ILIUM.

by DAN SIMMONS.

Author's Note

When my kid brother and I used to take our toy soldiers out of the box, we had no problem playing with our blue and gray Civil War soldiers alongside our green World War II guys. I prefer to think of this as a precocious example of what John Keats called "Negative Capability." (We also had a Viking, a cowboy, an Indian, and a Roman Centurion flinging grenades, but they were in our Time Commando Platoon. Some anomalies demand what the Hollywood people insist on calling a backstory.) With Ilium, Ilium, however, I thought a certain consistency was required. Those readers who teethed, as I did, on Richmond Lattimore's wonderful 1951 translation of the however, I thought a certain consistency was required. Those readers who teethed, as I did, on Richmond Lattimore's wonderful 1951 translation of the Iliad Iliad will notice that Hektor, Achilleus, and Aias have become Hector, Achilles, and Ajax (Big and Little). In this I agree with Robert Fagles in his 1990 translation that while these more latinized versions are farther from the Greek-Hektor versus Akhilleus and the Akhaians and the Argeioi will notice that Hektor, Achilleus, and Aias have become Hector, Achilles, and Ajax (Big and Little). In this I agree with Robert Fagles in his 1990 translation that while these more latinized versions are farther from the Greek-Hektor versus Akhilleus and the Akhaians and the Argeioi-the more faithful version sometimes sounds like a cat coughing up a hairball. As Fagles points out, no one can claim perfect consistency, and it tends to read more smoothly when we return to the traditional practice of the English poets by using Latinate spellings and even modern English forms for the heroes and their gods.

The exception to this, again as per Fagles, is when we would have Ulysses instead of Odysseus or, say, Minerva replacing Athena. Alexander Pope in his incredibly beautiful translation of the Iliad Iliad into heroic couplets had no problem with "Jupiter" or "Jove" ripping Ares (not Mars) a new one, but my Negative Capability falters here. Sometimes, it seems, you have to play with just the green guys. into heroic couplets had no problem with "Jupiter" or "Jove" ripping Ares (not Mars) a new one, but my Negative Capability falters here. Sometimes, it seems, you have to play with just the green guys.

Note: For those readers who, like me, have problems in an epic tale telling the gods, goddesses, heroes, and other characters apart without a scorecard, I would refer you to our dramatis personae dramatis personae beginning on page 573 beginning on page 573.

1.

The Plains of Ilium.

Rage.

Sing, O Muse, of the rage of Achilles, of Peleus' son, murderous, man-killer, fated to die, sing of the rage that cost the Achaeans so many good men and sent so many vital, hearty souls down to the dreary House of Death. And while you're at it, O Muse, sing of the rage of the gods themselves, so petulant and so powerful here on their new Olympos, and of the rage of the post-humans, dead and gone though they might be, and of the rage of those few true humans left, self-absorbed and useless though they may have become. While you are singing, O Muse, sing also of the rage of those thoughtful, sentient, serious but not-so-close-to-human beings out there dreaming under the ice of Europa, dying in the sulfur-ash of Io, and being born in the cold folds of Ganymede.

Oh, and sing of me, O Muse, poor born-again-against-his-will Hockenberry-poor dead Thomas Hockenberry, Ph.D., Hockenbush to his friends, to friends long since turned to dust on a world long since left behind. Sing of my my rage, yes, of my rage, yes, of my rage, rage, O Muse, small and insignificant though that rage may be when measured against the anger of the immortal gods, or when compared to the wrath of the god-killer, Achilles. O Muse, small and insignificant though that rage may be when measured against the anger of the immortal gods, or when compared to the wrath of the god-killer, Achilles.

On second thought, O Muse, sing of nothing to me. I know you. I have been bound and servant to you, you, O Muse, you incomparable bitch. And I do not trust you, O Muse. Not one little bit. O Muse, you incomparable bitch. And I do not trust you, O Muse. Not one little bit.

If I am to be the unwilling Chorus of this tale, then I can start the story anywhere I choose. I choose to start it here.

It is a day like every other day in the more than nine years since my rebirth. I awaken at the Scholia barracks, that place of red sand and blue sky and great stone faces, am summoned by the Muse, get sniffed and passed by the murderous cerberids, am duly carried the seventeen vertical miles to the grassy summits of Olympos via the high-speed east-slope crystal escalator and-once reported in at the Muse's empty villa-receive my briefing from the scholic going off-shift, don my morphing gear and impact armor, slide the taser baton into my belt, and then QT to the evening plains of Ilium.

If you've ever imagined the siege of Ilium, as I did professionally for more than twenty years, I have to tell you that your imagination almost certainly was not up to the task. Mine wasn't. The reality is far more wonderful and terrible than even the blind poet would have us see.

First of all there there is the city, Ilium, Troy, one of the great armed poleis of the ancient world-more than two miles away from the beach where I stand now but still visible and beautiful and domineering on its high ground, its tall walls lighted by thousands of torches and bonfires, its towers not quite as topless as Marlowe would have us believe, but still amazing-tall, rounded, alien, imposing.

Then there are the Achaeans and Danaans and other invaders-technically not yet "Greeks" since that nation will not come into being for more than two thousand years, but I will call them Greeks anyway-stretched mile after mile here along the shoreline. When I taught the Iliad, Iliad, I told my students that the Trojan War, for all its Homeric glory, had probably been a small affair in reality-some few thousands of Greek warriors against a few thousand Trojans. Even the best informed members of the I told my students that the Trojan War, for all its Homeric glory, had probably been a small affair in reality-some few thousands of Greek warriors against a few thousand Trojans. Even the best informed members of the scholia scholia-that group of Iliad Iliad scholars going back almost two millennia-estimated from the poem that there could not possibly be more than 50,000 Achaeans and other Greek warriors drawn up in their black ships along the shore. scholars going back almost two millennia-estimated from the poem that there could not possibly be more than 50,000 Achaeans and other Greek warriors drawn up in their black ships along the shore.

They were wrong. Estimates now show that there are more than 250,000 attacking Greeks and about half that number of defending Trojans and their allies. Evidently every warrior hero in the Greek Isles came running to this battle-for battle meant plunder-and brought his soldiers and allies and retainers and slaves and concubines with him.

The visual impact is stunning: mile upon mile of lighted tents, campfires, sharpened-stake defenses, miles of trenches dug in the hard ground above the beaches-not for hiding and hunkering in, but as a deterrent to Trojan cavalry-and, illuminating all those miles of tents and men and shining on polished spears and bright shields, thousands of bonfires and cooking fires and corpse fires burning bright.

Corpse fires.

For the past few weeks, pestilence has been creeping through the Greek ranks, first killing donkeys and dogs, then dropping a soldier here, a servant there, until suddenly in the past ten days it has become an epidemic, slaying more Achaean and Danaan heroes than the defenders of Ilium have in months. I suspect it is typhus. The Greeks are sure it is the anger of Apollo.

I've seen Apollo from a distance-both on Olympos and here-and he's a very nasty fellow. Apollo is the archer god, lord of the silver bow, "he who strikes from afar," and while he's the god of healing, he's also the god of disease. More than that, he's the principle divine ally of the Trojans in this battle, and if Apollo were to have his way, the Achaeans would be wiped out. Whether this typhoid came from the corpse-fouled rivers and other polluted water here or from Apollo's silver bow, the Greeks are right to think that he wishes them ill.

At this moment the Achaean "lords and kings"-and every one of these Greek heroes is a sort of king or lord in his own province and in his own eyes-are gathering in a public assembly near Agamemnon's tent to decide on a course of action to end this plague. I walk that way slowly, almost reluctantly, although after more than nine years of biding my time, tonight should be the most exciting moment of my long observation of this war. Tonight, Homer's Iliad Iliad begins in reality. begins in reality.

Oh, I've witnessed many elements from Homer's poem that had been poetically misplaced in time, such as the so-called Catalogue of Ships, the assembly and listing of all the Greek forces, which is in Book Two of the Iliad Iliad but which I saw take place more than nine years ago during the assembly of this military expedition at Aulis, the strait between Euboea and the Greek mainland. Or the but which I saw take place more than nine years ago during the assembly of this military expedition at Aulis, the strait between Euboea and the Greek mainland. Or the Epipolesis, Epipolesis, the review of the army by Agamemnon, which occurs in Book Four of Homer's epic but which I saw take place shortly after the armies landed here near Ilium. That actual event was followed by what I used to teach as the the review of the army by Agamemnon, which occurs in Book Four of Homer's epic but which I saw take place shortly after the armies landed here near Ilium. That actual event was followed by what I used to teach as the Teichoskopia, Teichoskopia, or "View from the Wall," in which Helen identifies the various Achaean heroes for Priam and the other Trojan leaders. The or "View from the Wall," in which Helen identifies the various Achaean heroes for Priam and the other Trojan leaders. The Teichoskopia Teichoskopia appears in Book Three of the poem, but happened shortly after the landing and appears in Book Three of the poem, but happened shortly after the landing and Epipolesis Epipolesis in the actual unfolding of events. in the actual unfolding of events.

If there is is an actual unfolding of events here. an actual unfolding of events here.

At any rate, tonight is the assembly at Agamemnon's tent and the confrontation between Agamemnon and Achilles. This is where the Iliad Iliad begins, and it should be the focus of all my energies and professional skills, but the truth is that I don't really give a shit. Let them posture. Let them bluster. Let Achilles reach for his sword-well, I confess that I'm interested in observing that. Will Athena actually appear to stop him, or was she just a metaphor for Achilles' common sense kicking in? I've waited my entire life to answer such a question and the answer is only minutes away, but, strangely, irrevocably ... I ... don't ... give ... a ... shit. begins, and it should be the focus of all my energies and professional skills, but the truth is that I don't really give a shit. Let them posture. Let them bluster. Let Achilles reach for his sword-well, I confess that I'm interested in observing that. Will Athena actually appear to stop him, or was she just a metaphor for Achilles' common sense kicking in? I've waited my entire life to answer such a question and the answer is only minutes away, but, strangely, irrevocably ... I ... don't ... give ... a ... shit.

The nine years of painful rebirth and slow memory return and constant warfare and constant heroic posturing, not to mention my own enslavement by the gods and the Muse, have taken their toll. I'd be just as happy right now if a B-52 appeared and dropped an atomic bomb on both the Greeks and the Trojans. Fuck all these heroes and the wooden chariots they rode in on.

But I trudge toward Agamemnon's tent. This is my job. If I don't observe this and make my report to the Muse, it won't mean loss of tenure for me. The gods will reduce me to the bone splinters and dusty DNA they re-created me from and that, as they say, will be that.

2.

Ardis Hills, Ardis Hall.

Daeman faxed into solidity near Ada's home and blinked stupidly at the red sun on the horizon. The sky was cloudless and the sunset burned between the tall trees on the ridgeline and set both the p-ring and the e-ring glowing as they rotated in the cobalt sky. Daeman was disoriented because it was evening here and it had been morning only a second before when he faxed away from Tobi's Second Twenty party in Ulanbat. It had been years since he visited Ada's home, and except for those friends whom he visited most regularly-Sedman in Paris, Ono in Bellinbad, Risir in her home on the cliffs of Chom, a few others-he never had a clue as to what continent or time zone he would find himself in. But then, Daeman did not know the names or positions of the continents, much less the concepts of geography or time zones, so his very lack of knowledge meant nothing to him.

It was still disorienting. He had lost a day. Or had he gained it? At any rate, the air smelled different here-wetter, richer, wilder.

Daeman looked around. He stood in the center of a generic faxnode pad-that usual circle of permcrete and fancy iron posts topped with a yellow crystal pergola, and near the center of the circle the post holding the inevitable coded sign that he could not read. There was no other structure visible in the valley, only grass, trees, a stream in the distance, the slow revolution of both rings crossing above like the armatures of some great, slow gyroscope.

It was a warm evening, more humid than Ulanbat, and the faxpad was centered in a grassy meadow surrounded by low hills. Twenty feet beyond the pad circle stood an ancient two-person, one-wheeled, open carriole, with an equally ancient servitor floating above the driver's nook and a single voynix standing between the wooden tongues. It had been more than a decade since Daeman had visited Ardis Hall, but now he remembered the barbaric inconvenience of all this. Absurd, not having one's home on a faxnode.

"Daeman Uhr Uhr?" queried the servitor, although it obviously knew who he was.

Daeman grunted and held out his battered gladstone. The tiny servitor floated closer, took the luggage in its padded cusps, and loaded it in the carriole's canvas boot while Daeman climbed aboard. "Are we waiting for others?"

"You are the final guest," replied the servitor. It hummed into its hemispherical niche and clicked a command; the voynix clamped onto the carriole tongues and began jogging toward the setting sun, its rusty peds and the carriole's wheel raising very little dust on the gravel roadway. Daeman settled back on the green leather, rested both hands on his walking cane, and enjoyed the ride.

He had come not to visit Ada but to seduce her. This is what Daeman did-seduce young women. That and collect butterflies. The fact that Ada was in her mid-twenties and Daeman was approaching his Second Twenty made no difference to him. Neither did the fact that Ada was his first cousin. Incest taboos had eroded away long ago. "Genetic drift" was not even a concept to Daeman, but if it had been, he would have trusted the firmary to fix it. The firmary fixed everything.

Daeman had been visiting Ardis Hill ten years earlier in his role as cousin-and trying to seduce Ada's other cousin, Virginia, out of sheer boredom since Virginia had all the attractiveness of a voynix-when he had first seen Ada nude. He had been walking down one of the endless Ardis Hall corridors in search of the breakfast conservatory when he had passed the younger woman's room, the door was ajar, and there reflected in a tall, warped mirror was Ada, bathing from a basin with a sponge and wearing only a mildly bored expression-Ada was many things, but overly hygienic was not one, Daeman had learned-and her reflection, this young woman just emerging from the chrysalis of girlhood, had arrested him, this adult man just a bit older then than Ada was now.

Even then, with the puffiness of childhood still present in her hips and thighs and bud-nipple breasts, Ada was a sight worth stopping to appreciate. Pale-the girl's skin stayed a soft, parchment white no matter how long she stayed outside-her gray eyes, raspberry lips, and black-black hair was an amateur eroticist's dream. The cultural mode had been for women to shave their armpits then, but neither young Ada nor-Daeman sincerely hoped-her adult counterpart had paid any more attention to that than she did to most other cultural modalities. Frozen in the tall mirror then (and pinned and mounted in the collection tray of Daeman's memory now) was that still-girlish but already voluptuous body, heavy pale breasts, creamy skin, alert eyes, all that paleness punctuated by the four dashes of black hair-the wavy question mark of hair she kept carelessly pinned up except when she played, which was most of the time, the two commas under her arms, and the perfect black exclamation mark-not yet matured to a delta-leading to the shadows between her thighs.

Riding in the carriole, Daeman smiled. He had no idea why Ada had invited him to this birthday celebration after all these years-or whose Twenty they were celebrating-but he was confident that he would seduce the young woman before he faxed back to his real world of parties and long visits and casual affairs with more worldly women.

The voynix trotted effortlessly, pulling the carriole with only the gravel-hiss underped and the soft humming of ancient gyroscopes in the carriage body. Shadows crept across the valley, but the narrow lane went up over a ridge, caught the last bit of the sun-bisected as it was on the next ridge west-and then descended into a wider valley where fields of some low crop stretched out on either side. The tending servitors flitted above the field, Daeman thought, like so many levitating croquet balls.

The road turned south-left to Daeman-crossed a river on a wooden covered bridge and then switchbacked up a steeper hill and entered an older forest. Daeman vaguely remembered hunting for butterflies in that ancient forest ten years ago, later on the day he had seen young Ada nude in the mirror. He remembered his excitement at collecting a rare breed of mourning cloak near a waterfall, the memory mingling with the excitement at seeing the girl's pale flesh and black hair. He remembered now the look Ada's reflection had given him when the pale face looked up from her ablutions-disinterested, neither pleased nor angry, immodest but not brazen, vaguely clinical-looking at twenty-seven-year-old Daeman frozen by lust in the hallway much the way Daeman himself had studied his captured mourning cloak.

The carriole was nearing Ardis Hall. It was dark under the ancient oaks and elms and ash trees nearing the top of the hill, but yellow lanterns had been set along the roadway and lines of colored lanterns could be glimpsed in the primeval forest, perhaps outlining trails.

The voynix padded out of the woods and a twilight view opened up: Ardis Hall glowing on its hilltop; white gravel paths and roads winding away from it in every direction; the long, grassy sward extending down from the manor house for more than a quarter mile before the greenway was blocked by another forest; the river beyond, still glowing, reflecting the dying light in the sky; and through a gap in the hills to the southwest, glimpses of more forested hills-black, devoid of lights-and then more hills beyond that, until the black ridges blended with dark clouds on the horizon.

Daeman shivered. He hadn't remembered until that minute that Ada's home was somewhere near the dinosaur forests on whatever continent this was. He remembered being terrified during his previous visit, although Virginia and Vanessa and all the rest had assured him that no dangerous dinosaurs were within five hundred miles-all the rest being reassuring, that is, except for fifteen-year-old Ada, who had merely looked at him with that calculating, mildly amused look he soon learned was her habitual expression. It had taken butterflies to get him outdoors for a walk then. It would take more now. Even though he knew it was perfectly safe with the servitors and voynix around, Daeman had no urge at all to be eaten by an extinct reptile and to wake up in the firmary with the memory of that indignity.

The giant elm on the downhill side of Ardis Hall had been festooned with scores of lanterns; torches lined the circular drive and the white-gravel paths from the house to the yard. Sentinel voynix stood along the driveway hedges and at the edge of the dark woods. Daeman saw that a long table had been set out near the elm tree-torches flickering in the evening breeze all around the festive setting-and that a few guests were already gathering there for dinner. Daeman also noted with his usual hint of pleased snobbery that most of the men here were still dressing in off-white robes, burnooses, and earth-tone evening oversuits, a style that had gone out of fashion months ago in the more important social circles Daeman inhabited.

The voynix padded up the circular drive to the front doors of Ardis Hall, stopped in the shaft of yellow light from those doors, and set the carriole tongues down so gently that Daeman did not even feel a bump. The servitor flitted around to fetch his bag while Daeman stepped down, glad to feel his feet on the ground, still feeling a bit lightheaded from the day's faxing.

Ada swept out the door and down the stairs to greet him. Daeman stopped in his tracks and smiled stupidly. Ada was not only more beautiful than he remembered; she was more beautiful than he could have imagined.

3.

The Plains of Ilium.

The Greek commanders are gathered outside Agamemnon's tent, there is a crowd of interested onlookers, and the brawl between Agamemnon and Achilles is already picking up steam.

I should mention that by this time I have morphed into the form of Bias-not the Pylian captain of that name in Nestor's ranks, but the captain serving Menestheus. This poor Athenian is ill with typhoid during this period and, though he will survive to fight in Book 13, he rarely leaves his tent, which is far down the coast. As a captain, Bias has enough rank that the spearmen and curious bystanders give way for him, allowing me access to the center circle. But no one will expect Bias to speak during the coming debate.

I've missed most of the drama where Calchas, Thestor's son and the "clearest of all the seers," has told the Achaeans the real reason for Apollo's wrath. Another captain standing there whispers to me that Calchas had requested immunity before speaking-demanding that Achilles protect him if the assembled crowd and kings disliked what he had to say. Achilles has agreed. Calchas told the group what they half suspected: that Chryse, the priest of Apollo, had begged for the return of his captured daughter, and Agamemnon's refusal had infuriated the god.

Agamemnon had been angry at the Calchas' interpretation. "He shit square goat turds," whispered the captain with a wine-scented laugh. This captain, unless I am mistaken, is named Orus and will be killed by Hector in a few weeks when the Trojan hero begins massacring Achaeans by the gross.

Orus tells me that Agamemnon agreed just minutes ago to give back the slave girl, Chryseis-"I rank her higher and like her better than Clytaemnestra, my own wife," Atreus' son, Agamemnon, had shouted-but then the king had demanded recompense in the form of an equally beautiful captive girl. According to Orus, who is three sheets to the wind, Achilles had shouted-"Wait a minute, Agamemnon, you most grasping man alive"-pointed out that the Argives, still another name for the Achaeans, the Danaans, the damned Greeks with so many names, were in no position to hand over more booty to their leader now. Someday, should the tide of battle turn back their direction, promised the man-killer Achilles, Agamemnon would get his girl. In the meantime, he told Agamemnon to give Chryseis back to her father and to shut up.

"At that point Lord Agamemnon, Atreus' son, began shitting whole goats," laughs Orus, speaking loudly enough that several captains turn to frown at us.

I nod and look at the inner circles. Agamemnon, as always, is in the center of things. Atreus' son looks every inch the supreme commander-tall, beard rolled in classic curls, a demigod's brow and piercing eyes, muscles oiled, dressed in the finest gear and garb. Directly opposite him in the open bull's-eye of the circle stands Achilles. Stronger, younger, even more beautiful than Agamemnon, Achilles almost defies description. When I first saw him at the Catalogue of the Ships more than nine years ago, I thought that Achilles had to be the most godlike human walking among these many godlike men, so imposing was the man's physical and command presence. Since then I've realized that for all his beauty and power, Achilles is relatively stupid-a sort of infinitely more handsome Arnold Schwarzenegger.

Around this inner circle are the heroes I spent decades teaching about in my other life. They do not disappoint when encountered in the flesh. Near Agamemnon, but obviously not siding with him in the argument now raging, is Odysseus-a full head shorter than Agamemnon, but broader in the chest and shoulders, moving among the Greek lords like a ram among sheep, his intelligence and craftiness visible in his eyes and etched into the lines on his weathered face. I've never spoken to Odysseus, but I look forward to doing so before this war ends and he leaves on his travels.

On Agamemnon's right is his younger brother Menelaus, Helen's husband. I wish I had a dollar for every time I've overheard one of the Achaeans gripe that if Menelaus had been a better lover-"had a bigger cock" was the way Diomedes crudely put it to a friend within my earshot three years ago-then Helen wouldn't have run off with Paris to Ilium and the heroes of the Greek isles wouldn't have wasted the past nine years on this accursed siege. On Agamemnon's left is Orestes-not Agamemnon's son, left at home and spoiled, who will someday avenge his father's murder and earn his own play, but only a loyal spear-carrier of the same name who will be slaughtered by Hector during the next big Trojan offensive.

Standing behind King Agamemnon is Eurybates, Agamemnon's herald-not to be confused with the Eurybates who is Odysseus' herald. Next to Eurybates stands Ptolemaeus' son, Eurymedon, a handsome boy, who is Agamemnon's charioteer-not to be confused with the far-less-handsome Eurymedon who is Nestor's charioteer. (Sometimes here I admit I'd exchange all these glorious patronymics for a few simple last names.) Also in Agamemnon's half of the circle tonight are Big Ajax and Little Ajax, commanders of the troops from Salamis and Locris. These two will never be confused, except by name, since Big Ajax looks like a white NFL linebacker and Little Ajax looks like a pickpocket. Euryalus, third in command of the Argolis fighters, is standing next to his boss, Sthenelus, a man who has such a terrible lisp that he can't pronounce his own name. Agamemnon's friend and the ultimate commander of the Argolis fighters, plain-speaking Diomedes, is also here, not happy tonight, glowering at the ground, his arms folded. Old Nestor-"the clear speaker of Pylos"-stands near the halfway point of the inner circle and looks even less happy than Diomedes as Agamemnon and Achilles raise the level of their anger and abuse toward one other.

If things go according to Homer's telling, Nestor will make his big speech in just a few minutes, trying in vain to shame both Agamemnon and the furious Achilles into reconciling before their anger serves the Trojans' aims, and I confess that I want to hear Nestor's speech even if just for his reference to the ancient war against the centaurs. Centaurs have always interested me and Homer has Nestor speak of them and the war against them in a matter-of-fact tone; centaurs are one of only two mythical beasts mentioned in the Iliad, Iliad, the other being the chimera. I look forward to his mention of the centaurs, but in the meantime, I stay out of Nestor's sight, since the identity I'm morphing-Bias-is one of the old man's subordinates, and I don't want to be pulled into conversation. No worry of that now-Nestor and everyone else's attention is focused on the exchange of harsh words and spittle between Agamemnon and Achilles. the other being the chimera. I look forward to his mention of the centaurs, but in the meantime, I stay out of Nestor's sight, since the identity I'm morphing-Bias-is one of the old man's subordinates, and I don't want to be pulled into conversation. No worry of that now-Nestor and everyone else's attention is focused on the exchange of harsh words and spittle between Agamemnon and Achilles.

Standing near Nestor and obviously allying themselves with neither leader are Menesthius (who will be killed by Paris in a few weeks if things proceed according to Homer), Eumelus (leader of the Thessalians from Pherae), Polyxinus (co-commander of the Epeans), Polyxinus' friend Thalpius, Thoas (commander of the Aetolians), Leonteus and Polypoetes in their distinctive Argissan garb, also Machaon and his brother Podalirius with their various Thessalian lieutenants standing behind them, Odysseus' dear friend Leucus (fated to be killed in a few days by Antiphus), and others I've come to know well over the years, not just by sight but by the sound of their voices, as well as by their distinctive modes of fighting and bragging and making offerings to the gods. If I haven't mentioned it yet, the ancient Greeks assembled here do nothing in a half-assed way-everything is performed to the full extent of their abilities, every effort running what one twentieth-century scholar called "the full risk of failure."

Opposite Agamemnon and standing to the right of Achilles is Patroclus-the man-killer's closest friend, whose death by Hector's hand is fated to set off the true Wrath of Achilles and the greatest slaughter in the history of warfare-as well as Tlepolemus, the mythic hero Herakles' beautiful son who fled his home after killing his father's uncle and who will soon die by Sarpedon's hand. Between Tlepolemus and Patroclus stands old Phoenix (Achilles' dear friend and former tutor) whispering to the son of Diocles, Orsilochus, who will be killed by Aeneas soon enough. To the raging Achilles' left is Idomeneus, a far closer friend of the man-killer's than I had suspected from the poem.

There are more heroes in the inner circle, of course, as well as countless more in the mob behind me, but you get the idea. No one goes nameless, either in Homer's epic poem or in the day-to-day reality here on the plains of Ilium. Every man carries his father's name, his history, his lands and wives and children and chattel with him at all times, in all encounters both martial and rhetorical. It's enough to wear a simple scholar out.

"All right, godlike Achilles, you cheater at dice, you cheater at war, you cheater with women-now you are trying to cheat me me!" Agamemnon is shouting. "Oh no you don't! You're not going to get past me that way. You have the slave girl Briseis, as beautiful as any we've taken, as beautiful as my Chryseis. You just want to cling to your prize while I end up empty-handed! Forget it! I'd rather hand over command of the army to Ajax here ... or Idomeneus ... or crafty Odysseus there ... or to you, Achilles ... you you ... rather than be cheated so." ... rather than be cheated so."

"Do it then," sneers Achilles. "It's time we had a real leader here."

Agamemnon's face grows purple. "Fine. Haul a black ship down to the sea and fill it with men to row and sacrifices for the gods ... take Chryseis if you dare ... but you you will have to perform the sacrifices, Achilles, O killer of men. But know that I'll take a prize as recompense-and that prize will be your lovely Briseis." will have to perform the sacrifices, Achilles, O killer of men. But know that I'll take a prize as recompense-and that prize will be your lovely Briseis."

Achilles's handsome face is contorted with rage. "Shameless! You're armored in shamelessness and shrewd in greed, you dog-faced coward!"

Agamemnon takes a step forward, drops his scepter, and puts a hand on his sword.

Achilles matches him step for step and grips the hilt of his own sword. "The Trojans have never done us any harm, Agamemnon, but you have! It wasn't the Trojan spearmen who brought us to this shore, but your own greed-we're fighting for you, you colossal heap of shame. We followed you here to win your honor back from the Trojans, yours and your brother Menelaus', a man who can't even keep his wife in the bedroom ..."

Here Menelaus steps forward and grips his his sword. Captains and their men are gravitating to one hero or the other now, so the circle is already broken, turning into three camps-those who will fight for Agamemnon, those who will fight for Achilles, and those, near Odysseus and Nestor, who look disgusted enough to kill both of them. sword. Captains and their men are gravitating to one hero or the other now, so the circle is already broken, turning into three camps-those who will fight for Agamemnon, those who will fight for Achilles, and those, near Odysseus and Nestor, who look disgusted enough to kill both of them.

"My men and I are leaving," shouts Achilles. "Back to Phthia. Better to drown in an empty ship heading home in defeat than to stay here and be disgraced, filling Agamemnon's goblet and piling up Agamemnon's plunder."

"Good, go!" shouts Agamemnon. "By all means, desert desert. I'd never beg you to stay and fight on my my account. You're a great soldier, Achilles, but what of it? That's a gift of the gods and has nothing to do with you. You love battle and blood and slaughtering your enemies, so take your fawning Myrmidons and go!" Agamemnon spits. account. You're a great soldier, Achilles, but what of it? That's a gift of the gods and has nothing to do with you. You love battle and blood and slaughtering your enemies, so take your fawning Myrmidons and go!" Agamemnon spits.

Achilles actually vibrates with anger. It is obvious that he is torn between the urge to turn on his heel, take his men, and leave Ilium forever, and the overwhelming desire to unsheath his sword and gut Agamemnon like a sacrificial sheep.

"But know this, Achilles," Agamemnon goes on, his shout dropping to a terrible whisper that can be heard by all the hundreds of men assembled here, "whether you leave or stay, I will give up my Chryseis because the god, god, Apollo, insists-but I will have your Briseis in her stead, and every man here will know how much greater man is Agamemnon than the surly boy Achilles!" Apollo, insists-but I will have your Briseis in her stead, and every man here will know how much greater man is Agamemnon than the surly boy Achilles!"

Here Achilles loses all control and goes for his sword in earnest. And here the Iliad Iliad would have ended-with the death of Agamemnon or the death of Achilles, or of both-and the Achaeans would have sailed home and Hector would have enjoyed his old age and Ilium would have remained standing for a thousand years and perhaps rivaled Rome in its glory, but at this second the goddess Athena appears behind Achilles. would have ended-with the death of Agamemnon or the death of Achilles, or of both-and the Achaeans would have sailed home and Hector would have enjoyed his old age and Ilium would have remained standing for a thousand years and perhaps rivaled Rome in its glory, but at this second the goddess Athena appears behind Achilles.

I see her. Achilles reels around, face contorted, and obviously also sees her. No one else can. I don't understand this stealth-cloaking technology, but it works when I use it and it works for the gods.

No, I realize immediately, this is more than stealth. The gods have frozen time again. It is their favorite way of talking to their pet humans without others eavesdropping, but I've seen it only a handful of times. Agamemnon's mouth is open-I can see spittle frozen in midair-but no sound is heard, no movement of jaw or muscles, no blinking of those dark eyes. So it is with every man in the circle: frozen, rapt or bemused, frozen. Overhead, a sea bird hangs motionless in mid-flight. Waves curl but do not break on the shore. The air is as thick as syrup and all of us here are frozen like insects in amber. The only movement in this halted universe comes from Pallas Athena, from Achilles and-even if shown only by my leaning forward to hear better-from me.

Achilles' hand is still on the hilt of his sword-half drawn from its beautifully tooled scabbard-but Athena has grabbed him by his long hair and physically turned him toward her, and he does not dare draw the sword now. To do so would be to challenge the goddess herself.

But Achilles' eyes are blazing-more mad than sane-as he shouts into the thickened, syrupy silence that accompanies these time-freezes, "Why! Damn, damn, why now! Why come to me now, Goddess, Daughter of Zeus? Did you come to witness my humiliation by Agamemnon?"

"Yield!" says Athena.

If you've never seen a god or goddess, all I can do is tell you that they are larger than life-literally, since Athena must be seven feet tall-and more beautiful and striking than any mortal. I presume their nanotechnology and recombinant DNA labs made them that way. Athena combines qualities of feminine beauty, divine command, and sheer power that I didn't even know could exist before I found myself returned to existence in the shadow of Olympos.

Her hand stays wrapped in Achilles' hair, bending his head back and making him swivel away from frozen Agamemnon and his minions.

"I'll never yield!" shouts Achilles. Even in this frozen air that slows and mutes all sound, the man-killer's voice is strong. "That pig who thinks he's a king will pay for his arrogance with his life!"

"Yield," says Athena for the second time. "The white-armed goddess Hera sped me down from the skies to stop your rage. Yield. Yield."

I can see a flicker of hesitation enter Achilles' crazed eyes. Hera, Zeus's wife, is the strongest ally of the Achaeans on Olympos and a patroness of Achilles since his odd childhood.

"Stop this fighting now, now," orders Athena. "Take your hand off your sword, Achilles. Curse Agamemnon if you must, but do not kill him. Do what we command now and I promise you this-I know know this is the truth, Achilles, just I see your fate and know the future of all mortal men-obey us now and one day glittering gifts three times this will be yours as payment for this outrage. Defy us and die this hour. Obey us both-Hera and me-and receive your reward." this is the truth, Achilles, just I see your fate and know the future of all mortal men-obey us now and one day glittering gifts three times this will be yours as payment for this outrage. Defy us and die this hour. Obey us both-Hera and me-and receive your reward."