CHAPTER III: "AMADIS DE GAUL"

There stands a castle on a magic height Whose spell-besetten pathways ye may climb If that ye love fair chivalry sublime.

Come, its enchanted turrets yield the sight, As long ago to demoiselle and knight, Of many a satrapy of ancient rhyme, And in its carven corridors shall Time Display us trophies of a dead delight:

The damascene of armour in the dusk, Shadows of banners torn from infidels, The fragments of an unremembered glory, Fragrant with faint, imperishable musk Of Moorish fantasy. Dissolve, ye spells!

Open, ye portals of Castilian story!

L. S.

Many a cas.e.m.e.nt in the grey castle of Spanish Romance opens upon vistas of fantastic loveliness or gloomy grandeur, but none commands a prospect so brilliant, so infinitely varied, or so rich in the colours of fantasy as that aery embrasure overlooking the region of marvel and high chivalry where is enacted the gallant and glorious history of Amadis de Gaul. The window of which I speak is perched high in a turret of the venerable fortalice, and displays such a landscape as was dear to the weavers of ancient tapestries or the legend-loving painters of old Florence. Beneath is spread a princely domain of n.o.ble meadow-land, crossed and interlaced by the serpent-silver of narrow rivers and rising northward to dim, castellated hills. Far beyond these, remote and seeming more of sky than of earth, soar the blue and jagged peaks of dragon-haunted mountains. This scene of almost supernatural beauty presents, at the first glance, an unbroken richness of colour and radiance. The meadow-land is populous with pavilions and the air is painted with pennons and gilded with the blazonry of banners. The glitter of armour thrills the blood like the challenge of martial music. Strange palaces of marble, white as sculptured ice, rise at the verges of magic forests, or glitter on the edges of the promontories, their gardens and terraces sloping to silent and forlorn beaches. The scene is indeed "Beautiful as a wreck of Paradise."

Such seems the book of Amadis when first we glance through its rainbow-coloured pages. But when we gain a nearer view by the aid of the romancer's magical gla.s.s we find that the radiant scene is deeply shadowed in places. Ravines profound as night lie near the castled hills, in which all manner of noxious things swarm and multiply. The princely fortresses, the gay palaces, are often the haunts of desperate outlaws or malignant sorcerers. Hideous giants dwell in the mountains, or in the shadowy islands which rise from the pale sea, and dragons have their lairs in fell and forest. But whether it breed light or gloom, the atmosphere of Amadis is suffused with such a glamour that we come to love the darker places; we feel that the horror they hold is but the stronger wine of romance, a vintage which intoxicates.

And if we remain at our point of vantage until nightfall and watch the illumination of this wondrous region by the necromancy of moonshine we shall be granted an even more inspiring draught from the strange chalice of romance. In the mystery of moonlight armour is silvered to an unearthly whiteness, blood-red lights gleam from the turrets of the magicians, and the sylph-like shapes of sorceresses flit from sea to forest like living moonbeams. From the deserts between the hills and the distant mountains come the cries of ravening monsters, and all the fantastic world of Faery is vivid with life.

What marvel then that when this surpa.s.sing picture was unveiled to the eyes of a nation of knights it aroused such a fervour of applause and appreciation as has been granted to few works in the history of literary effort? The author of Amadis displayed to the chivalry of Spain such a world as it had dreamed of. Every knight felt himself a possible Amadis and every damsel deemed herself an Oriana. The philosophy and atmosphere of the book took complete possession of the soul of Spain, banishing grosser ideals and introducing a new code of manners and sentiment. The main plot and the manifold incidents which arise from it were coherently and skilfully arranged, and were not made up of isolated and disconnected accounts of combats, or tedious descriptions of apparel, appointments, or architecture, interspersed with the boastful bellowings of rude paladins or vociferous kings, as the 'plots' of the cantares de gesta had been. Moreover, the whole was powerfully infused with the love-philosophy of chivalry, in which woman, instead of being the chattel and plaything of man, found herself exalted to heights of worship, and even of omnipotence, undreamed of by the ruder singers of the cantares.

Origin of the "Amadis" Romances

The first Peninsular version of Amadis appeared in a Portuguese dress, and was the work of a Lusitanian knight, Joham de Lobeira (1261-1325), who was born at Porto, fought at Aljubarrota, where he was knighted upon the field by King Joham of happy memory, and died at Elvas. But Southey's protestations notwithstanding, everything points to France as being the original home of the romance, and there is even a reference in Portuguese literature to the circ.u.mstance that a certain Pedro de Lobeira translated Amadis from the French by order of the Infante Dom Pedro, son of Joham I. The original French tale has vanished without leaving a trace that it ever existed, save in the Peninsular versions to which it gave birth, and we are no more fortunate as regards the Portuguese rendering. A ma.n.u.script copy of Lobeira's romance was known to exist at the close of the sixteenth century in the archives of the Dukes of Arveiro at Lisbon, and appears to have been extant as late as 1750. After that period, however, it disappears from the sight of the bibliophile, and all the evidence points to its having been destroyed at the earthquake at Lisbon in 1755, along with the ducal palace in which it was housed.

Its fame, as well as its matter, was, however, kept alive by the Spanish version, and if we must regard Portugal as the original home of Amadis in the Peninsula, it is to the genius of Castile that we owe not only its preservation, but its possible improvement. At some time between 1492 and 1508 Garcia Ordonez de Montalvo, governor of the city of Medina del Campo, addressed himself to the task of its translation and adaptation. At what precise date it was first printed is obscure. Early copies are lacking, but we learn that the Spanish conquerors of Mexico remarked upon the resemblance of that city to the places of enchantment spoken of in Amadis. This occurred in 1519, not 1549, as stated by Southey. They may, perhaps, have referred to the Portuguese version, but in any case an edition of Amadis is known to have been published in that year, and another at Seville in 1547. Reference has already been made to the numerous translations of the romance in all languages, and to the equally manifold continuations of it by several hands, but it is necessary to remark that only the first four books of Amadis--that is, those which const.i.tute the Amadis proper--were written by Montalvo, the remainder being the independent and original work of imitators. [35]

Elisena and Perion

The action of the romance begins at an obscure and indefinite period, described as following almost immediately upon the death of our Redeemer, at which time, we are told, there flourished in Brittany a Christian king named Garinter, who was blessed with two lovely daughters. The elder, known as 'the Lady of the Garland,' because of her fondness for wearing a coronel of flowers, had some years before the period of the story's commencement been wed to King Languines (Angus) of Scotland, and had two beautiful children, Agrayes and Mabilia. Elisena, the younger daughter, was famed for her beauty throughout the lands of Christendom, but though many powerful monarchs and princes had asked her hand in marriage, she would wed with none, but gave herself up to a life of holiness and good works. In the opinion of all the knights and ladies of her father's realm, one so fair grievously transgressed the laws of love by remaining single, and it came to pa.s.s that the beautiful and saintly Elisena earned from the more worldly of her gay critics the name of 'the Lost Devotee.'

If Elisena was devoted to a life of austerity her royal father was equally partial to the pleasures of the chase, and spent much of his time in the green forest-land which occupied the greater part of Lesser Britain in those remote days. On one of those occasions, as he rode unattended in the greenwood, as was his wont, he chanced to hear the clash of arms, and, riding to a clearing whence came the sounds of combat, he saw two knights of Brittany attacking an armed stranger, whom he guessed by his armour and bearing to be a person of rank and distinction, and who bore himself with such courage and address that he succeeded in slaying both his opponents.

As the stranger was in the act of sheathing his weapon he observed Garinter, and rode forward to meet him, saluting him with a courteous mien. He complained that in a Christian country an errant knight did not expect such treatment from its inhabitants as had been meted out to him, to which the King sagely replied that in all countries evilly disposed people were to be found as well as good folk, and that the slain knights had been traitors to their liege lord and well deserved their fate.

The stranger then proffered the information that he sought the King of Brittany with tidings of a friend, and on learning this Garinter revealed his ident.i.ty. The knight then informed him that he was King Perion of Gaul, who had long desired his friendship. Garinter insisted that his brother monarch should accompany him to his palace, and Perion consenting, they turned their horses' heads toward the city.

Arrived at the palace, they sat down to a rich banquet, which was graced by the Queen and the Princess Elisena. No sooner did Elisena and Perion behold one another than they knew that a great and deathless love had sprung up between them. When the Queen and Princess had risen from the banquet Elisena divulged her love for Perion to her damsel and confidante, Darioleta, and asked her to discover whether the King of Gaul had pledged his troth to any other lady. Darioleta, who was not easily abashed, went straight to Perion, who avowed his love for Elisena in pa.s.sionate terms and promised to take her to wife. He begged the damsel to bring him to where Elisena was, that he might have the happiness of expressing his love in person, and she returned to the Princess with his message. So impatient was Elisena to hear from Perion's own lips that he loved her, that, recking not of time or tide, she sought the apartment in which he was lodged, where she remained until dawn, detained by his protestations of affection and her own devotion to the n.o.ble and knightly monarch who had so suddenly made her regard her former mode of life as savourless and melancholy.

Ten days did Perion sojourn at the Court of Garinter. At the end of that time it became necessary that he should depart, but before he took his leave he plighted his troth to Elisena, and left her one of two duplicate rings he wore, as a pledge of his faith. Search as he might, however, he failed to find his good sword, a tried and trusty weapon, and at last was forced to abandon the search for it.

The Birth and Casting Away of Amadis

When her lover had gone Elisena was plunged in the deepest grief, and all the comfort which Darioleta could bestow upon her failed to rouse her from the lethargy of sorrow into which she had fallen. In her father's kingdom, as in modern Scotland, an old law existed which provided that if two persons solemnly took each other in marriage by oath no further ceremony was necessary to render the union legal, although it was usual to have it ratified later by both Church and law. Perion and Elisena had taken these vows upon themselves, but the Princess dreaded the wrath of her father, whom the lovers had not consulted, and when a little son was born to her she was in great fear of the consequences, for she knew her father to be both proud and hasty and p.r.o.ne to act before he learned the truth of a matter. The worldly and quick-witted Darioleta had, however, no scruples regarding the manner in which she resolved to save her mistress and herself from the King's wrath, and despite the protestations of Elisena, who in her weakness was unable to restrain her, she built a little ark of wood, made it water-tight with pitch, and, regardless of the tears and lamentations of her mistress, placed the new-born baby boy therein with Perion's sword, which she had abstracted from his sleeping-chamber. Then she wrote upon a piece of parchment, "This is Amadis, son of a king," covered the writing with wax so that it might be preserved from obliteration, and, securing it to the betrothal ring which Perion had given to Elisena, fastened it by a silken cord round the infant's neck. Then with the utmost caution, lest any one should observe her action, she carried the tiny vessel to the river which ran at the foot of the palace garden and launched it upon the swift, deep waters.

The little ark was rapidly carried out to sea, which was not more than half a league distant, and it had scarcely emerged upon the tossing billows when it was sighted by the mariners of a Scottish vessel which bore a Caledonian knight, Gandales, back from Gaul to his home in the North. At his orders the sailors launched a boat, and having secured the tiny vessel, brought it to the ship, when the wife of Gandales, delighted with the beauty of the infant it held, decided to adopt him as her own. In a few days the vessel put into the Scottish port of Antalia, [36] and Gandales carried the little Amadis to his castle, where he brought him up with his own son, Gandalin.

Some years afterward, when Amadis was about five years old, Languines, the King of Scotland, and his Queen, 'the Lady of the Garland,' and sister to Elisena, paid a visit to the castle of Gandales, and were so greatly attracted by the child's grace and beauty that they expressed a desire to adopt him as their own. Gandales acquainted them with what he knew of Amadis's history, and the royal pair promised to regard him as their own son. Amadis, because of the circ.u.mstances of his strange discovery, was known to every one as 'the Child of the Sea,' and indeed this mysterious and poetic name cleaved to him until his ident.i.ty had been proven beyond cavil. He showed no reluctance to accompany his new guardians, although he was grieved at having to part with his first foster-parents, but the little Gandalin would in no wise be separated from him, and begged so hard to be permitted to share his fortunes that at last King Languines took both the boys under his protection.

Perion's Dream

Let us return to King Perion. Occupied once more with the affairs of his kingdom, he still knew great heaviness of spirit because of a dream that he had had while at the Court of Garinter. It seemed to him in his dream that some one entered his sleeping-apartment, thrust a hand through his side, and, taking out his heart, cast it into the river that flowed through King Garinter's garden. Crying out in his anguish, he was answered by a voice that another heart was still left to him. Troubled by memory of the dream, which he could not unriddle, he called together all the wise men of his realm and requested them to attempt its solution. Only one of them could unravel the mystery, and the sage who did so a.s.sured him that the heart which had been abstracted represented a son which a n.o.ble lady had borne him, while the remaining heart symbolized another son who would in some manner be taken away against the will of her who had cast away the first.

As the King left the wise man's presence he encountered a mysterious damsel, who saluted him and said: "Know, King Perion, that when thou recoverest thy loss the kingdom of Ireland shall lose its flower"; and ere the King could detain or question her she had gone.

In course of time King Garinter died, and Perion and Elisena were formally wedded. But when Perion asked his wife if she had borne him a son, so bitterly ashamed was she of the part she had been forced to play in the matter of the child's disappearance that she denied everything. Later, two beautiful children were born to them, a son and a daughter, called Galaor and Melicia. When Galaor was but two and a half years old, the King and Queen, at that time sojourning at a town called Banzil, near the sea, were walking in the gardens of the palace there, when suddenly a monstrous giant rose out of the waves and, catching up the little Galaor, made off with him before anyone could prevent him.

The monster, dashing into the water, clambered on board a ship and put out to sea, crying out joyfully, as he did so: "The damsel told me true!" The parents were deeply afflicted at the loss of their son, and in her grief Elisena admitted the casting away of Amadis. Then Perion knew that what the wise man had told him regarding the loss of the two hearts was the truth indeed.

Now the giant who had stolen the little Galaor was not of the race of evil monsters, but was generous in disposition and gentle in demeanour. Indeed, he took as much care of the child as if he had been one of his own gigantic brood. He was a native of Lyonesse, was known as Gandalue, and was the master of two castles in an island of the sea. He had peopled this island with Christian folk, and gave the little Galaor into the keeping of a holy hermit, with strict orders to educate him as a brave and loyal knight. He told the hermit that a damsel--the same who had addressed King Perion so strangely, and who was a powerful sorceress--had a.s.sured him that only a son of Perion could conquer his lifelong and ruthless enemy, the giant Albadan, [37] who had slain his father, and had taken from him the rock Galtares. And so Galaor was left in the care of the hermit.

Oriana

About this time King Lisuarte of Britain chanced to put into a port of Scotland, where he was honourably received by King Languines. With Lisuarte was his wife Brisena, and his beautiful little daughter Oriana, the fairest creature in the world. And because she suffered so much at sea, her parents decided to leave her for a s.p.a.ce at the Court of Scotland. Amadis was now twelve years old, but seemed fifteen, so tall and hardy was he, and the Queen bestowed him upon Oriana for her service. Oriana said that 'it pleased her,' and Amadis cherished those words in his heart, so that they never faded from his memory. But he knew not that Oriana loved him, and was greatly in awe of the lovely and serious little maiden of ten, for whom he conceived a high and n.o.ble affection. Very beautiful was the silent love of these children for one another. But silent it remained, for Amadis was fearful of presumption and Oriana the most modest of little damsels.

High thoughts of chivalry now began to stir in the heart of Amadis, so that at last he requested King Languines to grant him the boon of knighthood. Languines was greatly surprised that a mere boy should crave such a heavy burden of honour, but approved his desire, and gave orders that arms should be made for him. He sent to Gandales, the knight who had found Amadis in the sea, acquainting him with the lad's purpose, and Gandales dispatched a messenger to Court with the sword, ring, and parchment which he had found in the ark along with the sea-borne baby. [38]

These things were delivered to Amadis as belonging to him, and when he showed them to Oriana she begged for the wax that contained the parchment, not knowing it held anything of moment, and accordingly he gave it to her. Shortly after this King Perion arrived on a visit to Languines, to ask his help against King Abies of Ireland, who had invaded Gaul with all the force of his kingdom. Amadis, knowing Perion's great reputation as a warrior, much desired to be knighted by his hand, and asked the Queen to crave the boon on his behalf. But she seemed sad and distraught, and heeded him not. He inquired of Oriana the cause of the Queen's sadness, and she replied: "Child of the Sea, this is the first thing ye ever asked of me."

"Ah, lady," replied Amadis, "I am not worthy to ask anything from such as you."

"What?" she exclaimed. "Is then your heart so feeble?"

"Aye, lady," he replied, "in all things toward you, save that it would serve you like one who is not his own, but yours."

"Mine!" said Oriana, mystified; "since when?"

"Since 'it pleased you,'" replied Amadis, with a smile. "Do you not remember your words when the Queen offered me for your service?"

"I am well pleased that it should be so," said Oriana shyly, and beholding Amadis much overcome at her gracious answer, she slipped away to ask the Queen the cause of her sorrow.

The Queen told her that she was deeply distressed because of her sister Elisena, whose kingdom had been invaded, and, returning to Amadis, Oriana explained to him why his royal mistress had left his appeals unanswered. Amadis at once expressed a desire to proceed to Gaul to fight against the Irish invaders, and Oriana applauded his intention. "You shall go to the wars as my knight," she said, simply but graciously. Amadis kissed her hand, and requested her to ask the Princess Mabilia, Perion's daughter (and Amadis's sister) to bring it about that her father should confer the honour of knighthood upon him. The little damsel readily consented to do so, and King Perion joyfully acquiesced in the young man's eager desire to embrace the profession of arms. So, asking him to kneel, he bestowed upon him the accolade, fastened the knightly spurs upon his heels, and girded the sword to his side.