"I'm not likely to forget it," answered d.i.c.k. "You fellows remember that show called 'Albrachia,' or some such name, full of red fire and fairies? Hol. and I went in to see it one night, and whom should we discover as leading demon in the grand climax, but the stout Edward. We nearly stood up and cheered,--but we'll make him tell about it to-night."

"Hullo, here is the sylph now!" exclaimed some one, as the committee returned in triumph with Ned in tow.

"The perjured loafer told us he was going to work on his forensic,"

cried Hudson. "Look at this," pointing to Burleigh, whose generous proportions were swathed in gaudy pajamas.

"I hear you enjoyed the play exceedingly," remarked Burleigh, as he made for the fireplace, and spread his huge form all over the front of it.

"So we did, no thanks to you," answered Gray.

"Any men who are such Athenaeum Lotharios as to be decoyed in town by the mere mention of two pretty actresses, deserve to get sold," declared Ned, severely.

"Here, take your toddy and stop your mouth," said Stoughton. "As a penance for your lies, you can give us some reminiscences of your disreputable career on the stage."

After some demurring, Burleigh was persuaded to begin his yarn. The "tea" was made by this time, and enthroned on the student's desk in the centre of the room. With "tod and tobac." the party disposed itself about the room, every one with a view more to ease than grace. Blathers, as usual, chose his master's outstretched legs. Ned Burleigh, with a cigar, stood in front of the fire in his airy raiment, his feet apart, warming his exterior with the genial blaze, and his interior with the genial toddy. Would that we could have those evenings again!

THE HARVARD LEGION AT PHILIPPI.

"What do you want me to relate?" asked Burleigh. "The great battle of Philippi?"

"Yes, we would like to hear about that," answered Stoughton, "and also your experience with the Hosts of Darkness."

"That was a very short and painful affair," Ned explained. "I'll tell you that first. You must know, my children, that I was once a G.o.dless Soph.o.m.ore even as other Sophs. You may scarcely believe it now, but I was. Among other follies, I took to 'suping' occasionally. Of course my intentions were purely n.o.ble; I wanted to elevate the stage. On one occasion this man Hudson, here, led me to the Boston Theatre, where an elaborate show was being given and 'supes' were in demand. You fellows must remember the play, it was called 'Alboraka, the Wizard.' They wanted only one man for that night, and as I was the handsomer, they chose me. I comforted Steve by promising to share with him the quarter that I expected to earn; I believe on the strength of my promise he bought a seat in the peanut gallery."

"Oh, no, I didn't," interrupted Hudson, "I had a seat right under a box where there was a theatre-party of Mrs. Mayflor Tremont's, with a lot of girls I knew. I was thundering glad I wasn't on the stage, and had more than half a mind to point you out to them."

"You wouldn't have troubled me at all," answered Ned. "That is where we unknown woolly Westerners get the drop on the Boston men, and you dudes who go in for Boston society. However, to go on with this confession, I was appointed leader of the Hosts of Darkness. I don't know why I was singled out for this distinction, unless it was on account of my superb figure."

"That was it," corroborated Stoughton. "You did look stunning in those red tights, even more fetching than you are now in those pajamas."

"The part was not a difficult one, but very important," Burleigh continued. "I had to look fierce, and bear aloft a huge red and gold affair. This was referred to once or twice as 'yon gonfalon of Diabolus,' so I suppose that's what it was. I only had to go on the stage twice. In the last scene, where the Wizard got thrown down, there was a high bridge at the back of the stage. It was steep on the sides, shaped a good deal like the Chinese bridge in a blue willow-ware plate; don't you remember? I had to hold this bridge for the Wizard at the head of my minions, and was doing it with dignity and grace. My instructions were to stay there until the Queen of the Fairies should point at me and say 'Avaunt, vile blood-fiends, to the shades below'; then to retire with signs of rage and terror, while the Hosts of Light came up the other side of the bridge. Now I was watching and listening to the Queen carefully, and I am sure she never pointed at me, or opened her head about 'avaunting.' I think myself that my fatal beauty in the red tights had made an impression on her, and she didn't want me to leave. She probably couldn't find it in her heart to call me a blood-fiend; at any rate there was some hitch, for the Hosts of Light began coming up the bridge ahead of time. Of course, I wasn't going to avaunt without orders, so I stood there waiting for my cue. The leading angel called me a most vile name, in an anxious undertone, and poked his spear violently in the pit of my stomach. He hurt me like the devil, so I promptly smashed him on the head with the Gonfalon of Diabolus, and bowled him down among the advancing Hosts of Light, to their utter confusion. The next minute something lit on the back of my neck, and that is all I know. I believe it was a sandbag hove from the wings, and that I was dragged out by the heels."

"You were, you were," Holworthy shouted at the recollection, "but it was done so quickly that half of the audience didn't see it."

"When I came to," Ned went on, "I was on my face behind the scenes, with four or five able-bodied Irishmen sitting on my back. The 'super'

captain was going to turn me over to the cop; but I begged pardon all round, paid for the leading angel's broken head, and finally managed to smooth things over."

"They are pretty careful how they take amateur supes at any of the theatres now. Nothing like the battle of Philippi can ever occur again,"

said Rattleton, regretfully.

"Give us that, Ned," said Stoughton; "I guess some of these fellows have never heard an accurate account by one of the heroes."

"That was truly the grandest suping event in history," said Burleigh, refilling his gla.s.s, and returning to his position by the fire. "It was just after that new theatre was opened, way down there on Washington Street. It was a cheap shrine, but I tell you, now, Melpomene was right in it. The owners had no idea of making it a low-down variety hall, not much. They were going to give high-cla.s.s performances and educate the ma.s.ses. One of the first things they had there was a Shakespearean revival, run by a peripatetic star named Riley. The fellows used to go in and supe all the time. They rather liked to have Harvard men for two reasons: first, because it was cheap, and, in the second place, I think Riley's manager rather expected us to bring all our friends and relatives there to see us act, and give the place a boom.

"The first night of _Julius Caesar_ came on Jim de Laye's twenty-first birthday, and he was going to give a dinner, after which we intended to fill a box at the show and give Caesar a good send-off. I went in town to get the box, and at the office I heard the manager, or some official, complaining about lack of supes. I made inquiries, and it ended in my contracting to furnish him with ten good men and true for that evening at reasonable rates. He gave me as a bonus a few tickets for any of my family or 'lady friends.' It showed how green he was to take ten of 'de Ha'vards' at once. They never would have done that anywhere else in town.

"The other chaps all fell in with the arrangement, and we had the dinner at Parker's early. A man does not get to be twenty-one years old every day in the year, so we took pains to see that Jim did it properly.

"That lazy goat on the sofa there (pointing to Rattleton) had not been seen in Cambridge that afternoon, and knew nothing about the suping arrangement. Of course, he was late to dinner, as usual, and of course, as usual, he turned up with that d----d dog of his. After dinner, when we adjourned to the theatre, we wanted him to leave Blathers behind at Parker's, but he insisted on taking the pup along, wrapped in his overcoat. He a.s.sured us that Blathers would keep perfectly quiet, and no one would ever know he was there. We might have known better, but I suppose we were in a yielding mood. De Laye and two or three others brought bottles of fizz in their overcoats. They said it was always well to propitiate the natives, and thought such provisions might be popular with the Thespians. Jim swore he'd make n.o.ble Romans of every man of 'em. We got there early, and Blathers was tied up and hidden away under Jack's coat in a corner of the dressing-room. In the performance we all did our parts like little men. Rome was proud of her citizens that day.

As for our mob-work, that showed positive genius."

"How Marc Antony's speech over the body did go!" chuckled Rattleton from the sofa.

"The stage-manager was delighted and complimented us, and so did Riley himself. Jack Rat had made friends with Riley very early in the game. He had invited him out to lunch in Cambridge, and had hinted at getting him to coach the Pudding show. Moreover, Jack and I had steered several large parties in to Riley's performances, and Riley knew it. It was a lucky thing for us, as it turned out, that he and Jack had got so chummy.

"All went well until the battle scene. They had put us all on the same side; in fact, we const.i.tuted the entire army of Brutus--that was another evidence of greenness in the management. The battle had been raging mildly for some time. We had marched and counter-marched, and had been reviewed and exhorted two or three times, without even getting a glimpse of the enemy. At last it came to the scene where Brutus'

aggregation gets driven across the stage by Antony's offering a desperate resistance. Ca.s.sius had been killed, young Cato was going to be captured, and everything was going to the bow-wows. While we were standing in the wings along with Antony's army, waiting to go on, Jim de Laye said, 'Hang it, let's put a little real good acting into this thing; these stage sc.r.a.ps are too woodeny.' Of course I did my best to restrain this idea among my companions, but it became popular at once in spite of anything I could say. I must confess I always had rather a desire myself to see that oily-mouthed peep of a Marc Antony well thrashed. The next minute we had to go across the back of the stage, hotly contesting every inch of the way with our trusty wooden brands, two up and two down. About half way over, that crazy Jim de Laye opened the ball by smiting his man hip and thigh and other parts, in the most life-like manner. The other supe hit back in just anger, and there was an instant rally of the Brutus forces. My man was a little fellow, and I did him up in time to see an entirely new feature introduced in the scene. Marc Antony himself suddenly appeared, hard pressed by a togaed citizen. The way he got there was this--correct me, Jack, if I make any mistake in this part of the history. Blathers, as I told you, had been left curled up under a coat in the dressing-room. Some of the employees had found him there, however, untied him, and started in to play with him. Mr. Blathers, finding himself in strange company, slipped away from them and went looking for his master. Just as the battle scene began, he arrived at the wings, where Marc Antony was waiting to go on. Antonius was in very bad humor about something. He asked in fluent Latin, 'What the ---- that dog was doing there?' and made a kick at Blathers. I guess Blathers was in much the same mood, for he turned around and effected a prompt connection with the calf of Marc Antony's leg. He was a disappointed dog; he got his mouth full of horsehair. Antony wasn't touched, and let Blathers have it with the other foot.

"Now, Jack had not been a.s.signed to the army, and was off duty in that scene. He was standing in the wings in Roman citizen's clothes, trying to flirt with the vestal virgins.

"Hold on," interrupted Jack, "you told me to correct any mistake. That's one."

"Well, perhaps they were not. You know more about that than I do,"

admitted Ned. "Any way, he turned around just in time to see his faithful hound doing somersaults from Marc Antony's toe. I'll do Jack the justice to say that he is generally slow to wrath--he is too lazy--but when that ugly pup of his is concerned, he loses his head.

"He not only lost his head that time, but tried to knock off Marc Antony's too. Marc went, staggering out into the field of battle, and Jack, the fool, followed him up. As I said, the battle had opened in earnest all along the line when this happened, and the house was already on it's feet. It was a good, warm house. It was mainly from Sou' Boston, and had taken about thirty-five seconds to get on to the magnificent realism of the scene. It went wild with delight at this addition to the affair. Blathers rallied and flew out on the stage to the support of Jack's charge. This time he tore all the padding off Marc's legs, amid the enthusiastic plaudits of the audience.

"The stage-manager yelled for the policeman, and went tearing about after him. 'Colonel' Dixey, of Kentucky, who was also off duty in this scene, had enticed the cop into a distant corner, along with the departed Caesar and a bottle of fizz. J. Caesar was a tragedian who would have been dear to the heart of a _Puck_ artist. He was a thirsty soul with a radiant nose and a beery eye. Shortly after his death he had attached himself to Colonel Dixey and his overcoat, and the Colonel had warmly requited his affection. In fact, Dixey devoted two whole bottles to the good work, and at the end of the fourth act Caesar had had some difficulty in doing his own ghost. He was free after that, and during this last act, he and the Colonel had let in the blue-coat, and retired into a secluded nook among the scenery. The Colonel had filled Caesar up to the brim, and had got the law pretty well zigged, too, when the manager brought the news of battle. All three rushed to the front, the cop, of course, getting there last. The conflict was at its height, when dead Caesar appeared, boiling drunk, and took sides with inspiring shouts against his own avengers. Dixey pitched in too, and these reinforcements turned the tide at once. Brutus was victorious at all points. We rushed Marc Antony and his gang clear off the field, and destroyed the flying remnants behind the wings. The audience fairly howled and encored wildly.

"The cop was utterly useless, he grabbed the small man that I had floored in the beginning of the row, clubbed him a little, and hung on to him like grim death. The manager was crazy, and told him to send for a hurry-up wagon, and run us all in. We showed the law great respect, though, after the shindy was over; called him sergeant and offered to support him in maintaining the peace. He didn't know exactly who was responsible, so he contented himself with shaking the little man some more, and declaring that he could 'attend to this business alone, and didn't want no help, see?' Marc Antony wanted the blood of Jack and Blathers, but Riley, the star, who played Brutus, was inclined to think that Antony was to blame for the whole thing. You see Antony had got more applause than Brutus all through. His great speech had had a particular success, probably due to our able presentation of the populace. Riley sat on Marc first, and then they both went for Caesar, who was maudlin in the corner. He had got a helmet on, wrong side before, and was begging us with tears in his eyes to go 'once more into the breach, dear friends, or close the wall with our English dead.' When Brutus cursed him he drew himself up and hiccoughed, 'Et tu, Brute,--hic--well--hic you seen me at Philippi anyhow.'

"Riley went back on the stage and made a little speech, and the audience cheered him to the echo. Then the play went on, Brutus died like a man, and all the princ.i.p.als, including J. Caesar and Blathers, were called before the curtain. Jack made it up with Marc Antony, and after the show we consoled the vanquished army with what was left of the champagne.

Most of the supes were Irish, anyway, and had enjoyed the pleasantry."

IN THE EARLY SIXTIES.

It was ten o'clock and time for John Stuart Mill to give place to Mary Jane, so Stoughton threw the former into an arm-chair and took the latter from the mantel-piece. He filled and lighted her affectionately, and the content of the evening pipe came upon him. Then he bethought him of beer and pleasant converse, and strolled around to the Pudding in pursuit thereof.

There he found the usual ten o'clock "resting convention" in session beneath its blue cloud of nicotine. The "earnest resters," as Burleigh termed them, were stretched about in various att.i.tudes, more of laziness than repose. They were just then engaged in the popular pastime of blackguarding the last number of the _Lampoon_ for the benefit of Hudson, one of the editors.

"Hullo, d.i.c.k," remarked that gentleman, glad to change the subject as Stoughton entered, "we knew you were coming; smelt Mary Jane as soon as you turned the corner."

"Did you, really," replied Stoughton, making room for himself on the sofa by removing Rattleton's legs to a neighboring chair, and spilling the dog Blathers on the floor. "What was that chum of yours doing in the building last night? Were you also engaged in the unseemly disturbance?"

"No," answered Hudson, "I had nothing to do with it. I decline all responsibility for Edward Burleigh. I am not my room-mate's keeper."

"I heard him carolling on the stairs at an hour when singing should be left to the little birds. He hammered on my door for a while, but I knew enough not to get up. I wonder he didn't raise the proctor. He shouted, through my key-hole, something about the war being over."

"Yes," said Hudson, "that was what he told me when he woke me up by sitting on my chest. He was going to carry the good news all through the Yard, but I persuaded him to go to bed and wait until morning."