among his collection.

There is no doubt he had many fine autographs and also an alb.u.m, as he mentions several times. Autograph-hunting was not carried to the excess that it was later on, and is to-day. It is, to put it mildly, a very bad habit. Total strangers have no hesitancy in asking this favor of celebrities, who, as a rule, object to the wholesale signing of their names.

But the signatures in Lewis Carroll's alb.u.m were those of friends, which was quite another matter, and it was consequently most interesting to turn the leaves of the precious volume, and see in what friendly esteem he was held by the foremost men and women of his time. To him a letter or a sentiment would have had no meaning nor value if not addressed personally to himself; whereas, the autograph fiend of the present day would be content with the signature no matter to whom addressed. Lewis Carroll suffered from these pests in later years, as well as from the photograph fiend, to him as malicious as a hornet, and from whom he fled in terror.

Yet we find many good pictures of him, notwithstanding, the one which we have chosen for our frontispiece being the youngest and most attractive--Lewis Carroll at the age of twenty-three. There is another taken some two years later, when the dignity of the Oxford "don" set well on the slim young figure. His face was always curiously youthful in expression: the eyes, deep blue, looked childlike in their innocent trust; a child had but to gaze into their depths and claim a friend. Little girls, particularly, remembered their beauty, for they felt a thrill at their youthful heartstrings when those eyes, brimful of kindliness, turned upon them and warmed their childish souls. They were quick to feel the gentle pressure of his hand, his touch upon their shoulders or on their heads, which drew these little magnets close to his side where he loved to have them, for behind the shyness and reserve of Lewis Carroll was a great wealth of tenderness and love which only his girl friends understood, because it was only to them that he cared to show this part of himself.

Of course in his own home this side of him expanded in the sunny companionship of seven younger sisters. Naturally they did not look upon him with the awe of the later generation, but they brought to the surface many winning characteristics which might never have come to light but for them.

It had been his delight from early boyhood to tackle problems and to solve them; the "girl problem" he had studied from the very beginning, in all its stages, and so it is small wonder that he knew girls quite as well as he did mathematics, and loved them even better, if the truth must be told, though they were often quite as puzzling.

On December 22, 1861, in spite of many doubts and misgivings as to his worthiness, Charles Dodgson was ordained deacon by the Bishop of Oxford.

He did this partly from his duty as a Student of Christ Church, but more because of the influence it would give him among the undergraduates, whose welfare he had so much at heart. He preached often but he never became a regular officiating clergyman, and his sermons were always delightful because they were never what we call "preachy."

He was so truly good and religious, his faith was so simple, his desire to do right was so unfailing, that in spite of the slight drawback in his speech he had the gift of impressing his hearers deeply. His sermons were dedicated to the service of G.o.d, and he was content if they bore good fruit; he did not care what people said about them. He often preached at the evening service for the college servants; but most of all he loved to preach to children, to see the earnest young faces upturned to him, to feel that they were following each word. It was then that he put his whole heart into the task before him; the light grew in his eyes, he forgot to stammer, forgot everything, save the young souls he was leading, in his eagerness to show them the way.

Such was the character of Lewis Carroll up to the year 1862, that momentous year in which he found the golden key of Fairyland. He had often peeped through the closed gates but he had never been able to squeeze through; he might have jumped over them, but that is forbidden in Fairyland, where everything happens in the most natural way.

He had succeeded beyond his hopes in his efforts for independence; he was establishing a brilliant record as a mathematical lecturer; he had several scholarships which paid him a small yearly sum, and he was also sublibrarian. His little poems were making their way into public notice and his more serious work had been "Notes on the First Two Books of Euclid," "Text-Books on Plane Geometry and Plane Trigonometry," and "Notes on the First Part of Algebra."

Socially, the retiring "don" was scarcely known beyond the University. He ran up to London whenever the theaters offered anything tempting; he visited the studios of well-known artists, who were all fond of him, and he cultivated the friendship of men of learning and letters. If these gentlemen happened to have attractive little daughters, he cultivated their acquaintance also. One special anecdote we have of a visit to the studio of Mr. Munroe, where he found two of the children of George Macdonald, the author of many books, among them "At the Back of the North Wind," a most charming fairy tale. These two children, a boy and a girl, instantly made friends with Lewis Carroll, who suggested to the boy, Greville, that he thought a marble head would be such a useful thing, much better than a real one because it would not have to be brushed and combed.

This appealed to the small boy, whose long hair was a torment, but after consideration he decided that a marble head would not be able to speak, and it was better to have his hair pulled and be able to cry out. In the case of the general small boy Lewis Carroll preferred marble, but he was overruled. Mr. Macdonald's two daughters, Lily and Mary, were, however, great favorites of his; indeed, his girl friends were rapidly multiplying.

Sometimes they came to see him in the pleasant rooms at Christ Church College, which were full of curious things that children love. Sometimes they had tea with him or went for a stroll, for Oxford had many beautiful walks about her colleges.

A visit to him was always a great event, but perhaps those who enjoyed him most were his intimates in "Tom Quadrangle." The three little Liddell girls were at that time his special favorites; their bright companionship brought forth the many sides of his genius; under the spell of their winsome chatter the long golden afternoon would glide happily by, while under _his_ spell they would sit for hours listening to the wonder tales he spun for them.

CHAPTER VI.

UP AND DOWN THE RIVER WITH THE REAL ALICE.

We generally speak of Oxford-on-the-Thames. Indeed, if we were to journey by water from London to Oxford, we would certainly go by way of the Thames, and a pleasant journey that would be, too, gliding between well-wooded, fertile sh.o.r.es with charming landscape towns on either side and bits of history peeping out in unexpected places. But into the heart of Oxford itself the Thames sends forth its tributaries in opposite directions; the Isis on one side, the Cherwell on the other. The Cherwell is what is called a "canoe river," the Isis is the race course of Oxford, where all the "eights" (every racing crew consists of eight men) come to practice for the great day and the great race, which takes place sometimes at Henley, sometimes at Oxford itself, when the Isis is gay with bunting and flags.

On one side of Christ Church Meadow is a long line of barges which have been made stationary and which are used as boathouses by the various college clubs; these are situated just below what is known as Folly Bridge, a name familiar to all Oxford men, and the goal of many pleasant trips. The original bridge was destroyed in 1779, but tradition tells us that the first bridge was capped by a tower which was the study or observatory of Roger Bacon, the Franciscan Friar who invented the telescope, gunpowder, and many other things unknown to the people of his time. It was even hinted that he had cunningly built this tower that it might fall instantly on anyone pa.s.sing beneath it who proved to be more learned than himself. One could see it from Christ Church Meadow, and doubtless Lewis Carroll pointed it out to his small companions, as they strolled across to the water's edge, where perhaps a boat rocked lazily at its moorings.

It was the work of a moment to steady it so that the eager youngsters could scramble in, then he stepped in himself, pushing off with his oar, and a few long, steady strokes brought them in midstream. This was an ordinary afternoon occurrence, and the children alone knew the delights of being the chosen companions of Lewis Carroll. He would let them row, while he would lounge among the cushions and "spin yarns" that brought peals of merry laughter that rippled over the surface of the water. He knew by heart every story and tradition of Oxford, from the time the Romans reduced it from a city of some importance to a mere "ford for oxen to pa.s.s over," which, indeed, was the origin of its name, long before the Christian era.

He had a story or a legend about every place they pa.s.sed, but most of all they loved the stories he "made up" as he went along. He had a low, well-pitched voice, with the delightful trick of dropping it in moments of profound interest, sometimes stopping altogether and closing his eyes in pretended sleep, when his listeners were truly thrilled. This, of course, produced a stampede, which he enjoyed immensely, and sometimes he would "wake up," take the oars himself, and pull for some green shady nook that loomed invitingly in the distance; here they would land and under the friendly trees they would have their tea, perhaps, and then they _might_ induce him to finish the story--if they were _ever_ so good.

It was on just such an occasion that he chanced to find the golden key to Wonderland. The time was midsummer, the place on the way up the river toward G.o.dstow Bridge; the company consisted of three winsome little girls, Lorina, Alice, and Edith Liddell, or _Prima_, _Secunda_, and _Tertia_, as he called them by number in Latin. He tells of this himself in the following dainty poem--the introduction to "Alice in Wonderland":

All in the golden afternoon Full leisurely we glide; For both our oars, with little skill, By little arms are plied, While little hands make vain pretence Our wanderings to guide.

Ah, cruel Three! In such an hour, Beneath such dreamy weather, To beg a tale, of breath too weak To stir the tiniest feather!

Yet what can one poor voice avail Against three tongues together?

Imperious Prima flashes forth Her edict "to begin it"-- In gentler tone Secunda hopes "There will be nonsense in it"-- While Tertia interrupts the tale, Not _more_ than once a minute.

Anon, to sudden silence won, In fancy they pursue The dream-child moving through a land Of wonders wild and new, In friendly chat with bird or beast-- And half believe it true.

And ever as the story drained The wells of fancy dry, And faintly strove that weary one To put the subject by, "The rest next time"--"It _is_ next time!"

The happy voices cry.

Thus grew the tale of Wonderland: Thus slowly one by one, Its quaint events were hammered out-- And now the tale is done, And home we steer, a merry crew, Beneath the setting sun.

Alice! a childish story take, And with a gentle hand Lay it where Childhood's dreams are twined In Memory's mystic band, Like pilgrims' withered wreath of flowers Plucked in a far-off land.

It was a very hot day, the fourth of July, 1862, that this special little picnic party set out for its trip up the river. G.o.dstow Bridge was a quaint old-fashioned structure of three arches. In the very middle it was broken by a tiny wooded island, and guarding the east end was a picturesque inn called _The Trout_. Through the middle arch they could catch a distant glimpse of Oxford, with Christ Church spire quite plainly to be seen. They had often gone as far as the bridge and had their tea in the ruins of the old nunnery near by, a spot known to history as the burial-place of Fair Rosamond, that beautiful lady who was supposed to have been poisoned by Queen Eleanor, the jealous wife of Henry II. But this day the sun streamed down on the little party so pitilessly that they landed in a cool, green meadow and took refuge under a hayrick. Lewis Carroll stretched himself out at full length in the protecting shade, while the expectant little girls grouped themselves about him.

"Now begin it," demanded Lorina, who was called _Prima_ in the poem.

_Secunda_ [Alice] probably knew the story-teller pretty well when she asked for nonsense, while tiny _Tertia_, the youngest, simply clamored for "more, more, more," as the speaker's breath gave out.

Now, as Lewis Carroll lay there, a thousand odd fancies elbowing one another in his active brain, his hands groping in the soft moist earth about him, his fingers suddenly closed over that magic Golden Key. It was a queer invisible key, just the kind that fairies use, and neither Lorina, Alice, nor Edith would have been able to find it if they had hunted ever so long. He must have found it on the water and brought it ash.o.r.e quite by accident, for there was the gleam of sunlight still upon it, and it was very shady under the hayrick. Perhaps there was a door somewhere that the key might fit; but no, there was only the hayrick towering above him, and only the brown earth stretching all about him. Perhaps a white rabbit _did_ whisk by, perhaps the real Alice _really_ fell asleep, at any rate when _Prima_ said "Begin it," that is how he started. The Golden Key opened the brown earth--in popped the white rabbit--down dropped the sleeping Alice--down--down--down--and while she was falling, clutching at things on the way, Lewis Carroll turned, with one of his rare sweet smiles, to the eager trio and began the story of "Alice's Adventures Underground."

The whole of that long afternoon he held the children spellbound. He did not finish the story during that one sitting. Summer has many long days, and the quiet, prudent young "don" was not reckless enough to scatter _all_ his treasures at once; and, besides, all the queer things that happened to Alice would have lost half their interest in the shadow of a hayrick, and how could one conjure up _Mock Turtles_ and _Lorys_ and _Gryphons_ on the dry land? Lewis Carroll's own recollection of the beginning of "Alice" is certainly dated from that "golden afternoon" in the boat, and any idea of publishing the web of nonsense he was weaving never crossed his mind. Indeed, if he could have imagined that his small audience of three would grow to be as many millions in the years to come, the book would have lost half its charm, and the real child that lay hidden under the cap and gown of this grave young Student of thirty might never have been known to the world.

Into his mind, with all the freshness of unbidden thought, popped this story of _Alice_ and her strange adventures, and while he chose the name of Alice in seeming carelessness, there is no doubt that the little maid who originally owned the name had many points in common with the Rev.

Charles Lutwidge Dodgson, never suspected save by the two most concerned.

To begin with, the real Alice had an Imagination; any child who demands nonsense in a story has an Imagination. Nothing was too impossible or absurd to put into a story, for one could always "make believe" it was something else you see, and a constant "make believe" made everything seem quite real. Dearly as he loved this posy of small girls, Lewis Carroll could not help being just the _least_ bit partial to Alice, because, as he himself might have quaintly expressed it, she understood everything he said, even before he said it.