I'm the kind of person who would rather get my hopes up really high and watch them get dashed to pieces than wisely keep my expectations at bay and hope they are exceeded. This quality has made me a needy and theatrical friend, but has given me a spectacularly dramatic emotional life.

Anyway, I got called in for an interview with the program. I wore a pin-striped skirt suit I ordered from the clothing section of the Victoria's Secret catalogue. You know that section, where they can make a woman modeling a pair of overalls look s.l.u.tty? Yeah, it's amazing.

I thought I looked pretty awesome-like one of Ally McBeal's friends in cheaper material.

I arrived fifteen minutes early for my interview, which was the first of my three mistakes. I was interviewed by a paunchy and balding man name Leon. He was one of the guys who managed the page program, and it was obvious that lunchtime was his thirty-minute respite from this h.e.l.l job of interviewing an a.s.sembly line of ambitious, obnoxious liberal arts school grads. He didn't have an a.s.sistant to tell me to wait outside. There was no "outside" to his tiny office. Or a waiting area, as I thought there would be. It wasn't a posh enough job to have earned him all these extra rooms. My early arrival meant that either he would have to interview me or I would have to wander around Midtown for a while. Unfortunately, he chose the former. He reluctantly shoved his Quiznos sub aside and told me to have a seat. Strike one.

Life had been hard on Leon, his portliness and baldness obscuring his relative youth. Looking at a photo on his desk of him with two little kids, I asked, "Oh, are those your kids? They're so cute."

He looked aghast. "I'm twenty-five. Those are my nephews. You think I have kids?"

I was unable to conceal my surprise. "Oh! It's just that, you don't look, um, you seem more mature than that."

Leon gestured to me. "We're basically the same age."

Without thinking, I immediately responded, "Well, I'm actually three years younger than you." Why on earth did I correct him on his point? Oh, because I was a snotty little idiot.

Strike two.

Leon asked me, while eyeing his Quiznos sandwich longingly, why I wanted to be a TBN page. I answered honestly, saying that I would be honored to work for a terrific company that had been host to all my favorite shows growing up, and that the opportunities that came from the page program seemed amazing.

"Hold on." Leon stopped me. "So you only want this job for the opportunities it affords?"

I was puzzled. "I mean, that's part of why I'm applying, yes."

"This job is more than just a stepping-stone." Leon jotted down a short word on my resume that could only have been hate or yuck. Strike three.

Leon was now openly disgusted. What had he wanted? For me to say that all I wanted to do into my twilight years was give people backstage tours of morning talk shows? Oh, yeah. Yes. That's exactly what he wanted me say. I left knowing with certainty that I had not gotten the job. It was hard to be devastated, because it had been such a top-to-bottom disaster.

Now when I watch my friend Jack McBrayer excellently portray Kenneth, the career NBC page on 30 Rock, I understand what kind of commitment Leon wanted from me. I wonder if Leon is a consultant for the show. Or still a page.

I WORK FOR A TV PSYCHIC

Still babysitting, with no health insurance, I began to become a germaphobe, because I could not afford to get sick and go to the hospital. From a friend of a friend, I landed an interview for an entry-level job as a production a.s.sistant on a show I'll call Bridging the Underworld with Mac Teegarden. This was a cable program featuring the psychic Mac Teegarden, who relayed messages to members of the studio audience from their dead friends and relatives.

The morning I interviewed for the job, I had an enormous pimple on my face. A giant pimple is bad news for everyone, but if you have dark brown skin and a huge whitehead in the center of your forehead, it is especially disgusting. It wasn't even one of those stoic pimples that goes quietly when you pop it; this one was cystic and painful and had roots that seemed to extend into my brain. I wanted to postpone my interview but it would have been a last-minute change, and I wanted to hide the fact that I was a vain flake for as long as I could. (Coincidentally, Vain Flake is the name of my perfume, available at your finer drugstores and coastal Kmarts.) So, with my zit throbbing like a nightclub, I went to the interview.

My interview was with a segment producer named Gail and the exec producer Sally. Sally was a stout, masculine-looking woman, but not unattractive. She reminded me of a blond Rosie O'Donnell in her height: appealing, confident, and a tiny bit brusque.

They were both very nice, and seemed highly concerned about filling a position made vacant by their last PA, who had left abruptly for Teach for America. (Thank you, Teach for America! Luring away America's finest minds so that the rest of us can s.n.a.t.c.h up their jobs.) My interview lasted eight minutes. I could type, I could get coffee, I didn't have an accent. I guess Old Throbby on my forehead was my lucky charm!

Working for a TV psychic was not what my parents envisioned after investing in my degree, but the job had health benefits, and this pleased my mother. My mother is a doctor, and somewhat of a militant on the subject of health benefits, which is why I may seem slightly obsessed with them. The description of the PPO was more exciting than the job itself. I was working at a job that was vaguely in the world of television making $500 a week! Cue Madonna's "Holiday"! It's margarita time!

I always thought mediums were supposed to be old crones with gla.s.s eyes of the Drag Me to h.e.l.l variety, but Mac Teegarden turned out to be a wildly normal guy. He was a thirty-ish former phlebotomist and ballroom dance instructor with a Long Island accent. He was attractive in a Mario Lopez way, with slicked-back hair and a wardrobe of tight long-sleeve T-shirts. He looked like the kind of guy who lifts weights twice a day, is a great husband, and goes to Manhattan nightclubs with his wife four months after Justin Timberlake went there. I liked him a lot.

My immediate boss was Gail, the one who'd interviewed me. Gail was forty, single, and loved the world created by s.e.x and the City more pa.s.sionately than any other person I knew; I think she would've disappeared into the show if she could have. (Let me take a moment here to stress again just how pervasive the s.e.x and the City culture was in New York in 2002. You could be an NYU freshman, a Metropolitan Transit Authority worker, or an Orthodox Jewish woman living in a yeshiva: you watched s.e.x and the City.) Without knowing me at all, Gail nicknamed me Minz. I respond very well to people being overly familiar with me a little too soon. It shows effort and kindness. I try to do this all the time. It makes me feel part of a big, familial, Olive Garden-y community.

Gail would talk at length on Mondays about s.e.x and the City (the day after the show aired) and how it perfectly mirrored her life. I could tell she wanted to have a TV-show-worthy Manhattan existence, and I knew I was a disappointment to her when I failed to fill the adorable minority sidekick role. (By the way, I in no way mean to impugn the fun job of minority sidekick. Minority sidekicks always get to wear Hawaiian shirts and Tevas and stuff. I would gladly be the Indian female version of what Rob Schneider is to Adam Sandler, to just about anyone.)

"How is your love life, Minz?" she would ask hungrily, hoping to be entertained by raunchy details.

I had none. "Um, you know. So hard to meet guys," I answered vaguely, hoping my lack of a s.e.x life would seem mysterious and not pathetic.

"You're such a Charlotte," she replied. Gail found lemons and made lemonade. That's the one nice thing about being a dork about men: you can sometimes play it off as restrained and cla.s.sy.

Gail loved to talk about how stressed she was. She would do this thing where we'd be walking in the hallway, and suddenly she'd stop in her tracks, rub both of her temples with her index and middle fingers, and theatrically let out a deep guttural moan: "Mooog."

"Mooog. Minz. I am just so stressed out," she'd say. "I just want to go home, open a bottle of red wine, draw up a hot bath, light some candles, and listen to David Gray."

A note about me: I do not think stress is a legitimate topic of conversation, in public anyway. No one ever wants to hear how stressed out anyone else is, because most of the time everyone is stressed out. Going on and on in detail about how stressed out I am isn't conversation. It'll never lead anywhere. No one is going to say, "Wow, Mindy, you really have it especially bad. I have heard some stories of stress, but this just takes the cake."

This is entirely because my parents are immigrant professionals, and talking about one's stress level was just totally outlandish to them. When I was three years old my mom was in the middle of her medical residency in Boston. She had been a practicing obstetrician and gynecologist in Nigeria, but in the United States she was required to do her residency all over again. She'd get up at 4:00 a.m. and prepare breakfast, lunch, and dinner for my brother and me, because she knew she wouldn't be home in time to have dinner with us. Then she'd leave by 5:30 a.m. to start rounds at the hospital. My dad, an architect, had a contract for a building in New Haven, Connecticut, which was two hours and forty-five minutes away. It would've been easier for him to move to New Haven for the time of the construction of the building, but then who would have taken care of us when my mom was at the hospital at nights? In my parents' vivid imaginations, lack of at least one parent's supervision was a gateway to drugs, kidnapping, or at the very minimum, too much television watching. In order to spend time with us and save money for our family, my dad dropped us off at school, commuted the two hours and forty-five minutes every morning, and then returned in time to pick us up from our after-school program. Then he came home and boiled us hot dogs as an after-school snack, even though he was a vegetarian and had never eaten a hot dog before. In my entire life, I never once heard either of my parents say they were stressed. That was just not a phrase I grew up being allowed to say. That, and the concept of "Me time."

It is remarkable that I worked in the administrative offices of Bridging the Underworld without ever fully examining whether I believed that what Mac was doing was real. My only interaction with Mac Teegarden involved working for his producers. If you've never seen the show, Mac enters a room with a studio audience and asks questions that are presented as information he has received by communicating with dead relatives or dead friends of people in the audience. After he contacted the dead, he'd relay a message, and the show was over. Then a producer would pull that particular audience member aside, interview him further, and create a segment around him. I was one of the a.s.sistants who scurried around the selected audience member, collecting photos and getting him or her to sign releases.

When the audience members went back home, some of them would continue to call me. They saw me as the messenger's messenger. I have to admit that it was far more interesting to play a psychic conduit than it was to scan photos all day long. I spent hours talking to people, uninterrupted, about their loved ones who had pa.s.sed away. I had no new psychic information, but I was someone new to talk to and confide in. I was great at it, and it became the best part of my day. It was strangely a lot like babysitting. People wanted to talk to me about what interested them, and I was good at listening to them and not telling them to stop talking. This would come in handy for me later when I became a producer on The Office.

If I had to testify under oath, I would admit, no, I don't believe Mac Teegarden is psychic. I've just been made too aware of people like Carl Sagan and basic science and stuff. I am certain, though, that Mac Teegarden provided an enormous amount of comfort to people who had unexpectedly lost loved ones. I don't know if it was psychic, but it was cathartic, and therapeutic, and it helped people.

MINDY KALING, s.e.xUAL HARa.s.sER

I was living in Brooklyn with Brenda and Jocelyn, but Bridging the Underworld was taped in Queens. If I took the nicer subway, it meant I had to go through Manhattan every morning to get there, and that took a really long time. The subway line that ran the short way was the G line, which stopped exclusively in Brooklyn and Queens. That might be the only time the word exclusive has been used to describe the G train. At that time, the G train wasn't so hot. (My apologies to the train. I'm sure it's amazing now, with, like, a community garden and charter school in it. But not then.)

My coworker Rachel also lived in Brooklyn and took the G with me. Rachel was a pretty Jewish girl my age who was the heiress to a gourmet pickled Jewish food dynasty in L.A. She was an amazing cook who made her own bagels-a supremely c.o.c.ky thing to do in New York-and other delicious food. When I went over to her house to watch TV, there would be homemade rugelach for snacks.

Rachel and I jokingly (and hilariously) called the G the Rape Train. One morning at work we were joking about it in the commissary. We did not see Sally, the producer, standing a few feet away.

"Did you hear the Rape Train added new stops?" I said to Rachel.

"Yeah? What are they?" she asked.

"Lurk, Stalk, Stab, and Dump Body," I said, very pleased with myself. Rachel laughed. We high-fived.

Suddenly, Sally appeared behind us. She looked really upset.

"Do you girls feel unsafe when you come to work in the morning?" Sally asked.

I was surprised she'd heard us. When you're that low on the totem pole, you sometimes think you're so unimportant that no one can hear you. My sense of invisibility had made me loose-lipped.