The incident is a charming one; and we may admit the facts as regards the clergyman to be fully true, and that the pleasure of Swift must have been great in having the opportunity of thus making a good man happy; but, in order to place the transaction on its probably correct basis, we must not forget that Swift was confessedly already most thoroughly weary of the obscurity of Kilroot, and longing for return to Moorpark. This takes a good deal of the romance out of it. Without, therefore, astonishing ourselves at the unworldly generosity of a young man abandoning his own chance in life to serve a poor and meritorious man, we may suppose to the full that Swift was glad to do the good man such a service while it jumped with his own wishes. No man was more clear-sighted than Swift as to the consequences of such things; and none could better estimate the wide difference in the mode of doing the thing, between saying, "Well, I'm tired of this stupid place; I must away again to England; but I'll try to get the living for you," and leaving the high merit of such a personal sacrifice to be attributed to him. In any way, it was rich in consequences. He left behind a family made happy; grateful hearts, and tongues that would sound his praises through the country; and what a _prestige_ with which to return to Moorpark! He came back like a hero of romance. That, judging by the after life of the dean, is probably the true view of the affair. He did a good deed, and he took care that it presented to the public its best side.

These ten years of life at Moorpark, which ended only with the death of Sir William Temple, were every way a most important portion of Swift's life. Here he laid at once the foundation of his fame and his wretchedness. Here, with books, leisure, and as much solitude as he pleased--with the conversation of Sir William Temple, and the most distinguished literati of the age who visited him--Swift, in so auspicious an atmosphere, not only thought and studied much, but wrote a vast deal, as it were to practice his pen for great future efforts, when he felt his mind and his knowledge had reached a sufficient maturity. He informs his friend, Mr. Kendall, that he had "written, and burned, and written again upon all manner of subjects, more than perhaps any man in England." He wrote Pindaric Odes; translated from the cla.s.sics; and exercised his powers of satire till he could confidently to himself predict the force of that "hate to fools" which he afterward a.s.sumed as his princ.i.p.al characteristic. Besides this, he was deeply engaged in a.s.sisting Sir William in the controversy on the superiority of ancient or modern learning, in which Temple, Boyle, Wotton, and Bentley were all involved. This occasioned Swift's "Battle of the Books," though it was not printed till some years afterward. Here, also, he wrote his famous "Tale of a Tub," which more than any other cause stopped effectually the path of his ambition toward a bishopric. Though not known avowedly as an author, Swift was now well known as a man of great ability to many literary men, and was on terms of particular friendship with Congreve.

But his literary pursuits here had not so completely engrossed him as to prevent his engaging in what, in any other man, would have been termed more tender ones; in Swift they must take some other name, be that what it may. The history of his conduct, too, with regard to every woman to whom he paid particular court, is the most extraordinary thing in all literary research; there have been several ways of accounting for it, into which it is not my intention to descend; let the causes have been what they may, they stamp his character for intense selfishness beyond all possibility of palliation. If Swift felt himself disqualified for entering into matrimonial relations from whatever cause or motive, as it is evident he did, he should have conducted himself toward women of taste and feeling accordingly; but, on the contrary, he never, in any instance, seems to have put the slightest check on himself in this respect. He paid them the most marked attentions; in some instances he wooed, with all the appearances of pa.s.sion, and proposed marriage with the most eager importunity; he saw one after another respond to his warmth, and then he coolly backed out, or entered into such a tantalizing and mysterious position--where the woman had to sacrifice every thing, peace of mind being destroyed, and character put into utmost jeopardy--as wore their very hearts and lives out. He played with women as a cat does with mice. So that they were kept fast bound within his toils, cut off from all the better prospects of life, sacrificed as victims to his need of their society, he cared nothing. He was alarmed and agitated almost to madness by the fear of losing them; yet this was a purely selfish feeling; he took no measures to set their hearts at rest; he placed them in such circ.u.mstances that he could not do it; to satisfy one he must immolate another. Some of the finest and most charming women of the age were thus kept, as it were, with a string round their hearts, by which he could pluck and torture them at pleasure, and keep them walking forever over the burning plowshares of agonizing uncertainties, and the world's oblique glances. There is nothing which can ever reclaim Swift's memory, in this respect, from the most thorough contempt and indignation of every manly mind.

Every instance of what are called love-affairs, in which Swift was concerned, presents the same features, even under the softened effect of the coloring of his most laudatory biographer, Sir Walter Scott. While Swift was at Leicester, his mother was afraid of his forming an imprudent attachment to a young woman there; at which Swift, knowing himself pretty well, only laughed. His flirtations, he represented, were only "opportunities of amus.e.m.e.nt;" a "sort of insignificant gallantry which he used toward the girl in question;" a "habit to be laid aside whenever he took sober resolutions, and which, should he enter the Church, he should not find it hard to lay down at the porch." This is base language, and that of Scott is hardly better. He says, "It is probably to a habit, at first indulged only from vanity or for the sake of amus.e.m.e.nt, that we are to trace the well-known circ.u.mstances which imbittered his life and impaired his reputation."

And is this all? Are habits of indulging vanity, and of amusing one's self with the affections and the happiness of others, to be thus coolly talked of? "Circ.u.mstances which imbittered _his_ life, and impaired _his_ reputation," indeed! Swift had the greatest right to imbitter his own life, and impair his own reputation, if he pleased, but that is not the question; it was because he most recklessly, for the indulgence of his vanity and his self-love, imbittered the lives of those who listened to him, and impaired their reputations, that he was culpable in proportion to his brilliant powers, and placed himself thereby in the category of heartless villains. These are severe words; but I have always felt, and still can not avoid feeling, that their application to Swift is most just and necessary. Perhaps no instance of mere meanness was ever more striking than that shown in his second courtship. The lady in this case was not a simple country girl, but was Jane Waryng, the sister of an ancient college companion; to this young lady, in his affected pastoral style, he had given the name of Varina. Let it be remembered that this was in Ireland, while he was bearing the name, and performing the functions, of a clergyman. His suit for this lady was continued for four or five years with all the appearances and protestations of the deepest attachment; he proposed marriage in the most unequivocal terms. The young lady does not seem to have responded very cordially to his advances, for a long time, in fact, till that very response put a speedy end to the disgraceful farce. When she did agree to accept him and his offer, "he seemed," says Scott, "to have been a little startled by her sudden offer of capitulation." He then a.s.sumed quite another tone; let Scott's own language relate what he did: "Swift charged Varina with want of affection and indifference; stated his own income in a most dismal point of view, yet intimated that he might well pretend to a better fortune than she was possessed of! He was so far from retaining his former opinion as to the effects of a happy union, that he inquired whether the physicians had got over some scruples they appeared to entertain on the subject of her health. (He had made this delicate health before a plea for entreating her to put herself under his care.) Lastly, he demanded peremptorily to know whether she would undertake to manage their domestic affairs with an income of rather less than three hundred pounds a year; whether she would engage to follow the methods he should point out for the improvement of her mind; whether she could bend all her affections to the same direction which he should give his own, and so govern her pa.s.sions, however justly provoked, as at all times to resume her good humor at his approach; and, finally, whether she could account the place where he resided more welcome than courts and cities without him. These premises agreed, as indispensable to please those who, like himself, 'were deeply read in the world,' he intimates his willingness to wed her, though _without_ personal beauty or large fortune."

This language requires no comment; it is the vile shuffle of a contemptible fellow, who, taken at his word, then bullies and insults to get off again.

The next victim of this wretched man was Esther Johnson, the Stella of this strange history. This young lady was the daughter of the steward of Sir William Temple at Moorpark; she was fatherless when Swift commenced his designs upon her; her father died soon after her birth, and her mother and sister resided in the house at Moorpark, and were treated with particular regard and esteem by the family. Miss Esther Johnson, who was much younger than Swift, was beautiful, lively, and amiable.

Swift devoted himself to her as her teacher, and under advantage of his daily office and position, engaged her young affections most absolutely.

So completely was it understood by her that they were to be married when Swift's income warranted it, that on the death of Temple, and Swift's preferment to the living of Laracor in Ireland, she was induced by him to come over and fix her residence in Trim near him, under the protection of a lady of middle age, Mrs. Dingley. The story is too well known to be minutely followed; Swift acquired such complete mastery over her, that he kept her near him and at his command the greater part of his life, but would neither marry her, nor allow her to marry any one else, though she had excellent offers. It was not till many years afterward, when this state of dependence, uncertainty, and arbitrary selfishness had nearly worn her to the death; and when these were aggravated by fears for her reputation, and then by the appearance of a rival on the scene, that she extorted from him a marriage, which was still kept a profound secret, unacknowledged, and which left her just in the position she was in before, that of a mere companion in presence of a third party, when he chose. The rival just mentioned was a Miss Vanhomrigh, the daughter of a widow lady, whose house he frequented during his life in London. This young lady, to whom he, on his uniform plan, which tended to prevent unpleasant claims by the evidence of letters, gave the name of Vanessa, as he termed himself Cadenus, was high-spirited and accomplished. When Swift, in his usual manner, had for a long time paid every marked attention to Miss Vanhomrigh, and was regarded both by herself and the whole family as an acknowledged lover, yet never came to plain terms, the young lady came boldly to them herself. The gay deceiver was thunderstruck: he had for a few years been living in the most intimate state of confidence with Stella, as her affianced lover; she had all the claims of honor and affection upon him that a wife could have; for, though maintaining the strictest propriety of life under the closest care of Mrs. Dingley, she was devoting her time, her thoughts, the very flower of her life, and the hazard of her good name, to his social happiness. This plain dealing, therefore, on the part of Vanessa, was an embarra.s.sing blow. "We can not doubt," says Scott, "that he actually felt" the shame, disappointment, guilt, surprise, "expressed in his celebrated poem, though he had not the courage to take the open and manly course of avowing those engagements with Stella, or other impediments, which prevented his accepting the hand and fortune of her rival."

The fox, in fact, was taken in his wiles. He had got more on his hands than, with all his cunning, he knew how to manage. His selfish tyranny had been able to control, and put off poor Stella, but Vanessa was a different kind of subject, and put the wretched shuffler into great alarm and anxiety. He retired to Ireland; but this did not mend the matter: it tended rather to make it worse; for Miss Vanhomrigh had property there, and speedily announced to the guilty dean her presence in Dublin. He was now in as pretty a fix as one could wish such a double-dealer to be. "The claims of Stella," says Scott, "were preferable in point of date, and to a man of honor and good faith, in every respect inimitable. She had resigned her country, her friends, and even hazarded her character, in hope of one day being united to Swift.

But if Stella had made the greater sacrifice, Vanessa was the more important victim. She had youth, fortune, fashion; all the acquired accomplishments and information in which Stella was deficient; possessed at least as much wit, and certainly higher powers of imagination. She had, besides, enjoyed the advantage of having in a manner compelled Swift to hear and reply to the language of pa.s.sion. There was in her case no Mrs. Dingley, no convenient third party, whose presence in society and community in correspondence necessarily imposed upon both a restraint, convenient perhaps to Swift, but highly unfavorable to Stella."

The consequences were such as might be expected. Swift endeavored to temporize and amuse Miss Vanhomrigh, and to get her to return to England, but in vain. She never ceased to press, to her, the important question, and to keep him in what he used to call a "quickset hedge."

She importuned him with complaints of cruelty and neglect, and it was obvious that any decisive measure to break this acquaintance would be attended with some such tragic consequence as, though late, at length concluded their story. He was thus compelled to a.s.sume a demeanor of kindness and affection to Vanessa, which, of course, soon was reported to Stella, and began to produce in her the most fatal symptoms. Her heart was wrung by fears and jealousies; her health gave way; and Swift was compelled to a private marriage, in order not to clog his conscience with her murder. The conditions of this marriage were, that it should continue a strict secret from the public, and that they should continue to live separately, and in the same guarded manner as before. The grand business of his life now was to soothe and wheedle Vanessa, and to play the hypocrite lover to her while he was the husband of another woman; a fine situation for a clergyman and a dean! This, we may believe, with a woman of Miss Vanhomrigh's temperament, was no easy task. His next plan was to get rid of her by inducing her to marry some one else, and for this purpose he presented to her Dean Winter, a gentleman of character and fortune, and Dr. Price, afterward Archbishop of Cashel. It was in vain; she rejected such offers peremptorily, and at length, as if to hide her vexation and seek repose in nature, she retired to Marley Abbey, her house and property near Celbridge. But the dreams of love and jealousy pursued her thither with only the more force. She heard whispers of Stella being actually the wife of Swift, and she determined to know the truth. For this purpose she wrote at once to Stella, and put the plain question to her. The result of this was rapid and startling.

In a few days she saw the dean descend from his horse at her gate, and advance to her door dark and fierce as a thunder-cloud. He entered, threw down a letter upon the table before her, and with a look black as night, stalked out again without a word, mounted, and rode away. As soon as Miss Vanhomrigh recovered in some degree from her terror and amazement, she took up the letter, opened it, and found it her own to Stella!

Stella herself confirmed the fatal truth by a candid avowal and Miss Vanhomrigh sank under the shock. For eight years, trusting probably to the promises of Swift, and the apparently failing health of Stella, she had maintained the unequal contest with her deep-rooted pa.s.sion and Swift's mysterious conduct, but this revelation of his villainy was her death. However, she lived only to revoke in haste her will, which had been made in favor of Swift, and to leave her fortune to Mr. Marshall, afterward one of the judges of the Court of Common Pleas in Ireland, and Dr. Berkeley, the celebrated philosopher, and afterward Bishop of Cloyne; and to command the publication of all the letters which had pa.s.sed between Swift and herself, as well as the celebrated poem of Cadenus and Vanessa.

Stella died in 1727-8, having borne the secret and corroding suffering of the position imposed by the selfishness of Swift for upward of thirty years. Mrs. Whiteway, a lady who was on terms of great intimacy with Swift, and spent much time at the deanery of St. Patrick's, stated, that when Stella was on her death-bed, she expostulated with Swift on his having kept their marriage unnecessarily secret, and expressed her fear that it might leave a stain on her reputation, to which Swift replied, "Well, my dear, if you wish it, it shall be owned." Stella replied, "_It is too late!_"

Scott says "he received this report of Mrs. Whiteway with pleasure, as vindicating the dean from the charge of cold-blooded and hard-hearted cruelty to the unfortunate Stella, when on the verge of existence." How does it vindicate him from any such charge? The avowal was never made by him; and so dubious was the very fact of the marriage left, as far as any act of Swift's was concerned, that its very existence has since been strenuously denied, especially by Mr. Monck Mason in his History of St.

Patrick's Cathedral. The simple truth is, that the whole of Swift's conduct to Stella for thirty-three years was a piece of "cold-blooded and hard-hearted cruelty," which admits of no defense. Such was the treatment which all ladies who manifested an attachment to Swift received at his hands; is it any wonder that such a man went mad?

These circ.u.mstances have given a singular character to the biography of Swift; the letters of Stella and Vanessa, which have been published, convert it, by their pa.s.sion and heart-eloquence, into a species of romance; in which, however, Swift himself plays the part of a very clever, witty, and domineering, but certainly not attractive hero.

Moorpark will always possess an interest connected with Stella. It was amid its pleasant groves that, young, beautiful, and confiding, she indulged with Swift in those dreams of after life which he was so bitterly to falsify. There is a cavern about three quarters of a mile from the mansion, called Mother Ludlam's Hole, which the country tradition represents as having been a frequent resort of Swift and Stella in their walks. It lies half way down the side of the hill, covered with wood toward the southern extremity of the park. It seems to have been hewn out of the sandstone rock, and to have increased considerably in its dimensions since it was described by Grose. The greatest height of this excavation may be about twelve feet, and its breadth twenty, but at the distance of about thirty feet from the entrance it becomes so low and narrow as to be pa.s.sable only by a person crawling on his hands and knees. From the bottom of the cave issues a small, clear stream, and two stone benches have been placed for the accommodation of visitors. The gloom and uncertain depth of the grotto, the sound of the water, and the beauty of the surrounding solitary scene, surveyed through the dark arched entrance, s.h.a.gged with weeds and the roots of trees, give the spot an impressive effect. Grose gives a jocose account of the origin of the name of the cave. Old Mother Ludlam, he tells us, was a _white_ witch, one who neither killed hogs, rode on broomsticks, nor made children vomit nails and crooked pins, but, on the contrary, did all the good she could. That the country people, when in want of any article, say a frying-pan or a spade, would come to the cave at midnight, and, turning three times round, would three times say, "Pray, good Mother Ludlam, lend me such a thing, and I will return it within two days." The next morning, on going there again, the article would be found laid at the entrance of the cave. At length the borrower of a large caldron was not punctual in returning it, which so irritated the good mother, that when it did come she refused to take it in again, and in course of time it was conveyed away to Waverley Abbey, and, at the dissolution of the monasteries, was deposited in Frensham Church.

From the hour of the non-appearance of the caldron, however, at its proper time, Mother Ludlam never would lend the slightest thing.

The resorts and residences of Swift in London, during his life there, have no very peculiar interest. He frequented freely the houses of the great political characters with whom he was connected. His immediate friends were Harley, Bolingbroke, G.o.dolphin. He was a frequent attendant at Leicester House, the court of the Prince of Wales, afterward George II. He was on the most familiar terms with all the literati, Gay, Pope, Addison, and for a considerable period, Steele, etc. He was often at Twickenham for months together, and b.u.t.ton's Coffee-house was the constant resort of the wits of the time, among whom he played a very conspicuous part. It is not in these places, however, that the deep interest of Swift's life has settled, and, therefore, we pa.s.s at once across the Channel to Ireland, and seek his homes there. We have already noticed his brief abode at Kilroot; his next residence was at Laracor, in Meath.

Swift was about thirty-two years of age when he attended Lord Berkeley, one of the lords-justices of Ireland, to that country as his chaplain and private secretary. Berkeley had promised him the first good church living that fell vacant, but the rich deanery of Derry soon after falling out, he would only _sell_ it to Swift for a thousand pounds.

Swift resented this in such a manner, that to prevent making so formidable an enemy, he gave him the next vacancy--the rectory of Agher, and the vicarage of Laracor and Rathbeggan. These livings, united, amounted to about 230 yearly; and the prebend of Dunlavin being added in the year 1700, raised Swift's income to between 350 and 400. His manner of taking possession of Laracor, where he resolved to live, was characteristic. He was a great walker, and he is said to have walked down _incognito_ to Laracor from Dublin, making doggerel rhymes on the places which he pa.s.sed through. Many anecdotes are related of this journey. Arriving, he entered the curate's house, demanded his name, and announced himself bluntly "as his master." All was bustle to receive a person of such consequence, who, apparently, was determined to make his consequence felt. The curate's wife was ordered to lay aside the doctor's clean shirt and stockings, which he carried in his pocket; nor did Swift relax his airs of domination until he had excited much alarm, which his subsequent and friendly conduct to the worthy couple turned into respectful attachment.

These _brusqueries_ of the dean's were, no doubt, very amusing to himself, and are agreeable enough to read of, but they must have been any thing but agreeable to those upon whom they were played off. They betray a want of regard to the feelings of others, and were, every one of them, offenses against the best laws of society, which every one who regards the kindly sparing of the feelings of the humble and the modest ought to condemn. However respectful might be the after attachment of this worthy curate and his wife, we may well believe that the first strange rudeness and severity of the dreaded dean would leave a wound and a terror behind that were not deserved, and that no one ought willingly to inflict. There were cases where folly merited the eccentric chastis.e.m.e.nt which Swift gave them. The farmer's wife who invited him to dinner, and then spoiled the dinner by repeatedly complaining that it really was too poor for him to sit down to, though the table groaned with good things, deserved, in some degree, the retort, "Then why did you not get a better? you knew I was coming; I have a good mind to go away and dine on a red herring." Yet even there, the good-natured country habit of the woman was somewhat too severely punished. She meant well.

Swift seemed to settle down at Laracor in good earnest. He found the church and parsonage much neglected and dilapidated, and set about their repairs at once. He was active and regular in the discharge of his clerical duties. He read prayers twice a week, and preached regularly on Sundays. The prayers were thinly attended, and it was on one of these occasions that Lord Orrery represents him as addressing the clerk, Roger c.o.xe, as "My dearly beloved Roger." The truth of the anecdote has been disputed, and is said to exist in an old jest-book, printed half a century before. This does not, however, render it at all improbable that Swift did not make use of the jest, especially when we know that Roger was himself a humorist and a joker; as, for instance, when Swift asked Roger why he wore a red waistcoat, and he replied, because he belonged to the church militant.

[Ill.u.s.tration: STELLA'S HOUSE.]

Swift took much pleasure in his garden at Laracor; converted a rivulet that ran through it into a regular ca.n.a.l, and planted on its banks avenues of willows. As soon as he was settled, Stella, and her companion, Mrs. Dingley, came over and settled down too. They had a house near the gate of Knightsbrook, the old residence of the Percivals, almost half a mile from Swift's house, where they lived when Swift was at Laracor, or were the guests of the hospitable vicar of Trim, Dr. Raymond. Whenever Swift left Laracor for a time, as on his annual journeys to England, the ladies then took possession of the vicarage of Laracor, and remained there during his absence. The site of Stella's house is marked on the Ordnance Survey of the county of Meath.

The residence of Swift at Laracor includes a most important portion of his life. It was, at the least, twelve years, as he took possession of his living in 1700, and quitted it for the deanery of St. Patrick in 1713. Here he was fully occupied with the duties of his parish, and the united labors of authorship and politics. Hardly was he settled when he wrote his pamphlet on the Dissensions between the n.o.bles and Commons of Rome, which applied to the impeachment by the Commons of Lords Somers, Oxford, Halifax, and Portland, on account of their share in the part.i.tion treaty. This brought him at once into the intimacy of Somers, Sunderland, and Halifax. Here he soon after published his Tale of a Tub, which had been written at Moorpark. This created a vast sensation, and though anonymous, like most of Swift's works, was soon known to be his, and his society was eagerly sought by men of the highest distinction both for rank and genius. Among the latter, Addison, Steele, Tickell, Philips, and others, at once became his friends. He now made use of his influence with government to obtain the gift of the first-fruits and tenths to the Church of Ireland, which he effected. Besides this boon to the Church at large, he increased the glebe of Laracor from one acre to twenty; and purchasing the t.i.thes of Effernock, when he was not overburdened with money, settled them forever on his successors. Here he amused himself with his quizzes upon Partridge the astrologer, under the t.i.tle of Isaac Bickerstaff, which almost drove that notorious impostor mad. Here he wrote the celebrated verses on Baucis and Philemon, and other of his poems. Here, in 1710, he made his grand political transit from the Whigs to the Tories, and became the great friend, a.s.sistant, and political counselor of Harley and Bolingbroke; living, during his long sojourns in London, on the most familiar terms with those n.o.blemen, and also with Pope, Gay, and all the more celebrated authors.

It is a singular subject of contemplation, and shows what momentous influence a mere private man may acquire in England by his talents, that of Swift's political achievements at this time. Here was a country clergyman of an obscure parish in Meath, with a congregation, as he himself said, of "some half-score persons," who yet wielded the destinies of all Europe. It was more by the power of his pen in "The Examiner," and by his counsels and influence, than by any other means, that the Tories were enabled to turn out of office the long-triumphant Whigs, and, by the peace of Utrecht, put a stop to the triumphs of Marlborough on the Continent. The vengeance which the Tories took on their adversaries the Whigs, on regaining power for a time, in Anne's reign, is, perhaps, the most startling thing in the history of party.

The Whigs had steadily pursued the war against Louis the Fourteenth, in which William had been engaged all his life. For nearly half a century, that is, from 1667 to 1713, had that French monarch driven on a desperate contest for the destruction of the liberties of Europe. In Spain, in the Netherlands, in Holland, in Italy, and Germany, had his generals, Catinat, Luxemburg, Conde, Turenne, Vendome, Villars, Melac, Villeroi, Tallard, &c., &c., led on the French armies to the most remorseless devastations. To this day, the successive demon deeds of Turenne, Melac, Crequi, and their soldiers, are vividly alive in the hearts and the memories of the peasantry of the Palatinate, where they destroyed nearly every city, chased the inhabitants away, leaving all that beautiful and fertile region a black desert, and, throwing the bones of the ancient Germanic emperors out of their graves in the Cathedral of Speir, played at bowls with their skulls. To extinguish Protestantism, and to extend the French empire, appeared Louis's two great objects, in which he was supported by all the spiritual power of the king of superst.i.tions, the pope. Revoking the Edict of Nantes, he committed the most horrible outrages and destruction on his own Protestant subjects. He hoped, on the subjugation of Holland and the reformed states of Germany, to carry out there the same horrors of religious annihilation. Except in the person of Bonaparte, never has the spirit of conquest and of political insolence shown itself in so lawless, determined, and offensive a form as in this ostentatious monarch. William III., before his accession to the British throne, had been the most formidable opponent to his progress. But he had contrived to set his grandson, Philip V., on the throne of Spain, in opposition to the claims of Austria, and, by the fear of the ultimate union of these two great nations under one sceptre, alarmed all Europe. In vain was the united resistance of Austria and Holland, till England sent out its great general, Marlborough; and the names of Marlborough and the Savoyard, Prince Eugene, became as those of the demi-G.o.ds in the temple of war; and Blenheim, Ramillies, Oudenarde, and Malplaquet, arose from their ages of obscurity into continental pyramids of England's military renown.

But of what avail was all this renown? What was won by it, except the empty glory itself? At the crowning moment--at the hour of otherwise inevitable retribution to the b.l.o.o.d.y and unprincipled monarch of France, and of recompense to those nations whose blood he had so lavishly shed, and whose surface he had covered with ashes, ruins, and horrors, instead of cities, peaceful villages, and fair fields--the Whigs were expelled from office by the Tories, and all the fruits of this long and bitter war were s.n.a.t.c.hed away from us and our allies. To deprive the Whigs of the glory of a successful war, to dash down as abortive all the triumphs of the Whig general, Marlborough, these men rushed into peace without consulting the allies, and left no results to the great European struggle but the blood which had been shed and the misery that had been endured. Louis, then eighty-five years of age, and tottering toward the grave, saw himself at once released from the most terrible condition into which his wicked ambition had plunged him--from the most terrible prospect of humiliation and disgrace which could wring such a mind. He had reduced his kingdom to the last stage of exhaustion by half a century's incessant contest with Europe; by bribing the English monarchs, Charles II. and James II., and many English n.o.bles, to refuse help to the suffering Continent; and by bribing and paying the armies of German princes whom he could induce to become traitors to their nation.

His people were fiercely imbittered against him; no taxes could be raised; his best generals were defeated on all hands, and a short time would, most probably, have seen Marlborough and Eugene antic.i.p.ate the allies of our day, by marching directly upon and taking possession of Paris. So sensible of this was Louis, that his haughty tone was totally gone; he ordered his emba.s.sadors to give up Alsace, and even to a.s.sist in driving Philip, his own grandson, out of Spain, by privately paying the allies a million of livres monthly for the purpose. The Tories came in at this critical juncture, and all was changed. They offered Louis a most unexpected peace. At once he lifted again his head and his heart; Alsace remains to this day a part of France, Spain has descended to the Bourbon, and the glory of Marlborough is without a single result except Blenheim House, the dukedom to his family, and _sixty-two millions and a half of taxation_, which that war cost the English people. The peace of Utrecht roused the indignation of the whole civilized world. Volumes have been written in reprehension of it, and even enlightened Conservatives of our time, as Hallam in his Const.i.tutional History, join in the condemnation.

Yet this mighty change, with all its countless consequences, could be effected, almost wholly, by the simple vicar of a simple Irish parish.

It was Swift who helped to plan and carry out this grand scheme of defeat and mortification to the Whigs, who had excited his wrath by withholding from him preferment. It was he, more than all men together, who, in the Examiner, painted the scheme in all his affluence of delusive colors to the nation, and roused the English people, by the cry of English blood and English money wasted on the Continent, to demand immediate peace. While we lament the deed, we must confess the stupendous powers of the man.

But all this could not win him the keenly-coveted bishopric. He could reverse the history of total Europe, he could reverse the victorious arms of Marlborough and Eugene, he could put forth his hand and save France and its proud monarch from just humiliation, but he could not extort from the reluctant queen, even by the combined hands of Oxford and Bolingbroke, the object of his own ambition, a mitre. The Tale of a Tub stood in his way; it was only just in time that his friends, themselves falling, secured for him the deanery of St. Patrick's, to which he retired to act the ostensible patriot by indulging his own private resentment against his enemies and his fate.

Laracor is about two English miles from Trim. It lies in a drearyish sort of a farming country, and to Swift, full of ambition, and accustomed to town life and the stirring politics of the time, with which he was so much mixed up, one would have thought must prove a perfect desert. There is no village there, nor does there appear to have been one. It was a mere church and parsonage, and huts were very likely scattered about here and there, as they are now. The church still stands; one of the old, plain, barn-like structures of this part of the country, with a low belfry. The grave-yard is pretty well filled with headstones and tombs, and some that seem to belong to good families. The church-yard is surrounded by a wall and trees, and in a thatched cottage at the gate lives the s.e.xton. He said he had built the house himself; that he was seventy-five or so; and his wife, who had been on the spot fifty years, as old; but that the inc.u.mbent, a Mr. Irvine, was eighty-four, and that he was but the third from Swift. Swift held it fifty-five years, the next inc.u.mbent nearly as long, and this clergyman thirty-six, or thereabouts. It must, therefore, be a healthy place. The old man complained that all the gentry who used to live near were gone away. His wife used to get 20 at Christmas for Christmas-boxes, "and now she does not get even a cup o' tay. Poor creature! and she so fond of the tay!"

Like his house at Dublin, Swift's house here is gone. There remains only one tall, thick ruin of a wall. "What is that?" I asked of a man at a cottage door close by. "It's been there from the time of the dane," said he. For a moment I imagined he meant the Danes, but soon recollected myself. Close to it, at the side of the high road, is a clear spring, under some bushes, and margined with great stones, which they call "the Dane's Cellar" and "the Dane's Well." "He was a very good man to the poor," say they. "He was a fine, bright man." This, however, is all the remains of his place here. The present vicar has built himself a good house in the fields, nearer to Trim; and not only the dean's house is all gone except this piece of wall, but his holly hedge, his willows, and cherry-trees have vanished. A common Irish hut now stands in what was his garden. The ca.n.a.l may still be traced, but the river walk is now a marsh.

Trim, where Stella lived when Swift was at Laracor, though the county town of Meath, is now little more than a large village. It bears, however, all the marks of its ancient importance. The ruins all about it, on the banks of the Boyne, are most extensive. They are those of a great palace, a castle, a cathedral, and other buildings. It is a great haunt for antiquarians, and not far distant from it is Tara, with its hill, the seat of ancient kings. As you leave the town to go to Laracor, you come, at the town-end, to a lofty column in honor of Wellington, who was born at Dangan Castle, a few miles beyond Laracor. The way to Laracor then lies along a flattish country, with a few huts here and there by the wayside. On your left, as you approach Laracor, runs an old ruinous wall, with tall trees within it, as having once formed a park.

The first object, connected with Swift, which arrests your attention, is the ruin of his house, with its spring, which lies on the right hand of the road; and on the left side of the road, perhaps a hundred yards further, stands the church in its inclosure.

From Laracor, Swift's remove was to Dublin, where he spent the remainder of his life. Here the deanery has been quite removed, and a modern house occupies its place. The old Cathedral of St. Patrick is a great object connected with his memory here. Though wearing a very ancient look, St.

Patrick's was rebuilt after its destruction in 1362, and its present spire was added only in 1750. In size and proportion the cathedral is fine. It is three hundred feet long, and eighty broad. It can not boast much of its architecture, but contains several monuments of distinguished men; among them, those of Swift and Curran. These two are busts. Aloft in the nave hang the banners of the Knights of St. Patrick; and again, in the choir, hang newly-emblazoned banners of the knights; and over the stalls which belong to the knights are fixed gilt helmets, and by each stall hangs the knight's sword. The whole fabric is now undergoing repair, and not before it was needed. Of course, the monuments of highest interest here are those of Swift and Stella. These occupy two contiguous pillars on the south side of the nave. They consist of two plain slabs of marble, in memory of the dean and Mrs.

Johnson--Stella. The inscription on the dean's slab is expressive "of that habit of mind which his own disappointments and the oppressions of his country had produced." It was written by himself:

"_Hic_ depositum est corpus JONATHAN SWIFT, S. T. D.

Hujus Ecclesiae Cathedralis Decani _Ubi_ saeva indignatio Ulterius Cor lascerare nequit.

Abi Viator Et imitare, si poteris, Strenuum pro virili Libertatis vindicatorem.

Obiit 19'o. die mensis Octobris, A.D. 1745. Anno aetatis 78."

Over this monument has been placed his bust in marble, sculptured by Cunningham, and esteemed a good likeness. It was the gift of T. T.

Faulkner, Esq., nephew and successor to Alderman George Faulkner, Swift's bookseller, and the original publisher of most of his works. The inscription over his amiable and much-injured wife is as follows: "Underneath lie the mortal remains of Mrs. Hester Johnson, better known to the world by the name of STELLA, under which she is celebrated in the writings of Dr. Jonathan Swift, dean of this Cathedral. She was a person of extraordinary endowments and accomplishments of body, mind, and behavior, justly admired and respected by all who knew her, on account of her many eminent virtues, as well as for her great natural and acquired perfections. She died January 27th, 1727-8, in the forty-sixth year of her age, and by her will bequeathed one thousand pounds toward the support of a chaplain to the hospital founded in this city by Dr.

Steevens."

In an obscure corner, near the southern entrance, is a small tablet of white marble, with the following inscription: "Here lieth the body of Alexander M'Gee, servant to Doctor Swift, dean of St. Patrick's. His grateful master caused this monument to be erected in memory of his discretion, fidelity, and diligence in that humble station. Obiit Mar.

24, 1721-2. aetatis 29."

There are other monuments, ancient and modern, in the cathedral worthy of notice, but this is all that concerns our present subject. How little, indeed, seems to remain in evidence of Swift, where he lived so many years, and played so conspicuous a part. The hospital for the insane which he founded is perhaps his most genuine monument. It still flourishes. The sum which was made over by the dean's executors for this purpose was 7720. This has been augmented by Parliamentary grants and voluntary donations, and is capable of accommodating upward of a hundred pauper patients, besides nearly an equal number of paying ones.

At the deanery house there is an excellent portrait of Swift, by Bindon.

Another, by Bindon, and said to be one of the best likenesses of him, is in the possession of Dr. Hill, of Dublin; and there is a third at Howth Castle. But nothing can, to the visitor, fill up the vacuum made by the destruction of the house in which he lived. We want to see where the author of the Drapier's Letters and of Gulliver's Travels lived; where he conversed with Stella and Mrs. Whiteway, and joked with Sheridan and Delany, and where he finally sank into moody melancholy, and died.

Of all the lives of Swift which have been written, it would be difficult to say whether Dr. Johnson's or Sir Walter Scott's is the most one-sided. Johnson's is like that of a man who had a personal pique, and Scott's is that of a regular pleader. In his admiration of his author, he seems unconsciously to take all that comes as excellent and right, and slurs over acts and principles in Swift which in another he would denounce as most disgraceful. When we recollect that Swift was bitterly disappointed in his ambition of a miter, and that he retired to Ireland to brood not only over this, but over the utter wreck of his political patrons and party, the impartial reader finds it difficult to concede to him so much the praise of real patriotism as of personal resentment. He was ready to lay hold on any thing that could at once annoy government and enhance his own popularity. In all relations of life, an intense selfishness was his great characteristic, if we except this in his character of author: there he certainly displayed a great indifference to pecuniary profit, and was not only a stanch friend to his literary a.s.sociates, but allowed them to reap that profit by his writings which he would not reap himself. But in all other respects his selfishness is strikingly prominent. He did not hesitate to sacrifice man or woman for the promotion of his comfort or his ambition. We have spoken of his treatment of women, we may take a specimen of his treatment of men. In the celebrated case of Wood, the patentee, and the Drapier's Letters, nothing could be more recklessly unjust than his conduct, or more hollow than his pretenses. He wanted a cause of annoyance to Walpole, and against the government generally. Government had given a contract to Wood to coin a certain quant.i.ty of halfpence for Ireland, and this he seized hold on. He represented Wood as a low iron-monger, an adventurer; his halfpence as vile in quality and deficient in weight; and the whole as a nuisance, which would rob Ireland of its gold, and enrich England at its expense. Now Scott himself is obliged to admit that the whole of this was false. Wood, instead of the mere iron-monger on whom he heaped all the charges and epithets of villainy and baseness that he could, even to that of a "wood-louse," was a highly respectable iron-master of Wolverhampton. His coinage, on this outcry being raised by Swift, was submitted by government to Sir Isaac Newton to be a.s.sayed, when it was reported by Sir Isaac to be better than bargain; and is admitted by Scott to have been better than Ireland had been in the habit of having, and, in fact, he says, a very handsome coinage. So far from an evil to Ireland, Scott admits, as is very obvious, that it was one of the best things Ireland could have, a sufficient stock of coin. But the ignorant population, once possessed with the idea of imposition, grew outrageous, and flung the coinage into the Liffey, and Swift chuckled to himself over the success of his scheme, and the acquisition of the reputation of a patriot. In the mean time, he had inflicted a real injury on his infatuated fellow-countrymen, and a loss of 60,000 on his innocent victim, Wood. Scott says that Wood was indemnified by a grant of 3000 yearly for twelve years. The simple fact I believe to be, that, though granted, it was never paid; Wood, who had nine sons, lost by this transaction the fortune that should have provided for them. One of these sons was afterward the introducer of platina into England. The real facts respecting Wood's coinage may be found in "Ruding's Annals of Coinage."

There is another point in which Swift's biographers and critics have been far too lenient toward him. Wonderful as is his talent, and admirable as his wit, these are dreadfully defiled by his coa.r.s.eness and filthiness of ideas. Wit has no necessary connection with disgusting imagery; and in attempting to excuse Swift, his admirers have laid the charge upon the times. But Swift out-Herods the times and his cotemporaries. In them may be found occasional s.m.u.ttiness, but the filthy taint seemed to pervade the whole of Swift's mind, and his vilest parts are inextricably woven with the texture of his composition, as in Gulliver's Travels. There is nothing so singular as that almost all writers speak of the wit of Swift and of Rabelais, without, as it regards the latter, once warning the reader against the ma.s.s of most revolting obscenity which loads almost every page of the Frenchman. Even Rogers, moral and refined in his own writings, talks of "laughing with Rabelais in his easy chair," but he never seems to reflect that far the greater portion of readers would have to blush and quit his company in disgust. It is fitting that in an age of moral refinement, youthful readers should at least be made aware that the wit that is praised is combined with obscenity or grossness that can not be too emphatically condemned.

Among the places connected with the history of Swift's life, the residence of Miss Vanhomrigh--Vanessa--is one of the most interesting.

The account of it, procured by Scott, was this: "Marley Abbey, near Celbridge, where Miss Vanhomrigh resided, is built much in the form of a real cloister, especially in its external appearance. An aged man, upward of ninety by his own account, showed the grounds to my correspondent. He was the son of Miss Vanhomrigh's gardener, and used to work with his father in the garden when a boy. He remembered the unfortunate Vanessa well, and his account of her corresponded with the usual description of her person, especially as to her _embonpoint_. He said she went seldom abroad, and saw little company; her constant amus.e.m.e.nt was reading, or walking in the garden. Yet, according to this authority, her society was courted by several families in the neighborhood, who visited her, notwithstanding her seldom returning that attention; and he added, that her manners interested every one who knew her. But she avoided company, and was always melancholy, save when Dean Swift was there, and then she seemed happy. The garden was to an uncommon degree crowded with laurels. The old man said that when Miss Vanhomrigh expected the dean, she always planted with her own hand a laurel or two against his arrival. He showed her favorite seat, still called Vanessa's Bower. Three or four trees and some laurels indicate the spot. They had formerly, according to the old man's information, been trained into a close arbor. There were two seats and a rude table within the bower, the opening of which commanded a view of the Liffey, which had a romantic effect, and there was a small cascade that murmured at some distance. In this sequestered spot, according to the old gardener's account, the dean and Vanessa used often to sit, with books and writing materials on the table before them. Vanessa, besides musing over her unhappy attachment, had, during her residence in this solitude, the care of nursing the declining health of her younger sister, who at length died about 1720. This event, as it left her alone in the world, seems to have increased the energy of her fatal pa.s.sion for Swift, while he, on the contrary, saw room for still greater reserve, when her situation became that of a solitary female without the society or countenance of a female relation."

Marley Abbey, Vanessa's house, is now the residence of Mr. Henry Grattan, M.P.

In D'Alton's History of the County of Dublin, p. 344, there is an account of the present state of Delville, the residence of Dr. Delany.

[Ill.u.s.tration]