Hunting with the Bow and Arrow - Part 10
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Part 10

Be sure that your heads are straight and true. To set them on your shaft, cut the wood to fit, then heat a bit of ferrule cement and set them on in the same plane as the nock. In the absence of ferrule cement, which can be had at all sporting goods stores, one can use chewing gum, or better yet, a mixture of caoutchouc pitch and scale sh.e.l.lac heated together in equal parts. Heat your fixative as you would sealing wax, over a candle, also heat the arrow and the metal head. Put on with these adhesives, it seldom pulls off. In the wilds we often fix the head with pine resin. Glue can be used, but it is not so good.

Having brought your arrows to this stage, the next act is to trim the feathers. First run them gently through the hand and smooth out their veins; then with long-bladed scissors cut them so that the anterior end is three-eighths of an inch high, while the posterior extremity is one inch. I also cut the rear tip of the feather diagonally across, removing about half an inch to prevent it getting in the way of the fingers when on the string.

Mr. Arthur Young cuts his feathers in a long parabola with a die made of a knife blade bent into shape. These things are largely a matter of taste.

Look your arrows over; see that they are straight and that the feathers are in good shape, then shoot them to observe their flight. Number them above the ribbon so that you can keep record of their performances. The weight of such an arrow is one and one-half ounces.

The small blunt, barb-headed arrows we often paint red their entire length. Because they are meant for use in the brush, they are more readily lost; the bright color saves many a shaft.

To make a hunting arrow requires about an hour, and one should be willing to look for one almost this time when it is lost. Finding arrows is an acquired art. Don't forget the advice of Ba.s.sanio: "In my school days when I had lost one shaft, I shot his fellow of the self-same flight, the self-same way, with more advised watch to find the other forth; and by adventuring both, I oft found both."

If, indeed, the shaft cannot be found, then give it up with good grace, remembering that after all it is pleasant work to make one. Dedicate it to the cause of archery with the hope that in future days some one may pick it up and, p.r.i.c.king his finger on the barb, become inoculated with the romance of archery.

When an arrow lodges in a root or tree, we work the head back and forth very carefully to withdraw it. A little pair of pliers comes in very handy here. If it is buried deeply we cut the wood away from it with a hunting knife. Blunt arrows, called bird bolts by Shakespeare, are best to shoot up in the branches of trees at winged and climbing game.

In our quivers we usually carry several light shafts we call eagle arrows, because they are designed princ.i.p.ally for shooting at this bird.

Once while hunting deer, and observing a doe and fawn drinking at a pool, we saw a magnificent golden eagle swoop down, catch the startled fawn and lift it from the ground. Mr. Compton and I, having such arrows in our quivers, let fly at the struggling bird of prey. We came so close that the eagle loosened the grip of his talons and the fawn dropped to earth and sped off with its mother, safe for the time being.

[Ill.u.s.tration: SEVERAL STEPS IN ARROW MAKING]

Often we have shot at hawks and eagles high up in the air, where to reach them we needed a very light arrow, and they have had many close calls. For these we use a five-sixteenths dowel, feather it with short, low cut parabolic feathers and put a small barbed head on it about an inch in length. Such an arrow we paint dark green, blue, or black, so that the bird cannot discern its flight.

It is great sport to shoot at some lazy old buzzard as he comes within range. He can see the ordinary arrow, and if you shoot close, he dodges, swoops downward, flops sidewise, twists his head round and round, and speeds up to leave the country. He presents the comic picture of a complacent old gentleman suddenly disturbed in his monotonous existence and frightened into a most unbecoming loss of dignity.

Eagle arrows can be used for lofty flights, to span great canyons, to rout the chattering bluejay from the topmost limb of a pine, and sooner or later we shall pierce an eagle on the wing.

We make another kind of shaft that we call a "floo-floo." In Thompson's _Witchery of Archery_ he describes an arrow that his Indian companion used, which gave forth such a fluttering whistle when in flight that they called it by this euphonious name. This is made by constructing the usual blunt screw-headed shaft and fledging it with wide uncut feathers. It is useful in shooting small game in the brush, because its flight is impeded and, missing the game, it soon loses momentum and stops. It does not bound off into the next county, but can be found near by. As a rule, these are steady, straight fliers for a short distance.

In finishing the nock of an arrow, it should be filed so that it fits the string rather snugly, thus when in place it is not easily disturbed by the ordinary accidents of travel. Still this tightness should be at the entrance of the nock, while the bottom of the nock is made a trifle more roomy with a round file. I file all my nocks to fit a certain two-inch wire nail whose diameter is just that of my bowstring.

After arrows have been shot for a time and their feathers have settled, they should again be trimmed carefully to their final proportions. The heads, if found too broad for perfect flight, should be ground a trifle narrower.

When hunting, one does well to carry in his pocket a small flat file with which to sharpen his broad-heads before shooting them. They should have a serrated, meat-cutting edge. Even carrying arrows in a quiver tends to dull them, because they chafe each other while in motion. From time to time you should rub the shafts and heads with the mixture of cedar and linseed oil, thus keeping them clean and protected from dampness.

On a hunting trip an archer should carry with him in his repair kit, extra feathers, heads, cement, a tube of glue, ribonzine, linen thread, wax, paraffin, sandpaper, emery cloth, pincers, file and small scissors. With these he can salvage many an arrow that otherwise would be too sick to shoot.

Extra arrows are carried in a light wooden box which has little superimposed racks on which they rest and are kept from crushing each other.

As a rule, nothing does an arrow so much good as to shoot it, and nothing so much harm as to have it lie inactive and crowded in the quiver.

The flight of an arrow is symbolic of life itself. It springs from the bow with high aim, flies toward the blue heaven above, and seems to have immortal power. The song of its life is sweet to the ear. The rush of its upward arc is a promise of perpetual progress. With perfect grace it sweeps onward, though less aspiring. Then fluttering imperceptibly, it points downward and with ever-increasing speed, approaches the earth, where, with a deep sigh, it sinks in the soil, quivers with spent energy, and capitulates to the inevitable.

VII

ARCHERY EQUIPMENT

Besides a bow and arrow, the archer needs to have a quiver, a bow case, a waterproof quiver case, an arm guard or bracer, and a shooting glove or leather finger tips. Our quivers are made of untanned deer hide, usually from deer shot with the bow. The hide, having been properly cleaned, stretched, and dried, is cut down the center, each half making a quiver. Marking a quadrilateral outline twenty-four inches on two sides, twelve at the larger end, and nine at the smaller, in such a way that the hair points from the larger to the smaller end; cut this piece and soak it in water until soft, and wash it clean with soap. At the same time cut a circular piece off the tough neck skin, three inches in diameter.

With a furrier's needle having three sharp edges, and heavy waxed thread, or better yet, with catgut, sew up the longer sides of the skin with a simple overcast st.i.tch. Let the hair side be in while sewing. In the smaller end sew the circular bottom. Invert the quiver on a stick; turn back a cuff of hide one inch deep at the top. To do this nicely, the hair should be clipped away at this point. This cuff stiffens the mouth of the quiver and keeps it always open.

Now put your quiver over a wooden form to dry.

[Ill.u.s.tration: ARROW HEADS OF VARIOUS SORTS USED IN HUNTING]

I have one like a shoemaker's last, made of two pieces of wood separated by a thin slat which can be removed, permitting easy withdrawal of the quiver after drying. When dry, your quiver will be about twenty-two inches deep, four inches across the top, and slightly conical.

Cut a strip of deer hide eight inches long by one and a half wide, shave it, double the hair side in, and attach it to the seamy side of the quiver by perforating the leather and inserting a lacing of buckskin thongs. Leave the loop of this strap projecting two inches above the top of the quiver. In the bottom of your quiver drop a round piece of felt or carpet to prevent the arrow points coming through the hide.

If you are not so fortunate as to have deer hide, you may use any stiff leather, or even canvas. This latter can be made stiff by painting or varnishing it.

Such a receptacle will hold a dozen broad-heads very comfortably and several more under pressure. It should swing from a belt at the right hip in such a way that in walking it does not touch the leg, while in shooting it is accessible to the right hand or may then be shifted slightly to the front for convenience.

In running we usually grasp the quiver in the right hand, not only to prevent it interfering with locomotion, but to keep the arrows from rattling and falling out. When on the trail of an animal we habitually stuff a twig of leaves, a bunch of ferns or a bit of gra.s.s in the mouth of the quiver to damp the soft rustling of the arrows. Sometimes, in going through brush or when running, we carry the quiver on a belt slung over the left shoulder. Here they are out of the way and give the legs full action.

To keep the arrows dry, and to cover them while traveling, we make a sheath for the quiver of waterproof muslin. This is long enough to cover the arrows and has a wire ring a bit larger than the top of the quiver sewn in the cloth some three inches from the upper end. This keeps the feathers from being crushed. The mouth of this cover is closed with a drawstring. On the side adjacent to the strap of the quiver, an aperture is cut to permit this being brought through and fastened to the belt.

The bow itself has a long narrow case made of the same cloth, or canvas, or green baize with a drawstring at the top and a leather tip at the bottom. Where several bows are packed together, each has a woolen bow case and all are carried in a canvas bag, composition carrying cylinder, or in a wooden bow box. In hunting we prefer the canvas bag, but you must carry it yourself, any one else will break your bows.

The bracer, or arm guard, is a cuff of leather worn on the left forearm to prevent the stroke of the bowstring doing damage. Some archers can shoot without this protection, but others, because of their style of shooting or their anatomical formation, need it. It can be made like a butcher's cuff, some six or eight inches long, partially surrounding the forearm and fastened by three little straps or by lacing in the back. Another form is simply a strip of thin sole leather from two to three inches wide by eight long, having little straps and buckles attached to hold it in position on the flexor surface of the wrist and forearm.

[Ill.u.s.tration: NECESSARY ARCHERY EQUIPMENT]

The bracer not only keeps the arm from injury, but makes for a clean release of the arrow. Anything such as a coat sleeve touching the bowstring when in action, diverts the arrow in its flight. On the sleeve of your shooting jersey you can sew a piece of leather for an arm guard.

While one may pick up a bow and shoot a few shots without a glove or finger protection, he soon will be compelled to cease because of soreness. Doubtless the ancient yeoman, a h.o.r.n.y-handed son of toil, needed no glove. But we know that even in those days a tab of leather was held in the hand to prevent the string from hurting. The glove probably is of more modern use and quite in favor among target archers.

We have found it rather hot in hunting, so have resorted to leather finger tips. These are best made of pigskin or cordovan leather, which is horse hide. This should be about a sixteenth of an inch thick and cut to such a form that the tips enclose the finger on the palmar surface up to the second joint and leave an oval opening over the knuckle and upper part of the finger nail. The best way to make them is to mould a piece of paper about each of the first three fingers on the right hand, gathering the paper on the back and crimping it with the thumb nail to show where to cut the pattern. Lay the paper out flat and cut it approximately according to the ill.u.s.trated form.

Transferring these outlines to the leather, cut three pieces accordingly, soak them in water and sew them. This st.i.tching is best done by previously punching holes along the edges with a fine awl and sewing an overcast st.i.tch of waxed linen thread which, having reached the end, returns backward on its course through the same holes. This makes a criss-cross effect which is strong and pleasing to the eye.

The ends of the finger cots should be sewed closed, protecting the fingers from injury and keeping out dirt. While the leather is still soft and damp, place the tips on the fingers and press them home. At the same time flex them strongly at the joints and try to keep them bent there. Such angulation helps not only in holding the bowstring, but keeps the tip from coming off under pressure. When dry, these leather stalls should be numbered according to the finger to which they belong, coated lightly with thin glue on the inside and waxed on the outer surface. Then they are ready for use.

An archer should have two sets of tips so that, should misfortune befall him and he loses one, he is not altogether undone. When not in use keep them in your pocket or strung on the strap of your bracer. In by-gone days they were sewed to straps which fastened to a wrist belt, thus were more secure from loss, but more c.u.mbersome.

From time to time oil your tips and always keep them from being roughened or scratched. With a small amount of glue in the tip one has only to moisten his fingers in his mouth and the leather stall will stick on firmly. We have also used lead plaster of the pharmacopoeia for the same adhesive purpose.

In the absence of pockets in ancient days, the archer carried his extra equipment in a wallet slung at his waist. Even now it seems a handy thing to have a deerskin wallet six by eight inches, by an inch or more deep. I frequently carry my tips, extra string, wax, file wrapped in a cloth, and a bit of lunch, in such a receptacle.

With his bow, his quiver, a wallet, our modern archer is ready and could step into Sherwood Forest feeling quite at home.