She'd had a few ideas overnight. Tucker would never find out, but the truth was that she'd been unable to sleep, because she'd been constructing a reading list in her head. At two in the morning she'd decided that ten books would be enough to cover his wants and her enthusiasms, but when she woke up she could see that turning up with a teetering tower of paperbacks would provide Tucker with all the evidence he needed to prove that she was unbalanced and obsessed. Two would be plenty, three if she really couldn't decide. She ended up buying four, with the intention of ruling out two of them on the way to the hospital. She had no idea whether he'd like them, mainly because she knew nothing about him, other than that he liked Dickens. The hospital was somewhere near Marble Arch, so she walked up to Oxford Street and got a bus in what she hoped was a westerly direction.

Except . . . surely everyone who liked nineteenth-century fiction had read Vanity Fair Vanity Fair? And was a book titled Hangover Square Hangover Square an appropriate gift for a recovering alcoholic? And then there was the sex in an appropriate gift for a recovering alcoholic? And then there was the sex in Fingersmith Fingersmith . . . Would he think that was some kind of come-on? And wasn't the sex mostly of the lesbian variety? Would he think she was trying to warn him that she wasn't interested in him in that way? When in fact the whole idea was that she was trying to indicate the opposite? Plus, he'd had a heart attack, so maybe no book containing sex of any variety was tactful. Oh, shit. She looked out the window of the bus, saw a chain bookstore and got off at the next stop. . . . Would he think that was some kind of come-on? And wasn't the sex mostly of the lesbian variety? Would he think she was trying to warn him that she wasn't interested in him in that way? When in fact the whole idea was that she was trying to indicate the opposite? Plus, he'd had a heart attack, so maybe no book containing sex of any variety was tactful. Oh, shit. She looked out the window of the bus, saw a chain bookstore and got off at the next stop.

At the entrance to the hospital, Annie found herself stuffing four brand-new paperbacks that she couldn't afford into a trash can and feeling sick with guilt. She was throwing the books away because she'd bought too many and didn't know where to hide the ones she didn't need; also because he might decide that some of her choices were overobvious and patronizing; also because she hadn't read one or two of them, and she should have, and if he asked her what they were about she would stutter and blush. She was in a panic, of course, she could see that. She was nervous, and when she was nervous she overthought everything. She caught sight of herself in the mirrored door of the elevator on the way up to his room: she looked awful, tired and old. Maybe instead of worrying about Victorian novels she should have worried more about her makeup. And she wished she'd slept better; she never looked good when she'd had less than seven hours' sleep. He probably wasn't looking so great, though, which was some consolation. Maybe that was the Annie Paradox: she could only appeal to men too sick to do much about anything. She flicked uselessly at her hair and walked out of the elevator and down the hall.

On the way to Tucker's room, she saw Jackson walking toward her, hand in hand with an impossibly glamorous but intimidatingly sulky woman in her late forties. Annie tried to smile at her, but she could feel the smile bounce off the woman's face: Natalie, if that's who the woman was, clearly didn't dish out smiles for no reason, thus devaluing their currency. Annie was glad she had resisted the temptation to introduce herself; she'd have been like one of those crazy women who shout at soap-opera stars on the street because they think they know them. Just because Jackson spent his life stuck to her fridge didn't mean that she could run up to him and frighten him half to death. As they walked past, she could see that he looked frightened enough as it was, and Annie hoped that didn't mean she was walking into a room containing a very sick man. Supposing Tucker died when she was in there? And his last words were "Oh, I've read all those." She'd have to make something up. And And she'd never had to deal with a dying person. she'd never had to deal with a dying person. And And it would be grotesquely inappropriate, hers being the last face he saw. Perhaps she should just go home. Or wait until she was sure there was somebody else in there, somebody he actually knew. it would be grotesquely inappropriate, hers being the last face he saw. Perhaps she should just go home. Or wait until she was sure there was somebody else in there, somebody he actually knew.

But then she was knocking on the door and he was saying, "Come in," and before she knew it she was sitting on his bed, and they were beaming at each other.

"I bought you some books," she said, much too soon. The books should have been an afterthought, not an introduction.

"I'm sorry," he said. "I meant to say I'd pay you back. I don't know you well enough to ask you to spend money on me."

She'd asked for that by coming in and yelling about her kindness. Idiot.

"Good grief, I don't need paying back. I just didn't want you to think I'd forgotten. Terrible, being in hospital with nothing to read."

He nodded at his bedside table. "I still have old Barnaby. But he's not as much fun as I'd hoped. You read that one?"

"Ummm . . ." Oh, come on, woman, she told herself. You know the answer to the question. You've read about four Dickens novels, and that's not one of them. Barnaby Rudge Barnaby Rudge isn't going to be a deal breaker. On the other hand, why take the risk? isn't going to be a deal breaker. On the other hand, why take the risk?

"I'm like you," she said brightly. "I got about a third of the way through and put it down. Anyway. You've had a heart attack, and we're talking about me not finishing a book. How are you?"

"Not so bad."

"Really?"

"Yeah. Tired. A little anxious about Jackson."

"I think I saw him walking down the corridor."

"Yeah. Natalie's taken him to a toy store. It's all too weird."

"They'd never met before this trip?"

"Shit, no." She laughed at his eyes widening in alarm. "Why would I do that to him? And I want him to look up to me. I don't want him judging me on the basis of my past mistakes."

"But she's being nice to him."

"Yeah. I guess. And me. Her old man paid for us to fly over here. And then I keel over in the reception of the fan ciest hospital in London, so he gets to pay for that, too."

He laughed wheezily.

"So she's not all that bad."

"Apparently not. Now I find out."

"How did you end up married to an Englishwoman?"

"Ohhhh . . ." And he waved a hand, as if a wife from another continent were inevitable at some stage in the career of a serial husband, and the details were therefore wearyingly inconsequential.

She told herself not to ask too many questions, even though there was so much she wanted to know about him. She liked to think she was curious about people, but her hunger for information went beyond curiosity: she wanted to piece the entirety of his adult life together and she seemed to be lacking even the straight edges that would get her started. Why did she care so much? Part of it was because of Duncan, of course: she was thinking with his fan's head and she felt obliged to collect as much information as she could, because nobody else was in a position to do so. But it wasn't just that. She'd never been given the opportunity to meet someone this exotic, and she feared she'd never be given it again, unless some other vanished bohemian contacted her out of the blue.

"Ah," she said. "One of those."

"Did that seem as if I'm being mysterious?" he said.

"It seemed as though you weren't feeling up to talking about the marriage before last to someone you've only just met."

"Perfect. Amazing what you can do with the limp flap of a wrist."

"How's your daughter doing?"

"Not so great. Okay physically, but angry. Angry with me, too."

"With you?"

"I've gone and fucked it all up for her again. For once, she was supposed to be the center of attention."

"I'm sure that's not what she means."

In the first five minutes, she had defended both Lizzie and Natalie, and she vowed not to say anything nice about anybody related to Tucker for the remainder of the visit. It made her sound bland and boring and good and exactly the sort of person that a reclusive cult musician in recovery wouldn't like, if she knew anything about reclusive cult musicians in recovery, which she didn't. And in any case, there was every chance that these people were horrible. She'd only seen Natalie for two seconds in the hallway, but those two seconds had been salutary: they suggested to her that the rich and beautiful really were different. "I'm sure that's not what she means . . ." How would she know what the daughter of a model meant?

"Do you know many people in London?"

"Nope. Lizzie and Nat. And you, now that you're in London."

"So you haven't been bombarded with visitors?"

"Not yet. But I understand there are a fair few on the way."

"Really?"

"Really. Nat and Lizzie decided in their wisdom that my children should all come here to see me before I croak. So I've got three more kids and another ex-wife on the way."

"Oh. And how do you feel . . . ?"

"I don't care for the idea much."

"No. Well. I can see that."

"The truth is, Annie, I'm not going to be able to go through with it. I'm going to need you to get me out of here. If you live in a small seaside town a ways away from this hospital, then that sounds like exactly the sort of place I need to rest up in. Might be fun for Jackson, too."

For a moment, Annie forgot to breathe. She had written that last sentence for him several times since he'd called to tell her what had happened, although it sounded better in his voice, of course, and there were some linguistic details that she'd never have come up with: "a ways away," "rest up." And then, after she had started inhaling and exhaling again, with a little more noise than she might have wished, she started thinking about train times. She'd been intending to get the two-twelve, unless she'd been given a compelling or even a mildly plausible reason to stay in London; if Jackson came back from the toy store in time, they could jump in a cab to King's Cross and be back in Gooleness by four-thirty.

"What do you think?" She'd not only forgotten to breathe; she'd forgotten that she was supposed to be taking part in a conversation with a real person.

"I don't think Jackson would have much fun. It's not such a fun place, especially this time of year."

"You still got that shark's eye?"

"I have loads of pieces of shark."

"Well, that's a happy afternoon right there."

The trouble was, she couldn't help but be boring and bland and sensible and good. There was nothing she wanted more than to nurse Tucker back to health in Gooleness, yet the desire was untrustworthy, and dangerously, self-indulgently whimsical: it was the crush talking. For a start, he'd had a heart attack, not a bout of flu. He probably didn't need blankets and hot-water bottles and homemade soup; for all she knew, any of those things might kill him. And stealing him away from his family, it seemed to her, would be wrong and bad and none of her business; she tried not to think conventionally, but she probably did believe that families were important, that fathers had a duty to their children, that Tucker couldn't just run away from them out of fear or embarrassment or both. All of these doubts, when she examined them, started to lead to the unwelcome conclusion that Tucker was a real person, with actual problems, and neither he nor the problems could comfortably be accommodated in her life, or in her house, or in Gooleness. If that was where doubts led, then she didn't especially want to follow them.

"I don't know if I'm capable of looking after you. I mean, what have they done to you? And what still needs doing?"

"They gave me an angioplasty."

"Ah. Well I don't even know what that is. I couldn't give you another one."

"Jesus, I wouldn't ask you to."

Was it all in her imagination, or was this part of the conversation vaguely smutty? Smutty and prudish all at the same time, seeing as she was refusing to do things and he was saying he wouldn't ask for them in the first place? Almost certainly, it was her imagination. Maybe if she'd taken Barnesy up on his offer the other night, she'd be less preoccupied now.

"What is it?"

"Basically, they put little balloons into you and blow them up to clear your arteries."

"So you've had an operation? In the last thirty-six hours?"

"It wasn't such a big deal. They stick the balloons in with a catheter."

"And do you really want to run away from your kids, when they're flying halfway across the world to see you?"

"Yes."

She laughed. It was the kind of yes that knew its own mind.

"Your boys? They fly across the Atlantic, aged . . . What . . . ?"

"Twelve. Give or take."

". . . And their dad has checked out of the hospital and can't be found?"

"Precisely. It's not any one child I don't want to see. It's all of them. Because you know what? I've never seen them all in the same room, together. Never have, never wanted to. So I need to get out while the going's good."

"Seriously? You've never been with all your children at the same time?"

"God, no. The mechanics of that . . ." He shuddered theatrically.

"How long have you got? Before they all get here?"

"The boys arrive this afternoon. Lizzie's downstairs, Jackson you know about . . . So that just leaves Grace. Nobody seems to know where she is."

"Where does she live?"

"Ah," he said. "Well. Now this isn't going to sound good."

"You're not sure?"

" 'Not sure' is a kind way of putting it. It suggests I might be able to offer you some kind of idea."

"But someone knows?"

"Oh, someone always knows. The most recent partner always has a way of getting in touch with the one before. So they just work the chain all the way back."

"How come they know how to get in touch?"

"Because I let the women make the arrangements involving children, I guess. I wasn't very good at it, and the current partner always wanted to show the previous one she was a decent and caring human being, so . . . I know, I know. It kind of reflects badly on me, doesn't it?"

Annie tried to get her face to register the disapproval he seemed to be expecting, and then gave up. To disapprove would be to diminish him, turn him into the sort of person she already knew; she wanted and needed to hear about his complicated domestic life, and to suggest that she didn't much like it might mean that he stopped telling her stories that she would remember forever.

"No," she said.

He looked at her.

"Really? Why not?"

She didn't know why not, really. Losing touch with daughters through indolence and carelessness was, on the face of it, an unattractive habit.

"I think . . . people end up doing things they're good at. If your partners were better at making arrangements, then what's the point of leaving it to you to mess up?"

For a moment she allowed herself to imagine that Duncan had a daughter from a previous relationship, and she was the one who had ended up speaking to the child's mother while he scratched his balls and listened to his Tucker Crowe bootlegs. Is that the view she would have taken in those circumstances? Almost certainly not.

"I don't think you really believe that. Or if you do, you're the first woman I've ever met who does. But I thank you for your tolerance. Anyway. This isn't getting me out of here."

"I'll get you out when you've seen them all."

"No, see, it'll be too late by then. The whole point of going is so I don't see them."

"I know, but . . . I'd feel guilty. And you don't want that."

"Listen . . . Will you be able to come again? Tomorrow? Or do you have to go back?"

Incredibly, there was more blushing. Would it never stop? Was she going to blush forever, at anything anyone said? This time it was more of a flush than a blush, a response to the pleasurable sense of being needed by somebody she found attractive, and it occurred to her that the physiological response might have happened at any time in the last fifteen years; it was simply that there'd been no pleasure, of this kind at least, to be taken.

"No," she said. "I don't have to go back. I can, you know . . ." And she could. She could take vacation days and get one of the Friends to open up the museum; she could stay with Linda; she could do whatever it took.

"Great. Hey! Here she is!"

Tucker was referring to the dramatically pale young woman who was walking slowly toward them in her bathrobe.