"Very well, mother."

"Or at any rate do what will do just as well," said the small house-dog, as he lay blinking at the fire.

"For the future, my child," said the widow, "I hope you will always do just as you are told, whatever So-so may say."

"I will, mother," said little Joan. (And she did.) But the house-dog sat and blinked. He dared not speak, he was in disgrace.

"I do not feel quite sure about So-so. Wild dogs often amend their ways far on this side of the gallows, and the Faithful sometimes fall, but when any one begins by being only so-so, he is very apt to be so-so to the end. So-so's so seldom change."

Before turning from the record of my sister's life at Manchester, I must mention a circ.u.mstance which gave her very great pleasure there.

In the summer of 1875 she and I went up from Aldershot to see the Exhibition of Water-Colours by the Royal Society of Painters, and she was completely fascinated by a picture of Mr. J.D. Watson's, called "A Gentleman of the Road." It represented a horseman at daybreak, allowing his horse to drink from a stream, whilst he sat half-turned in the saddle to look back at a gallows which was visible on the horizon against the beams of rising light. The subject may sound very sensational, but it was not that aspect of it which charmed my sister; she found beauty as well as romance in it, and after we returned to camp in the evening she became so restless and engrossed by what she had seen, that she got up during the night, and planned out the headings of a story on the picture, adding--characteristically--a moral or "soul" to the subject by a quotation[31] from Thomas a Kempis--_Respice finem_. "In all things _remember the end_."

[Footnote 31: Letter, March 22, 1880.]

This "mapped-out" story, I am sorry to say, remains unfinished. The ma.n.u.script went through many vicissitudes, was inadvertently torn up and thrown into the waste-paper basket, whence it was rescued and the pieces carefully enclosed in an envelope ready for mending. It was afterwards lost again for many months in a box that was sent abroad, but the fragments have been put together and copied, as they are interesting from the promise that lies in the few words that remain.

A GENTLEMAN OF THE ROAD.

The old schoolmaster sat on a tombstone, an ancient altar-shaped tomb which may have been reared when the yew tree above it was planted. Children cl.u.s.tered round him like bees upon a branch, and he held the book wide open so that, if possible, all might see into it at once. It was not a school-book, it was a picture book, the one out of which he told tales to the children on half-holidays.

The volume was old and the text was in Latin, a language of which the schoolmaster had some little knowledge.

He could read the dial motto pat,--_Via crucis via lucis_. The Way of the Cross is the Way of Light.

He understood the Latin headings to the Psalms and Canticles better than the clerk, for he could adjust the words to their English equivalents. The clerk took them as they stood, _Nunc dimittis_, or the Song of Simeon. It was put down so in the rubric, he said, as plain as "Here endeth the first lesson."

The schoolmaster made no such blunders. He could say the Lord's Prayer in Latin, and part of the Creed, and from his seat in church he could make out most of the virtues credited to the last account of one Roger Beaufoy, who in this life had been ent.i.tled to write Esquire after his name. The name kept the t.i.tle after it--_Armiger_--though the man himself had long departed to a life with other distinctions. If the tablet were to be believed, he had been a gentle squire too. The schoolmaster was wont to murmur the list of his qualities over to himself: _fortis_--_mitis_--_suavis_--_largus_--_urba.n.u.s_:--_desideratissimus_ too, and no marvel!--_n.o.bili genere natus_--and _tam corpore quam vultus praeclarus_!

It was a goodly list that the schoolmaster muttered over, and when it was done he would add--"His very portrait, every line, every word of it!" And then he would sigh.

Old as he was, the schoolmaster was not bearing testimony to the truth of the inscription as regarded the man he referred to; that Roger Beaufoy had gone back with all his virtues and his vices to the Maker of Souls long before the schoolmaster could read what had been written of him by the maker of epitaphs. It was to the character of another Roger--the great-grandson of this squire--that the old man adapted the graceful flattery of the epitaph. It fitted in every fold, and yet he sighed. For in this Roger, as in that, the sterner virtues were lacking. They had not even been supplied upon the marble, though that is a charity not uncommonly granted to the dead. But when the genial virtues abound, the world misses the others so little!

[Here the sheet of paper is torn, but from the words on the part left it is evident that there was a description of the frontispiece in the schoolmaster's book. Apparently the subject of the picture was allegorical, and the figures of "monstrous beasts" were interspersed with "devices" and "scrolls with inscriptions," together with figures]

of kneeling saints, or pilgrims treading the Via Vitae with sandalled shoes and heavy staves; and between the lips of dolorous faces in penal fires issued the words _O aeternitas! aeternitas!_

All these things the schoolmaster duly interpreted, but the rest of the story he made up out of his own head, a custom which had this among other advantages, that the stories were not always the same, which they must have been had the good man been a merely fluent translator.

At the schoolmaster's elbow nestled his little granddaughter. By herself she could not have secured so good a place, for she was fragile and very gentle, and most of the other children were rough and strong. "First come first served" was the motto of their play.

First-come was served first because he helped himself, and the only exception to the rule was when Second-come happened to be stronger and took his place.

This fragment at any rate serves to show what a strong impression the picture had made upon Julie's mind, so it will readily be imagined how intensely delighted she was when she unexpectedly made the acquaintance, at Manchester, of Mr. Galloway, who proved to have bought Mr. Watson's work, and he was actually kind enough to lend the treasure to her for a considerable time, so that she could study it thoroughly, and make a most accurate copy of it. Mr. Galloway's friendship, and that of some other people whom she first met at Bowdon, were the brightest spots in Julie's existence during this period.

In September 1878 the Ewings removed to Fulford, near York, and, on their arrival, Julie at once devoted herself to adorning her new home.

We were very much amused by the incredulous amazement betrayed on the stolid face of an elderly workman, to whom it was explained that he was required to distemper the walls of the drawing-room with a sole colour, instead of covering them with a paper, after the manner of all the other drawing-rooms he had ever had to do with. But he was too polite to express his difference of taste by more than looks;--and some days after the room was finished, with etchings duly hung on velvet in the panels of the door,--the sole-coloured walls well covered with pictures, whence they stood out undistracted by gold and flowery paper patterns--the distemperer called, and asked if he might be allowed, as a favour, to see the result of Mrs. Ewing's arrangements. I forget if he expressed anything by words, as he stood in the middle of the room twisting his hat in his fingers--but we had learned to read his face, and Julie was fully satisfied with the fresh expression of amazement mixed with admiration which she saw there.

One theory which she held strongly about the decoration of houses was, that the contents ought to represent the a.s.sociations of the inmates, rather than the skill of their upholsterer; and for this reason she would not have liked to limit any of her rooms to one special period, such as Queen Anne's, unless she had possessed an old house, built at some date to which a special kind of furniture belonged. She contrived to make her home at York a very pretty one; but it was of short duration, for in March 1879 Major Ewing was despatched to Malta, and Julie had to begin to pack her _Lares_ and _Penates_ once more.

It may, perhaps, be wondered that she was allowed to spend her time and strength on the labour of packing, which a professional worker would have done far better,--but it is easier to see the mistakes of others than to rectify our own! There were many difficulties to be encountered, not the least of these being Julie's own strong will, and bad though it was, in one sense, for her to be physically over-tired, it was better than letting her be mentally so; and to an active brain like hers, "change of occupation" is the only possible form of "rest."

Professional packers and road and rail cars represent money, and Julie's skill in packing both securely and economically was undeniably great. This is not surprising if we hold, as an old friend does, that ladies would make far better housemaids than uneducated women do, because they would throw their brains as well as muscles into their work. Julie did throw her brains into everything, big or little, that she undertook; and one of her best and dearest friends,--whose belief in my sister's powers and "mission" as a writer were so strong that she almost grudged even the time "wasted" on sketching, which might have been given to penning more stories for the age which boasts Gordon as its hero,--and who, being with Julie at her death, could not believe till the very End came that she would be taken, whilst so much seemed to remain for her to do here,--confessed to me afterwards she had learned to see that Julie's habit of expending her strength on trifles arose from an effort of nature to balance the vigour of her mind, which was so much greater than that of her body.

During the six months that my sister resided in York she wrote a few contributions for _Aunt Judy's Magazine_. To the number for January 1879 she gave "Flaps," a sequel to "The Hens of Hencastle."

The latter story was not written by her, but was a free adaptation which Colonel Yeatman-Biggs made from the German of Victor Bluthgen.

Julie had been greatly amused by the tale, but, finding that it ended in a vague and unsatisfactory way, she could not be contented, so took up her pen and wrote a _finale_, her chief aim being to provide a happy ending for the old farm-dog, Flaps himself, after whom she named her sequel. The writing is so exactly similar to that of "The Hens,"

that the two portions can scarcely be identified as belonging to different writers. Julie used often to reproach me for indulging in what John Wesley called "the l.u.s.t of finishing," but in matters concerning her own art she was as great an offender on this score as any one else!

Julie gave a set of verses on "Canada Home" to the same number as "Flaps," and to the March (1879) number she gave some other verses on "Garden Lore." In April the second part of "We and the World" began to appear, and a fresh character was introduced, who is one of the most important and touching features of the tale. Biddy Macartney is a real old Irish melody in herself, with her body tied to a coffee-barrow in the Liverpool Docks, and her mind ever wandering in search of the son who had run away to sea. Jack, the English hero, comes across Biddy in the docks just before he starts as a stowaway for America, and his stiff, crude replies to her voluble outpourings are essentially British and boy-like:--

"You hope Micky 'll come back, I suppose?"

"Why wouldn't I, acushla? Sure, it was by reason o' that I got bothered with the washin' after me poor boy left me, from my mind being continually in the docks instead of with the clothes. And there I would be at the end of the week, with the captain's jerseys gone to old Miss Harding, and _his_ washing no corricter than _hers_, though he'd more good-nature in him over the accidents, and iron-moulds on the table-cloths, and pocket-handkerchers missin', and me ruined intirely with making them good, and no thanks for it, till a good-natured sowl of a foreigner that kept a pie-shop larned me to make the coffee, and lint me the money to buy a barra, and he says, 'Go as convanient to the ships as ye can, mother: it'll ease your mind. My own heart,' says he, laying his hand to it, 'knows what it is to have my body here, and the whole sowl of me far away.'"

"Did you pay him back?" I asked. I spoke without thinking, and still less did I mean to be rude; but it had suddenly struck me that I was young and hearty, and that it would be almost a duty to share the contents of my leather bag with this poor old woman, if there were no chance of her being able to repay the generous foreigner.

"Did I pay him back?" she screamed. "Would I be the black-hearted thief to him that was kind to me? Sorra bit nor sup but dry bread and water pa.s.sed me lips till he had his own again, and the heart's blessings of owld Biddy Macartney along with it."

I made my peace with old Biddy as well as I could, and turned the conversation back to her son.

"So you live in the docks with your coffee-barrow, mother, that you may be sure not to miss Micky when he comes ash.o.r.e?"

"I do, darlin'! Fourteen years all but three days! He'll be gone fifteen if we all live till Wednesday week."

"_Fifteen?_ But, mother, if he were like me when he went, he can't be very like me now. He must be a middle-aged man. Do you think you'd know him?"

This question was more unfortunate than the other, and produced such howling and weeping, and beating of Biddy's knees as she rocked herself among the beans, that I should have thought every soul in the docks would have crowded round us. But no one took any notice, and by degrees I calmed her, chiefly by the a.s.sertion--"He'll know you, mother, anyhow."

"He will so, G.o.d bless him!" said she. "And haven't I gone over it all in me own mind, often and often, when I'd see the vessels feelin' their way home through the darkness, and the coffee staymin' enough to cheer your heart wid the smell of it, and the least taste in life of something betther in the stone bottle under me petticoats. And then the big ship would be coming in with her lights at the head of her, and myself would be sitting alone with me patience, G.o.d helping me, and one and another strange face going by. And then he comes along, cold maybe, and smells the coffee. 'Bedad, but that's a fine smell with it,' says he, for Micky was mighty particular in his aitin' and drinkin'. 'I'll take a dhrop of that,' says he, not noticing me particular, and if ever I'd the saycret of a good cup he gets it, me consayling me face.

'What will it be?' says he, setting down the mug. 'What would it be, Micky, from your mother?' says I, and I lifts me head. Arrah, but then there's the heart's delight between us. 'Mother!' says he.

'Micky!' says I. And he lifts his foot and kicks over the barra, and dances me round in his arms. 'Ochone!' says the spictators; 'there's the fine coffee that's running into the dock.' 'Let it run,' says I, in the joy of me heart, 'and you after it, and the barra on the top of ye, now Micky me son's come home!'"

"Wonderfully jolly!" said I. "And it must be pleasant even to think of it."

There is another new character in the second part of "We," who is also a fine picture:--Alister the blue-eyed Scotch lad, with his respect for "book-learning," and his powers of self-denial and endurance; but Julie certainly had a weakness for the Irish nation, and the tender grace with which she touches Dennis O'Moore and Biddy shines conspicuously throughout the story. In one scene, however, I think she brings up her Scotch hero neck-and-neck, if not ahead, of her favourite Irishman.

This is in Chapter VII., where an entertainment is being held on board ship, and Dennis and Alister are called upon in turn to amuse the company with a song. Dennis gets through his ordeal well; he has a beautiful voice, which makes him independent of the accompaniment of a fiddle (the only musical instrument on board), and Julie describes his _simpatico_ rendering of "Bendemeer's Stream" from the way in which she loved to hear one of our brothers sing it. He had learned it by ear on board ship from a fellow-pa.s.senger, and she was never tired of listening to the melody. When this same brother came to visit her whilst she was ill at Bath, and sang to her as she lay in bed,--"Bendemeer's Stream" was the one strain she asked for, and the last she heard.

Dennis O'Moore's performance met with warm applause, and then the boatswain, who had a grudge against Alister, because the Scotch Captain treated his countryman with leniency, taunted the shy and taciturn lad to "contribute to the general entertainment."

I was very sorry for Alister, and so was Dennis, I was sure, for he did his best to encourage him.

"Sing 'G.o.d Save the Queen,' and I'll keep well after ye with the fiddle," he suggested. But Alister shook his head. "I know one or two Scotch tunes," Dennis added, and he began to sketch out an air or two with his fingers on the strings.

Presently Alister stopped him. "Yon's the Land o' the Leal?"

"It is," said Dennis.

"Play it a bit quicker, man, and I'll try 'Scots, wha hae.'"