Home Life of Great Authors - Part 26
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Part 26

"Mrs. Clemm, now over sixty, in her worn black dress made upon all who saw her an impression of dignity, refinement, and deep motherly devotion to her children. Virginia, at the age of twenty-five, retained her beauty, but the large black eyes and raven hair contrasted sadly with the pallor of her face. Poe himself, poor, proud, and ill, antic.i.p.ating grief and nursing the bitterness that springs from helplessness in the sight of suffering borne by those dear to us, was restless and variable, the creature of contradictory impulses."

Virginia now failed rapidly, Poe was ill, and the household was reduced almost to the starving-point. Winter was upon them; and when at last a sympathizing friend found them she thus describes the situation:--

"There was no clothing upon the bed, which was only straw, but a snow-white counterpane and sheets. The weather was cold, and the sick lady had the dreadful chills that accompany the hectic fever of consumption. She lay on the straw bed wrapped in her husband's great-coat, with a large tortoise-sh.e.l.l cat in her bosom. The wonderful cat seemed conscious of her great usefulness. The coat and the cat were the sufferer's only means of warmth, except as her husband held her hands and her mother her feet. Mrs. Clemm was pa.s.sionately fond of her daughter, and her distress on account of her illness and poverty and misery was dreadful to see."

This friend at once interested some benevolent people in the case, and poor Virginia's last days were made comfortable by their aid. Poe's heart seemed filled with inexpressible grat.i.tude to all who aided him in this sorest crisis of his life; and although he was much broken by his loss, he rallied once more and was sober and industrious for a time.

Mrs. Clemm stood faithfully by him, and even watched over him through some of the fearful seasons of delirium which followed his complete giving up to the habits of drinking and of taking opium.

Of the final scenes of this unhappy life it is needless to write. They have been often described, and though the accounts vary, the sum and substance are the same. Poe was attacked with delirium-tremens in Baltimore, and died in a hospital in that city in October, 1849.

Beautiful, gifted, and sensitive, proud, ambitious, and daring, endowed with a subtle charm of manner as well as of person, amiable and generous in his home life, loyal and devoted to his family, a very pleasing picture is presented of the man if we look but on this side.

Could he have overcome the fatal fascination of drink, we might never have seen the reverse side of all this. As it is, let us cover his follies with our mantle of charity and dwell only upon his genius and his virtues.

[Ill.u.s.tration]

[Ill.u.s.tration]

WILLIAM MAKEPEACE THACKERAY.

During a portion of Thackeray's life there seemed to be in the public mind a complete misapprehension of the character of the man. Superficial readers of his books, who knew nothing of him personally, were fond of applying the name of cynic to him; and he was even accused by some of these of being a hater of his kind, a misanthropist, a bitter satirist, a hard, ungenial man.

As no adequate personal memoir of him has ever been written, it being understood by his family that such a publication would have been distasteful to him, it has taken time to correct all the false impressions that have gained credence in regard to the great humorist; but at the present time his character has been practically cleared of the former false charges. As one by one the friends who knew him personally have spoken, it has been discovered that this cynic was one of the tenderest and kindest men that our time has produced; this hater of his kind, a man so soft-hearted and full of sensibility that it was really a serious drawback to him in life; this misanthropist, one of the most genial and kindly companions in the world; this bitter satirist, a man who never made an enemy by his speech; this hard man, one who actually threw money away, as all his friends thought, by bestowing it upon every applicant whether he could afford it or not.

So great a change in the world's estimate of a man has seldom been made after the man's death. It is to be accounted for by the fact that while he was living his friends never told what they knew of him, and that only very gradually did they reveal his virtues, even after he had gone, feeling always that he would have preferred them to be silent; and by the other fact that he often appeared other than he was, to cover up his excessive sensibility, of which he was very much ashamed.

The world will come to a truer knowledge of him still some day; and then it will be found what a great, loving, n.o.ble heart was hidden behind his thin crust of cynicism,--what gentleness, what tenderness, what wise kindness he was capable of,--what loyalty to his friends and to his principles, what reverence for sacred things, what infinite depths of pathos, lay beneath that mocking exterior. Let us gather together a few of these personal traits as they have been given us by different hands, and try to make thus a true likeness of the man as he appeared to those who knew him best. The events of his life were few and by no means striking.

He was born in Calcutta in 1811, and brought to England when six years of age. At eleven he was placed in Charter-House School, where he is described as a rosy-faced boy, with dark curling hair, and a quick intelligent eye, ever twinkling with good-humor. For the usual school sports he had no taste, and was only known to enjoy theatricals and caricatures, for which he retained his taste throughout life. He was wonderfully social and vivacious, and the best of good company, even at this early day. Merry, light-hearted, unselfish, not very industrious, but a fair cla.s.sical scholar, and possessed of a wonderful memory,--so he is remembered by those who knew him at this time. In a great school, where nearly all the boys bullied those who were beneath them, he was noted for his invariable kindness to the smaller boys, and it was remarked of him, even at this age, that for one who had such powers of sarcasm he made very few wounds by his tongue. At eighteen he entered Cambridge University, but left it at nineteen and went to study art in Paris. Here he remained for several years, and began his literary work.

Here, too, he was married, when twenty-six years of age, to Miss Isabella Shawe, and here they pa.s.sed the first happy days of their married life together. He has himself sketched a picture of the time, in these words:--

"The humblest painter, be he ever so poor, may have a friend watching at his easel, or a gentle wife sitting by with her work in her lap, and with fond smiles or silence, or both, cheering his labors."

For a few short years they were very happy together, and three children were born to them. Then the most terrible misfortune of his life fell upon him,--his wife, after a severe illness, became hopelessly insane.

For some time Thackeray refused to believe that it was more than an illness from which she would recover, but at last the terrible truth was forced upon him that he had lost her forever, and in a way so much more cruel than death. She was placed in the home of a kind family employed to care for her, and there she remained until death released her. His grief was of the most hopeless kind, and it made a melancholy man of him throughout life. At times and seasons his natural gayety would return to him; but he was a sad man at heart from that dreadful day when the horror of her fate was revealed to him. He never spoke directly of his grief, but once in a while he would speak of it in parable, as when he talked to a friend about somebody's wife whom he had known becoming insane, and that friend says:--

"Never shall I forget the look, the manner, the voice, with which he said to me, 'It is an awful thing for her to continue to live.

It is awful for her so to die. But has it ever occurred to you how awful the recovery of her lost reason would be, without the consciousness of the loss of time? She finds the lover of her youth a gray-haired old man, and her infants young men and women. Is it not sad to think of this?'"

His mother came to live with him, and his children grew to maturity beneath his roof, one of them the Miss Thackeray now so well known as a novelist. But tenderly as he was attached to them,--and there could have been no fonder father,--he no doubt felt all the sadness of the thought that

"The many make the household, But only one the home."

In one of the "Roundabouts" he says:--

"I own, for my part, that in reading papers which this hand formerly penned, I often lose sight of the text under my eyes. It is not the words I see, but that past day, that by-gone page of life's history, that tragedy--comedy it may be--which our little home company were enacting, that merry-making which we shared, that funeral which we followed, that bitter, bitter grief which we buried."

That he should live much in that vanished past, was but natural; yet it was hard for a man like Thackeray, who had naturally such great capacity for the enjoyment of life.

That his home was a pleasant and goodly place, all who have ever visited it bear witness. He made it his refuge from all outer troubles, and practised a genial and kindly hospitality there. It was a long time before he was able to buy a house, though he made a good deal of money from his books, his free-handed generous ways always keeping him back financially; but when he was enabled to buy one, he took great pride and pleasure in it, and decorated it according to his artistic tastes. To make a little more money for his daughters, that they might be independent when he was gone, he began lecturing, and was twice induced to come to America for that purpose, much as he dreaded leaving home, and especially crossing the ocean.

His speech at the farewell dinner given him before leaving for America the last time, expressed this dread in a very comical manner, and was received with great cheering and uproar. "I have before me," he said, "at this minute the horrid figure of a steward with a basin perhaps, or a gla.s.s of brandy and water, which he will press me to drink, and which I shall try to swallow, and which won't make me any better. I know it won't." This with a grimace which put the whole table in a roar. Then he went on to tell of the last dinners given to criminals and convicts, and how they were allowed always to choose what they would have, in a manner so droll that all thought him in the happiest mood, while he was scarcely able to keep up, so sad was his heart at the prospect of leaving home. Next morning, we are told by a spectator, "he had been round crying in corners; and when the cab finally came, and the luggage had all been bestowed, and the servants stood in the hall, 'This is the moment I have dreaded,' said Thackeray, as he entered the dining-room to embrace his daughters, and when he hastily descended the steps to the door, he knew that they would be at the window to cast one loving, lingering look. 'Good-by,' he murmured in a suppressed tone, 'keep close behind me, and try to let me jump in unseen.' The instant the door of the vehicle closed behind him, he threw himself back in the corner, and buried his face in his hands."

His allusion to his little girls, in the poem of "The White Squall," is well known, and shows how constantly he had them in his thoughts:--

"And when, its force expended, The harmless storm was ended, And as the sunrise splendid Came blushing o'er the sea, I thought, as day was breaking, My little girls were waking, And smiling, and making A prayer at home for me."

His love for these little girls, to whom he felt he must be both father and mother, gave him unusual tenderness for all children, and he once said he never could see a boy without wanting to give him a sovereign.

This he did very often too in England, where children, like servants, are allowed to receive "tips" from their parents' friends; and when in this country he felt it quite a hardship that the children of his friends were not allowed to take his money.

His American visits afforded him much pleasure--and profit too; and he always spoke kindly of us after his return. His light way of expressing his feeling towards us was extremely characteristic, as when he said he hoped he should never be guilty of speaking ill either of the North or the South, as he had been offered equally good claret by both. His frequent allusions to eating and drinking give the idea of a much more convivial person than he really was; he was temperate in both, but he loved to write of these things. In the "Memorials of Gormandizing," he writes in the most appetizing manner of all the good dinners he has eaten in many lands. Each dinner is an epic of the table. They make one hungry with an inappeasable hunger, and make him long to have Thackeray at his own board as a most appreciative guest. He was quite a diner-out in London, and a great favorite wherever he went. He was not one of the professional talkers, but always had one or two good things to say, which he did not repeat until they were stereotyped, as so many do.

Though he said witty things now and then, he was not a wit in the sense that Jerrold was. He shone most in little subtle remarks on life, little off-hand sketches of character, and descriptive touches of men and things. He could be uproariously funny on occasion, and even sing his "Jolly Doctor Luther" at table to a congenial company; but he was often very dignified, and always gentlemanly. The bits of doggerel with which he was wont to diversify his conversation are spoken of by all his friends as irresistibly ludicrous, and he seems to have indulged in this pastime from a boy, as he did in those of caricaturing and parodying. Mr. Fields tells us that--

"In the midst of the most serious topic under discussion he was fond of asking permission to sing a comic song, or he would beg to be allowed to enliven the occasion by the instant introduction of a double shuffle. . . . During his first visit to America his jollity knew no bounds, and it became necessary often to repress him when walking in the street. I well remember his uproarious shouting and dancing when he was told that the tickets to his first course of readings were all sold; and when we rode together from his hotel to the lecture-hall, he insisted on thrusting both his long legs out of the carriage window, in deference, as he said, to his magnanimous ticket-holders."

Some of his fun was a little embarra.s.sing to his friends, as when Mr.

Fields had taken him to the meeting of a scientific club at the house of a distinguished Boston gentlemen, and Thackeray, being bored by the proceedings, stole into a little anteroom, where he thought no one could see him but his friend, and proceeded to give vent to his feelings in pantomime.

"He threw an imaginary person (myself, of course) upon the floor, and proceeded to stab him several times with a paper-folder which he caught up for that purpose. After disposing of his victim in this way, he was not satisfied, for the dull lecture still went on in the other room, and he fired an imaginary revolver several times at an imaginary head; still the droning speaker proceeded; and now began the greatest pantomimic scene of all, namely, murder by poison, after the manner in which the player King is disposed of in 'Hamlet.' Thackeray had found a small phial on the mantel-shelf and out of it he proceeded to pour the imaginary 'juice of cursed hebenon' into the imaginary porches of somebody's ears. The whole thing was inimitably done, and I hoped n.o.body saw it but myself; but years afterwards a ponderous fat-witted young man put the question squarely to me: 'What _was_ the matter with Mr. Thackeray that night the club met at M----'s house?'"

Thackeray's playfulness was indeed a marked peculiarity, and innumerable stories are told of his dancing pirouettes, singing impromptu songs, and rhyming a whole company to their infinite amus.e.m.e.nt. Each one of his personal friends, in talking of him, says, "But if you could only have heard him" at such a time; but of course no one can repeat such unpremeditated jests, and the flavor is gone from them when any one tries to do so. He was the life of the clubs he frequented, and spent much time in them and at theatres, of which he was pa.s.sionately fond.

His duties as a man of fashion took much of his time, and his friends were always wondering when he wrote his books. Much of the jollity and boyish hilarity of his life in society was a rebound from the strain of these books. He was wont to live much, as did d.i.c.kens, in the creations of his fancy, and sometimes his emotional nature became overwrought in his work. Mr. Underwood tells us:--

"One day while the great novel of 'The Newcomes' was in course of publication, Lowell, who was then in London, met Thackeray on the street. The novelist was serious in manner, and his looks and voice told of weariness and affliction. He saw the kindly inquiry in the poet's eyes, and said, 'Come into Evans's and I'll tell you all about it. _I have killed the Colonel!_' So they walked in and took a table in a remote corner; and then Thackeray, drawing the fresh ma.n.u.script from his breast-pocket, read through that exquisitely touching chapter which records the death of Colonel Newcome. When he came to the final _Adsum_, the tears which had been swelling his lids for some time trickled down his face, and the last word was almost an inarticulate sob."

Thackeray's sensibility was really extreme, and he could not read anything pathetic without actual discomfort,--never could get through "The Bride of Lammermoor," for instance,--and would not listen to any sad tales of suffering in real life if he could escape them. If he did hear of any one in want or distress, he relieved his feelings by instantly appropriating to their use all the money he found himself in possession of at the time. When he was editor of the "Cornhill Magazine," this soft-heartedness was a great drawback to him. He was always paying for contributions he could not use, if they were sent, as so many are, with some pitiful tale accompanying; and was always wasting his valuable time by writing to poor creatures about their dreary verses, which there was no hope of his being able to improve. When quite young, he loaned--or rather gave, though he called it a loan--three hundred pounds to poor old Maginn, when he was beaten in the battle of life and lay in the Fleet Prison. But he denied this act with the utmost vehemence when accused of it, and berated the old fellow in a laborious manner for having been beaten when he should have fought on. Indeed, he was very much ashamed of his soft-heartedness always, and would oftentimes bl.u.s.ter and appear very fierce when appealed to for a.s.sistance.

Anthony Trollope tells a story about going to him one day and telling him of the straits to which a mutual friend was reduced.

"'Do you mean to say that I am to find two thousand pounds?' he said angrily, with some expletives. I explained that I had not even suggested the doing of anything,--only that we might discuss the matter. Then there came over his face a peculiar smile, and a wink in his eye, and he whispered his suggestion, as if ashamed of his meanness. 'I'll go half,' he said, 'if anybody will do the rest.'

And he did go half at a day or two's notice. I could tell various stories of the same kind."

These things were not easy for him to do; for he was never a rich man, and he had constant calls upon his charity. He kept a small floating fund always in circulation among his poorer acquaintances; and when one returned it to him he pa.s.sed it to another, never considering it as his own but for the use of the unfortunate. He liked to disguise his charities as jokes,--as filling a pill-box with gold pieces and sending it to a needy friend, with the inscription, "To be taken one at a time, as needed;" and various devices of this kind. He was as generous of his praise as of his money, and always had a good word for his literary friends. His fine tribute to Macaulay will be remembered, and his praise of Washington Irving, of Charlotte Bronte, and many others. While he had an exaggerated contempt for the foibles of the world at large, he had an almost equally exaggerated sympathy for the joys and sorrows of individuals; and much of the scorn which he gives to humanity collectively may be taken as a sort of vent to his feelings when he is ashamed of having been too foolishly weak in dealing with some of these fellow-mortals in real life.

He never encouraged his companions in being cynical, but always encouraged them in admiration. "I am glad he worships anybody," he said, when some friends were satirizing an absent companion for his devotion to a great man. Neither would he encourage any unkind talk about the absent, or laugh at any good hit which was aimed at a friend. "You fiend!" he said to a friend who was laughing over a sharp attack on an acquaintance, and he refused to read or hear a word of it. Indeed, for steadfast loyalty to his friends, his equal has seldom been seen. He made common cause with them in everything, and nothing so enraged him as treachery or deceit among friends.

He was a man of aristocratic feeling, and resented familiarity. He was also in general a reserved man, and allowed few people really to know him. He had a surface nature which was all his mere acquaintances knew.

Even his friends were long in finding him out. Douglas Jerrold was once heard to say, "I have known Thackeray eighteen years, and I don't know him yet;" and this was the case with the majority of his friends. His great griefs he kept closely within his own heart, and the more serious side of his nature was all hidden from the world as much as he could hide it. Those who read between the lines discovered it in his books, and those who looked deeply enough into human nature found it in the man, but superficial observers saw only the mocking man of the world.

When suddenly observed, his face always had a sad, grave aspect, and it was often hard for him to throw off this seriousness and to put on his harlequin's mask. Upon religious matters he was always reticent, but reverent. Only upon rare occasions would he discuss serious subjects at all, and only with a chosen few. In one letter which has been published he departs from his usual custom and writes:--

"I never feel pity for a man dying, only for survivors if there be such pa.s.sionately deploring him. You see the pleasures the undersigned proposes to himself here in future years,--a sight of the Alps, a holiday on the Rhine, a ride in the Park, a colloquy with pleasant friends of an evening. If it is death to part with these delights (and pleasures they are, and no mistake), sure the mind can conceive others afterward; and I know one small philosopher who is quite ready to give up these pleasures,--quite content (after a pang or two of separation from dear friends here) to put his hand into that of the summoning angel, and say, 'Lead on, O messenger of G.o.d our Father, to the next place whither the divine goodness calls us.' We must be blindfolded before we can pa.s.s, I know; but I have no fear about what is to come, any more than my children need fear that the love of _their_ father should fail them. I thought myself a dead man once, and protest the notion gave me no disquiet about myself,--at least the philosophy is more comfortable than that which is tinctured with brimstone."

He hated those who make a stock in trade of their religion, and, like Dr. Johnson, would have advised them to clear their minds of cant; but no genuine evidence of religious feeling or experience was ever treated lightly by him, and he was greatly shocked at any real desecration of sacred things. He had a simple, childlike faith in G.o.d and in the Saviour, and a firm hope in the everlasting life.

In person, Thackeray was a tall, ruddy, simple-looking Englishman, with rather a full face, florid, almost rubicund, and keen, kindly eyes, and, after forty, abundant gray hair. He had a conspicuous, almost a commanding figure, with a certain awkwardness in his gait. He had a misshaped nose, caused by an accident in boyhood, and a sarcastic twinkle oftentimes in his eyes, which changed the expression of his whole face.

He dressed well, but unpretendingly, and his voice and manner were always courteous and cordial. He smiled easily, and had a humorous look when not oppressed with sadness, which was often the case in later life.