Now this is the spiritual condition of which they are to get rid, out of which they are to return to home and country. As before said it may be deemed a harder problem than the taking of Troy, which was simply a negative act, the destroying the destroyers of home and country. But the great positive act of the Trojan heroes is the restoration, not merely the outer but the inner restoration, to home and country.

With these considerations before the mind of the reader, he is now ready to grasp the full sweep of the Odyssey and understand its conflict. It springs from the separation caused by a war, here the Trojan War. The man is removed from his inst.i.tutional life and thrown into a world of violence and destruction. Let us summarize the leading points of the process.

I. The absence of Ulysses leaves his family without a head, his country without a ruler, and his property without an owner. All these relations begin to loosen and go to pieces; destructive forces a.s.sail the decaying organism; the Suitors appear, who consume his property, woo his queen, and seek to usurp his kingly authority. Such are the dissolving energies at work in Ithaca. Also his son Telemachus is left without paternal training.

II. Next let us glance at the individual. Ulysses, released from domestic life and civil order, gives himself up to destroying domestic life and civil order, though they be those of the enemy. For ten years he pays no respect to Property, Family and State in Troy; he is trained into their annihilation, and finally does annihilate them. Yet his object is to restore Helen, to vindicate Family and State, and even Property.

III. Troy is destroyed because it was itself destructive; it a.s.sailed the Greek domestic and civil inst.i.tutions in the rape of Helen. So the destroying city itself is destroyed, but this leaves Ulysses a destroyer in deed and in spirit; home and country he is not only separated from but is destructive of--he is a negative man.

The previous three paragraphs contain the leading presuppositions of the Odyssey, and show the first half of the life of Ulysses. They indicate three phases of the working of the negative--in Ithaca, in Troy, and in Ulysses. But now that Troy is destroyed, how will Ulysses return to inst.i.tutional life, which he has destroyed in Troy, in himself, and, through his absence, in Ithaca?

IV. The Return must in the first place be within himself, he must get rid of the destructive spirit begotten of war. For this purpose he has the grand training told in his adventures; he must put down the monsters of Fableland, Polyphemus, Circe, Charybdis; he must endure the long servitude under Calypso; he must see Phaeacia. When he is internally ready, he can go forth and destroy the Suitors, destroy them without becoming destructive himself, which was his outcome at Troy.

For the destruction of Troy left him quite as negative as the Suitors, of which condition he is to rid himself ere he can rid Ithaca of the Suitors. This destruction thus becomes a great positive act, now he restores Family and State, and brings peace and harmony.

One result of separating from the Family is that the son Telemachus has not the training given by the father. But the son shows his blood; he goes forth and gets his own training, the best of the time. This is told in the Telemachiad. Thus he can co-operate with his father.

_The movement overarching the Odyssey._ The reader will note that in the preceding account we have tried to unfold the movement of the Odyssey as the return from the Trojan War. But as already stated, it is itself but a part of a larger movement, a segment of a great cycle, which cycle again suggests a still greater cycle, which last is the movement of the World's History. Recall, then, that the Odyssey by itself is a complete cycle as far as the experience of its hero is concerned; but as belonging to an epoch, it is but half of the total cycle of the Trojan War. Then again this Trojan War is but a fragment of a movement which is the total World's History. Now can this be set forth in a summary which will suggest the movement not of the Odyssey alone, but also the movement underlying and overlying the poem? Let us make the trial, for a world-poem must take its place in the World's History, which fact gives the final judgment of its worth.

I. In the prehistoric time before Homer, there was an Orient, but no Occident; the spiritual day of the latter had not yet dawned. Very early began the movement toward separation, which had one of its greatest epochs in the Trojan War.

1. Greece in those old ages was full of the throes of birth, but was not yet born. It was still essentially Oriental, it had no independent development of its own, though it was moving toward independence. The earliest objects dug out of the long buried cities of Greece show an Oriental connection; the famous sculptured lions over the gate of Mycenae last to this day as a reminder of the early h.e.l.lenic connection of European Greece with the Orient, not to speak of Cyprus, Crete, and the lesser islands of the aegean.

2. Then came the great separation of Greece from the Orient, which is the fundamental fact of the Trojan War, and of which the Homeric poems are the mighty announcement to the future. Troy, an Orientalizing h.e.l.lenic city in Asia, seizes and keeps Greek Helen, who is of Europe; it tears her away from home and country, and through its deed destroys Family and State. Greek Europe restores her, must restore her, if its people be true to their inst.i.tutional principles; hence their great word is restoration, first of their ideal Helen, and secondly of themselves.

So all the Greeks, in order to make the separation from the Orient and restore Helen, have to march forth to war and thus be separated themselves from home and country, till they bring back Helen to home and country. The deed done to Helen strikes every Greek man till he undoes it. The stages of this movement may be set down separately.

(_a_) The leaving home for Troy--Achilles, Agamemnon, Ulysses; all the heroes had their special story of departure. Ulysses had to quit a young wife, Penelope, and an infant son, Telemachus. For if Helen can be abducted, no Greek family is safe.

(_b_) Stay at Troy for 10 years. This is also a long training to destruction. Ulysses is an important man, but not the hero. Here lies the sphere of the Iliad.

(_c_) Destruction of the city and the restoration of Helen to her husband, both of which are not told in the Iliad but are given subordinately in the Odyssey. Thus is the separation from the Orient completed on its negative side, that is, as far as destruction can complete it.

3. The return to Greece of the survivors. The question is, How can they truly get back after so long a period of violence? The Odyssey has this as its theme, and will give an account of all the returns. Here, too, we observe various stages.

(_a_) Leaving Troy for home. This means a complete facing about and a going the other way, not only in geography, but also in conduct.

The Greeks must now quit destruction and become constructive.

(_b_) It is no wonder that the journey home was very difficult.

Quarrels arose at the start (see Nestor's account Book III., and that of Menelaus Book IV.). Many perished on the way; some were lost in a storm at sea, Agamemnon was slain on the threshold of his own palace.

(_c_) Those who reached home, the successful returners, were of three main kinds, represented by Nestor, by Menelaus, and by Ulysses. These were restored to home and family, and brought peace and harmony. Such is the positive outcome of the Trojan War, and the completion of its cycle.

II. But this rounding-off of the Trojan cycle is, on the other hand, a final separation from the Orient; the scission is now unfolded, explicit, quite conscious. When Ulysses comes back to Ithaca, and re-establishes Family and State, Greek life is independent, distinct, self-determined. The h.e.l.lenic world rises and fulfills its destiny in its own way; it creates the Fine Arts, Literature, Science; it is the beginning of the Occident.

Still the thought must come up that the Orient is also a part of the grand movement of the World's History, whose cycle embraces both Occident and Orient. The Odyssey has many glimpses of this higher view.

The first 12 books move westward and have their outlook in that direction, the last 12 books have their outlook eastward toward Egypt, Phoenicia, and the Oriental borderland. The earlier fairy tales of Ulysses have their scene in the West, while the later romances or novelettes interwoven in the last 12 Books have their scene in the East, with one exception possibly.

The main fact, however, of the Trojan cycle is the great separation, deepest in history, between Orient and Occident, through the instrumentality of Greece. The civilization of Europe and the West is the offspring of that separation, which is still going on, is a living fact, and is the source of the vexed Eastern question of European politics.

III. We are living to-day in that separation; our art, science, education, poetic forms, our secular life largely come from ancient Greece. Oriental art, customs, domestic life, government, we do not as a rule fraternize with; the Greek diremption is in us still; only in one way, in our religious life, do we keep a connection with an Oriental people. But is this separation never to be overcome? Is there to be no return to the East and completion of the world's cycle?

_The Cycle._ We have often used this word, and some may think that we have abused it; still our object is to restore the Greek conception of these poems, as they were looked at and spoken of by h.e.l.las herself.

The idea of the cycle was fundamental in grasping the epics which related to the Trojan War, and this War itself was regarded as a cycle of events and deeds, which the poets sang and put into their poetic cycle. Let us briefly trace this thought of the cycle as developed in old Greece.

I. In two different pa.s.sages of his _Organon_, Aristotle calls the epic a cycle and the poetry of Homer a cycle. Now both pa.s.sages are employed by him to ill.u.s.trate a defective syllogism, hence are purely incidental. But no instance could better show the prevalence of the idea of a cycle as applied to Homer and epic poetry, for the philosopher evidently draws his ill.u.s.tration from something familiar to everybody. It had become a Greek common-place 350 B.C., and probably long before, that an epic poem, such as the Iliad or Odyssey, is cyclical, and that both together make a cycle.

II. But this idea develops, and expands beyond the Iliad and Odyssey, which are found to leave out many events of the Trojan Cycle. Indeed the myth-making spirit of Greece unfolds new incidents, deeds, and characters. The result is that many poets, after Homer had completed his cycle, began filling the old gaps, or really making new ones that these might be filled by a fresh poem. Hence arose the famous Epic Cycle, which has been preserved in a kind of summary supposed to have been written by Proclus, not the philosopher, but a grammarian of the time of the Emperor Marcus Aurelius.

Meantime, let us carefully distinguish some of our Cycles. The Trojan Cycle is one of events and deeds, in general is the going to and the returning from Troy. The Homeric Cycle is Homer's account, in his two poems, of this Trojan Cycle. Finally the Epic Cycle is the expansion of Homer and includes a number of Epics, which fill out to ultimate completeness the Trojan Cycle. The latter, according to Proclus, is made up of six Epics beside the Iliad and Odyssey, to which they stand in the following relations.

1. The _Cypria_, which deals with events antecedent to the Iliad, such as the apple of Discord, the visit of Paris at Sparta and the taking of Helen, the mustering at Aulis, the sacrifice of Iphigeneia, and many incidents at Troy. Ulysses, to avoid going to the war, feigns madness (his first disguise) and ploughs the sea-sand; but he is detected by Palamedes who lays his infant Telemachus in the track of the plough.

The name _Cypria_ comes from Kypris, Venus, who caused the infatuation which led to the war.

2. Four different epics fill in between the Iliad and the Odyssey. The _aethiopis_ takes up the thread after the death of Hector, introducing Penthesilea, Queen of the Amazons, and Memnon, son of the Dawn, both of whom are slain by Achilles who is himself slain and is buried with funeral games. After the death of Achilles, the _Little Iliad_ continues the story, installing Ulysses as hero over Ajax in the contest for the arms of Achilles. This is the grand transition from Brawn to Brain in the conduct of the war. The Wooden Horse is made, and the Palladium is carried out of Troy--both deeds being the product of the brain, if not of the hand, of Ulysses. Next comes the _Sack of Troy_, whose name indicates its character. Laoc.o.o.n and Sinon appear in it, but the main thing is the grand slaughter (like that of the Suitors) and the dragging of women and children into captivity; the city is burned. Then follows the epic called the _Nostoi_ or the Returns, really an elaboration of the Odyssey, specially of the Third Book, which tells of these antecedent Returns. Then comes the great Return, which is the Odyssey.

3. After the Odyssey follows the _Telegonia_ written by Eugammon of Cyrene in two Books. It continues the life of Ulysses; he now goes to that people who take an oar for winnowing fan, and there he makes the offering to Neptune, enjoined by Tiresias in Hades. Other incidents are narrated; the final winding-up is that Ulysses is unwittingly slain by Telegonus, his and Circe's son, who appears in Ithaca and takes Telemachus and Penelope to Circe, who makes them immortal. The grand Epic Cycle concludes with the strangest set of marriages on record: Telegonus marries Penelope, his step-mother, and Telemachus marries Circe who is also a kind of step-mother.

III. After such a literary bankruptcy, it is no wonder that we find the later Greek and Roman writers using the words _cyclic_ and _cyclic poet_ as terms of disparagement. The great Mythus of Troy had run its course and exhausted itself; the age of imitation, formalism, erudition had come, while that of creation had pa.s.sed away. Still it has preserved for us the idea of the cycle, which is necessary for the adequate comprehension of Homer, and which the Greeks themselves conceived and employed.

_Structure of the Odyssey._ A brief summary of the structural elements of the poem may now be set forth. It falls into two grand divisions, both of which are planned by Pallas in Book I and XIII respectively. In the main these divisions are the following:--

I. The first takes up about one-half of the Odyssey--twelve Books, which have as their chief object instruction and discipline--the training for the deed. This training has two very distinct portions, as it pertains to a young man and a middle-aged man--Telemachiad and Ulyssiad.

1. The Telemachiad, or the education of Telemachus, who has been left without the influence of his father, when the latter went to Troy. But he has his father's spirit, hence he must know; from Ithaca he goes to Nestor and Menelaus for instruction. Four Books.

2. The Ulyssiad, or the discipline of Ulysses, who must have been a man over 40 years old. He is to be trained out of the negative spirit which he imbibed from the Trojan war. Herein lies his a.n.a.logy to Faust, who is also a middle-aged man, and negative, but from study and thought.

Both the Telemachiad and the Ulyssiad are essentially one great movement in two phases, showing the bud and the flower, the young and the mature man. Father and son reveal an overcoming of limitation; Telemachus overcomes his limit of ignorance, Ulysses overcomes his limit of negation--the one by the instruction of the wise, the other by the experience of life. Both are trained to a belief in an ethical order which rules the world; therein both are made internally ready for the great act of delivering their country. The training of both reaches forward to a supreme practical end--the destruction of the Suitors and the purification of Ithaca. (For the further structure of these two parts--the Telemachiad and the Ulyssiad--see preceding commentary under these t.i.tles.)

II. The second grand division of the Odyssey is the last twelve Books.

The scene is laid in Ithaca, where the great deed, to which the poem hitherto has looked forward, is to be done. The wanderings of the father have ceased, the son returns from his schooling; every movement is now directed toward action. Again Pallas (XIII. 393-415) plans two subdivisions, without the Council of the G.o.ds however.

1. The hut of the swineherd. Here the forces hostile to the Suitors gather in secret and lay their plan. Ulysses, Telemachus, Eumaeus, the gallant army of three, get ready for the execution of the deed. Four Books.

2. The palace of the King. Ulysses in disguise beholds the Suitors in their negative acts; they are as bad as the Trojans, a.s.sailing Property, Family, State, the G.o.ds; they are really in their way re-enacting the rape of Helen. Ulysses, as he destroyed Troy, must destroy them, yet not become merely destructive himself. Eight Books, in which we can discern the following movement: (1) Suitors as destroyers--five Books; (2) Ulysses as destroyer--one Book; (3) Ulysses as restorer--two Books. Thus the outcome is positive..

The career of Ulysses is now complete, and with it the Homeric Cycle has rounded itself out to fullness. The Epic Cycle in the _Telegonia_ will expand this conclusion, but will deeply mar its idea.

Note that the structure of the two grand divisions of the Odyssey are symmetrical, each a half of the poem; then each half subdivides into two parts, and each of those parts is symmetrical, being composed of four and eight Books each. To be sure, the joint is not so plain in the second division as in the first, which has the Telemachiad and the Ulyssiad. Pallas is the orderer of both divisions, and she orders them in a symmetrical manner.

For both divisions the grand horizon is the Trojan War, yet both reach beyond it, the one toward the West, the other toward the East. The one weaves into its regular narrative the Fairy Tale, the other takes up into its text what we have called the Romantic Novelette. The former looks toward the West and the Future, the latter looks back at the East and the Past. Hence the Fairy Tale is prophetic and has supernatural beings, the Novelette is retrospective, giving the experiences of life without supernatural agencies. In scenery also the contrast is great: the one is largely a sea poem, the other is a land poem.

_Structural a.n.a.logy between Iliad and Odyssey._ We have before said, and we may repeat here at the end, that the final fruit of Homeric study is to see and to fully realize that the Iliad and Odyssey are one work, showing national consciousness, and unfolding one great epoch of the World's History. Just here we may note the fundamental a.n.a.logies of structure between the two poems.

I. Both poems have the dual division, separating into two symmetrical portions. The Iliad has two Wraths of Achilles, and also two Reconciliations; thus each division is subdivided:

1. His first att.i.tude or cycle of conduct toward the Greeks.