Franco... the cat-walk... air rifle... death with a gelatine capsule... Now. M would have to wait. Bond took a deep breath and started to run, trying to recall from his previous visits the quickest way to the ancient Palace, and the easiest clandestine way into it. If he was right, the girl would die very soon. If he was right; and if he did not get there in time to prevent it.

17.

Death in many fashions

The Palais Des Rois De Majorque stands on the higher ground at the southern part of Perpignan, and is approached through narrow sloping streets. The original Palace was built on a vast knoll, in the eleventh century, and was later walled in with the citadel - which rises to a height of almost three hundred feet and is wide enough at the top to accommodate a two-lane highway. On the inside, the walls dip to what was once the moat, making the whole a near-impregnable fortress.

Bond had visited the Palace several times before, and knew that the approach is made from the Street of the Archers, up flights of zig-zagging steps, which take the normal sightseer underground, to the main entrance, and then into the large cobbled courtyard. Above the entrance is the King's Gallery, while to the left are apartments closed to the casual visitor. On the right stands the great and impressive Throne Hall, while opposite the entrance runs a cloister with a gallery above it. Behind the cloister stands the lower Queen's Chapel, and above that, off the gallery, the magnificent Royal Chapel, with its series of lancet, equilateral and drop arches.

Above the two chapels the keep climbs upwards to a small bell-tower. This is the extent of the Palace usually on view to the public. Bond knew, however, that there was a further courtyard behind the cloister, gallery, chapels and keep. This area was still used: the yard itself as a depot for military vehicles and the surrounding buildings as billets for some of the local garrison; the bulk of whom lived below the citadel, in the Caserne Marechal Joffre.

On his last visit to the area - some three years before on a skiing holiday in the nearby mountains, Bond had fallen in with a French army captain from the garrison. One night, after a particularly lively apres ski session, the gallant captain had suggested drinks in his quarters, which lay within the second courtyard of the Palace. They had driven to Perpignan, and the Frenchman had shown Bond how easy it was to penetrate the barracks by entering through a narrow alley off the Rue Waldeck-Rousseau, and from there follow the transport road which climbed steeply to the top of the citadel. It was not possible to enter the rear courtyard through the main transport gates, but you could squeeze through a tiny gap in the long terrace of living quarters forming the rear side of the courtyard. It was on that night Bond also learned of the archway through the rear courtyard, which leads straight into the main Palace area.

So it was to the barracks, the Caserne Marechal Joffre, that he was now running as if the plague was at his heels. He knew there was little chance of gaining admittance to the main courtyard by following the normal route. Concerts were held there, and he had few doubts that this was where the Roussillon fashion show was being staged - under bright illuminations, and with the audience seated in the cobbled yard - or occupying the windows in the old royal apartments, the King's Gallery, and the gallery in front of the Royal Chapel.

It took nearly fifteen minutes for Bond to find the alley that led into the barracks, then another five before he could start the gruelling climb up the dusty, wide transport track.

Bond forced himself on - heart pumping, lungs strained and thigh muscles aching from the effort required to move swiftly up the steep gradient.

Above, he could see the burst of light from the main courtyard; while music and applause floated sporadically down on the still air. The fashion show was in full swing.

At last he reached the rear of the buildings that formed the very far end of the second courtyard. It took a few minutes to find the gap and, as he searched Bond was conscious of the height at which he now stood above the town. Far away fireworks still lit up the night in great starbursts of colour, shooting comets of blue, gold and red against the clear sky. Squeezing through the gap, he hoped that the bulk of the garrison would be away, down in the town celebrating with the locals on this feast of feasts.

At last Bond stood inside the dimly lit courtyard. Already his eyes were adjusted to the darkness, and he easily took in the simple layout. The large gateway was to his left, with a row of six heavy military trucks standing in line to its right. Facing the gates in single file and closed up, front to rear, were four armoured Creusot-Loire VAB, transports de troupes,as though in a readiness position. Few lights came from the barrack blocks which made up three sides of the yard. But Bond had few doubts that thetransport de troupecrews would be in duty rooms near by.

Keeping to the shadow of the walls, he moved quickly around two sides of the square, to bring himself close to the final dividing wall which backed on to the main palace. He found the archway, with its pa.s.sage and, stepping into it, he was able to see up the wide tunnel, the darkness giving way to a picture of colour and activity.

If his memory was correct, a small doorway lay to the right of the tunnel. This would take him up a short flight of steps and out on to the gallery in front of the Royal Chapel. He was amazed at the lack of security so far, and could only suppose that Murik had his men posted around the main courtyard or still in the town searching for him. Suddenly, from the shadows, stepped a gendarme, holding up a white-gloved hand and murmuring,'Monsieur, c'est prive. Avez-vous un billet?'

'Ah, le billet; oui.'Bond's hand went to his pocket, then swung upwards, catching the policeman neatly on the side of the jaw. The man reeled against the wall, a look of surprise in his already glazing eyes, before collapsing in a small heap.

It took a further minute for Bond to remove the officer's pistol, throwing it into the darkness of the tunnel, then to find, and use, the handcuffs, and, finally, gag the man with his own tie. As he left, Bond patted the gendarme's head.

'Bon soir,'he whispered,'Dormez bien.'

Within seconds he found the doorway and the short flight of steps leading to the gallery. It was not until he reached the elegantly arched pa.s.sage that the full realisation of his mission's urgency penetrated Bond's consciousness. So far, he had pushed himself on, thinking only of speed and access. Now the lethal nature of matters. .h.i.t him hard. He was there to save a life and deal with the shadowy Franco - terrorist organiser and unscrupulous killer.

The gallery was lined with people who had obviously paid well for the privilege of viewing the fashion show from this vantage point - even though it allowed standing room only. People stood at the high arched windows of the Throne Hall to his left and at those of the former royal apartments on the right of the courtyard. Across the yard, the King's Gallery was also crowded; and below, in the great yard itself, the show was in full swing. The main entrance, below the King's Gallery, led to a scaffold of carpeted steps, arranged to accommodate a small orchestra. A similarly carpeted cat-walk stretched out from directly below where Bond stood, probably starting at the edge of the cloister in front of the Queen's chapel. It ran the length of the courtyard, to end only a short distance from the orchestra, and was flanked by tiered scaffolding rising in wide steps on either side, to give the best paying customers a good close view - each step being arranged with those small gilt chairs so beloved by the organisers of major fashion shows the world over.

Murik's organisation had certainly drawn a full house, all well-heeled and immaculately dressed. Bond caught sight of Murik himself on the first step to the left of the cat-walk, sitting, resplendent in a white dinner jacket and maroon bow tie. Next to him was Mary-Jane Mashkin, swathed in white silk, a necklace sparkling at her throat.

The setting for the Roussillon show was undoubtedly magnificent: brilliantly lit by huge arc lights, and the ancient arches and cobbles glowed soft and warm in tones of grey and red, sandstone and terracotta. The place was almost tangibly steeped in the history of eight hundred years.

The fashion show which Bond was now watching had an ambience that did not match others Bond had attended. It was a minute or so before he realised that the difference lay in the music. Looking closer, he saw that the musicians comprised a consort, a kind of chamber ensemble, using copies of early, probably fifteenth- or sixteenth-century instruments. James Bond knew little about old instruments, having been a devotee of popular music during his schooldays; yet, as he looked, the shapes and sounds began to take on names, slipping into his mind from long-forgotten lessons. He recognised instruments such as the lute, the viol, the cittern, an early flute, pipes and the tambour. The noise they produced was pleasing enough: simple, dance-like, romantic, with strong texture and melody.

Bond did not have to look further than the cat-walk to understand the choice of music for this show. There were six models: three gorgeous black girls and a trio of equally delicious white ones, following each other on to and off the cat-walk with amazing speed and precision. As he looked down, Bond saw Lavender just prancing off as another girl reached the far end of the cat-walk, and yet another was stepping on, to take Lavender's place. The music was provided to match the dress designs. This year's Roussillon collection had undoubtedly been created to reflect medieval costume and patterns.

The materials were silks, brocades, chiffons and cords: the designs ranging from long-waisted dresses, with wide drooping sleeves; to elaborate costumes incorporating trains and surcoats. There was also a monastic look, with heavy circular collars, wimples and cowls; and off-beat little suits, made up of tunic and tight hose, with long decorated pallia which fell to the ground from the neck, or trailed behind the wearer. The colours were dazzling, the varied cuts and shapes enchanting, as they flared, rustled and floated around the models. Bond reflected that these clothes were, like so many collections ofhaute couture,the stuff that dreams were made of, rather than the clothing of everyday life.

Lavender reappeared, whirling to a slow dance, clad in a loose gold creation of multi-layered chiffon, with a short embroidered surcoat dropping ecclesiastically in front and behind. Bond had, to use a surge of will-power to drag himself from his reverie: before the sights and sounds below took control and plunged him into a kind of hypnotic trance. It must be well after eleven thirty by now. Somewhere, above or below him, Franco was waiting with a pellet of death, which he intended to use before the fashion show had ended.

Bond's eyes moved carefully over the crowds, up to the roofs, and any other possible vantage point for a marksman. There seemed to be no place for a man to hide. Unless... the answer came to him, and he glanced upwards, towards the gallery ceiling. Directly behind him lay the Royal Chapel. Above that, the keep rose, topped with the small bell-tower. Above the keep, he knew, there was a loft that had once served as the ringing chamber and store room. The ringing chamber had at least three unglazed windows, or openings. All these looked straight down into the courtyard.

The door to the keep was set into the wall, to the right of the Royal Chapel door, not more than a dozen paces from where he stood. Behind that, a tight stone staircase coiled upwards to various landings in the keep; and finally to the ringing chamber itself.

Bond whirled around, striding towards the Norman arched door, with its long iron hinge-plates and great ring latch. He tried the ring and it moved smoothly, soundless and well oiled. Gently he pulled the door open and stepped through. He was aware of a smell in the darkness - not mustiness, but the scent of oil mixed with an after-shave lotion, possibly Yves Saint Laurent. The stone spiral of stairs was narrow and slippery from hundreds of years' usage. Bond started to climb as quietly and quickly as he dared in the darkness. His thigh muscles felt weak now, after the exertions of the last half hour or so; but he plodded on silently, cheered by occasional shafts of light at the wider turns in the spiral and on the landings.

Three times he stopped to control his breathing. The last thing he could afford was to reveal his presence by any noise. Even through the thick walls, the sounds from the courtyard floated upwards. If the ringing chamber was indeed Franco's hideout, the killer would have to be invested with an extra sense to detect him, unless Bond made some unnecessary sound.

As he neared the top of the climb, Bond felt the sweat trickling from his hairline and down the insides of his arms. Slowly he took out the Browning and slipped off the safety catch.

Holding his breath, Bond reached the topmost steps, his head just below the aged wooden-planked floor of the chamber. There were five more steps to negotiate to bring his feet level with the floor. Putting all his weight on the right foot, Bond slowly lifted his body so that his eyes came just above floor level.

Franco was at right angles to him, lying in the cla.s.sic p.r.o.ne position of a marksman. The killer's concentration seemed to be centred completely on the scene below, his eyes close to a sniperscope fitted on top of the powerful Anschutz .22 air rifle. The b.u.t.t was tucked against his cheek and pressed hard into his shoulder. Franco's finger was on the trigger, ready to fire. Bond could not afford to miss if he fired the Browning. And anyway the rifle could still go off on a reflex action. If Bond jumped the man, he might only precipitate the marksman's deadly shot.

There was no time for further appraisal of the situation. Bond let up the remaining steps, calling out softly but sharply, 'Franco! Don't shoot!'

The marksman's head swivelled round as Bond heard the dull plop from the air rifle, a sound inaudible to anyone but Franco and Bond, high in the keep. In the same second, on an impulse, Bond flung himself on to the p.r.o.ne figure of Franco, landing with a bone-shattering crash across the marksman's shoulders. In a flash, lying spread-eagled across the terrorist's shoulders, James Bond took in the scene below, looking from Franco's viewpoint down through the rough square opening.

Lavender Peac.o.c.k was alone in the centre of the cat-walk, pirouetting in magnificent scarlet which drooped in long folds, like a crimson waterfall, around her body. Her arms were outstretched, her feet moving to a haunting jig played by the consort. Slightly to her left and behind her, Anton Murik sat partly turned in his chair, frozen for a moment, looking towards Mary-Jane Mashkin who had half-risen, one hand at her throat, the other like a claw to her chest. Almost exactly in line with Lavender, she was doubling forward, and, in what seemed like slow motion, she teetered, hovered, and then pitched headlong among the chairs.

Underneath Bond, Franco was cursing and struggling to free himself from 007's grip on the back of his neck, 'Mierda! I hit the wrong one. You'll...' His voice evaporated in a hiss of air as he let his muscles relax, then arched his back and jerked his legs to dislodge his a.s.sailant. Bond was taken by surprise and thrown off, his shoulder thudding against the wall on the far side of the chamber. Franco was on his feet in a second, his hand dropping to his hip and coming away with a small revolver. Bond, winded from the throw, levered himself from the wall and kicked wildly at the terrorist's hand, loosening his hold on the gun. It was enough to send Franco weaving and ducking down the narrow spiral stairs.

The staircase would be a deathtrap for either of them, and no place for a shooting match. Taking air in through his mouth, Bond regained his lost balance and started after the terrorist, glancing quickly down into the courtyard as he went. The music had stopped, and a small huddle of people were gathered around where he had seen Mary-Jane fall. He could see Lavender, who had come off the cat-walk, and one of Murik's guard, who stood very close to her. Caber was also there, with Murik apparently shouting orders to him. From the main entrance, two white-clad figures came running with a stretcher.

Bond waited at the top of the stairs until he was certain Franco had pa.s.sed the first landing. Then he began the difficult descent, the Browning held in front of him, ready to fire back, even if one of Franco's bullets caught him in the confined s.p.a.ce.

But Franco was being just as careful. He had a head start. Bond could hear him, cautiously going down, pausing at each landing, then quickly negotiating the next spiral.

At last Bond heard the door close below, and took the last section of stairs in a dangerous rush, grabbing at the door, pushing the Browning out of sight and stepping out into the gallery, where a great many people were craning over, or leaving to get down into the courtyard. Franco was just ahead, making for the small flight of steps that would bring him into the archway through which Bond had made his entrance into the Palace. Taking little notice of people around him, Bond went after his quarry. By the time he reached the archway, there was no one to be seen, except the huddled figure of the gendarme, still out cold.

At the far side of the archway, the noise came only from behind. Nothing in front, from the rear courtyard: just silence and the shapes of the heavy trucks lined up along the wall near the gate to his far right.

Franco was there though. Bond could almost smell him, lurking in the shadows, or behind the line oftransports de troupes,maybe taking aim at this very moment. The thought quickly sent Bond into the shadow of the wall to his right. Now he must out-think Franco. This man was clever, a survivor, a terrorist who, in his career, had pa.s.sed through whole dragnets. Did he know of the narrow gap between the buildings on the far side, through which Bond had come? Or did he have another way? Would he wait among the shadows or by the vehicles, sweating it out, knowing that only Murik and his present a.s.sailant were aware of his presence?

Slowly, Bond began to crab his way along the wall, edging to the right, deciding that Franco would most likely have made for the cover of the vehicles. Eventually the man would have to run a long way, for his contract had gone awry in the most deadly manner. A gelatine capsule, Bond thought. That had been the missile, which reached a low velocity as it hit, and had some thin coating which burst on impact, leaving little or no mark but injecting something probably untraceable - into the victim's bloodstream. It would have to be very fast-acting, for Mary-Jane had collapsed within seconds.

It had been meant for Lavender. Bond had no doubt about that. Now Franco would know that the full might of Murik's private forces would be out to hunt him down, just as they were already in full cry after Bond.

He was getting close to the first truck. If Franco was hidden there he would certainly keep his nerve, holding back a natural desire to be rid of his pursuer by chancing a shot which could only call attention to his position.

But Bond had misread the hunted man. Maybe Franco had been rattled by what had occurred in the ringing chamber. The shot came directly from beside the rearmost transport de troupes,a single round, pa.s.sing like an angry hornet, almost clipping Bond's ear.

Dropping to the ground, Bond rolled towards the trucks parked against the wall, bunching himself up to present only the smallest target and coming to a stop beside the great, heavy rear offside wheel of the first truck. He had the Browning up, held in the two-handed grip, pointing towards the flash from the shot.

Once more Bond set himself the task of out-thinking his enemy. Franco would have moved after firing, just as Bond rolled towards the truck, which was only a few yards from the rear armouredtransport de troupes.

What would he - Bond - do in that situation? The trucks were at right angles to the little line of armoured troop carriers facing the gate. Bond thought he would have moved down to the secondtransport,protected by its armour, and then skipped across the gap between the line of transports de troupesand the truck behind which Bond was sheltering. If he was right Franco should at this moment be coming around this very truck and trying to take Bond from the rear.

Moving on tiptoe, crouched low, Bond silently crossed the few yards' gap between his truck and the reartransport de troupes.Whirling around, he dropped on to one knee and waited for Franco's figure to emerge from the cover which he had just relinquished.

This time, his thinking was right. Bond heard nothing but saw the shape of the hunted man, pressed hard against the bonnet of the big truck, as he carefully felt his way around it, hoping to come upon his opponent from behind.

Bond remained like a statue, the Browning an extension of his arms, held in a vice with both hands, and pointing directly towards the shadow that was Franco.

Still Franco's reputation held up. Bond was staking his life on his own stillness, yet the terrorist detected something. With a sudden move, the man dived to the ground, firing twice as he did so, the bullets screeching off the armour plating of thetransport de troupes.

Bond held his ground. Franco's shots had gone wide, and the target remained in line with the Browning's barrel. Bond fired with steady care: two pairs of shots in quick succession, a count of three between the pairs.

There was no cry or moan. Franco simply reared up like an animal, the head and trunk of his body arching into a bow from the ground then bending right back as the force of all four shots slewed him in a complete circle, then pushed him back along the ground as though wrenched by an invisible wire: arms, legs and what was left of his head flailing and flopping as a child's doll will bounce when dragged along the floor.

Bond could smell the death - in his head rather than nostrils. Then he became aware of lights coming on, running feet, shouts and activity. He moved, faster and even more silently than before, sprinting towards the minute gap between the far buildings, and so down the sandy track to the Caserne Marechal Joffre. When he reached the Caserne, Bond slowed down. He was breathing hard. Never run away from an incident, they taught you - just as you should never run after lighting an explosive fuse. Always walk with purpose, as though it was your right to be where you were.

He saw n.o.body on the way back to the private entrance shown him by the French captain; stepping with a smile into the Rue Waldeck Rousseau. He was home and dry: the street was empty.

Bond had walked four paces when the piercing whistle came from near by. For a second he thought it was a police whistle. Then he recognised the human sound: the whistle of a man who has been brought up in the country, the kind of noise one makes to call in hounds, or dogs, or other beasts. Now it brought in the Mercedes, bearing down on him, lights blazing. A pair of steel-like bands took him from the rear, pinioning his arms to his sides and pressing so that pain shot down to his hands and fingers. The Browning dropped to the pavement.

'I suppose ye got Franco, then. But it'll do ye nae bluddy guid for yersel, Bond,' Caber whispered in his ear. 'The Laird's mor'n a mite upset - and wi' good reason. Ocht man, he's longing tae set his eyes on ye. Just longing for it. I doubt he has some grand plans for ye.'

The car came alongside and Caber propelled Bond into the back seat as soon as the door was opened.

18.

A watched plot

M sat grey-faced, listening to the tape for the sixth time. 'It's him all right.' He looked up and Bill Tanner nodded in agreement. M turned to the Duty Officer. 'And the number?' he asked.

The telephone equipment at the Regent's Park building was the most sophisticated in the country. Not only were all incoming calls monitored and taped, but a selective printout was immediately available. The print-out included both the words spoken and the number from which the call had been dialled.

The Duty Officer shifted in his chair. 'It's French. We're sure of that because of the code.' He was a young man, in his first year of duty following the four-year training period. He sighed. 'As to its origin... well...'

'Well?' M's eyes flashed angrily.

'You know what it's like, sir. They're co-operating, of course, but at this time of night...'

'I know,' Bill Tanner cut in. 'It is tricky, sir. But I'll go off, with your permission, and try to ginger them up.'

'You do that, Tanner.' M's grey eyes showed no emotion. 'At least we're certain it was France?'

The Duty Officer nodded.

'Right.' M picked up his red telephone. 'Then it's time Duggan's people did something positive. Time for them to go into that d.a.m.ned castle - on suspicion of dirty work, or however they want to put it. It's safe enough now.'

'I shoulda finished yon man off long ago, Laird.' Caber spoke softly. Everyone around the Laird of Murcaldy had become quiet, almost reverent. A death in the family, Bond thought grimly. Would it have been like this if the real target had been hit?

Anton Murik looked shaken - if anything a shade shrunken in height - as he waved Caber away. 'I think not.' He looked hard at the huge Scot. 'You did as you were bidden: brought him back alive. A quick breaking of the neck or an accurate bullet's really too good for him now, Caber. When the time comes...' He gave a thin smile.

They were in a comfortable room, fitted simply with what Bond considered to be Scandinavian furniture stripped pine desk, table and chairs. There was only one padded and comfortable swivel chair, which was Murik's own preserve.

This time they had taken no chances. In the car, Bond had been immediately handcuffed. Now he sat shackled by wrists and ankles. He knew they were inside the Aldan Aeros.p.a.ce offices at the airport, but there were no windows to this room, which Murik had described as 'Spartan, but suitable for our needs'. He added that they had at least one very secure room in the place, 'from which the great Houdini himself could not escape'.

The Laird dismissed Caber and sat, looking at Bond, for a long time. Then he pa.s.sed a hand over his forehead wearily. 'You must forgive me, Mr Bond. I have been at the hospital, and with the police for some time. Everybody has been most kind.'

'The Franco business?' Bond asked.

'In a way.' Murik gave a bitter little laugh and repeated, 'In a way. You did it then, Bond. Finished off Franco.'

'There was no option. Even though you had cancelled my contract.'

'Yes.' The Laird gave a small sigh, almost of regret. 'Unhappily you have not only interfered a little early, but caused me great grief. Franco's death is, I gather, being treated simply as some gangland vendetta. They have yet to identify him.' He sighed again. 'The common flatworm,' he muttered.'Leptoplana tremellaris.It seems strange that my dear Mary-Jane has perished at the hands of the common flatworm. We've spent many years together, Mr Bond. Now you have been the cause of her death.'

Bond asked coolly if Murik would have mourned greatly had the death been that of his intended victim.

'Not in the least,' Murik flared. 'She is a useless little strumpet. Unnecessary. Mary-Jane was a brilliant scientist...' He lapsed into silence, as though the death of his mistress and its repercussions had only just made themselves felt. Then he repeated, 'The common flatworm.'

Bond pressed home on the man's emotional disadvantage, asking what he meant by the common flatworm.

'Killed her.' The Laird became matter-of-fact now. 'There's no getting away from it, Franco was a clever devil: an organiser of ingenuity and a killer of even greater skill. He explained it to me, Bond, after I had arranged things.'

Franco, it appeared, had access to scientific work on untraceable poisons. In great detail, as if talking to himself, Murik explained. 'For years we've known that a poison produced by the epidermal skin glands of the flatworm brings about cardiac arrest in animals. Very quick. A heart attack. It is only in the last year that an extract removed from the flatworm's skin has been made strong enough to bring about the same reaction in humans. A very small amount will bring on a perfectly natural heart attack in a matter of minutes, or seconds.'

Franco had arranged with his tame scientists to prepare a delivery system for the poison: a gelatine capsule of just the right thickness, fired over a specific distance, through a specific weapon, in this case the powerful Anschutz .22 air rifle. The pa.s.sage of the projectile, both through the barrel and, at its maximum velocity during its trajectory, would strip some of the gelatine away, leaving only a very thin layer. 'In fact it overshot the calculated distance.' For the first time Murik smiled. 'Yet still worked. A tiny sting - hardly felt by the recipient - but strong enough to just break the skin and inject the poison into the wound. Enough to produce a heart attack - and death.'

Bond asked if the authorities suspected anything. No, not a thing Murik told him. As far as everyone was concerned, Mary-Jane Mashkin had suffered cardiac arrest. 'I have the certificate.' He patted his pocket. 'We shall bury her when Meltdown is complete.' As he said it, the Laird's mood changed, as though he had become his old self again. 'She was a soldier, killed in action for my cause. It would be wrong to mourn. Now, there are more important things to be done. Really, Mr Bond, it is a pity we cannot work together. I have to admit some admiration for you. The play-acting after our arrival at Perpignan airport was worthy of a professional. But, then, it appears that you are a professional of some kind, aren't you?'

'If you say so.' Bond was tight-lipped. It must now be well after one in the morning. Already two attempts to beat Anton Murik had failed. Third time lucky - if there was to be a third time; for the sands were trickling out fast. Less than twelve hours to go before the sinister Laird's Meltdown project went into action, with Warlock leading the way.

Murik leaned forward with one of his little pecking movements. Strange, Bond thought, how the man could look so distinguished, with that mane of white hair, yet give the impression of being a bulldog and a bird at one and the same time.

'The man whose face you smashed up in the telephone booth, Mr Bond.' Murik smiled again. 'He heard the words you used. I can only presume that you are 007 - a code of some kind. Who is M?'

Bond shook his head. 'Haven't the foggiest.'

'Well, I have.' The Laird of Murcaldy leant further across the desk. 'In my time as a nuclear physicist, I too have signed the Official Secrets Act. I have been privy to what the novelists call the secret world. M, if I am correct, is the designation used for the person romantics like to call the head of the British Secret Service.'