In Luck at Last - Part 7
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Part 7

"Yes," she said, "it is hard. I am very sorry. It was my fault."

"Perhaps I have said something, in my ignorance--something which ought not to have been said or written--something careless--something which has lowered me in your esteem--"

"Oh, no--no!" said Iris quickly. "You have never said anything that a gentleman should not have said."

"And if you yourself found any pleasure in answering my letters--"

"Yes," said Iris with frankness, "it gave me great pleasure to read and to answer your letters, as well as I could."

"I have not brought back your letters. I hope you will allow me to keep them. And, if you will, why should we not continue our correspondence as before?" But he did not ask the question confidently.

"No," said Iris decidedly "it can never be continued as before. How could it, when once we have met, and you have learned the truth?"

"Then," he continued, "if we cannot write to each other any more, can we not talk?"

She ought to have informed him on the spot that the thing was quite impossible, and not to be thought of for one moment. She should have said, coldly, but firmly--every right-minded and well-behaved girl would have said--"Sir, it is not right that you should come alone to a young lady's study. Such things are not to be permitted. It we meet in society, we may, perhaps, renew our acquaintance."

But girls do go on sometimes as if there was no such thing as propriety at all, and such cases are said to be growing more frequent.

Besides, Iris was not a girl who was conversant with social convenances. She looked at her pupil thoughtfully and frankly.

"Can we?" she asked. She who hesitates is lost, a maxim which cannot be too often read, said, and studied. It is one of the very few golden rules omitted from Solomon's Proverbs. "Can we? It would be pleasant."

"It you will permit me," he blushed and stammered, wondering at her ready acquiescence, "if you will permit me to call upon you sometimes--here, if you will allow me, or anywhere else. You know my name. I am by profession an artist, and I have a studio close at hand in t.i.te Street."

"To call upon me here?" she repeated.

Now, when one is a tutor, and has been reading with a pupil for two years, one regards that pupil with a feeling which may not be exactly parental, but which is unconventional. If Arnold had said, "Behold me!

May I, being a young man, call upon you, a young woman?" she would have replied: "No, young man, that can never be." But when he said, "May I, your pupil, call sometimes upon you, my tutor?" a distinction was at once established by which the impossible became possible.

"Yes," she said, "I think you may call. My grandfather has his tea with me every evening at six. You may call then if it will give you any pleasure."

"You really will let me come here?"

The young man looked as if the permission was likely to give him the greatest pleasure.

"Yes; if you wish it."

She spoke just exactly like an Oxford Don giving an undergraduate permission to take an occasional walk with him, or to call for conversation and advice at certain times in his rooms. Arnold noticed the manner, and smiled.

"Still," he said, "as your pupil."

He meant to set her at her ease concerning the propriety of these visits. She thought he meant a continuation of a certain little arrangement as to fees, and blushed.

"No," she said; "I must not consider you as a pupil any longer. You have put an end to that yourself."

"I do not mind, if only I continue your friend."

"Oh," she said, "but we must not pledge ourselves rashly to friendship. Perhaps you will not like me when you once come to know me."

"Then I remain your disciple."

"Oh no," she flushed again, "you must already think me presumptuous enough in venturing to give you advice. I have written so many foolish things--"

"Indeed, no," he interrupted, "a thousand times no. Let me tell you once for all, if I may, that you have taught me a great deal--far more than you can ever understand, or than I can explain. Where did you get your wisdom? Not from the Book of Human Life. Of that you cannot know much as yet."

"The wisdom is in your imagination, I think. You shall not be my pupil nor my disciple, but--well--because you have told me so much, and I seem to have known you so long, and, besides, because you must never feel ashamed of having told me so much, you shall come, if you please, as my brother."

It was not till afterward that she reflected on the vast responsibilities she incurred in making this proposal, and on the eagerness with which her pupil accepted it.

"As your brother!" he cried, offering her his hand. "Why, it is far--far more than I could have ventured to hope. Yes, I will come as your brother. And now, although you know so much about me, you have told me nothing about yourself--not even your name."

"My name is Iris Aglen."

"Iris! It is a pretty name!"

"It was, I believe, my grandmother's. But I never saw her, and I do not know who or what my father's relations are."

"Iris Aglen!" he repeated. "Iris was the Herald of the G.o.ds, and the rainbow was constructed on purpose to serve her for a way from Heaven to the Earth."

"Mathematicians do not allow that," said the girl, smiling.

"I don't know any mathematics. But now I understand in what school you learned your heraldry. You are Queen-at-Arms at least, and Herald to the G.o.ds of Olympus."

He wished to add something about the loveliness of Aphrodite, and the wisdom of Athene, but he refrained, which was in good taste.

"Thank you, Mr. Arbuthnot," Iris replied. "I learned my heraldry of my grandfather, who taught himself from the books he sells. And my mathematics I learned of Lala Roy, who is our lodger, and a learned Hindoo gentleman. My father is dead--and my mother as well--and I have no friends in the world except these two old men, who love me, and have done their best to spoil me."

Her eyes grew humid and her voice trembled.

No other friends in the world! Strange to say, this young man felt a little sense of relief. No other friends. He ought to have sympathized with the girl's loneliness; he might have asked her how she could possibly endure life without companionship, but he did not; he only felt that other friends might have been rough and ill-bred; this girl derived her refinement, not only from nature, but also from separation from the other girls who might in the ordinary course have been her friends and a.s.sociates. And if no other friends, then no lover.

Arnold was only going to visit the young lady as her brother; but lovers do not generally approve the introduction of such novel effects as that caused by the appearance of a brand-new and previously unsuspected brother. He was glad, on the whole, that there was no lover.

Then he left her, and went home to his studio, where he sat till midnight, sketching a thousand heads one after the other with rapid pencil. They were all girls' heads, and they all had hair parted on the left side, with a broad, square forehead, full eyes, and straight, clear-cut features.

"No," he said, "it is no good. I cannot catch the curve of her mouth--n.o.body could. What a pretty girl! And I am to be her brother!

What will Clara say? And how--oh, how in the world can she be, all at the same time, so young, so pretty, so learned, so quick, so sympathetic, and so wise?"

CHAPTER IV.

THE WOLF AT HOME.

There is a certain music-hall, in a certain street, leading out of a certain road, and this is quite clear and definite enough. Its distinctive characteristics, above any of its fellows, is a vulgarity so profound, that the connoisseur or student in that branch of mental culture thinks that here at last he has reached the lowest depths. For this reason one shrinks from actually naming it, because it might become fashionable, and then, if it fondly tried to change its character to suit its changed audience, it might entirely lose its present charm, and become simply commonplace.

Joe Gallop stood in the doorway of this hall, a few days after the Tempting of Mr. James. It was about ten o'clock, when the entertainments were in full blast. He had a cigarette between his lips, as becomes a young man of fashion, but it had gone out, and he was thinking of something. To judge from the cunning look in his eyes, it was something not immediately connected with the good of his fellow-creatures. Presently the music of the orchestra ceased, and certain female acrobats, who had been "contorting" themselves fearfully and horribly for a quarter of an hour upon the stage, kissed their hands, which were as hard as ropes, from the nature of their profession, and smiled a fond farewell. There was some applause, but not much, because neither man nor woman cares greatly for female acrobats, and the performers themselves are with difficulty persuaded to learn their art, and generally make haste to "go in" again as soon as they can, and try henceforward to forget that they have ever done things with ropes and bars.