Amanda had met Israel in Los Angeles, where he'd gone as a member of one of the trading brigades coming up from the southwest. That was early in '44. She'd hired him to accompany her north to Yerba Buena, where she'd hoped to find a more prosperous economy than the one she'd left in the pueblo. In that, she had been disappointed.

Together, Amanda and Israel, who was about thirty now, had built Kent's. It tickled Bart that Amanda approached physical work with an almost masculine directness. He'd watched her split a log for firewood once, and laughed aloud when she raised her palms to her mouth, spit on them, and clamped a grip on the ax-treating him to an arch look because he laughed. He'd assured her he was only laughing because her behavior was such a delightful contrast to the vaporish ways of eastern ladies-including his unlamented wife-who probably would have gone to their graves rather than let anyone see them spit or chop wood.

The mulatto had helped supply the knowledge of carpentry required to put up the tavern. He and Amanda had shared the labor equally. He'd remained her devoted-and free-employee ever since. For no rational reason, Bart distrusted him-an inheritance from his own upbringing, he occasionally admitted to himself.

The crowd was dispersing. Amanda and the clipper captain started up the beach toward the crude buildings that comprised the settlement. Israel and Louis followed.

"Feels good to be on shore again," Bart said.

"Feels good to have you here."

"Reckon we should celebrate with a little music after you're finished for the day."

"Not just with music," she laughed, squeezing his arm.

"Miz Kent already hung up the sign saying we're closed," Israel remarked from a pace behind.

Bart was annoyed at the Negro eavesdropping on private conversation. But Amanda's bubbling voice took the edge off his irritation.

"I'm going to cook you the biggest meal you've had in months. And Louis and I want to hear some songs-"

"Got a new one I think you'll like," he said, taking her arm. He noticed her dark eyes straying to the parcel in his other hand. "But you're more interested in these, aren't you?" He bent to whisper. "There's a price on 'em."

Her eyes brimmed with warmth, and she was only partly teasing when she replied, "You don't have to bargain for that, Bart. You know how much I long for you while you're gone-"

"Still say you couldn't stand me if I was around all the time."

She kept eyeing the parcel. In answer to the unspoken question, he said, "Yes, Kent editions, every one. Three Coopers. A collection of stories by Hawthorne-Mosses from an Old Manse, I think the title is-and a bunch of peculiar-oh, supernatural tales, I guess you'd call them. Written by some fellow named Poe. I didn't care for 'em much. That particular book was secondhand. I was told the public doesn't care for 'em much either."

Amanda's ebullient mood seemed spoiled by the mention of the books. Soon after they had met for the first time, she had spoken candidly about her childhood, who she was and who her father had been. She said she had never imagined her father's firm was still in existence until, by pure chance, she had come across a tattered copy of Headley's Napoleon and his Marshals in Los Angeles.

The book was being sold among other odds and ends by a wagon trader who had passed through the pueblo. It was the twelfth edition of the popular work, published at Boston in 1839 and carrying the words Kent and Son and a design representing a bottle of tea on its title page.

After that very first visit, Bart had brought her Kent books on every trip. Whenever possible, he also brought her answers to questions.

Listening to the story of her early years, he had learned in the bargain how she'd traveled this far west. He had been thunderstruck by the account of what she'd endured, and not a little disturbed by her unpleasant expression when she spoke of the man who had won the family firm from her stepfather in a dice game- Her face had the same grim look now. In New York the past autumn, he had found the answers to some new questions. He wondered whether he should tell her. He disliked seeing the angry streak in her nature assert itself- She didn't leave the choice to him. She quickened her step so they drew ahead of Israel and the boy. They swung past a smith's and walked on toward the oddly quiet Portsmouth Square. Even Brannan's mercantile emporium looked deserted.

Abruptly, Amanda said, "What about Stovall?"

"What about him?"

"Bart, don't string me along. Did you find out everything I wanted to know?"

He sighed. "Most of it."

"Well, then-is Stovall still running Kent and Son?"

"Yes."

She swore as vehemently and violently as any of his able seamen. He finally interrupted. "I don't know where you learned all those words, sweet, but I'm suitably impressed. Now you want to let me finish?"

"I'm sorry, go on."

"Stovall's running the company, but through underlings, not personally-"

"The way you say that, you make it sound like I put you to some terrible chore-"

"I'm out of my depth investigating a muckety-muck like Mr. Hamilton Stovall. Steel's a far cry from shipping, and I got plenty of peculiar stares at the saloons where the newspaper writers hang out-"

"You also got answers, didn't you?"

"Eventually. But those reporter fellows sure as hell wonder why a sea captain's buying them rounds and asking about the third biggest steelmaker in the whole United States."

Amanda seemed not to hear.

"Where is he living?"

"A fancy mansion in New York-he and his wife."

"He's married?"

"He is. The woman's a good deal younger. They have no children."

"I'm not surprised. From what Jared told me, I can't imagine Stovall being interested in a woman-unless she could confer some kind of respectability on him."

"Perhaps that is why he married. He's certainly not the same man you described to me-at least not in public. He's eminently respectable."

"But treating the book company like a stepchild-"

"Not exactly. A couple of clerks told me Kent's is still a popular and successful imprint."

"Which he keeps going solely because it makes money?"

"Why else would he keep it going?"

"My father and my grandfather believed printing books served a useful purpose."

"So it does. It lines Mr. Stovall's pockets."

"I'm talking about educating people. Having a point of view and not being afraid to express it."

"It's my impression Stovall cares very little about the state of the public mind. The clerks said the Kent and Son list is growing less substantial every year. And the house publishes nothing controversial-though come to think of it, I did see a Kent edition of Awful Disclosures."

"I've never heard of it."

"Caused a real stir when it was issued in '36-and discredited soon after. It was written by a girl named Maria Monk. That is, her name's on it-hacks probably prepared the manuscript. Maria claimed to have been a nun. Later it was proved that the closest she got to the Roman faith was a religious home for wayward girls. The whole book's fiction, but it's lip-smacking stuff. Nuns submissive to the carnal will of priests-midnight revels in a Montreal convent-illegitimate babies baptized, then strangled, nine months after the aforesaid revels-"

"That's disgusting."

"But you can't call it controversial. Too many people believe such tales about Catholics."

"Does Stovall?"

"Can't say. But I imagine that if he published the Monk book, he hates the papists-especially all the Irish filling up the eastern cities."

"Did you ask about his politics?"

"Forgot. You know I don't give much of a damn who votes for what. Again, Awful Disclosures would lead me to guess he's a Know-Nothing."

"God!" Amanda seethed. "If my grandfather knew a bigot like that was publishing books under his name-" She was too angry to continue.

"I did discover a couple of things about Stovall's main business," Bart went on. "He's opening up a new mill in Pittsburgh. The railroads are using more steel than he can produce. And he's changed the company name from the Chesapeake Iron Finery to the Stovall Works."

"Did you find out who's actually running Kent and Son?"

He shook his head. "But I know who's general manager of the Stovall Works. One of the boys from the Sun stood me to a schooner of beer after I bought him three. He got to talking pretty freely. He said-"

Bart's hands grew chilly. How he despised the sight of Amanda's lovely face when it was this white, this intense. She got that way whenever she discussed Stovall- They had reached the edge of Portsmouth Square. The stars and stripes snapped in the breeze above the rows of turned earth; the square was Yerba Buena's potato patch.

Bart still hadn't finished his last sentence. In front of the Old Adobe, the town hall, Amanda stopped, blocking his path. "Go on with it, Bart."

"Jesus! You could let me get to your place, at least-"

"Tell me right now!"

"All right. The reporter happened to mention the name of the fellow in charge of the steel operation. It's one of the names you remembered. But you didn't have it quite right-" He hesitated again. "It's not Waltham. It's Walpole."

"Walpole!"

Louis, who had been dawdling behind with Israel, ran to her. "Ma, what's the matter?"

"Nothing-nothing."

"You sounded so mad-"

"You and Israel go on to the tavern-go on!"

The gangling yellow-skinned man drifted up.

"Do like your mama says, Louis." He took the boy's hand and started off. The sight of black skin pressing white made Bart McGill feel slightly unclean. He'd been brought up to loathe that kind of familiarity between the races.

Amanda showed no sign of moving. One hand shielding her eyes from the sun, she was waiting for the rest. He figured he might as well get it over.

"Walpole," he repeated. "The same name as the fellow your cousin shot."

"He's a relative-one of Walpole's sons?"

"He's the same man."

"That-that can't be!"

"Who asked the questions, you or me?"

"But Jared killed Walpole!"

"I know that's what you said. But I'm the one who spent three gold pieces on more beer and two telegraph messages. The Sun reporter contacted a man he knows on a Baltimore paper. The man wired information back the next day. Walpole's old-almost ready to retire. There are employees at the company who've heard him speak of being shot by one of the Kents way back in fourteen or fifteen-whenever it was that Stovall took over your father's firm."

"Then-Stovall let Jared think-"

"Think what? Your cousin never waited to discover what really happened. You said both of you ran away the very same night-" He grimaced. "I'm getting weary of this blasted detective work, Amanda. What I've found out hasn't done any good at all. It only makes you more miserable. When are you going to realize it's downright unhealthy to harbor a grudge for so many years?"

She paid no attention. "He let Jared think he'd done murder-"

"Jared never gave himself a chance to find out otherwise!"

"Stovall could have tried to locate-"

"Oh, come on, sweet!" Bart broke in, angered that the past had cropped up so soon. It always did eventually. But it seldom produced the degree of rage seething in her right now. Well, he'd guessed this might happen. But he tried to make her see reason. "Stovall didn't care a damn for your family. Hated them, in fact-you said so yourself."

"And all this time, he let Jared believe that he killed-"

"All this time!" he echoed in a sarcastic way. "Your cousin's probably dead."

"That makes no difference. By God, I'm going back there!"

He sounded tired. "You've told me. Over and over."

"Ten years ago, I had the same idea-but for a different reason. I just wanted to see where the family lived-search for some mementos my father owned. When I came across the Headley book, everything changed. I want Kent and Son out of Stovall's hands!"

"Maybe the first reason was better. This jeremiad against Mr. Stovall eats on you worse every year-"

"Because I'm getting older. I may not have many years left. I swear, if I can ever put together more than twenty dollars at one time, I'm going back and take the company away from him. I'll do more than that to him if I can-"

Inexplicably chilly in the sun, Bart said, "Sometimes, Amanda, you scare the bejesus out of a man. I know this much. You get involved in trying to destroy someone and you'll wind up suffering as much as he does. Hate works that way. It hurts the one who gets it and the one who gives it-"

I have firsthand experience.

"Christ amighty, that's exactly what's happening back east right now. One section against the other-the tempers hotter, the words more vile and unreasonable with every day that passes-before it's over, people on both sides are liable to be killing each other!"

She didn't want to hear. She snatched the book parcel from his hand, her fingers almost colorless as they clenched the oilskin.

"If I only had some money-"

"Damn it, woman, don't you ever listen to what I say? I've told you a dozen times you don't need money to pay your way east. Say the word and I'll take you and Louis aboard-"

"I'm not talking about money for passage. I'm talking about a lot of money."

Exhausted and unsettled by the discussion, he was snappish. "What if Mr. Hamilton Stovall doesn't care to sell Kent and Son the minute you say so? Did you ever think of that?"