Did Edward Arundel love the pale-faced girl, who revealed her devotion to him with such childlike unconsciousness? Olivia Marchmont had not been able to answer that question. She had sounded the young man several times upon his feelings towards her stepdaughter; but he had met her hints and insinuations with perfect frankness, declaring that Mary seemed as much a child to him now as she had appeared nearly nine years before in Oakley Street, and that the pleasure he took in her society was only such as he might have felt in that of any innocent and confiding child.

"Her simplicity is so bewitching, you know, Livy," he said; "she looks up in my face, and trusts me with all her little secrets, and tells me her dreams about her dead father, and all her foolish, innocent fancies, as confidingly as if I were some playfellow of her own age and s.e.x. She's so refreshing after the artificial belles of a Calcutta ballroom, with their stereotyped fascinations and their complete manual of flirtation, the same for ever and ever. She is such a pretty little spontaneous darling, with her soft, shy, brown eyes, and her low voice, which always sounds to me like the cooing of the doves in the poultry-yard."

I think that Olivia, in the depth of her gloomy despair, took some comfort from such speeches as these. Was this frank expression of regard for Mary Marchmont a token of _love_? No; not as the widow understood the stormy madness. Love to her had been a dark and terrible pa.s.sion, a thing to be concealed, as monomaniacs have sometimes contrived to keep the secret of their mania, until it burst forth at last, fatal and irrepressible, in some direful work of wreck and ruin.

So Olivia Marchmont took an early dinner alone, and drove away from the Towers at four o'clock on a blazing summer afternoon, more at peace perhaps than she had been since Edward Arundel's coming. She paid her dutiful visit to her father, sat with him for some time, talked to the two old servants who waited upon him, walked two or three times up and down the neglected garden, and then drove back to the Towers.

The first object upon which her eyes fell as she entered the hall was Edward Arundel's fishing-tackle lying in disorder upon an oaken bench near the broad arched door that opened out into the quadrangle. An angry flush mounted to her face as she turned upon the servant near her.

"Mr. Arundel has come home?" she said.

"Yes, ma'am, he came in half an hour ago; but he went out again almost directly with Miss Marchmont."

"Indeed! I thought Miss Marchmont was in her room?"

"No, ma'am; she came down to the drawing-room about an hour after you left. Her head was better, ma'am, she said."

"And she went out with Mr. Arundel? Do you know which way they went?"

"Yes, ma'am; I heard Mr. Arundel say he wanted to look at the old boat-house by the river."

"And they have gone there?"

"I think so, ma'am."

"Very good; I will go down to them. Miss Marchmont must not stop out in the night-air. The dew is falling already."

The door leading into the quadrangle was open; and Olivia swept across the broad threshold, haughty and self-possessed, very stately-looking in her long black garments. She still wore mourning for her dead husband. What inducement had she ever had to cast off that sombre attire; what need had she to trick herself out in gay colours? What loving eyes would be charmed by her splendour? She went out of the door, across the quadrangle, under a stone archway, and into the low stunted wood, which was gloomy even in the summer-time. The setting sun was shining upon the western front of the Towers; but here all seemed cold and desolate. The damp mists were rising from the sodden ground beneath the tree; the frogs were croaking down by the river-side. With her small white teeth set, and her breath coming in fitful gasps, Olivia Marchmont hurried to the water's edge, winding in and out between the trees, tearing her black dress amongst the brambles, scorning all beaten paths, heedless where she trod, so long as she made her way speedily to the spot she wanted to reach.

At last the black sluggish river and the old boat-house came in sight, between a long vista of ugly distorted trunks and gnarled branches of pollard oak and willow. The building was dreary and dilapidated-looking, for the improvements commenced by Edward Arundel five years ago had never been fully carried out; but it was sufficiently substantial, and bore no traces of positive decay. Down by the water's edge there was a great cavernous recess for the shelter of the boats, and above this there was a pavilion, built of brick and stone, containing two decent-sized chambers, with latticed windows overlooking the river. A flight of stone steps with an iron bal.u.s.trade led up to the door of this pavilion, which was supported upon the solid side-walls of the boat-house below.

In the stillness of the summer twilight Olivia heard the voices of those whom she came to seek. They were standing down by the edge of the water, upon a narrow pathway that ran along by the sedgy brink of the river, and only a few paces from the pavilion. The door of the boat-house was open; a long-disused wherry lay rotting upon the damp and mossy flags. Olivia crept into the shadowy recess. The door that faced the river had fallen from its rusty hinges, and the slimy woodwork lay in ruins upon the sh.o.r.e. Sheltered by the stone archway that had once been closed by this door, Olivia listened to the voices beside the still water.

Mary Marchmont was standing close to the river's edge; Edward stood beside her, leaning against the trunk of a willow that hung over the water.

"My childish darling," the young man murmured, as if in reply to something his companion had said, "and so you think, because you are simple-minded and innocent, I am not to love you. It is your innocence I love, Polly dear,--let me call you Polly, as I used five years ago,--and I wouldn't have you otherwise for all the world. Do you know that sometimes I am almost sorry I ever came back to Marchmont Towers?"

"Sorry you came back?" cried Mary, in a tone of alarm. "Oh, why do you say that, Mr. Arundel?"

"Because you are heiress to eleven thousand a year, Mary, and the Moated Grange behind us; and this dreary wood, and the river,--the river is yours, I daresay, Miss Marchmont;--and I wish you joy of the possession of so much sluggish water and so many square miles of swamp and fen."

"But what then?" Mary asked wonderingly.

"What then? Do you know, Polly darling, that if I ask you to marry me people will call me a fortune-hunter, and declare that I came to Marchmont Towers bent upon stealing its heiress's innocent heart, before she had learned the value of the estate that must go along with it? G.o.d knows they'd wrong me, Polly, as cruelly as ever an honest man was wronged; for, so long as I have money to pay my tailor and tobacconist,--and I've more than enough for both of them,--I want nothing further of the world's wealth. What should I do with all this swamp and fen, Miss Marchmont--with all that horrible complication of expired leases to be renewed, and income-taxes to be appealed against, that rich people have to endure? If you were not rich, Polly, I----"

He stopped and laughed, striking the toe of his boot amongst the weeds, and knocking the pebbles into the water. The woman crouching in the shadow of the archway listened with whitened cheeks and glaring eyes; listened as she might have listened to the sentence of her death, drinking in every syllable, in her ravenous desire to lose no breath that told her of her anguish.

"If I were not rich!" murmured Mary; "what if I were not rich?"

"I should tell you how dearly I love you, Polly, and ask you to be my wife by-and-by."

The girl looked up at him for a few moments in silence, shyly at first, and then more boldly, with a beautiful light kindling in her eyes.

"I love you dearly too, Mr. Arundel," she said at last; "and I would rather you had my money than any one else in the world; and there was something in papa's will that made me think--"

"There was something that made you think he would wish this, Polly,"

cried the young man, clasping the trembling little figure to his breast. "Mr. Paulette sent me a copy of the will, Polly, when he sent my diamond-ring; and I think there were some words in it that hinted at such a wish. Your father said he left me this legacy, darling,--I have his letter still,--the legacy of a helpless girl. G.o.d knows I will try to be worthy of such a trust, Mary dearest; G.o.d knows I will be faithful to my promise, made nine years ago."

The woman listening in the dark archway sank down upon the damp flags at her feet, amongst the slimy rotten wood and rusty iron nails and broken bolts and hinges. She sat there for a long time, not unconscious, but quite motionless, her white face leaning against the moss-grown arch, staring blankly out of the black shadows. She sat there and listened, while the lovers talked in low tender murmurs of the sorrowful past and of the unknown future; that beautiful untrodden region, in which they were to go hand in hand through all the long years of quiet happiness between the present moment and the grave. She sat and listened till the moonlight faintly shimmered upon the water, and the footsteps of the lovers died away upon the narrow pathway by which they went back to the house.

Olivia Marchmont did not move until an hour after they had gone. Then she raised herself with an effort, and walked with stiffened limbs slowly and painfully to the house, and to her own room, where she locked her door, and flung herself upon the ground in the darkness.

Mary came to her to ask why she did not come to the drawing-room, and Mrs. Marchmont answered, with a hoa.r.s.e voice, that she was ill, and wished to be alone. Neither Mary, nor the old woman-servant who had been Olivia's nurse long ago, and who had some little influence over her, could get any other answer than this.

CHAPTER XIV.

DRIVEN AWAY.

Mary Marchmont and Edward Arundel were happy. They were happy; and how should they guess the tortures of that desperate woman, whose benighted soul was plunged in a black gulf of horror by reason of their innocent love? How should these two--very children in their ignorance of all stormy pa.s.sions, all direful emotions--know that in the darkened chamber where Olivia Marchmont lay, suffering under some vague illness, for which the Swampington doctor was fain to prescribe quinine, in utter unconsciousness as to the real nature of the disease which he was called upon to cure,--how should they know that in that gloomy chamber a wicked heart was abandoning itself to all the devils that had so long held patient watch for this day?

Yes; the struggle was over. Olivia Marchmont flung aside the cross she had borne in dull, mechanical obedience, rather than in Christian love and truth. Better to have been sorrowful Magdalene, forgiven for her love and tears, than this cold, haughty, stainless woman, who had never been able to learn the sublime lessons which so many sinners have taken meekly to heart. The religion which was wanting in the vital principle of Christianity, the faith which showed itself only in dogged obedience, failed this woman in the hour of her agony. Her pride arose; the defiant spirit of the fallen angel a.s.serted its gloomy grandeur.

"What have I done that I should suffer like this?" she thought. "What am I that an empty-headed soldier should despise me, and that I should go mad because of his indifference? Is this the recompense for my long years of obedience? Is this the reward Heaven bestows upon me for my life of duty!"

She remembered the histories of other women,--women who had gone their own way and had been happy; and a darker question arose in her mind; almost the question which Job asked in his agony.

"Is there neither truth nor justice in the dealings of G.o.d?" she thought. "Is it useless to be obedient and submissive, patient and untiring? Has all my life been a great mistake, which is to end in confusion and despair?"

And then she pictured to herself the life that might have been hers if Edward Arundel had loved her. How good she would have been! The hardness of her iron nature would have been melted and subdued. By force of her love and tenderness for him, she would have learned to be loving and tender to others. Her wealth of affection for him would have overflowed in gentleness and consideration for every creature in the universe. The lurking bitterness which had lain hidden in her heart ever since she had first loved Edward Arundel, and first discovered his indifference to her; and the poisonous envy of happier women, who had loved and were beloved,--would have been blotted away. Her whole nature would have undergone a wondrous transfiguration, purified and exalted by the strength of her affection. All this might have come to pa.s.s if he had loved her,--if he had only loved her. But a pale-faced child had come between her and this redemption; and there was nothing left for her but despair.

Nothing but despair? Yes; perhaps something further,--revenge.

But this last idea took no tangible shape. She only knew that, in the black darkness of the gulf into which her soul had gone down, there was, far away somewhere, one ray of lurid light. She only knew this as yet, and that she hated Mary Marchmont with a mad and wicked hatred. If she could have thought meanly of Edward Arundel,--if she could have believed him to be actuated by mercenary motives in his choice of the orphan girl,--she might have taken some comfort from the thought of his unworthiness, and of Mary's probable sorrow in the days to come. But she _could_ not think this. Little as the young soldier had said in the summer twilight beside the river, there had been that in his tones and looks which had convinced the wretched watcher of his truth. Mary might have been deceived by the shallowest pretender; but Olivia's eyes devoured every glance; Olivia's greedy ears drank in every tone; and she _knew_ that Edward Arundel loved her stepdaughter.

She knew this, and she hated Mary Marchmont. What had she done, this girl, who had never known what it was to fight a battle with her own rebellious heart? what had she done, that all this wealth of love and happiness should drop into her lap unsought,--comparatively unvalued, perhaps?

John Marchmont's widow lay in her darkened chamber thinking over these things; no longer fighting the battle with her own heart, but utterly abandoning herself to her desperation,--reckless, hardened, impenitent.

Edward Arundel could not very well remain at the Towers while the reputed illness of his hostess kept her to her room. He went over to Swampington, therefore, upon a dutiful visit to his uncle; but rode to the Towers every day to inquire very particularly after his cousin's progress, and to dawdle on the sunny western terrace with Mary Marchmont.

Their innocent happiness needs little description. Edward Arundel retained a good deal of that boyish chivalry which had made him so eager to become the little girl's champion in the days gone by. Contact with the world had not much sullied the freshness of the young man's spirit. He loved his innocent, childish companion with the purest and truest devotion; and he was proud of the recollection that in the day of his poverty John Marchmont had chosen _him_ as the future shelterer of this tender blossom.

"You must never grow any older or more womanly, Polly," he said sometimes to the young mistress of Marchmont Towers. "Remember that I always love you best when I think of you as the little girl in the shabby pinafore, who poured out my tea for me one bleak December morning in Oakley Street."