"This wake, how do you see it? With those glasses?"

"Indeed, sir. My spectacles make the network of the mythlines that covers this country visible to the eye."

"To any eye?"

"To any eye, though there is a certain knack to the interpretation of what one sees."

"Would I, for example, be capable of using them? Could I use them to see where my daughter is?"

"I can see no intrinsic objection, but I would be loath for you ..."

"Would you look again, just to be certain she hasn't set off cross-country?"

"I am fairly confident, sir, that she has followed the road."

"It would bring me great peace of mind if you were to just check ..."

"Very well, sir." Caldwell turned around in his seat to watch Tiresias unfold the spectacles. The old man breathed on the lenses, burnished them with the soft vellum wrapping. Glancing into my rearview mirror I glimpsed ribbons and streamers of light shining deep within the glass.

And Caldwell struck. Quick as a snake! He had the glasses out of Tiresias's hand and onto his face before the old tramp could react.

With a wordless roar, Gonzaga lunged across the back of the seat and seized. Caldwell by the lapels of his coat. Caldwell emitted a long, peculiar wail and fell forward, head hitting the wooden trim of the glove compartment with a fearsome knock. As he fell forward, Gonzaga was pulled in almost on top of me. The steering wheel spun out of my hands. I groped for the wheel, the hand brake, anything, as the car slewed across the road. I saw hedgerows loom before me in the twin beams of the headlights, and then somehow, the car was at a standstill across the middle of the road, front wheels mere inches from the ditch.

All this happened more or less simultaneously.

Tiresias ripped the glasses from Caldwell and replaced them, muttering furiously, "He shouldn't have, he shouldn't have-stupid, foolish human. He wasn't trained, didn't know, didn't have the gift ..."

I keep a small bottle of brandy in the glove compartment. Thinking it might be of some help, I rolled Caldwell back; even in the dark I could see the bruise purpling on his forehead. His mouth and eyes were ominously open. When I shone the map-reading torch in his face he gave ululating cry that froze me to the pith of my being.

"Too bright! Too bright!" he moaned. "The light, the light!"

Gonzaga spoke hurriedly, hushedly, with Tiresias.

"We must get him to a safe place, quickly," Tiresias translated. I ventured a hospital. "No, not a hospital. They cannot treat his affliction."

"What is his affliction?"

"Seeing too much."

"Of what?"

"The mythlines, sir. He saw them all, all at once, and it was too much for him to comprehend. He should be taken to a safe place at once."

Caldwell was moved to the backseat where Tiresias bandaged his eyes with a questionable handkerchief, in the front seat, Gonzaga passed untranslatable comments on my driving.

"When will he recover? Will he recover?"

"I cannot say, sir. This is unprecedented. In theory, he should readjust to the vision of this world, but I am at a loss to say how long it might take."

"Hours? Days?"

"As I said, sir, I am at a loss."

We arrived in Mullingar and beat on the door of the County Hotel until an understandably ill-tempered manager came down to admit us. He was not at all happy at the presence of two ostensible tramps sullying the period decor of his establishment, but after monetary inducement of a proportion that even the piratical proprietor of the Munster Arms Hotel would have baulked at, he conceded us a room on the front overlooking the street. I ordered tea, and while we waited rebandaged Caldwell's eyes with more appropriate material from the car first-aid kit. Even the slightest leak of light through his tightly closed eyes seemed to cause him agony. When the tea came, Gonzaga tasted it, squawked in disgust, and emptied the lot down the wash-hand basin. Producing a small canister from the military-style bandolier slung around his shoulders, he proceeded to prepare a new batch from the hot water the hotel had provided.

Lapsang souchong. Like drinking a cup of liquid smoke. Never tasted finer.

17.

AN ALMOST OPERATICALLY FLAMBOYANT sunset was drawing toward its finale over the Atlantic Ocean as they reached the top of the long glide down into Sligo. They had stolen the two black sit-up-and-beg bicycles from outside a pub in County Roscommon that morning; now, beneath swathes of crimson, ochre, and Imperial purple, they freewheeled down into the darkening town. The day's exertions had left Jessica exhausted but exultant. They pedalled through the street as one by one the lights came on. From the bars came the yellow shine of the fellowship of pint and voices joined in amiable argument; the more restrained, intimate glow of fire and wireless came from the houses. Above them, flocks of small birds-starlings, sparrows, finches-stormed and swooped. Jessica felt no guiding intelligence from them-they merely obeyed the laws of the masses. That other flock she had not seen or sensed since it had risen up before them when they had left the hay barn.

Damian announced it would be pointless to press on any farther that day. He would find them a place to spend the night in the town, and in the morning they would go up into the hills to join his friends. He forced the lock of a small Church of Ireland chapel skulking in the shadow of the grandiose Catholic basilica. The rusted metal gave easily, and they were inside. Jessica was still breathless from the blasphemy of it.

"Can you think of a safer place to kip?" Damian asked.

They walked up the aisle between the rows of pews. The streetlights shining through the stained glass windows cast a hue that might have been mistaken for divine blessing over them. Damian opened a box pew, lifted carpet seating and hassock.

"You Prods like your creature comforts." He made Jessica a bed from kneelers scavenged from before the altar rails.

"You have a sleep here and I'll go out and see what I can find to eat."

"You think I'm going to sleep on my own in this place? Damian? Damian?" He had already slipped away through the vestry door. Jessica squatted on her heels and pulled her knees close to her chest. A stray draft of wind stirred the dried petals of last year's poppy wreath beneath the war memorial. She counted the names of the war dead, the number of organ pipes, the number of tiles in the chancel, the number of cherubs on the stained glass windows. Changeless and incorruptible in their wall tombs, the Anglican dead of Sligo slept profoundly encased within Connemara marble while Jessica Caldwell made up rebuses and magic squares from the numbers on the hymn boards.

Damian returned with a pile of sandwiches wrapped in grease-proof paper and a bottle of communion wine.

"'Alto Vino.'" He peered at the label under the wan streetlight. "'Prinknash 1932.'" He took a slug from the bottle. "Rough, but it does the job."

"That's blasphemy. That's communion wine you're swigging."

"It's not the blood of Christ until it's consecrated. Even then, it isn't-not Prod communion wine. It's just fermented grape juice." Jessica peeled back the bread from her sandwiches and grimaced.

"Cucumber. God, I hate cucumber." Damian passed the Alto Vino Prinknash 1932. When they had finished, she lay on her impromptu bed under the Army greatcoat smoking a Woodbine and watching the occasional swing and play of car headlights through the north transept window.

"Damian, why do you never tell me about yourself?"

"It wouldn't be safe for you to know."

A silence.

"Frig you, Damian Gorman."

A silence. When Damian spoke, his voice was as hushed and intimate as a devotion.

"I was fourteen when my brother Michael was captured by the Free Staters. He had been set up, no doubt about it; someone had informed on him. They were waiting for him as he came out of the Beaten Docket Bar on D'Olier Street. February 1923. In one pocket he had a German automatic and three clips of ammunition; in the other, a British Mills bomb. Unlawful possession of a firearm was enough to get you hanged, in those days. Cosgrave and his Clann na Poblacht bully boys had no mercy. Under the British, we expected no better, but these were our own countrymen-men who had fought side by side with us in the G.P.O. and Stephen's Green and in the roads and lanes of West Cork and Tipperary. There was a trial, if you could call it that-the judge had the rope weighed and measured the moment Michael came into the dock. We appealed. It dragged on for two years; two years waiting to hear if the Justice Minister had granted clemency.

"Then we got a note in the post one morning, just a postcard, saying that Michael had been hanged by the neck until dead at dawn that morning in Mountjoy Prison. Just a postcard. 'The Ministry of Justice informs you...' Jesus!

"The same day, I joined up. I knew all the contacts through Michael. The Brigade Commander said I was young, but motivated. My mother disowned me; my father, I knew, was proud-proud that I was continuing the fight, that Michael had not died in vain. But he couldn't say anything, not against my mother.

"They gave me a gun-this same gun I still carry with me." Metal clicked where he tapped the black Webley. "It wasn't long before I was assigned to an Active Service Unit. I was thrilled. It was a chance for me to strike back at the traitors who had sold the martyrs of 1916 short." He broke into song, voice high and uncertain, to the tune of "The Red River Valley": Take it down from the mast, Irish traitors, The flag of Republicans claim, It can never belong to Free Staters, You've brought on it nothing but shame.

"You know that song?"

Jessica shook her head, then remembered Damian could not see her. But the no was communicated. The red coal of his Woodbine weaved in the dark.

"My mission was Statues and Symbols. We couldn't carry the fight to the British, but we could carry it to the symbols of British Imperialism-crowns, lions, and unicorns. Queen Victorias, Good King Billys. My first assignment was painting out the initials of the British monarchs on the Free State postboxes. E VII R, G V R. We covered every post box in Dublin with good green paint. Because the unit commander was pleased with the way I did that, he graduated me to statues. Two pounds of dynamite up Queen Victoria's ass sure made the old bitch come like she'd never done with Prince Albert. She certainly was not amused at that. Remember when Good King Billy outside Trinity College got blown up? It was me did that."

"Now I do know a song about that," Jessica said.

Good King Billy had a ten-foot willy, And he showed it to the lady next door.

She thought it was a snake and hit it with a rake, And now it's only five foot four.

"It was a lot shorter than that when I'd finished with him," Damian said. Jessica would have guffawed, but that Damian regarded his work with such seriousness.

"At seventeen I was promoted to the Enforcement Division-the youngest ever. The Republican movement's greatest enemy has always been the whispered word and the tinkling purse. That they trained me to deal with-a bomb through the window, a barn burning, a body left by the side of the road with a note pinned to the chest, Informers Beware. But then the IRA started to become its own worst enemy, and all the things I had grown up believing were as true as the Earth was round and there was a God in heaven were all thrown up into the air. Instead of Irish Republic One Two Three, suddenly there's one lot wanting to carry the war into England and fight the ancestral enemy on its own soil, and another wants to force the Free State into invading the six counties of British Occupied Ireland and there's a third lot want to reorganise the whole shebang into some Socialist Communist fifth column and turn Ireland into a revolutionary Bolshevist State. What happened, says I, to Mother Ireland, Sweet Caitlin Ni Houlihan and her Four Green Fields, what about the old-fashioned, pure-and-simple Republicanism they died for in 1916?

"Then, in the midst of the confusion, it was as if I had seen a great light, like the Apostle Paul on the Damascus Road, and I knew that I had been called to keep republicanism pure and holy, without taint or alloy. Me and those few flame-keepers, grail-searchers-a holy few.

"We used the old ways because the old ways have always been the best ways-the ways that drive terror like a spike into the heart of a man. You hear a knock on your door in the wee, wee hours. You come downstairs to find your baby daughter's dress nailed to the gate. You find a pot of stew simmering on the stove and when you peek inside, you see your dog's head. Terror. Terror. The holy fear of God. The only way to keep a man pure and right."

Jessica looked at his profile against the saint-light of the glass windows, saw the glowing coal of the cigarette tip trace its hieroglyphs, saw the smoke breath from his lips.

"There was a lad, from Clones town in County Monaghan. He'd been out in 1921 but he'd gone soft, taken up Socialist notions. Communist ideas. We'd had a good organisation up there in the border counties. Once. He ran a dance hall up in Clones, free admission, as long as you were prepared to listen to a bit of Socialist epilogue before the last waltz and sing the Internationale. We'd warned him about corrupting the minds of the young people. It was his own damn fault, he brought it on himself. He should have listened. We torched the place one Sunday night; mighty fine blaze it made, too. How were we to know he was inside unpacking a new consignment of pamphlets from the international Socialist movement? It wasn't our fault; he'd been warned. He should have listened. He should have."

The Anglican dead of Sligo looked down from their marble mausoleums without judgement or rancour, white and hard and passionless as angels. A moon rose behind the east window, filling the glass with ghosts. The cigarette, burned down almost to a nub, fell from Damian's fingers to the tiled floor. Trapped in a web of insomnia, Jessica raged at whatever justice decreed that those with the conscience of a killer should sleep like alabaster saints while she tossed and turned, dancing with the moonlit knight.

A clock struck one. All of Sligo was asleep save her. The clock struck the half hour; two. She could hear the visions, wings beating against the roof and walls of the church like chimeras, calling her out. The clock struck a quarter to three. An idle corner of her mind wondered if the clocks chime when there is no one awake to hear them, and the tappings and scratchings of the visions were gathered up into music.

The Unending Song, begun with the first syllable of the first human cry of "I Am" that went out across the savannahs of proto-Africa and carried on across all the world, along its tangled mythlines and over its legendary landscapes, to its cities and its wild places, its palaces and prisons, its towers and tenements, its basilicas and brothels; a trickle, a stream, a torrent of voices carrying the past forever forward into the future, forcing its way out of the cracks and crevices of rational confinement: the drone and slur of a hand-cranked hurdy-gurdy, rising, falling, near and far. The music struck assonances and dissonances that summoned Jessica from her pew, across the tiled floor to the vestry, and out the vestry door into the churchyard, where the music was vast and muscular under the stars, as if the strictly Calvinist geometries of the church had created a bubble of harmonic silence. Jessica heard it as a tearing elation, a pagan joy. The music was a living thing, a torrent of silver notes tangled together by their staves into the shape of the dancer. One sure foot after another, Jessica followed in the steps of the dance along the empty streets and laneways, past shuttered shops and parked cars and houses closed up till morning woke them-step-a-jig whirligig arabesque pavane. No illusion now, she could see the music that was leading her in the dance. Silver tendrils, like summer fog flowing low and fast over the cobbles, swirled and eddied around her ankles and the tyres of the parked cars and the street lamps and the telegraph poles. She could not resist the flow had she wanted to. The music drew her to its centre, to a small cobbled court between warehouses close by the cool and mist of the river. There, in the pool of limpid silver, the hurdy-gurdy man waited with his monkey, his arm turning the crank of his instrument for all eternity. Jessica fell to her knees, plunged her wrists into the silver light. The hurdy-gurdy man's fingers moved over the frets. The music boomed and rang from the stone warehouses that encircled the courtyard. A waterfall of luminescence poured from the sound holes of the instrument, and, with the silver light, came images: silver salmon, golden trout, leaping stags with crowned antlers, centaurs, fauns, satyrs, swans, and golden-bristled boars; winged horses, flying carpets, genies like Greek fire in bottles; warriors, thieves, queens, and lovers; minotaurs, dog-headed men, the Anthropophagi whose heads do lie in their chests; mermaids, mandrakes, brass colossi, and elephant-headed gods; bodhisattvahs and bodhidharmas, many-headed and many-armed; the Great White Whale, the Golden Apples of the Sun, the Wild Hunt; virgins and gypsies and fools, knights and dragons, medusae and andromedae; silver swords and singing swords and swords in stones; vampyres and succubi; incubi riding deer, goats, and pike; Venuses in cockleshells. Frankensteins, werewolves, Sherlock Holmeses and Dr. Watsons; Jack the Ripper's bloody knife and giant apes on skyscrapers swatting at biplanes; Quasimodo and the Phantom of the Opera, Flash Gordon in a phallus-shaped rocket ship; Caped Crusaders and Men of Steel; shining silver saucers and man-eating sharks; lurking space monsters and murder-stalked motels: Jessica watched, spellbound, as the Great and Shining Show spilled from the ancient hurdy-gurdy, all the dreams that men have ever dreamed could be-swan-drawn chariots ascending to the moon, gun-metal submersibles powered by the secret energy of the atom. Something inside her was singing-a voice she had never heard before was raised in counterpoint. Beneath her fingers the silver music-stuff assumed substance and texture, became fibrous, dense, for her to mould and shape and weave. The hurdy-gurdy man advanced toward her, eyeless eyes smiling. Jessica felt her fingers, her hands, her entire body, woven into a fabric of imagination that encompassed not merely Sligo but the whole land from East to West, North to South, past to future, beginning to end. The song within her was an agony of unrequited expression as from the hurdy-gurdy handle came new shapes, new imaginings: a plank decorated with human hands, a wheel made of flesh, the rim studded with eyes, a thing shaped like a human lung with a bone beak, a pair of skin-coloured bagpipes walking on legs cut off at the knee, a boat with insect legs and a windmill on its deck. The hurdy-gurdy man loomed over Jessica, let go his music-making to take her face in his hands, turn it upward to gaze into his gazelessness; teeth parted, a smile, a word.

The bullet took him on an upward trajectory half an inch below the orbit of the left eye. One seven-hundredth of a second later the entire anterior quadrant of his skull exploded in a gout of bone, blood, and hair.

As he spun up and away from Jessica, trailing ropes of blood and brain, hands windmilling, spastic, mindless, the second dumdum impacting one-tenth of a second later shattered the hurdy-gurdy into splinters of lacquered marquetry, smashing drones, snapping wires, before entering the body in the region of the lower sternum, passing through trachea and glottis and tearing away cervical vertebrae, spinal cord, and brain stem in a spray of shivered bone and windpipe.

The impact of the two bullets flung the hurdy-gurdy man the length of the small cobbled court, fetching him up against a barrel in a half sprawl that next morning, from the distance of the warehouse offices, would be mistaken for dead drunkenness.

Wreathed in blue smoke, Damian put his gun up. Wary, cautious, he advanced across the blood-spattered cobbles. There was a sudden, darting shriek, a sudden huge shadow thrown across the wall in yellow gaslight. Damian levelled the Webley at the monkey and it was gone, escaped into one of the thousands of ratways of the old warehousing district. Damian reholstered the revolver, snapped the leather flap shut, drew his greatcoat around the black Webley.

The clocks of Sligo struck three fifteen.

Jessica looked up at him from where she knelt with the deep, dark accusation of a mirror; Damian pushed her shoulder.

"Come on. We've got to go. Can't stay here-not now. Come on."

He was halfway to the wooden gates when she said, "Why did you do it?"

"He was dangerous."

"Why did you do it? Why did you... kill him? He had music, nothing but music."

"He was dangerous. He wanted to hurt you. I saw him, bending over you. He would have destroyed you, if I had not destroyed him."

"What are you talking about?" Then: "You heard the music, too, didn't you? Didn't you?"

"I woke in the church and you were gone and then, in the distance, I heard the sound of the hurdy-gurdy and I knew that you were in danger. Come on, we have to go."

"You heard the music, didn't you? The real music, the true music, the music you could see, like water, like a river. You heard it, didn't you? Didn't you?"

"No! Yes! No... Does it matter? Maybe I did hear something-does it matter? We have to go. Come on..."

Jessica rose and joined him by the gate.

"You heard. Why did you kill him?"

"Because he was a danger to you. Because, for all his music, whatever it was I heard, it came from a dark heart. I had to kill him. This isn't the time, the place, for explanations. Later, when we're safe, up in the mountains, in a cabin with a fire and bottle of John Jameson's, that's the time and the place for explanations. Not here. Not now."

They stepped through the doorway in the wooden gate and slipped away along by the river which seemed deep and full and silver and swarming with distant images.

The house was a blackened ruin; gable ends and eyeless windows, ferns cartwheeling from exposed brickwork, purple loosestrife and rosebay willow herb rampant on the mounds of rotted carpet and plasterwork that had once graced gracious rooms. Despite the smell of mould and ashes, Jessica felt a sense of welcome as she stepped cautiously over the charred timbers and smashed slates. A sense of return. A sense of home.

Damian had coaxed a fire to life in the old marble fireplace and was looping strings of Haffner's sausages-God alone knew where he had stolen them-onto sticks to grill over hot coals.

Birds dashed and darted above the roofless house.

"Last night," Jessica said, squatting down beside him on her carpetbag to warm her hands by the fire, "you heard something. What did you hear?"

"What did you hear?"

"Music. More than music. Music that had grown so great that it had stopped being music and become something else-images, legends, gods, heroes, every dream and vision we have ever held precious, poured out into the streets like spilled communion wine. What did you hear?"

"Something."

"That?"

"Not that. Something like that."

"Do you hear it often?"

"Not often. Sometimes. Hearing, and seeing, too. It's like... sometimes, it's like I open my eyes and for a blink, a moment, no more, I am in another place. It's like, for a moment, it is so intense I feel I am on the edge of something tremendous; and then it is gone again. The streets are dirty, the clouds are rolling in again, and it looks like it's going to rain. The angels have departed."