Letters Of Horace Walpole - Volume Ii Part 1
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Volume Ii Part 1

Letters of Horace Walpole.

by Horace Walpole.

Volume II.

_MADAME DE BOUFFLERS AT STRAWBERRY--THE FRENCH OPINION OF THE ENGLISH CHARACTER--RICHARDSON'S NOVELS--MADAME DE BEAUMONT._

TO SIR HORACE MANN.

ARLINGTON STREET, _Dec._ 20, 1764.

... My journey to Paris is fixed for some time in February, where I hear I may expect to find Madame de Boufflers, Princess of Conti. Her husband is just dead; and you know the House of Bourbon have an alacrity at marrying their old mistresses. She was here last year, being extremely infected with the _Anglomanie_, though I believe pretty well cured by her journey. She is past forty, and does not appear ever to have been handsome, but is one of the most agreeable and sensible women I ever saw; yet I must tell you a trait of her that will not prove my a.s.sertion. Lady Holland asked her how she liked Strawberry Hill? She owned that she did not approve of it, and that it was not _digne de la solidite Angloise_. It made me laugh for a quarter of an hour. They allot us a character we have not, and then draw consequences from that idea, which would be absurd, even if the idea were just. One must not build a Gothic house because the nation is _solide_. Perhaps, as everything now in France must be _a la Grecque_, she would have liked a hovel if it pretended to be built after Epictetus's--but Heaven forbid that I should be taken for a philosopher! Is it not amazing that the most sensible people in France can never help being domineered by sounds and general ideas? Now everybody must be a _geometre_, now a _philosophe_, and the moment they are either, they are to take up a character and advertise it: as if one could not study geometry for one's amus.e.m.e.nt or for its utility, but one must be a geometrician at table, or at a visit! So the moment it is settled at Paris that the English are solid, every Englishman must be wise, and, if he has a good understanding, he must not be allowed to play the fool. As I happen to like both sense and nonsense, and the latter better than what generally pa.s.ses for the former, I shall disclaim, even at Paris, the _profondeur_, for which they admire us; and I shall nonsense to admire Madame de Boufflers, though her nonsense is not the result of nonsense, but of sense, and consequently not the genuine nonsense that I honour.

When she was here, she read a tragedy in prose to me, of her own composition, taken from "The Spectator:" the language is beautiful and so are the sentiments.

There is a Madame de Beaumont who has lately written a very pretty novel, called "Lettres du Marquis du Roselle." It is imitated, too, from an English standard, and in my opinion a most woful one; I mean the works of Richardson, who wrote those deplorably tedious lamentations, "Clarissa" and "Sir Charles Grandison," which are pictures of high life as conceived by a bookseller, and romances as they would be spiritualized by a Methodist teacher: but Madame de Beaumont has almost avoided sermons, and almost reconciled sentiments and common sense. Read her novel--you will like it.

_DEBATE ON AMERICAN TAXES--PEt.i.tION OF THE PERIWIG-MAKERS--FEMALE HEAD-DRESSES--LORD BYRON'S DUEL--OPENING OF ALMACK'S--NO. 45._

TO THE EARL OF HERTFORD.

ARLINGTON STREET, _Feb._ 12, 1765.

A great many letters pa.s.s between us, my dear lord, but I think they are almost all of my writing. I have not heard from you this age. I sent you two packets together by Mr. Freeman, with an account of our chief debates. Since the long day, I have been much out of order with a cold and cough, that turned to a fever: I am now taking James's powder, not without apprehensions of the gout, which it gave me two or three years ago.

There has been nothing of note in Parliament but one slight day on the American taxes,[1] which, Charles Townshend supporting, received a pretty heavy thump from Barre, who is the present Pitt, and the dread of all the vociferous Norths and Rigbys, on whose lungs depended so much of Mr. Grenville's power. Do you never hear them to Paris?

[Footnote 1: Mr. Grenville's taxation of stamps and other articles in our American colonies, which caused great discontent, and was repealed by Lord Rockingham's Ministry.]

The operations of the Opposition are suspended in compliment to Mr.

Pitt, who has declared himself so warmly for the question on the Dismission of officers, that that motion waits for his recovery. A call of the House is appointed for next Wednesday, but as he has had a relapse, the motion will probably be deferred. I should be very glad if it was to be dropped entirely for this session, but the young men are warm and not easily bridled.

If it was not too long to transcribe, I would send you an entertaining pet.i.tion of the periwig-makers to the King, in which they complain that men will wear their own hair. Should one almost wonder if carpenters were to remonstrate, that since the peace their trade decays, and that there is no demand for wooden legs? _Apropos_ my Lady Hertford's friend, Lady Harriot Vernon, has quarrelled with me for smiling at the enormous head-gear of her daughter, Lady Grosvenor. She came one night to Northumberland House with such display of friz, that it literally spread beyond her shoulders. I happened to say it looked as if her parents had stinted her in hair before marriage, and that she was determined to indulge her fancy now. This, among ten thousand things said by all the world, was reported to Lady Harriot, and has occasioned my disgrace. As she never found fault with anybody herself, I excuse her. You will be less surprised to hear that the d.u.c.h.ess of Queensberry has not yet done dressing herself marvellously: she was at Court on Sunday in a gown and petticoat of red flannel....

We have not a new book, play, intrigue, marriage, elopement, or quarrel; in short, we are very dull. For politics, unless the ministers wantonly thrust their hands into some fire, I think there will not even be a smoke. I am glad of it, for my heart is set on my journey to Paris, and I hate everything that stops me. Lord Byron's[1] foolish trial is likely to protract the session a little; but unless there is any particular business, I shall not stay for a puppet-show. Indeed, I can defend my staying here by nothing but my ties to your brother. My health, I am sure, would be better in another climate in winter. Long days in the House kill me, and weary me into the bargain. The individuals of each party are alike indifferent to me; nor can I at this time of day grow to love men whom I have laughed at all my lifetime--no, I cannot alter;--Charles Yorke or a Charles Townshend are alike to me, whether ministers or patriots. Men do not change in my eyes, because they quit a black livery for a white one. When one has seen the whole scene shifted round and round so often, one only smiles, whoever is the present Polonius or the Gravedigger, whether they jeer the Prince, or flatter his phrenzy.

[Footnote 1: In a previous letter Walpole mentions the duel caused by a dispute at cards, in which Lord Byron was so unfortunate as to kill his cousin, Mr. Chaworth.]

_Thursday night, 14th._

The new a.s.sembly Room at Almack's[1] was opened the night before last, and they say is very magnificent, but it was empty; half the town is ill with colds, and many were afraid to go, as the house is scarcely built yet. Almack advertized that it was built with hot bricks and boiling water--think what a rage there must be for public places, if this notice, instead of terrifying, could draw anybody thither. They tell me the ceilings were dropping with wet--but can you believe me, when I a.s.sure you the Duke of c.u.mberland was there?--Nay, had had a levee in the morning, and went to the Opera before the a.s.sembly! There is a vast flight of steps, and he was forced to rest two or three times. If he dies of it,--and how should he not?--it will sound very silly when Hercules or Theseus ask him what he died of, to reply, "I caught my death on a damp staircase at a new club-room."

[Footnote 1: Almack was a Scotchman, who got up a sort of female club in King Street, St. James's, at the place since known as Willis's Rooms. In the first half of the present century the b.a.l.l.s of Almack's were the most fashionable and exclusive in London, under the government of six lady patronesses, without a voucher from one of whom no one could obtain admittance. For a long time after trousers had become the ordinary wear they were proscribed at Almack's, and gentlemen were required to adhere to the more ancient and showy attire of knee-breeches; and it was said that in consequence of one having attempted unsuccessfully to obtain admission in trousers the tickets for the next ball were headed with a notice that "gentlemen would not be admitted without breeches and stockings."]

Williams, the reprinter of the _North Briton_, stood in the pillory to-day in Palace Yard.[1] He went in a hackney-coach, the number of which was 45. The mob erected a gallows opposite him, on which they hung a boot[2] with a bonnet of straw. Then a collection was made for Williams, which amounted to near 200. In short, every public event informs the Administration how thoroughly they are detested, and that they have not a friend whom they do not buy. Who can wonder, when every man of virtue is proscribed, and they have neither parts nor characters to impose even upon the mob! Think to what a government is sunk, when a Secretary of State is called in Parliament to his face "the most profligate sad dog in the kingdom," and not a man can open his lips in his defence. Sure power must have some strange unknown charm, when it can compensate for such contempt! I see many who triumph in these bitter pills which the ministry are so often forced to swallow; I own I do not; it is more mortifying to me to reflect how great and respectable we were three years ago, than satisfactory to see those insulted who have brought such shame upon us. 'Tis poor amends to national honour to know, that if a printer is set in the pillory, his country wishes it was my Lord This, or Mr. That. They will be gathered to the Oxfords, and Bolingbrokes, and ignominious of former days; but the wound they have inflicted is perhaps indelible. That goes to _my_ heart, who had felt all the Roman pride of being one of the first nations upon earth!--Good night!--I will go to bed, and dream of Kings drawn in triumph; and then I will go to Paris, and dream I am pro-consul there: pray, take care not to let me be awakened with an account of an invasion having taken place from Dunkirk![3] Yours ever, H.W.

[Footnote 1: This was the last occasion on which the punishment of the pillory was inflicted.]

[Footnote 2: A scandal, for which there was no foundation, imputed to the Princess of Wales an undue intimacy with John Earl of Bute; and with a practical pun on his name the mob in some of the riots which were common in the first years of his reign showed their belief in the lie by fastening a _jack-boot_ and a petticoat together and feeding a bonfire with them.]

[Footnote 3: One article in the late treaty of peace had stipulated for the demolition of Dunkirk.]

_HIS "CASTLE OF OTRANTO"--BISHOP PERCY'S COLLECTION OF OLD BALLADS._

TO THE REV. WILLIAM COLE.

STRAWBERRY HILL, _March_ 9, 1765.

Dear Sir,--I had time to write but a short note with the "Castle of Otranto," as your messenger called on me at four o'clock, as I was going to dine abroad. Your partiality to me and Strawberry have, I hope, inclined you to excuse the wildness of the story. You will even have found some traits to put you in mind of this place. When you read of the picture quitting its panel, did not you recollect the portrait of Lord Falkland, all in white, in my Gallery? Shall I even confess to you, what was the origin of this romance! I waked one morning, in the beginning of last June, from a dream, of which, all I could recover was, that I had thought myself in an ancient castle (a very natural dream for a head filled like mine with Gothic story), and that on the uppermost banister of a great staircase I saw a gigantic hand in armour. In the evening I sat down, and began to write, without knowing in the least what I intended to say or relate. The work grew on my hands, and I grew fond of it--add, that I was very glad to think of anything, rather than politics. In short, I was so engrossed with my tale, which I completed in less than two months, that one evening, I wrote from the time I had drunk my tea, about six o'clock, till half an hour after one in the morning, when my hand and fingers were so weary, that I could not hold the pen to finish the sentence, but left Matilda and Isabella talking, in the middle of a paragraph. You will laugh at my earnestness; but if I have amused you, by retracing with any fidelity the manners of ancient days, I am content, and give you leave to think me idle as you please....

Lord Ess.e.x's trial is printed with the State Trials. In return for your obliging offer, I can acquaint you with a delightful publication of this winter, "A Collection of Old Ballads and Poetry," in three volumes, many from Pepys's Collection at Cambridge. There were three such published between thirty and forty years ago, but very carelessly, and wanting many in this set: indeed, there were others, of a looser sort, which the present editor [Dr. Percy[1]], who is a clergyman, thought it decent to omit....

[Footnote 1: Dr. Percy, Bishop of Dromore, in Ireland, was the heir male of the ancient Earls of Northumberland, and the t.i.tle of his collection was "Reliques of English Poetry." He was also himself the author of more than one imitation of the old ballads, one of which is mentioned by Johnson in a letter to Mr. Langton: "Dr. Percy has written a long ballad in many _fits_ [fyttes]. It is pretty enough: he has printed and will soon publish it" (Boswell, iii., ann. 1771).]

My bower is determined, but not at all what it is to be. Though I write romances, I cannot tell how to build all that belongs to them. Madame Danois, in the Fairy Tales, used to _tapestry_ them with _jonquils_; but as that furniture will not last above a fortnight in the year, I shall prefer something more huckaback. I have decided that the outside shall be of _treillage_, which, however, I shall not commence, till I have again seen some of old Louis's old-fashioned _Galanteries_ at Versailles. Rosamond's bower, you, and I, and Tom Hearne know, was a labyrinth: but as my territory will admit of a very short clew, I lay aside all thoughts of a mazy habitation: though a bower is very different from an arbour, and must have more chambers than one. In short, I both know, and don't know what it should be. I am almost afraid I must go and read Spenser, and wade through his allegories, and drawling stanzas, to get at a picture. But, good night! you see how one gossips, when one is alone, and at quiet on one's own dunghill!--Well!

it may be trifling; yet it is such trifling as Ambition never is happy enough to know! Ambition orders palaces, but it is Content that chats for a page or two over a bower.

_ILLNESS OF THE KING--FRENCH AND ENGLISH ACTORS AND ACTRESSES: CLAIRON, GARRICK, QUIN, MRS. CLIVE._

TO THE EARL OF HERTFORD.

ARLINGTON STREET, _March_ 26, 1765.

Three weeks are a great while, my dear lord, for me to have been without writing to you; but besides that I have pa.s.sed many days at Strawberry, to cure my cold (which it has done), there has nothing happened worth sending across the sea. Politics have dozed, and common events been fast asleep. Of Guerchy's affair, you probably know more than I do; it is now forgotten. I told him I had absolute proof of his innocence, for I was sure, that if he had offered money for a.s.sa.s.sination, the men who swear against him would have taken it.

The King has been very seriously ill, and in great danger. I would not alarm you, as there were hopes when he was at the worst. I doubt he is not free yet from his complaint, as the humour fallen on his breast still oppresses him. They talk of his having a levee next week, but he has not appeared in public, and the bills are pa.s.sed by commission; but he rides out. The Royal Family have suffered like us mortals; the Duke of Gloucester has had a fever, but I believe his chief complaint is of a youthful kind. Prince Frederick is thought to be in a deep consumption; and for the Duke of c.u.mberland, next post will probably certify you of his death, as he is relapsed, and there are no hopes of him. He fell into his lethargy again, and when they waked him, he said he did not know whether he could call himself obliged to them.

I dined two days ago at Monsieur de Guerchy's, with the Count de Caraman, who brought me your letter. He seems a very agreeable man, and you may be sure, for your sake, and Madame de Mirepoix's, no civilities in my power shall be wanting. I have not yet seen Schouvaloff,[1] about whom one has more curiosity--it is an opportunity of gratifying that pa.s.sion which one can so seldom do in personages of his historic nature, especially remote foreigners. I wish M. de Caraman had brought the "Siege of Calais," which he tells me is printed, though your account has a little abated my impatience. They tell us the French comedians are to act at Calais this summer--is it possible they can be so absurd, or think us so absurd as to go thither, if we would not go further? I remember, at Rheims, they believed that English ladies went to Calais to drink champagne--is this the suite of that belief? I was mightily pleased with the Duc de Choiseul's answer to the Clairon;[2] but when I hear of the French admiration of Garrick, it takes off something of my wonder at the prodigious adoration of him at home. I never could conceive the marvellous merit of repeating the works of others in one's own language with propriety, however well delivered. Shakespeare is not more admired for writing his plays, than Garrick for acting them. I think him a very good and very various player--but several have pleased me more, though I allow not in so many parts. Quin[3] in Falstaff, was as excellent as Garrick[4] in Lear. Old Johnson far more natural in everything he attempted. Mrs. Porter and your Dumesnil surpa.s.sed him in pa.s.sionate tragedy; Cibber and O'Brien were what Garrick could never reach, c.o.xcombs, and men of fashion. Mrs. Clive is at least as perfect in low comedy--and yet to me, Ranger was the part that suited Garrick the best of all he ever performed. He was a poor Lothario, a ridiculous Oth.e.l.lo, inferior to Quin in Sir John Brute and Macbeth, and to Cibber in Bayes, and a woful Lord Hastings and Lord Townley. Indeed, his Bayes was original, but not the true part: Cibber was the burlesque of a great poet, as the part was designed, but Garrick made it a Garretteer. The town did not like him in Hotspur, and yet I don't know whether he did not succeed in it beyond all the rest. Sir Charles Williams and Lord Holland thought so too, and they were no bad judges. I am impatient to see the Clairon, and certainly will, as I have promised, though I have not fixed my day. But do you know you alarm me! There was a time when I was a match for Madame de Mirepoix at pharaoh, to any hour of the night, and I believe did play with her five nights in a week till three and four in the morning--but till eleven o'clock to-morrow morning--Oh! that is a little too much, even at loo. Besides, I shall not go to Paris for pharaoh--if I play all night, how shall I see everything all day?

[Footnote 1: Schouvaloff was notorious as a favourite of the Empress Catharine.]

[Footnote 2: Mdlle. Clairon had been for some years the most admired tragic actress in France. In that age actors and actresses in France were exposed to singular insults. M. Lacroix, in his "France in the Eighteenth Century," tells us: "They were considered as inferior beings in the social scale; excommunicated by the Church, and banished from society, they were compelled to endure all the humiliations and affronts which the public chose to inflict on them in the theatre; and, if any of them had the courage to make head against the storm, and to resist the violence and cruelty of the pit, they were sent to prison, and not released but on condition of apologising to the tyrants who had so cruelly insulted them. Many had a sufficient sense of their own dignity to withdraw themselves from this odious despotism after having been in prison in Fort l'Evecque, their ordinary place of confinement, by the order of the gentlemen of the chamber or the lieutenant of police; and it was in this way that Mdlle. Clairon bade farewell to the Comedie Francaise and gave up acting in 1765, when at the very height of her talent, and in the middle of her greatest dramatic triumphs." The incident here alluded to by Walpole was that "a critic named Freron had libelled her in a journal to which he contributed; and, as she could not obtain justice, she applied to the Duc de Choiseul, the Prime Minister.

Even he was unable to put her in the way of obtaining redress, and sought to pacify her by comparing her position to his own. 'I am,' said he, 'mademoiselle, like yourself, a public performer; with this difference in your favour, that you choose what parts you please, and are sure to be crowned with the applause of the public; for I reckon as nothing the bad taste of one or two wretched individuals who have the misfortune of not adoring you. I, on the other hand, am obliged to act the parts imposed on me by necessity. I am sure to please n.o.body; I am satirised, criticised, libelled, hissed; yet I continue to do my best.

Let us both, then, sacrifice our little resentments and enmities to the public service, and serve our country, each in our own station. Besides, the Queen has condescended to forgive Freron, and you may therefore, without compromising your dignity, imitate Her Majesty's clemency'"

("Mem. de Bachaumont," i. 61). But Mdlle. was not to be pacified, nor to be persuaded to expose herself to a repet.i.tion of insult; but, though only forty-one, she retired from the stage for ever.]

[Footnote 3: Quin was employed by the Princess of Wales to teach her son elocution, and when he heard how generally his young sovereign was praised for the grace and dignity of his delivery of his speech to his Parliament, he boasted, "Ah, it was I taught the boy to speak."]

[Footnote 4: Garrick was not only a great actor, but also a great reformer of the stage. He seems to have excelled equally both in tragedy and comedy, which makes it natural to suppose that in some parts he may have been excelled by other actors; though he had no equal (and perhaps never has had) in both lines. He was also himself the author of several farces of more than average merit.]

Lady Sophia Thomas has received the Baume de vie, for which she gives you a thousand thanks, and I ten thousand.

We are extremely amused with the wonderful histories of your hyena[1] in the Gevaudan; but our fox-hunters despise you: it is exactly the enchanted monster of old romances. If I had known its history a few months ago, I believe it would have appeared in the "Castle of Otranto,"--the success of which has, at last, brought me to own it, though the wildness of it made me terribly afraid; but it was comfortable to have it please so much, before any mortal suspected the author: indeed, it met with too much honour far, for at first it was universally believed to be Mr. Gray's. As all the first impression is sold, I am hurrying out another, with a new preface, which I will send you.

[Footnote 1: A wolf of enormous size, and, in some respects, irregular conformation, which for a long time ravaged the Gevaudan; it was, soon after the date of this letter, killed, and Mr. Walpole saw it in Paris.]