Jacob's Room - Part 19
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Part 19

The moonlight falls like a pale page upon the church wall, and illumines the kneeling family in the niche, and the tablet set up in 1780 to the Squire of the parish who relieved the poor, and believed in G.o.d--so the measured voice goes on down the marble scroll, as though it could impose itself upon time and the open air.

Now a fox steals out from behind the gorse bushes.

Often, even at night, the church seems full of people. The pews are worn and greasy, and the ca.s.socks in place, and the hymn-books on the ledges.

It is a ship with all its crew aboard. The timbers strain to hold the dead and the living, the ploughmen, the carpenters, the fox-hunting gentlemen and the farmers smelling of mud and brandy. Their tongues join together in syllabling the sharp-cut words, which for ever slice asunder time and the broad-backed moors. Plaint and belief and elegy, despair and triumph, but for the most part good sense and jolly indifference, go trampling out of the windows any time these five hundred years.

Still, as Mrs. Jarvis said, stepping out on to the moors, "How quiet it is!" Quiet at midday, except when the hunt scatters across it; quiet in the afternoon, save for the drifting sheep; at night the moor is perfectly quiet.

A garnet brooch has dropped into its gra.s.s. A fox pads stealthily. A leaf turns on its edge. Mrs. Jarvis, who is fifty years of age, reposes in the camp in the hazy moonlight.

"... and," said Mrs. Flanders, straightening her back, "I never cared for Mr. Parker."

"Neither did I," said Mrs. Jarvis. They began to walk home.

But their voices floated for a little above the camp. The moonlight destroyed nothing. The moor accepted everything. Tom Gage cries aloud so long as his tombstone endures. The Roman skeletons are in safe keeping.

Betty Flanders's darning needles are safe too and her garnet brooch. And sometimes at midday, in the sunshine, the moor seems to h.o.a.rd these little treasures, like a nurse. But at midnight when no one speaks or gallops, and the thorn tree is perfectly still, it would be foolish to vex the moor with questions--what? and why?

The church clock, however, strikes twelve.

CHAPTER TWELVE

The water fell off a ledge like lead--like a chain with thick white links. The train ran out into a steep green meadow, and Jacob saw striped tulips growing and heard a bird singing, in Italy.

A motor car full of Italian officers ran along the flat road and kept up with the train, raising dust behind it. There were trees laced together with vines--as Virgil said. Here was a station; and a tremendous leave-taking going on, with women in high yellow boots and odd pale boys in ringed socks. Virgil's bees had gone about the plains of Lombardy. It was the custom of the ancients to train vines between elms. Then at Milan there were sharp-winged hawks, of a bright brown, cutting figures over the roofs.

These Italian carriages get d.a.m.nably hot with the afternoon sun on them, and the chances are that before the engine has pulled to the top of the gorge the clanking chain will have broken. Up, up, up, it goes, like a train on a scenic railway. Every peak is covered with sharp trees, and amazing white villages are crowded on ledges. There is always a white tower on the very summit, flat red-frilled roofs, and a sheer drop beneath. It is not a country in which one walks after tea. For one thing there is no gra.s.s. A whole hillside will be ruled with olive trees.

Already in April the earth is clotted into dry dust between them. And there are neither stiles nor footpaths, nor lanes chequered with the shadows of leaves nor eighteenth-century inns with bow-windows, where one eats ham and eggs. Oh no, Italy is all fierceness, bareness, exposure, and black priests shuffling along the roads. It is strange, too, how you never get away from villas.

Still, to be travelling on one's own with a hundred pounds to spend is a fine affair. And if his money gave out, as it probably would, he would go on foot. He could live on bread and wine--the wine in straw bottles--for after doing Greece he was going to knock off Rome. The Roman civilization was a very inferior affair, no doubt. But Bonamy talked a lot of rot, all the same. "You ought to have been in Athens,"

he would say to Bonamy when he got back. "Standing on the Parthenon," he would say, or "The ruins of the Coliseum suggest some fairly sublime reflections," which he would write out at length in letters. It might turn to an essay upon civilization. A comparison between the ancients and moderns, with some pretty sharp hits at Mr. Asquith--something in the style of Gibbon.

A stout gentleman laboriously hauled himself in, dusty, baggy, slung with gold chains, and Jacob, regretting that he did not come of the Latin race, looked out of the window.

It is a strange reflection that by travelling two days and nights you are in the heart of Italy. Accidental villas among olive trees appear; and men-servants watering the cactuses. Black victorias drive in between pompous pillars with plaster shields stuck to them. It is at once momentary and astonishingly intimate--to be displayed before the eyes of a foreigner. And there is a lonely hill-top where no one ever comes, and yet it is seen by me who was lately driving down Piccadilly on an omnibus. And what I should like would be to get out among the fields, sit down and hear the gra.s.shoppers, and take up a handful of earth--Italian earth, as this is Italian dust upon my shoes.

Jacob heard them crying strange names at railway stations through the night. The train stopped and he heard frogs croaking close by, and he wrinkled back the blind cautiously and saw a vast strange marsh all white in the moonlight. The carriage was thick with cigar smoke, which floated round the globe with the green shade on it. The Italian gentleman lay snoring with his boots off and his waistcoat unb.u.t.toned....

And all this business of going to Greece seemed to Jacob an intolerable weariness--sitting in hotels by oneself and looking at monuments--he'd have done better to go to Cornwall with Timmy Durrant....

"O--h," Jacob protested, as the darkness began breaking in front of him and the light showed through, but the man was reaching across him to get something--the fat Italian man in his d.i.c.ky, unshaven, crumpled, obese, was opening the door and going off to have a wash.

So Jacob sat up, and saw a lean Italian sportsman with a gun walking down the road in the early morning light, and the whole idea of the Parthenon came upon him in a clap.

"By Jove!" he thought, "we must be nearly there!" and he stuck his head out of the window and got the air full in his face.

It is highly exasperating that twenty-five people of your acquaintance should be able to say straight off something very much to the point about being in Greece, while for yourself there is a stopper upon all emotions whatsoever. For after washing at the hotel at Patras, Jacob had followed the tram lines a mile or so out; and followed them a mile or so back; he had met several droves of turkeys; several strings of donkeys; had got lost in back streets; had read advertis.e.m.e.nts of corsets and of Maggi's consomme; children had trodden on his toes; the place smelt of bad cheese; and he was glad to find himself suddenly come out opposite his hotel. There was an old copy of the Daily Mail lying among coffee-cups; which he read. But what could he do after dinner?

No doubt we should be, on the whole, much worse off than we are without our astonishing gift for illusion. At the age of twelve or so, having given up dolls and broken our steam engines, France, but much more probably Italy, and India almost for a certainty, draws the superfluous imagination. One's aunts have been to Rome; and every one has an uncle who was last heard of--poor man--in Rangoon. He will never come back any more. But it is the governesses who start the Greek myth. Look at that for a head (they say)--nose, you see, straight as a dart, curls, eyebrows--everything appropriate to manly beauty; while his legs and arms have lines on them which indicate a perfect degree of development--the Greeks caring for the body as much as for the face. And the Greeks could paint fruit so that birds pecked at it. First you read Xenophon; then Euripides. One day--that was an occasion, by G.o.d--what people have said appears to have sense in it; "the Greek spirit"; the Greek this, that, and the other; though it is absurd, by the way, to say that any Greek comes near Shakespeare. The point is, however, that we have been brought up in an illusion.

Jacob, no doubt, thought something in this fashion, the Daily Mail crumpled in his hand; his legs extended; the very picture of boredom.

"But it's the way we're brought up," he went on.

And it all seemed to him very distasteful. Something ought to be done about it. And from being moderately depressed he became like a man about to be executed. Clara Durrant had left him at a party to talk to an American called Pilchard. And he had come all the way to Greece and left her. They wore evening-dresses, and talked nonsense--what d.a.m.ned nonsense--and he put out his hand for the Globe Trotter, an international magazine which is supplied free of charge to the proprietors of hotels.

In spite of its ramshackle condition modern Greece is highly advanced in the electric tramway system, so that while Jacob sat in the hotel sitting-room the trams clanked, chimed, rang, rang, rang imperiously to get the donkeys out of the way, and one old woman who refused to budge, beneath the windows. The whole of civilization was being condemned.

The waiter was quite indifferent to that too. Aristotle, a dirty man, carnivorously interested in the body of the only guest now occupying the only arm-chair, came into the room ostentatiously, put something down, put something straight, and saw that Jacob was still there.

"I shall want to be called early to-morrow," said Jacob, over his shoulder. "I am going to Olympia."

This gloom, this surrender to the dark waters which lap us about, is a modern invention. Perhaps, as Cruttendon said, we do not believe enough.

Our fathers at any rate had something to demolish. So have we for the matter of that, thought Jacob, crumpling the Daily Mail in his hand. He would go into Parliament and make fine speeches--but what use are fine speeches and Parliament, once you surrender an inch to the black waters?

Indeed there has never been any explanation of the ebb and flow in our veins--of happiness and unhappiness. That respectability and evening parties where one has to dress, and wretched slums at the back of Gray's Inn--something solid, immovable, and grotesque--is at the back of it, Jacob thought probable. But then there was the British Empire which was beginning to puzzle him; nor was he altogether in favour of giving Home Rule to Ireland. What did the Daily Mail say about that?

For he had grown to be a man, and was about to be immersed in things--as indeed the chambermaid, emptying his basin upstairs, fingering keys, studs, pencils, and bottles of tabloids strewn on the dressing-table, was aware.

That he had grown to be a man was a fact that Florinda knew, as she knew everything, by instinct.

And Betty Flanders even now suspected it, as she read his letter, posted at Milan, "Telling me," she complained to Mrs. Jarvis, "really nothing that I want to know"; but she brooded over it.

f.a.n.n.y Elmer felt it to desperation. For he would take his stick and his hat and would walk to the window, and look perfectly absent-minded and very stern too, she thought.

"I am going," he would say, "to cadge a meal of Bonamy."

"Anyhow, I can drown myself in the Thames," f.a.n.n.y cried, as she hurried past the Foundling Hospital.

"But the Daily Mail isn't to be trusted," Jacob said to himself, looking about for something else to read. And he sighed again, being indeed so profoundly gloomy that gloom must have been lodged in him to cloud him at any moment, which was odd in a man who enjoyed things so, was not much given to a.n.a.lysis, but was horribly romantic, of course, Bonamy thought, in his rooms in Lincoln's Inn.

"He will fall in love," thought Bonamy. "Some Greek woman with a straight nose."

It was to Bonamy that Jacob wrote from Patras--to Bonamy who couldn't love a woman and never read a foolish book.

There are very few good books after all, for we can't count profuse histories, travels in mule carts to discover the sources of the Nile, or the volubility of fiction.

I like books whose virtue is all drawn together in a page or two. I like sentences that don't budge though armies cross them. I like words to be hard--such were Bonamy's views, and they won him the hostility of those whose taste is all for the fresh growths of the morning, who throw up the window, and find the poppies spread in the sun, and can't forbear a shout of jubilation at the astonishing fertility of English literature.

That was not Bonamy's way at all. That his taste in literature affected his friendships, and made him silent, secretive, fastidious, and only quite at his ease with one or two young men of his own way of thinking, was the charge against him.

But then Jacob Flanders was not at all of his own way of thinking--far from it, Bonamy sighed, laying the thin sheets of notepaper on the table and falling into thought about Jacob's character, not for the first time.

The trouble was this romantic vein in him. "But mixed with the stupidity which leads him into these absurd predicaments," thought Bonamy, "there is something--something"--he sighed, for he was fonder of Jacob than of any one in the world.

Jacob went to the window and stood with his hands in his pockets. There he saw three Greeks in kilts; the masts of ships; idle or busy people of the lower cla.s.ses strolling or stepping out briskly, or falling into groups and gesticulating with their hands. Their lack of concern for him was not the cause of his gloom; but some more profound conviction--it was not that he himself happened to be lonely, but that all people are.

Yet next day, as the train slowly rounded a hill on the way to Olympia, the Greek peasant women were out among the vines; the old Greek men were sitting at the stations, sipping sweet wine. And though Jacob remained gloomy he had never suspected how tremendously pleasant it is to be alone; out of England; on one's own; cut off from the whole thing. There are very sharp bare hills on the way to Olympia; and between them blue sea in triangular s.p.a.ces. A little like the Cornish coast. Well now, to go walking by oneself all day--to get on to that track and follow it up between the bushes--or are they small trees?--to the top of that mountain from which one can see half the nations of antiquity--