His life at Rugby was somewhat of a strain; with a brain beginning to teem with a thousand fairy fancies that the boys around him could not appreciate, he was forced to thrust them out of sight. He flung himself into his studies, coming out at examinations on top in mathematics, Latin, and divinity, and saving that other part of him for his sisters, when he went home for the holidays.

Meantime he continued to write verses and stories and to draw clever caricatures. There is one of these drawings peculiarly Rugbean in character; it is supposed to be a scene in which four of his sisters are roughly handling a fifth, because she _would_ write to her brother when they wished to go to Halnaby and the Castle. This n.o.ble effort he signed "Rembrandt."

The picture is really very funny. The five girls have very much the appearance of the marionettes he was fond of making, especially the unfortunate correspondent who has been pulled into a horizontal position by the stern sister. The whole story is told by the expression of the eyes and mouth of each, for the clever schoolboy had all the secrets of caricature, without quite enough genius in that direction to make him an artist.

The Rugby days ended in glory; our Boy, no longer little Dodgson, but young Dodgson, came home loaded with honors. Mr. Mayor, his mathematical master, wrote to his father in 1848, that he had never had a more promising boy at his age, since he came to Rugby. Mr. Tait also wrote complimenting him most highly not only for his high standing in mathematics and divinity, but for his conduct while at Rugby, which was all that could be desired.

We can now see the dawning of the two great loves of his life, but there was another love, which Rugby brought forth in all its beauty and strength, the love for girls. From that time he became their champion, their friend, and their comrade; whatever of youth and of boyhood was in his nature came out in brilliant flashes in their company. Boys, in his estimation, _had_ to be, of course--a necessary evil, to be wrestled with and subdued. But girls--G.o.d bless 'em! were girls; that was enough for young Dodgson to the end of the chapter.

CHAPTER III.

HOME LIFE DURING THE HOLIDAYS.

When Charles came home on his holiday visits, he was undoubtedly the busiest person at Croft Rectory. We must remember there were ten eager little brothers and sisters who wanted the latest news from "the front,"

meaning Rugby of course, and Charles found many funny things to tell of the school doings, many exciting matches to recount, many a thrilling adventure, and, alas! many a tale of some popular hero's downfall and disgrace. He had sketches to show, and verses to read to a most enthusiastic audience, the girls giggling over his funny tales, the boys roaring with excitement as in fancy they pictured the scene at "Big-side"

during some great football scrimmage, for Charles's descriptions were so vivid, indeed he was such a good talker always, that a few quaint sentences would throw the whole picture on the canvas.

Vacation time was devoted to literary schemes of all kinds. From little boyhood until he was way up in his "teens," he was the editor of one magazine or another of home manufacture, chiefly, indeed, of his own composition, or drawn from local items of interest to the young people of Croft Rectory. While he was still at Richmond School, _Useful and Instructive Poetry_ was born and died in six months' time, and many others shared the same fate; but the young editor was undaunted.

This was the age of small periodicals and he had caught the craze; it was also the age when great genius was burning brightly in England. Tennyson was in his prime; d.i.c.kens was writing his stories, and Macaulay his history of England. There were many other geniuses who influenced his later years, Carlyle, Browning and others, but the first three caught his boyish fancy and were his guides during those early days of editorship.

_Punch_, the great English magazine of wit and humor, attracted him immensely, and many a time his rough drawings caught the spirit of some of the famous cartoons. He never imagined, as he laughed over the broad humor of John Tenniel, that the great cartoonist would one day stand beside him and share the honors of "Alice in Wonderland."

One of his last private efforts in the editorial line was _The Rectory Umbrella_, a magazine undertaken when he was about seventeen or eighteen years old, on the bridge, one might say, between boyhood and his approaching Oxford days. His mind had developed quickly, though his views of life did not go far beyond the rectory grounds. He evidently took his t.i.tle out of the umbrella-stand in the rectory hall, the same stand doubtless which furnished him with "The Walking Stick of Destiny," a story of the lurid, exciting sort, which made his readers' hair rise. The magazine also contained a series of sketches supposed to have been copied from paintings by Rembrandt, Sir Joshua Reynolds and others whose works hang in the Vernon Gallery. One specially funny caricature of Sir Joshua Reynolds's "Age of Innocence" represents a baby hippopotamus smiling serenely under a tree not half big enough to shade him.

Another sketch ridicules homeopathy and is extremely funny. Homeopathy is a branch of medical science which believes in _very_ small doses of medicine, and this picture represents housekeeping on a homeopathic plan; a family of six bony specimens are eating infinitesimal grains of food, which they can only see through the spectacles they all wear, and their table talk hovers round millionths and nonillionths of grains.

But the cleverest poem in _The Rectory Umbrella_ is the parody on "Horatius," Macaulay's famous poem, which is supposed to be a true tale of his brothers' adventures with an obdurate donkey. It is the second of the series called "Lays of Sorrow," in imitation of Macaulay's "Lays of Ancient Rome," and the tragedy lies in the sad fact that the donkey succeeds in getting the better of the boys.

"Horatius" was a great favorite with budding orators of that day. The Rugby boys declaimed it on every occasion, and reading it over in these modern times of peace, one is stirred by the martial note in it. No wonder boys like Charles Dodgson loved Macaulay, and it is pretty safe to say that he must have had it by heart, to have treated it in such spirited style and with such pure fun. Indeed, fun bubbled up through everything he wrote; wholesome, honest fun, which was a safety valve for an over-serious lad.

This period was his halting time, and the humorous skits he dashed off were done in moments of recreation. He was mapping out his future in a methodical way peculiarly his own. Oxford was to be his goal, divinity and mathematics his princ.i.p.al studies, and he was working hard for his examinations. The desire of the eldest son to follow in his father's footsteps was strengthened by his own natural inclination, for into the boy nature crept a rare golden streak of piety. The reverence for holy things was a beautiful trait in his character from the beginning to the end of his life; it never pushed itself aggressively to the front, but it sweetened the whole of his intercourse with people, and was perhaps the secret of the wonderful power he had with children.

The intervening months between Rugby and Oxford were also the boundary-line between boyhood and young manhood, that most important period when the character shifts into a steadier pose, when the young eyes try vainly to pierce the mists of the future, and the young heart-throbs are sometimes very painful. Between those Rugby school-days and the more serious Oxford ones, something happened--we know not what--which cast a shadow on our Boy's life. He was young enough to live it down, yet old enough to feel keenly whatever sorrow crossed his path, and as he never married, we naturally suspect that some unhappy love affair, or death perhaps, had cut him off from all the joys so necessary to a young and deep-feeling man. Whatever it was--and he kept his own secret--it did not mar the sweetness of his nature, it did not kill his youth, nor deaden the keen wit which was to make the world laugh one day.

It drew some pathetic lines upon his face, a wistful touch about mouth and eyes, as we can see in all his portraits.

A slight reserve hung as a veil between him and people of his own age, but it opened his heart all the wider to the children, whose true knight he became when, as "Lewis Carroll" he went forth to conquer with a laugh. We say "children," but we mean "girls." The little boy might just as well have been a caged animal at the Zoo, for all the notice he inspired. Of course, there were some younger brothers of his own to be considered, but he had such a generous provision of sisters that he didn't mind, and then, besides, one's own people are different somehow; we know well enough we wouldn't change _our_ brothers and sisters for the finest little paragons that walk. So with Lewis Carroll; he strongly objected to everybody else's little brothers but his own, and it is even true that in later years there were some small nephews and boy cousins, to whom he was extremely kind.

But as yet there is no Lewis Carroll, only a grave and earnest Charles Lutwidge Dodgson, reading hard to enter Christ Church, Oxford, that grand old edifice steeped in history, where his own father had "blazed a trail."

Mathematics absorbed many hours of each day, and Latin and Greek were quite as important. English as a "course" was not thought of as it is to-day; the cla.s.sics were before everything else, although ancient and modern history came into use.

For lighter reading, d.i.c.kens was a never-failing source of supply. All during this holiday period "David Copperfield" was coming out in monthly instalments, and though the hero was "only a boy," there was something in the pathetic figure of lonely little _David_, irresistibly appealing to the young fellow who hated oppression and injustice of any kind, and was always on the side of the weak. While the dainty picture of _Little Em'ly_ might have been his favorite, he was keenly alive to the absurdities of _Mrs. Gummidge_, the doglike devotion of _Peggotty_, and the horrors of the "cheap school," which turned out little shivering cowards instead of wholesome hearty English boys.

Later on, he visited the spot on which d.i.c.kens had founded _Dotheboys Hall_ in "Nicholas Nickleby." "Barnard's Castle" was a most desolate region in Yorkshire. He tells of a trip by coach, over a land of dreary hills, into Bowes, a G.o.dforsaken village where the original of _Dotheboys Hall_ was still standing, though in a very dilapidated state, actually falling to pieces. As we well know, after the writing of "Nicholas Nickleby," government authorities began to look into the condition of the "cheap schools" and to remedy some of the evils. Even the more expensive schools, where the tired little brains were crammed to the brim until the springs were worn out and the minds were gone, were exposed by the great novelist when he wrote "Dombey and Son" and told of _Dr. Blimber's_ school, where poor little _Paul_ studied until his head grew too heavy for his fragile body. The victims of these three schools--_David_, _Smike_, and _Little Paul_--twined themselves about the heartstrings of the thoughtful young student, and many a humorous bit besides, in the works of Lewis Carroll, bears a decided flavor of those dips into d.i.c.kens.

Macaulay furnished a more solid background in the reading line. His history, such a complete chronicle of England from the fall of the Stuarts to the reign of Victoria, appealed strongly to the patriotism of the English boy, and the fact that Macaulay was not only a _writer_ of English history, but at the same time a _maker_ of history, served to strengthen this feeling.

If we compare the life of Lord Macaulay with the life of Lewis Carroll, we will see that there was something strangely alike about them. Both were unmarried, living alone, but with strong family ties which softened their lives and kept them from becoming crusty old bachelors. It is very probable, indeed, that the younger man modeled his life somewhat along the lines of the older, whom he greatly admired. Both were parts of great inst.i.tutions; Macaulay stood out from the background of Parliament, as Lewis Carroll did from Oxford or more particularly Christ Church, and both names shone more brilliantly outside the routine of daily life.

But the influence that crept closer to the heart of this boy was that of Tennyson. The great poet with the wonderful dark face, the piercing eyes, the s.h.a.ggy mane, sending forth clarion messages to the world in waves of song, was the inspiration of many a quaint phrase and poetic turn of thought which came from the pen of Lewis Carroll. For Tennyson became to him a thing of flesh and blood, a friend, and many a pleasant hour was spent in the poet's home in later years, when the fame of "Alice" had stirred his ambition to do other things. Many a verse of real poetry could trace its origin to a.s.sociation with the great man, who was quick to discover that there were depths in the soul of his young friend where genius dwelt.

Meantime Charles Dodgson read his poems over and over, in the seclusion of Croft Rectory, during that quiet pause in his life before he went up to Oxford.

There was a village school of some importance in Croft, and members of the Dodgson family were interested in its welfare, often lending a hand with the teaching, and during those months, no doubt, Charles took his turn.

For society, his own family seemed to be sufficient. If he had any boy friends, there are no records of their intercourse; indeed, the only friend mentioned is T. Vere Bayne, who in childish days was his playfellow and who later became, like himself, a Student of Christ Church. This a.s.sociation cemented a lasting friendship. One or two Rugbeans claimed some intimacy, but his true friendships were formed when Lewis Carroll grew up and really became young.

Walking was always a favorite pastime; the woods were full of the things he loved, the wild things whose life stirred in the rustling of the leaves or the crackle of a twig, as some tiny animal whisked by. The squirrels were friendly, the hares lifted up their long ears, stared at him and scurried out of sight. Turtles and snails came out of the river to sun themselves on the banks; the air was full of the hum of insects and the chirp of birds.

As he lay under the friendly shelter of some great tree, he thought of this tree as a refuge for the teeming life about it; the beauty of its foliage, its spreading branches, were as nothing to its convenience as a home for the birds and chipmunks and the burrowing things that lived beneath its roots or in the hollows of its trunk.

These creatures became real companions in time. He studied their ways and habits, he looked them up in the Natural History, and noting their peculiarities, tucked them away in that quaint cupboard of his which he called his memory.

How many things were to come out of that cupboard in later days! He himself did not know what was hidden there. It reminded one of a chest which only a special key could open, and he did not even know there _was_ a key, until on a certain "golden afternoon" he found it floating on the surface of the river. He grasped it, thrust it into the rusty lock, and lo!--but dear me, we are going too far ahead, for that is quite another chapter, and we have left Charles Dodgson lying under a tree, watching the lizards and snails and ants at their work or play, weaving his quaint fancies, dreaming perhaps, or chatting with some little sister or other who chanced to be with him. There was always a sister to chat with, which in part accounted for his liking for girls.

So, through a long vista of years, we have the picture of our Boy, between eighteen and nineteen, when he was about to put boyhood by forever and enter the stately ranks of the Oxford undergraduates. As he stands before us now, young, ardent, hopeful, and inexperienced, we can see no glimmer of the fairy wand which turned him into a wizard.

We see only a boy, somewhat old for his years, very manly in his ways, with a well-formed head, on which the cl.u.s.tering dark hair grew thick; a sensitive mouth and deep blue eyes, full of expression. He was clever, imitative, and consequently a good actor in the little plays he wrote and dramatized; he was very shy, but at his best in the home circle. He enjoyed nothing so much as an argument, always holding his ground with great obstinacy; a fine student, frank and affectionate, brimful of wit and humor, fond of reading, with a quiet determination to excel in whatever he undertook. With such weapons he was well equipped to "storm the citadel" at Oxford.

On May 23, 1850, he went up to matriculate--that is, to register his name and go through some examinations and the formality of becoming a student.

Christ Church was to be his college, as it had been his father's before him. Archdeacon Dodgson was much gratified by the many letters he received congratulating him on the fact that he had a son worthy to succeed him, for he was well remembered in the college, where he had left a brilliant record behind him.

It certainly sounds a little queer to have the name of a church attached to one of the colleges of a university, but our colleges in America are comparatively so new that we cannot grasp the vastness and the antiquity of the great English universities. Under the shelter of Oxford, and covering an area of at least five miles, twenty colleges or more were grouped, each one a community in itself, and all under the rule of the Chancellor of Oxford. Christ Church received as students those most interested in the divinity courses, though in other respects the undergraduates could take up whatever studies they pleased, and Charles Dodgson put most of his energy into mathematics and the necessary study of the cla.s.sics.

Seven months intervened between his matriculation and his real entrance into Oxford; these seven months we have just reviewed, full of study and pleasant family a.s.sociations, with youthful experiments in literature, full of promise for the future--and something deeper still--which must have touched him just here, "where the brook and river meet."

Into all our lives at some time or other comes a solemn silence; it may spring from many causes, from a joy which cannot be spoken, or from a sorrow too deep for utterance, but it comes, and we cover it gently and hide it away, as something too sacred for the common light of every day.

This was the silence which came to Lewis Carroll on the threshold of his career; but l.u.s.ty youth was with him as he stood before the portal of a brilliant future, and there was courage and high hope in his heart as he knocked for entrance.

CHAPTER IV.

OXFORD SCHOLARSHIP AND HONORS.

On January 24, 1851, just three days before his nineteenth birthday, Charles Dodgson took up his residence at Christ Church, and from that time to the day of his death his name was always a.s.sociated with the fine old building which was his _Alma Mater_. The men of Christ Church called it the "House," and were very proud of their college, as well they might be, for Oxford could not boast of a more imposing structure. There is a great difference between a university and a college. A university is great enough to shelter many colleges, and its chancellor is ruler over all.

When we reflect that Christ Church College, alone, included as many important buildings as are to be found in some of our modern American universities, we may have some idea of the extent of Oxford University, within whose boundaries twenty such colleges could be counted.

Their names were all familiar to the young fellow, and many a time, in those early days, he could be found in his boat upon the river, floating gently down stream, the whole panorama of Oxford spread out before him.

"Now rising o'er the level plain, 'Mid academic groves enshrined.

The Gothic tower, the Grecian fane, Ascend in solemn state combined."