"We are come to hear of the bear dance, and the dog dance, and the beggars' dance, and the green corn dance," said Austin to the hunter, on the following day, when a visit was paid to the cottage. The hunter, with his accustomed kindness to the young people, lost no time in entering on his narrative. "You must not forget," said he, "that many of the dances of the Indians partake of a religious character, for in them reverence and adoration are freely offered. The Indians'

worship of the Great Spirit, as I have already told you, is mingled with much of ignorance and superst.i.tion, whether in dances or in other observances; yet do they, at times, leave upon the mind of a spectator a deep impression of their sincerity, though this does not excuse their error. I have not as yet described their music, and therefore will do it now."

_Austin._ Yes. Now for the music of the Indians, if you please, sir.

_Hunter._ If you ever go among them, and mingle in their dances, you must not expect to have a band of music such as you have in our cities. Whistles, flutes, rattles and drums are almost all their musical instruments. You would be surprised at the music that some of the young Indians produce with the mystery whistle.

_Austin._ Why is it called the mystery whistle?

_Hunter._ I have already told you that the red man calls every thing mystery, or medicine, that is surprising; and as the notes of this whistle are particularly sweet, it may be called a mystery whistle on this account. There is another whistle that is very much in request among the Indians, and that is the war whistle. The onset and the retreat in battle are sounded on this instrument by the leading chief, who never goes on an expedition without it. It is made of bone, and sometimes it is formed of the leg bone of a large bird. The shrill, scream-like note, which is the signal for rushing on an enemy, would make you start.

_Brian._ What sort of a drum do they use? Is it a kettle-drum?

_Hunter._ No. It is merely a piece of raw hide, stretched as tight as it can be pulled over a hoop. Some of their drums have but one end, or surface, to beat upon, while others have two. What they would do in their dances without their drums I do not know, for you hear them continually. Their rattles are of different kinds, some much larger than others; but the principle on which they are formed is the same, that is, of enclosing stones of different sizes in hard, dry, raw hide.

_Austin._ Have they no trumpets and cymbals, and clarionets and violins?

_Hunter._ No, nothing of the kind. They have a deer-skin flute, on which very tolerable music is sometimes made; but, after all, it must be admitted that Indians are much better buffalo hunters than musicians.

_Austin._ Ay; they are quite at home in hunting buffaloes.

_Hunter._ Yes; and they are at home, too, in dancing, being extremely nimble of foot. Some of their dances are so hideous that you would be disgusted with them, while others would keep you laughing in spite of yourselves.

_Brian._ You must please to tell us about these dances.

_Hunter._ Dancing is a very favourite amus.e.m.e.nt of the Indians; though it is, for the most part, of a character so different from that of dancing in civilized life, that few people, ignorant of its meaning and allusions, would like it. The body is so continually in a stooping att.i.tude, and the gestures and grimaces appear to be so unmeaning, that at first it leaves an impression that they are ridiculing the art of dancing, rather than entering into it in right earnest. There is such creeping and jumping and starting, that a spectator can make but little of it.

_Austin._ I can fancy that I see a party joining in the buffalo dance now, with their masks over their faces. Please to tell us of the bear dance.

_Hunter._ By and by. I will describe a few other dances first. The beggars' dance is undertaken to prevail on such of the spectators as abound in comforts to give alms to those who are more scantily provided with them. It is danced by the young men who stand high in the tribe. These shake their rattles, hold up their pipes and brandish their lances, while they dance; chanting in an odd strain, at the top of their voices, in praise of the Great Spirit, and imploring him to dispose the lookers on to give freely. The dancers are all naked, with the exception of a sort of kilt formed of quills and feathers; and a medicine man keeps on all the time beating furiously on a drum with a rattle, and hallooing out as loud as he can raise his voice.

_Austin._ That ought to be called the begging dance, and not the beggars' dance; for the dancers do not beg for themselves, but for others.

_Hunter._ You see that the object of the dance is a good one; for many a skin, or pouch, or pipe, or other necessary article, is given by the spectators to those of their tribe who need them. It is not common among the Indians for their aged men and mystery men to mingle in the dance, and yet I have seen, on especial occasions, a score of them jumping and capering in a way very creditable to their agility. The Sioux have a dance that ought to be called the doctors' dance, or the dance of the chiefs.

_Brian._ Why, do the doctors dance in it?

_Hunter._ Yes; while a medicine man beats his drum, and a party of young women sing, the chiefs of the tribe and the doctors make their appearance, splendidly attired in their costliest head-dresses, carrying a spear in one hand and a rattle in the other. Every movement is strictly regulated by the beat of the drum, and the dance by degrees becomes more and more spirited, until you would suppose the party must be exhausted: but men so much in the open air, and whose limbs are so little restrained by bandages and tight clothing, can bear a great deal of fatigue. The pipe dance is one of the most animated amus.e.m.e.nts.

_Basil._ Oh! do tell us about the pipe dance.

_Hunter._ In the ground in the centre of the village a fire is lighted, and a party a.s.semble round it; every one smoking his pipe, as he sits on his buffalo skin, as though nothing was farther from his thoughts than dancing. While these are whiffing away at a distance from the fire, a mystery man, who sits nearer to the flame, smokes a longer pipe, grunting at the same time a kind of tune. Suddenly is heard the rub-a-dub of a drum, or the beat of some other instrument of the same kind; when instantly starts to his feet one of the smokers, hopping like a parched pea, spinning round like a top, and starting and jumping, at every beat of the drum, in a very violent manner. In this way he goes round the smokers, seemingly threatening them all, and at last pounces upon one of them, whom he compels to dance in the same manner as himself. The new dancer acts his part like the former one, capering and jumping round the smokers, and compelling another to join them. Thus the dance continues, till all of them are occupied, when the hopping, the jumping, the frightful postures into which they throw themselves, together with the grunting, growling, singing, hooting and hallooing, are beyond all belief. There are few dances of the Indians more full of wild gestures and unrestrained turbulence than the pipe dance.

_Basil._ I hope you have a good many more dances to tell us of.

_Hunter._ The green corn dance of the Minatarees must be described to you. Among Indian tribes, green corn is a great luxury, and the time when it ripens is a time of rejoicing. Dances and songs of thanksgiving are abundant; and the people give way not only to feasting, but also to gluttony; so that often, by abusing the abundance in their possession, they bring upon themselves the miseries of want. The Indians have very little fore-thought. To enjoy the present, and to trust the future to the Great Spirit, is their constant practice.

_Austin._ How long does the green corn dance last?

_Hunter._ For eight or ten days, during which time there is the most unbounded prodigality. Among many of the tribes, the black drink, a very powerful medicine, is taken two or three days before the feast, that the green corn may be eaten with a sharp appet.i.te and an empty stomach.

_Brian._ In what way does the green corn dance begin?

_Hunter._ As soon as the corn is in a proper state--and this is decided by the mystery men--runners are despatched through the village, that all may a.s.semble on the following day to the dance and the feast. Sufficient corn for the required purpose is gathered by the women, who have the fields under their care, and a fire is made, over which a kettle, with green corn in it, is kept boiling; while medicine men, whose bodies are strangely painted, or bedaubed with clay of a white colour, dance round it in very uncouth att.i.tudes, with corn-stalks in their hands.

_Austin._ I dare say, while the pot is boiling, they are all longing to begin the feast.

_Hunter._ The first kettle-full is not for themselves, it is an offering to the Great Spirit. There are many customs among the Indians which cannot but bring the Jews to our remembrance; and this offering of the first green corn does so very forcibly. The medicine men round the fire shake their rattles, hold up their corn-stalks, and sing loudly a song of thanksgiving, till the corn is sufficiently boiled; it is then put upon the fire and consumed to a cinder. Before this offering is made, none of the Indians would dare to taste of the luxurious fare; but, afterwards, their appet.i.te is unrestrained.

_Austin._ Then they begin to boil more corn, I suppose.

_Hunter._ A fresh fire is made, a fresh kettle of corn is prepared, and the dance goes on; the medicine men keeping close to the fire, and the others capering and shouting in a larger circle, their energy increasing as the feast approaches nearer and nearer. The chiefs and medicine men then sit down to the feast, followed by the whole tribe, keeping up their festivity day after day, till the corn-field has little more grain remaining in it than what is necessary for seed. You have heard the saying, "Wilful waste brings woful want." The truth of this saying is often set forth, as well in civilized life as among the Indians.

_Basil._ I wonder what dance will come next.

_Hunter._ I need not describe many others. If I run rapidly through two or three, and dwell a little on the bear dance and the war dance, you will then have heard quite enough about dances. The scalp dance is in use among the Sioux or Dahcotas. It is rather a fearful exhibition; for women, in the centre of a circle, hold up and wave about the scalps which have been torn from the slaughtered foes of the tribe, while the warriors draw around them in the most furious att.i.tudes, brandishing their war-clubs, uttering the most hideous howls and screams. The Indians have many good qualities, but cruelty seems to mingle with their very nature. Every thing is done among them that can be done, to keep alive the desire to shed blood. The n.o.blest act a red man can perform, and that which he thinks the most useful to his tribe and the most acceptable to the Great Spirit, is to destroy an enemy, and to bear away his scalp as a trophy of his valour. If it were only for this one trait in the Indian character, even this would be sufficient to convince every humane person, and especially every Christian, of the duty and great advantage of spreading among them the merciful principles of Christianity. A holy influence is necessary to teach the untutored red man to forgive his enemies, to subdue his anger, to abate his pride, and to stay his hand in shedding human blood. The new commandment must be put in his heart: "That ye love one another." The Mandan boys used to join in a sham scalp dance, in which they conducted themselves just like warriors returning from a victorious enterprise against their enemies.

_Basil._ They are all sadly fond of fighting.

_Hunter._ In the brave dance, of the Ojibbeways, there is plenty of swaggering: the dancers seem as if they knew not how to be proud enough of their warlike exploits. The eagle dance, among the Choctaws, is an elegant amus.e.m.e.nt; and the snow-shoe dance, of the Ojibbeways, is a very amusing one.

_Brian._ Please to tell us about them both.

_Hunter._ I must not stay to describe them particularly: it will be enough to say, that, in the one, the dancers are painted white, and that they move about waving in their hands the tail of the eagle; in the other--which is performed on the first fall of snow, in honour of the Great Spirit--the dancers wear snow-shoes, which, projecting far before and behind their feet, give them in the dance a most strange and laughable appearance.

_Brian._ I should very much like to see that dance; there is nothing cruel in it at all.

_Basil._ And I should like to see the eagle dance, for there is no cruelty in that either.

_Hunter._ The straw dance is a Sioux dance of a very curious description. Loose straws are tied to the bodies of naked children; these straws are then set on fire, and the children are required to dance, without uttering any expression of pain. This practice is intended to make them hardy, that they may become the better warriors.

_Basil._ That is one of the strangest dances of all.

_Hunter._ I will now say a little about the bear dance, and the war dance. The bear dance is performed by the Sioux before they set off on a bear-hunt. If the bear dance were left unperformed, they would hardly hope for success. The Bear spirit, if this honour were not paid to him, would be offended, and would give them no success in the chase.

_Austin._ What! do the Sioux think there is a Bear spirit?

[Ill.u.s.tration: Bear Dance.]

_Hunter._ Yes. The number of spirits of one kind or another, believed in by the Indians, is very great. In the bear dance, the princ.i.p.al performer has a bear-skin over him, the head of it hanging over his head, and the paws over his hands. Others have masks of bears' faces; and all of them, throughout the dance, imitate the actions of a bear.

They stoop down, they dangle their hands, and make frightful noises, beside singing to the Bear spirit. If you can imagine twenty bears dancing to the music of the rattle, whistle, and drum, making odd gambols, and yelling out the most frightful noises, you will have some notion of the bear dance.

_Brian._ Now for the war dance: that is come at last.

_Hunter._ It is hardly possible to conceive a more exciting spectacle than that of the war dance among the Sioux. It exhibits Indian manners on the approach of war. As, among civilized people, soldiers are raised either by recruiting or other means; so, among the Indians, something like recruiting prevails. The red pipe is sent through the tribe, and every one who draws a whiff up the stem thereby declares he is willing to join the war party. The warriors then a.s.semble together, painted with vermilion and other colours, and dressed in their war clothes, with their weapons and their war-eagle head-dresses.

_Austin._ What a sight that must be!

_Hunter._ When the mystery man has stuck up a red post in the ground, and begun to beat his drum, the warriors advance, one after another, brandishing their war-clubs, and striking the red post a violent blow, while the mystery man sings their death-song. When the warriors have struck the post, they blacken their faces, and all set to dancing around it. The shrill war-whoop is screamed aloud, and frantic gestures and frightful yells show, but too plainly, that there will be very little mercy extended to the enemy that falls into their hands.