The Commandant was taken aback, and said:

"You ... you surprise me!... However, right or wrong, we are what we are.

And there's no reason why we should know these people. Isn't it so, my dear?"

"No, father," she replied. "I would like to know them."

The Commandant said nothing, and pretended that he had not heard. He himself was much less insensible of Christophe's influence than he cared to appear. His vehemence and narrow-mindedness did not prevent his having a proper sense of justice and very generous feelings. He loved Christophe, he loved his frankness and his moral soundness, and he used often bitterly to regret that Christophe was a German. Although he always lost his temper in these discussions, he was always eager for more, and Christophe's arguments did produce an effect on him though he would never have been willing to admit it. But one day Christophe found him absorbed in reading a book which he would not let him see. And when Celine took Christophe to the door and found herself alone with him, she said:

"Do you know what he was reading? One of M. Weil's books."

Christophe was delighted.

"What does he say about it?"

"He says: 'Beast!'... But he can't put it down."

Christophe made no allusion to the fact with the Commandant. It was he who asked:

"Why have you stopped hurling that blessed Jew at my head?"

"Because I don't think there's any need to," said Christophe. "Why?" asked the Commandant aggressively.

Christophe made no reply, and went away laughing.

Olivier was right. It is not through words that a man can influence other men: but through his life. There are people who irradiate an atmosphere of peace from their eyes, and in their gestures, and through the silent contact with the serenity of their souls. Christophe irradiated life.

Softly, softly, like the moist air of spring, it penetrated the walls and the closed windows of the somnolent old house: it gave new life to the hearts of men and women, whom sorrow, weakness, and isolation had for years been consuming, so that they were withered and like dead creatures. What a power there is in one soul over another! Those who wield that power and those who feel it are alike ignorant of its working. And yet the life of the world is in the ebb and flow controlled by that mysterious power of attraction.

On the second floor, below Christophe and Olivier's room, there lived, as we have seen, a young woman of thirty-five, a Madame Germain, a widow of two years' standing, who, the year before, had lost her little girl, a child of seven. She lived with her mother-in-law, and they never saw anybody. Of all the tenants of the house, they had the least to do with Christophe. They had hardly met, and they had never spoken to each other.

She was a tall woman, thin, but with a good figure; she had fine brown eyes, dull and rather inexpressive, though every now and then there glowed in them a hard, mournful light. Her face was sallow and her complexion waxy: her cheeks were hollow and her lips were tightly compressed. The elder Madame Germain was a devout lady, and spent all her time at church.

The younger woman lived in jealous isolation in her grief. She took no interest in anything or anybody. She surrounded herself with portraits and pictures of her little girl, and by dint of staring at them she had ceased to see her as she was: the photographs and dead presentments had killed the living image of the child. She had ceased to see her as she was, but she clung to it: she was determined to think of nothing but the child: and so, in the end, she reached a point at which she could not even think of her: she had completed the work of death. There she stopped, frozen, with her heart turned to stone, with no tears to shed, with her life withered.

Religion was no aid to her. She went through the formalities, but her heart was not in them, and therefore she had no living faith: she gave money for Ma.s.ses, but she took no active part in any of the work of the Church: her whole religion was centered in the one thought of seeing her child again.

What did the rest matter? G.o.d? What had she to do with G.o.d? To see her child again, only to see her again.... And she was by no means sure that she would do so. She wished to believe it, willed it hardly, desperately: but she was in doubt.... She could not bear to see other children, and used to think:

"Why are they not dead too?"

In the neighborhood there was a little girl who in figure and manner was like her own. When she saw her from behind, with her little pigtails down her back, she used to tremble. She would follow her, and, when the child turned round and she saw that it was not _she_, she would long to strangle her. She used to complain that the Elsberger children made a noise below her, though they were very quiet, and even very subdued by their up-bringing: and when the unhappy children began to play about their room, she would send her maid to ask her neighbors to make them be quiet.

Christophe met her once as he was coming in with the little girls, and was hurt and horrified by the hard way in which she looked at them.

One summer evening when the poor woman was sitting in the dark in the self-hypnotized condition of the utter emptiness of her living death, she heard Christophe playing. It was his habit to sit at the piano in the half-light, musing and improvising. His music irritated her, for it disturbed the empty torpor into which she had sunk. She shut the window angrily. The music penetrated through to her room. Madame Germain was filled with a sort of hatred for it. She would have been glad to stop Christophe, but she had no right to do so. Thereafter, every day at the same time she sat waiting impatiently and irritably for the music to begin: and when it was later than usual her irritation was only the more acute. In spite of herself, she had to follow the music through to the end, and when it was over she found it hard to sink back into her usual apathy.--And one evening, when she was curled up in a corner of her dark room, and, through the walls and the closed window, the distant music reached her, that light-giving music ... she felt a thrill run through her, and once more tears came to her eyes. She went and opened the window, and stood there listening and weeping. The music was like rain drop by drop falling upon her poor withered heart, and giving it new life. Once more she could see the sky, the stars, the summer night: within herself she felt the dawning of a new interest in life, as yet only a poor, pale light, vague and sorrowful sympathy for others. And that night, for the first time for many months, the image of her little girl came to her in her dreams.--For the surest road to bring us near the beloved dead, the best means of seeing them again, is not to go with them into death, but to live. They live in our lives, and die with us.

She made no attempt to meet Christophe. Bather she avoided him. But she used to hear him go by on the stairs with the children: and she would stand in hiding behind her door to listen to their babyish prattle, which so moved her heart.

One day, as she was going out, she heard their little padding footsteps coming down the stairs, rather more noisily than usual, and the voice of one of the children saying to her sister:

"Don't make so much noise, Lucette. Christophe says you mustn't because of the sorrowful lady."

And the other child began to walk more quietly and to talk in a whisper.

Then Madame Germain could not restrain herself: she opened the door, and took the children in her arms, and hugged them fiercely. They were afraid: one of the children began to cry. She let them go, and went back into her own room.

After that, whenever she met them, she used to try to smile at them, a poor withered smile,--(for she had grown unused to smiling);--she would speak to them awkwardly and affectionately, and the children would reply shyly in timid, bashful whispers. They were still afraid of the sorrowful lady, more afraid than ever: and now, whenever they pa.s.sed the door, they used to run lest she should come out and catch them. She used to hide to catch sight of them as they pa.s.sed. She would have been ashamed to be seen talking to the children. She was ashamed in her own eyes. It seemed to her that she was robbing her own dead child of some of the love to which she only was ent.i.tled. She would kneel down and pray for her forgiveness. But now that the instinct for life and love was newly awakened in her, she could not resist it: it was stronger than herself.

One evening, as Christophe came in, he saw that there was an unusual commotion in the house. He met a tradesman, who told him that the tenant of the third floor, M. Watelet, had just died suddenly of angina pectoris.

Christophe was filled with pity, not so much for his unhappy neighbor as for the child who was left alone in the world. M. Watelet was not known to have any relations, and there was every reason to believe that he had left the girl almost entirely unprovided for. Christophe raced upstairs, and went into the flat on the third floor, the door of which was open. He found the Abbe Corneille with the body, and the child in tears, crying to her father: the housekeeper was making clumsy efforts to console her.

Christophe took the child in his arms and spoke to her tenderly. She clung to him desperately: he could not think of leaving her: he wanted to take her away, but she would not let him. He stayed with her. He sat near the window in the dying light of day, and went on rocking her in his arms and speaking to her softly. The child gradually grew calmer, and went to sleep, still sobbing. Christophe laid her on her bed, and tried awkwardly to undress her and undo the laces of her little shoes. It was nightfall. The door of the flat had been left open. A shadow entered with a rustling of skirts. In the fading light Christophe recognized the fevered eyes of the sorrowful lady. He was amazed. She stood by the door, and said thickly:

"I came.... Will you ... will you let me take her?"

Christophe took her hand and pressed it. Madame Germain was in tears. Then she sat by the bedside. And, a moment later, she said:

"Let me stay with her...."

Christophe went up to his own room with the Abbe Corneille. The priest was a little embarra.s.sed, and begged Ms pardon for coming up. He hoped, he said, humbly, that the dead man would have nothing to reproach him with: he had gone, not as a priest, but as a friend. Christophe was too much moved to speak, and left him with an affectionate shake of the hand.

Next morning, when Christophe went down, he found the child with her arms round Madame Germain's neck, with the nave confidence which makes children surrender absolutely to those who have won their affection. She was glad to go with her new friend.... Alas! she had soon forgotten her adopted father.

She showed just the same affection for her new mother. That was not very comforting. Did Madame Germain, in the egoism of her love, see it?...

Perhaps. But what did it matter? The thing is to love. That way lies happiness....

A few weeks after the funeral Madame Germain took the child into the country, far away from Paris. Christophe and Olivier saw them off. The woman had an expression of contentment and secret joy which they had never known in her before. She paid no attention to them. However, just as they were going, she noticed Christophe, and held out her hand, and said:

"It was you who saved me."

"What's the matter with the woman?" asked Christophe in amazement, as they were going upstairs after her departure.

A few days later the post brought him a photograph of a little girl whom he did not know, sitting on a stool, with her little hands sagely folded in her lap, while she looked up at him with clear, sad eyes. Beneath it were written these words:

"With thanks from my dear, dead child."

Thus it was that the breath of life pa.s.sed into all these people. In the attic on the fifth floor was a great and mighty flame of humanity, the warmth and light of which were slowly filtered through the house.

But Christophe saw it not. To him the process was very slow.

"Ah!" he would sigh, "if one could only bring these good people together, all these people of all cla.s.ses and every kind of belief, who refuse to know each other! Can't it be done?"

"What do you want?" said Olivier. "You would need to have mutual tolerance and a power of sympathy which can only come from inward joy,--the joy of a healthy, normal, harmonious existence,--the joy of having a useful outlet for one's activity, of feeling that one's efforts are not wasted, and that one is serving some great purpose. You would need to have a prosperous country, a nation at the height of greatness, or--(better still)--on the road to greatness. And you must also have--(the two things go together)--a power which could employ all the nation's energies, an intelligent and strong power, which would be above party. Now, there is no power above party save that which finds its strength in itself--not in the mult.i.tude, that power which seeks not the support of anarchical majorities,--as it does nowadays when it is no more than a well-trained dog in the hands of second-rate men, and bends all to its will by service rendered: the victorious general, the dictatorship of Public Safety, the supremacy of the intelligence... what you will. It does not depend on us. You must have the opportunity and the men capable of seizing it: you must have happiness and genius. Let us wait and hope! The forces are there: the forces of faith, knowledge, work, old France and new France, and the greater France.... What an upheaval it would be, if the word were spoken, the magic word which should let loose these forces all together! Of course, neither you nor I can say the word. Who will say it? Victory? Glory?... Patience! The chief thing is for the strength of the nation to be gathered together, and not to rust away, and not to lose heart before the time comes. Happiness and genius only come to those peoples who have earned them by ages of stoic patience, and labor, and faith."

"Who knows?" said Christophe. "They often come sooner than we think--just when we expect them least. You are counting too much on the work of ages.

Make ready. Gird your loins. Always be prepared with your shoes on your feet and your staff in your hand.... For you do not know that the Lord will not pa.s.s your doors this very night."

The Lord came very near that night. His shadow fell upon the threshold of the house.