As she closed the drawer, she smelled burned gunpowder underlying the hot-copper stench of fresh blood.

She was familiar with that odor. Over the years, more than a few of her mother's friends either had used guns to get what they wanted or had been at least fascinated by them.

Chyna had heard no shots. The intruder evidently had a weapon with a sound suppressor.

Water continued to cascade into the shower beyond the door. That susurrous splash, though soft and soothing under other circ.u.mstances, now abraded her nerves as effectively as the whine of a dentist's drill.

She was sure that the intruder wasn't in the bathroom. His work here was done. He was busy elsewhere in the house.

Right this minute she was not as frightened of the man himself as she was of discovering exactly what he had done. But the choice before her was the essence of the entire human agony: not knowing was ultimately worse than knowing.

At last she pushed open the door. Squinting, she entered the fluorescent glare.

The roomy bath featured yellow and white ceramic tile. On the walls at chair-rail height and around the edges of the vanity and lavatory counters ran a decorative tile band of daffodils and green leaves. She had expected more blood.

Paul Templeton was propped on the toilet in his blue pajamas. Lengths of wide strapping tape across his lap fixed him to the bowl. More tape encircled both his chest and the toilet tank, holding him upright.

Through the semitransparent bands of tape, three separate bullet wounds were visible in his chest. There might have been more than three. She didn't care to look for them and had no need to know. He appeared to have died instantly, most likely in his sleep, and to have been dead before he was brought into the bathroom.

Grief welled in her, black and cold. Survival meant repressing it at all costs, and surviving was the thing that she did best.

A collar of strapping tape around Paul's neck became a leash that tethered him to a hand-towel rack on the wall behind the toilet. The purpose was to prevent his head from falling forward onto his chest-and to direct his dead gaze toward the shower. His eyelids were taped open, and in his right eye was a starburst hemorrhage.

Shuddering, Chyna looked away from him.

Although the intruder had needed to kill Paul in his sleep to establish control of the house quickly, here he had been fantasizing that the husband was being forced to watch the atrocities committed against the wife.

This was a cla.s.sic tableau, a favorite of those sociopaths who took delight in performing for their victims. They actually seemed to believe that for a while the recently dead could still see, still hear, and were thus capable of admiring the bold antics and posing of a tormentor who feared neither man nor G.o.d. Textbooks described the delusion. In one of her aberrant-psychology cla.s.ses at UCSF, a speaker from the FBI's Behavioral Science Section had given them more graphic descriptions of such scenes than any textbooks could provide.

Firsthand, however, the impact of this brutality was worse than words could convey. Almost paralyzing. Chyna's legs felt heavy and stiff. The tingling in her hands was incipient numbness.

Sarah Templeton was in the stall shower, which was separate from the tub. Although the gla.s.s door was closed-and frosted-Chyna was able to see a faint, vaguely pinkish shape huddled on the shower floor.

On the face of the soffit above the gla.s.s door, the killer had printed two words. The black letters appeared to have been made with multiple strokes of an eyebrow pencil: DIRTY b.i.t.c.h DIRTY b.i.t.c.h.

Chyna had never wanted anything as much as she wanted to be free of the obligation to look into this shower stall. Surely Sarah could not be alive.

Yet if she turned away without being certain that the woman was beyond all help, ineradicable guilt would ensure that her own survival would become a kind of walking death.

Besides, she had committed her life to trying to understand this very aspect of human cruelty, and no published case study would ever bring her closer to comprehension than might the things that she saw here. In this house, on this night, the bleak landscape of the sociopathic mind had been externalized.

Echoing off the tile walls, the sizzle-splash of the falling water sounded like the hissing of serpents and the brittle laughter of strange children.

The water must be cold. Otherwise, steam would have been seething over the top of the shower enclosure.

Chyna held her breath, gripped the anodized aluminum handle, and opened the stall door.

Sarah Templeton had been wearing a pale-green teddy and matching panties. Her garments were in a sodden ball in one corner of the shower.

After her husband had been shot, the woman had evidently been hammered unconscious, perhaps with the b.u.t.t of the gun. Then she had been gagged; her cheeks bulged with whatever rag had been forced into her mouth. Strips of strapping tape had sealed her lips, but in the relentless icy spray, the edges of the tape had begun to peel away from her skin.

With Sarah, the killer had used a knife. She was not alive.

Chyna quietly closed the stall door.

If there was such a thing as mercy, then Sarah Templeton had never regained any awareness after being knocked unconscious.

She remembered the hug that Sarah had given her on the front walk when she had first arrived with Laura. Repressing tears, she wished that she herself were dead instead of the precious woman in the shower stall. Indeed, she was was half dead and less alive by the minute, because a piece of her heart died with each of these people. half dead and less alive by the minute, because a piece of her heart died with each of these people.

Chyna returned to the bedroom. She moved away from the bed but didn't go immediately toward the hall door. Instead, she stood in the darkest corner, shaking uncontrollably.

Her stomach rolled. An acidic burning rose in her chest, and a bitter taste filled the back of her mouth. She suppressed an urge to vomit. The killer might hear her retching, and then he would come to get her.

Although she'd met Laura's parents only the previous afternoon, Chyna had known them also from her friend's numerous anecdotes and colorful stories of family adventures. She should have felt even more grief than she did, but she had only a limited capacity for it right now. Later it would hit her harder. Grief thrived in a quiet heart, and right now hers thundered with terror and revulsion.

She was shocked that the killer had done so much damage while she had sat, unknowing, at the guestroom window, brooding on the stars and thinking of other nights when she had gazed at them from rooftops, backyard trees, and beaches. From what she'd seen, he had taken at least ten or fifteen minutes with Paul and Sarah before searching the rest of the large house to locate and overpower the remaining occupants.

Sometimes a man like this got a special thrill from risking interruption, even apprehension. Perhaps a half-asleep, bewildered child would be drawn into the parents' room by some commotion and then would have to be pursued and dragged down before escaping the house. Such possibilities heightened the pleasure that the creep took from his activities in the bedroom and the bath.

This was was a pleasure to him. A compulsion, but not one over which he despaired. Fun. His recreation. No guilt-therefore, no anguish. Savagery gladdened him. a pleasure to him. A compulsion, but not one over which he despaired. Fun. His recreation. No guilt-therefore, no anguish. Savagery gladdened him.

Somewhere in the house, he was either at play or resting until he was ready to begin the game again.

As her shakes subsided to shivers, Chyna grew increasingly afraid for Laura. Those two m.u.f.fled cries, minutes ago, had surely come after Sarah was already dead, so Laura must have been surprised in her sleep by a man smelling of her mother's blood. As soon as he had overpowered and secured her, he had hurried to search the rest of the second floor, concerned that another member of the family might have been alerted by her stifled screams.

He might not have returned immediately to Laura. Having found no one in any of the other rooms, confident that the house was firmly under his reign, he most likely had gone exploring. If the textbooks were correct, he would probably wish to violate every private s.p.a.ce. Pore through the contents of his host's and hostess's closets and desk drawers. Eat food from their refrigerator. Read their mail. Perhaps finger and smell the soiled clothing in the laundry-room hamper. If he could locate collections of family photographs, he might even sit in the den for an hour or longer, amusing himself with those alb.u.ms.

Sooner or later, however, he would return to Laura.

Sarah Templeton had been an extremely attractive woman, but night visitors like this man were drawn toward youth; they fed on innocence. Laura was his meat of choice, as irresistible as birds' eggs to certain tree-climbing serpents.

When at last Chyna overcame her racking nausea and was certain that she wouldn't betray herself by being suddenly and violently sick, she crept out of the corner and silently crossed the room.

She wouldn't have been safe in the master suite anyway. Before the visitor left, he was likely to return here for one last look at poor Sarah in the shower with her slender arms crossed in a pathetic and ineffective posture of defense.

At the half-open door, Chyna paused to listen.

Directly across the hall, the faded roses on the wallpaper seemed more mysterious than ever. The pattern had such enigmatic depth that she was almost convinced she might be able to part the th.o.r.n.y vines and step out of that paper arbor into a sunny realm where, when she looked back, this house would not exist.

With the light from the nightstand lamp behind her, she could not ease cautiously into the doorway and take her time peeking left and right, because when she moved onto the threshold, she would cast a shadow on those faded roses across the hall. Dawdling behind that unavoidable announcement of herself would be dangerous.

Seduced by a long silence that seemed to promise safety, she finally sidled between the half-open door and the jamb, into the hallway-and he was there there. Ten feet away. Near the head of the front stairs, which lay to the right. His back was to her.

She froze. Half in the hallway. Half on the threshold to the master suite. If he turned, she would not be able to slip away before he glimpsed her from the corner of his eye-yet she was unable to move now while there was still a chance to avoid him. She was afraid that if she made any sound whatsoever, he would hear it and spin toward her. Even the microwhispers of carpet fibers compressing under her shoe, if she moved, seemed certain to draw his attention.

The visitor was doing something so bizarre that Chyna was as transfixed by his activity as by her fear. His hands were raised in front of him, stretched as high as he could reach, and his spread fingers languorously combed the air. He seemed to be in a trance, as though trying to seine psychic impressions from the ether.

He was a big man. Six feet two, maybe even taller. Muscular. Narrow waist, enormous shoulders. His denim jacket stretched tautly across his broad back.

His hair was thick and brown, neatly barbered against the nape of his bull neck, but Chyna could not see his face. She hoped never to see it.

His seining fingers, stained with blood, looked crushingly strong. He would be able to choke the life out of her with a single-hand grip.

"Come to me," he murmured.

Even in a whisper, his rough voice had a timbre and a power that were magnetic.

"Come to me."

He seemed to be speaking not to a vision that only he could see but to Chyna, Chyna, as if his senses were so acute that he had been able to detect her merely from the movement of the air that she had displaced when she'd stepped soundlessly through the doorway. as if his senses were so acute that he had been able to detect her merely from the movement of the air that she had displaced when she'd stepped soundlessly through the doorway.

Then she saw the spider. It dangled from the ceiling on a gossamer filament a foot above the killer's reaching hands.

"Please."

As if responding to the man's supplications, the spider spun out its thread, descending.

The killer stopped reaching, turned his hand palm-up. "Little one," he breathed.

Fat and black, the obedient spider reeled itself down into the big open palm.

The killer brought his hand to his mouth and tipped his head back slightly. He either crushed the spider and ate it-or ate it alive.

He stood motionless, savoring.

Finally, without looking back, he went to the head of the stairs on the right, at the midpoint of the hallway, and descended spider-quick and almost spider-silent to the first floor.

Chyna shuddered, stunned to be alive.

The house held a drowning depth of stillness as a dam held water, with tremendous pent-up power and pressure on the breast.

When Chyna found the courage to move, she cautiously approached the head of the stairs. She feared that the visitor had not fully descended to the first floor, that he was toying with her, standing just out of sight, waiting, smiling. He would reach for her, palms up, and say, Come to me Come to me.

She held her breath, risked exposure, and looked down. The stairs curved through gradients of gloom to the foyer below. She could see just well enough to be sure that he wasn't there.

As far as Chyna could discern, no lamps were on downstairs. She wondered what he was doing in that darkness, guided only by the pale moonglow at the windows. Perhaps he was in a corner, crouched like a spider, sensitive to the faintest changes in the patterns of the air, dreaming of silent stalkings and the frenzied rending of prey.

She went quickly past the head of the stairs, into the last length of hallway, to the next open door and the second source of amber light, dreading what she might find. But she could cope with both the dread and the finding. It was always not not knowing, turning away from truth, that caused night sweats and bad dreams. knowing, turning away from truth, that caused night sweats and bad dreams.

This room was smaller than the master suite, with no sitting area. A corner desk. A double bed. One nightstand with a bra.s.s lamp, a dresser, a vanity with a padded bench.

On the wall above the bed was a poster-size portrait of Freud. Chyna loathed Freud. But Laura, dear of heart and idealistic, clung to a belief in many aspects of Freudian theory; she embraced the dream of a guiltless world, with everyone a victim of his troubled past and yearning for rehabilitation.

Laura was lying facedown on the bed, atop the sheets and the blankets. Her wrists were handcuffed behind her. A second pair of handcuffs secured her ankles. Linking both of those shiny steel restraints was a shackling chain.

She had been violated. The pants of her baggy blue pajamas had been cut off with a neatness worthy of a conscientious tailor; the blue panels of cloth had been smoothed across the blankets to both sides of her. The pajama shirt had been shoved up her back; now it was gathered in rumpled folds across her shoulders and the nape of her neck.

Chyna moved deeper into the room, her fear equaled now by a swelling sorrow that seemed to enlarge her heart yet leave it cold and empty. When she caught a faint odor of spilled s.e.m.e.n, her fear and sorrow were matched by anger. As she stooped beside the bed, her hands curled into such hard fists that her fingernails pressed painfully into her palms.

Sweat-damp blond hair was pasted to the side of Laura's face. Her delicate features were salt-pale and clenched in anxiety, and her eyes were squeezed tightly shut.

She was not dead. Not dead. It seemed impossible.

The girl-terror had reduced her to the condition of a girl-was murmuring so softly that the words couldn't be heard even from a distance of inches, yet so urgently that the meaning was harrowingly clear. It was a prayer, one that Chyna had recited on numerous nights long ago, in far places: a prayer for mercy, a plea to be delivered from this horror untouched and alive, dear G.o.d, please, untouched and alive.

On those other nights, Chyna had been spared both violation and death. Already, half of Laura's pet.i.tion had gone unanswered.

Chyna's throat tightened with anguish, and she could barely speak: "It's me."

Laura's eyelids sprang open, and her blue eyes rolled like those of a terrified horse, wide with disbelief. "All dead."

"Ssshhh," Chyna whispered.

"Blood. His hands."

"Ssshhh. I'll get you out of here."

"Stank like blood. Jack's dead. Nina. Everyone."

Jack, her brother, whom Chyna had not met. Nina, her sister-in-law. Evidently the killer had been to the vineyard manager's bungalow before coming to the main house. Four dead. There was no help to be found anywhere on the sprawling property.

Chyna glanced worriedly at the open door, then quickly rose to test the handcuffs on Laura's wrists. Securely locked.

With fettered hands and fettered ankles linked by a chain, Laura was thoroughly hobbled. She wouldn't be able to stand, let alone walk.

Chyna wasn't strong enough to carry her.

She saw her reflection in the vanity mirror across the room, and she realized with a shock how nakedly her terror was revealed in her wrenched face.

Trying to look more composed for Laura's sake, Chyna stopped beside the bed again and murmured almost as softly as her friend had been praying: "Is there a gun?"

"What?"

"A gun in the house?"

"No."

"Nowhere in the house?"

"No, no."

"s.h.i.t."

"Jack."