"Did you ever find the ransom money?"

"No. But that would've been easy to hide." Vanderhorn leaned back in his chair again and looked at me through narrowed eyes. "And Ian Powers definitely could have found out about the kidnapping right away," I continued. "Russell's phone records show he called Ian within minutes after he got the first text from Hayley's phone."

"So your theory's that he found out about the kidnapping and jumped in on it? Why? What's Powers's motive?"

That, finally, was a good question. "We believe it has to do with the theft of Brian's father's screenplay."

Vanderhorn's brow knitted. "And the thinking is that this boy, Brian, had some kind of proof that his father's screenplay was stolen and that Ian killed him to keep it from coming out?"

I knew where this was going and I wished there was a way to head him off, but I was stuck. "Yes."

He straightened up in his chair and looked down his nose at me. He'd gotten hold of an actual idea and he was damn proud of it. "Well, if Brian had enough proof to make Ian Powers that nervous, then why did he resort to kidnapping Hayley? Why not just hire a lawyer? With all the potential money in a lawsuit like that, any lawyer would've been glad to take the case on a contingent fee basis."

"That is something we're looking into. Obviously we don't have the answer to that yet-"

"Don't you think you should? Before you start filing murder charges and...whatnot on this man, don't you think you should have that motive nailed down?"

I opened my mouth to answer, but Eric stepped in.

"Actually, Bill, as you know, we don't have to prove motive, and it's very possible we'll never know the whole backstory to this thing. But if the evidence does pan out as Rachel described, I think we have to file the case."

Vanderhorn's expression said he didn't care much for Eric's reasoning. Filing murder charges on a major Hollywood figure like Powers had "campaign fund disaster" written all over it. Vanderhorn would cling to the lack of motive like a man hanging on to a slippery rock at the edge of a waterfall, to avoid losing that kind of support.

Seeing his reaction, Eric added, "We'd certainly file if it were anyone else, Bill. And if we don't, you can expect there'll be victims' rights groups who'll accuse you of playing favorites."

Predictably, the possibility of public backlash was what got Vanderhorn's attention. Hollywood was powerful, but he couldn't win an election if everyone outside of Hollywood hated him. Vanderputz was on the horns of what was, in his world, a true dilemma.

"I want to see those reports. I'll make my decision then."

That concluded the proceedings, and Eric and I headed back to our humble neck of the woods.

"Now I'm praying the evidence doesn't come back to Powers. If I have to keep dealing with crap like that, I'll go postal."

Eric shook his head sadly. "Now you did it. The gods of trial are sure to punish you. The minute you say you don't want it, that's when you get it."

I laughed. "Thanks, Eric, I needed that."

"I wasn't kidding."

"Neither was I." I waved to him and walked back down the hall to my office.

Ten minutes later, I got a call from Bailey.

"Put on your flak vest. We've got Ian's prints and hair in Averly's Mustang and Ian's thumb and index print on the trunk of Brian's car. And we've got Averly's prints on the interior driver's door handle of Brian's car-"

"So how do you see it?" I asked. "Averly drove Brian's car to the airport with Hayley's body in the trunk, and Ian drove Averly's car?"

"Possibly, but here's the best part: Remember that bloodstain on the trunk of Brian's car?"

"Of course."

"Well, it's a mixture of Hayley's and Ian Powers's-"

"Holy shit-"

"Wait, it gets better: that bloodstain is right next to Ian's thumbprint."

I sucked in a lungful of air. "No kidding?" That was one hell of a lot of circumstantial evidence. But it all hinged on the blood. Prints were great, but we'd never be able to say when they got there. Same with Ian's hair. But a mixture of Ian's and Hayley's blood. That was undeniable. Then why was I nervous? Would I feel this way if the defendant was just an Average Joe? Probably not. The thought rankled.

"Right? One hell of a case. But I gotta run. Got to bring the brass up to speed and get them ready for an arrest. I'll have the reports walked over to you so you can start filing."

Bailey sounded stoked, so I didn't want to be a buzzkill and tell her that I wasn't flying solo on this one, that Vanderhorn would make the final call on whether to file-and that his approval was by no means a foregone conclusion. "I'm on it."

Of course, this meant I'd have to go back to Vanderhorn immediately. Two meetings in one day. Talk about cruel and unusual punishment.

43.

I called Eric and gave him the news. His response?

"Told you so." I had a feeling there were a lot more "told you so's" in my near future. "Call me back when you have the reports in hand. I'll set up the meeting with Vanderhorn."

I couldn't sit still, so I went down the hall to see Melia. I had a question for her, and I wanted to ask it in person. I moved back up the hallway and found her chattering excitedly on the phone. When she saw me in the doorway, she quickly said, "Call you later," and hung up.

"Hi, Rachel!"

"Hi, Melia!" Another secretary might've caught the note of sarcasm, but that secretary would not be Melia. "I was just wondering, who've you given my cell phone number to? I just need to know what to expect." I'd deliberately framed the question to assume she'd given out my number in the hope that it'd lull her into admitting it.

"No one." She stared off for a moment, mouth partially open, as she considered the question further. "Nuh-uh, I'm sure I didn't give it out to anyone. Why, is there someone you want me to give it to?"

No nervousness, no embarrassment. She was telling the truth.

"No, not that I can think of right now. But I expect there'll be calls from the press and the tabs if we file the case, and I don't want them to be able to reach me on my cell. You know how much I hate the press-"

"I'd never give your number to the press. Eric told me never to give out deputies' cell phone numbers a long time ago."

Then how did that tabloid reporter, Andrew Chatham, get my cell phone number?

"Uh, excuse me, I have something to deliver to Ms. Knight," said a male voice behind me. I turned to see a uni holding a manila envelope. The reports from Bailey.

I told him I was the one he was looking for and he started to ask me for ID, but Melia interceded.

"It's her."

Why that was sufficient to allay his concern I have no idea, but he handed me the envelope and I thanked him. As I walked back to my office, I noticed it was taped closed. It was unusual to seal reports this way-let alone have them hand-delivered, but this case required extraordinary measures. I reviewed all the reports, just to make sure there were no hidden surprises. I didn't see any, but I was about to go in and do battle with the Meathead, so I decided to call Dorian and make sure there were no caveats to be wary of.

"Dorian, I read everything, but I have to go and sell this case to Vanderhorn. Is there anything I should know that isn't in these reports?"

"Such as?"

"Such as the DNA result on the trunk that shows the mixture between Hayley and Ian. Is that solid? Are there any possible contamination issues the defense can raise? Did anything weird happen during the testing?"

Dorian snorted. "No, nothing 'weird' happened. And I'm not going to make Gelfer write a report saying 'nothing weird' happened, so don't ask."

"Okay, thanks, Dorian-"

"You have to sell this to Vanderhorn? What's he want, a videotape of the guy doing it?"

"You got one?"

She hung up.

I called Eric and braced myself for round two with middleweight chump William Vanderhorn.

Francine raised an eyebrow when Eric and I walked into the anteroom.

"Back again so soon?" She looked at me pointedly. "Already starting, isn't it? Guess I don't need to say it, do I?"

"You already did." I sighed.

We had to wait a little longer this time even though the lights on Francine's telephone indicated he wasn't on the line. My bet was that he just didn't want to see us. The feeling was more than mutual.

When we were finally allowed in, Eric handed him the reports. "It's all here. They've got prints, hair, even blood, tying Ian Powers to these murders."

Vanderhorn took the reports. I could see his eyes moving across the page, but I didn't believe he understood a word. Especially since his lips weren't moving. He set the reports down on his desk and cleared his throat. "Of course, this doesn't resolve the weakness in our proof of motive."

"No," Eric replied.

I silently hoped he wouldn't remind Vanderhorn that we might never know the true motive behind the murders. It was the logical, intelligent-legal-answer. Therefore, it would be entirely unpersuasive for the district attorney of the largest prosecutorial agency in the world.

"I think we should try to come up with more before we put this case into the system," Vanderhorn said. "You know what they say: 'Act in haste, repent at leisure.' What's the harm in taking a little more time?"

I'd never admit it, but I wouldn't have minded waiting. The problem was, it was too late for that. I started to answer, but Eric jumped in first.

"The harm lies in the likelihood that this information won't stay on ice forever. We've already got tabloid reporters running around with checkbooks who have more information than they should-"

"The public will know what we have pretty quick, I agree. But so what? If we explain that we're still investigating, don't you think-"

"It'll calm the waters? No, I don't. But even if it did, that's a minor upside you'll be trading for a much bigger downside. If we let this drag on, important witnesses will have time to cave in and sell their stories-a credibility killer-and some may decide they don't want the limelight and disappear. Others might be...encouraged to take a long vacation."

Eric fixed Vanderhorn with a meaningful look. Heavyweights like Ian Powers could find many ways of suggesting to potential witnesses that it'd be advantageous to get gone for a while. I'm not talking about threats that they might sleep with the fishes. Ian and company didn't need to get that heavy-handed. Simple implied promises of future reward-or threats of future unemployment-would be more than enough.

Eric continued, "But that's not your only problem. You also run the risk of losing Ian Powers to a country that won't extradite. Do you want to be the DA who let another Roman Polanski happen on his watch?"

The reminder of the decades-old rape case involving the famous director-defendant who fled to France to avoid imprisonment set Vanderhorn back in his chair. He shifted to stare out the window, his chin in his hand. Somehow he always managed to look as though he were posing for a photo op.

The wheels turned slowly, but eventually Vanderhorn cranked out a decision in a voice that was filled with regret. "I guess we'll have to file." He handed the reports back to Eric. "But I'm going to assign a second chair."

I usually preferred to work alone, but given the way this case was shaping up, I didn't entirely mind the idea of having a subordinate lawyer to help me with the scut work. I knew of a young deputy who'd be perfect.

"What about Amy Stolnitz?" I asked. "She's been tearing it up in court." Plus, I knew she was champing at the bit to get into Special Trials. If I got her on this case, she'd be a shoo-in.

Vanderhorn didn't even look at me. "I'm assigning Declan Shackner to act as second chair."

I looked at Eric. Who was this?

"I'll fill you in later," he said. "Thanks, Bill. We'll keep you posted."

Vanderhorn gave us both a look of thunder. "Damn right you will. Every day."

Oh, joy.

As we walked back to our wing of the floor, Eric gave me the skinny on Declan Shackner.

"Are you kidding me?" I sputtered under my breath as Eric and I walked into his office. "A baby Grade Two! What the hell good is he going to be to me? He's probably never even done a preliminary hearing on a murder case, let alone a trial this big. What the hell is Vanderhorn thinking?"

Eric gestured for me to keep it down and closed the door, a world-weary expression on his face. "You don't recognize the name?"

"No."

"Shackner, as in Morton Shackner...as in Shackner Productions, one of the biggest independent production companies in the industry. And a good friend and frequent collaborator with-"

"Antonovich and Powers."

Eric nodded. "That's how Vanderhorn's going to appease his Hollywood buddies. Total transparency. He's so fair he's putting one of their own on the case. Shows it's all on the up-and-up."

"So who cares if I get to have a real lawyer for second chair? As long as Vanderhorn looks good."

"He is consistent."

"So's a doorstop."

44.