_Dear Thankyou_,--I am rather upset about my walking. You remember I told you I had done seven in my last? Well, this morning I couldn't do a single one! Well, I did do one, as a matter of fact, but I suppose some people would say it didn't count, because I fell down directly after, though I don't see that that matters,--do you, Thankyou? But even with that one it was only one, and yet I know I did seven the day before. I wonder why it is. I do it the right way, I'm sure, and I keep my hands out so as to balance, so perhaps it's the shoes that are wrong. I must ask Mother to get me a new pair, and tell the man they're for walks.

Now do write me a nice long letter, Thankyou, because I feel very miserable about this. It is right, isn't it, when you have the right leg out, only to bring the left one just up to it, and not beyond? And does it matter which foot you start with? Let me know quickly, because Father is coming home to-morrow and I want to show him.

Your loving, O. D.

P. S.--I am glad you like your pianola

IV

_Dear O. D._,--Very glad to get yours. If you really want a long letter, you shall have one; only I warn you that if once I begin nothing less than any earthquake can stop me. Well, first, then, I played the Merry Widow Waltz yesterday to Mrs. Polacca, who is a great authority on music, and in with all the Queen's Hall set, and she said that my touch reminded her of--I've forgotten the man's name now, which is rather sickening, because it spoils the story a bit, but he was one of the real tiptoppers who makes hundreds a week, and well, that was the sort of man I reminded her of. If I can do that with a waltz, it stands to reason that with something cla.s.sic there'd be no holding me. I think I shall give a recital. Tickets 10/6d. No free seats. No emergency exit. It is a great mistake to have an emergency exit at a recital.

(_Three pages omitted._)

Really, O. D., you must hear me doing the double F in the Boston Cake Walk to get me at my best. You've heard Kubelik on the violin? Well, it's not a bit like that, and yet there's just the something which links great artists together, no matter what their medium of expression.

Your loving, --Thankyou.--

P. S.--Glad you're getting on so well with your walking.

V

_Dearest Thankyou_,--Hooray, hooray, hooray--I did twenty-five walks to-day! Father counted. He says my style reminds him of "_Cancer Vulgaris_" rather. How many times can he do it? Not twenty-five on the third day, I'm sure.

Isn't it splendid of me? I see now where I was wrong yesterday. I got the knack again suddenly this morning, and I'm all right now. To-morrow I shall walk round the table. It is a longish way and there are four turns, which I am not sure about. How do you turn? I suppose you put the right hand out?

Your very loving, O. D.

VI

_Dear O. D._,--I am rather hurt by your letters. I have written several times to tell you all about my new pianola, and you don't seem to take any interest at all. I was going to have told you this time that the man in the flat below had sent me a note, just as if it had been a real piano. He says he doesn't mind my playing all day, so long as I don't start before eight in the morning, as he is in his bath then, and in listening to the music quite forgets to come out sometimes, which I can see might be very awkward.

Write to yours affectionately, --Thankyou.--

VII

_Darling Thankyou_,--I am so sorry, dear, and I will come and hear your pianola to-morrow, and I think it lovely, and you must be clever to play it so well; but you musn't be angry with me because I am so taken up with my walking. You see, it is all so new to me. I feel as though I want everybody to know all about it.

Your pianola must be lovely, Thankyou. Dear Thankyou, could you, do you think, put all the letters we wrote to each other about my walking in some book, so that other people would know how to do it the way I do?

You might call it "Letters on Walking," or "How to Walk," or--but you could get a better t.i.tle than I could. Do!

Your very loving, O. D.

P. S.--I'm so glad about the pianola and do you mind if I just tell you that I did walk round the table, corners and all?

VIII

_Dearest O. D._,--Right you are. I will think of a good t.i.tle.

Your loving, --Thankyou.--

III. THE KNIGHT OF THE CHIMNEY-PIECE

We don't know his real name, but we have decided to call him "Arthur"

("Sir Arthur," I suppose he would be). He stands in bronze upon the chimney-piece, and in his right hand is a javelin; this makes him a very dangerous person. Opposite him, but behind the clock (Coward!), stands the other fellow, similarly armed. Most people imagine that the two are fighting for the hand of the lady on the clock, and they aver that they can hear her heart beating with the excitement of it; but, to let you into the secret, the other fellow doesn't come into the story at all.

Only Margery and I know the true story. I think I told it to her one night when she wouldn't go to sleep--or perhaps she told it to me.

The best of this tale (I say it as the possible author) is that it is modern. It were easy to have invented something more in keeping with the knight's armour, but we had to remember that this was the twentieth century, and that here in this twentieth century was Sir Arthur on the chimney-piece, with his javelin drawn back. For whom is he waiting?

"It all began," I said, "a year ago, when Sir Arthur became a member of the South African Chartered Incorporated Co-operative Stores Society Limited Ten per cents at Par (Men only). He wasn't exactly a real member, having been elected under Rule Two for meritorious performances, Rule One being that this club shall be called what I said just now; but for nearly a year he enjoyed all the privileges of membership, including those of paying a large entrance fee and a still larger subscription. At the end of a year, however, a dreadful thing happened. They made a Third Rule; to wit, that no member should go to sleep on the billiard table.

"Of course, Sir Arthur having only got in under Rule Two, had to resign.

He had, as I have said, paid his entrance fee, and (as it happened) his second year's subscription in advance. Naturally he was annoyed....

"And that, in fact, is why he stands on the chimney-piece with his javelin drawn back. He is waiting for the Secretary. Sir Arthur is considered to be a good shot, and the Secretary wants all the flowers to be white."

At this point Margery said her best word, "Gorky," which means, "A thousand thanks for the verisimilitude of your charming and interesting story, but is not the love element a trifle weak?" (Margery is a true woman.)

"We must leave something to the imagination," I pleaded. "The Secretary no doubt had a delightful niece, and Sir Arthur's hopeless pa.s.sion for her, after he had hit her uncle in a vital spot, would be the basis of a most powerful situation."

Margery said "Gorky" again, which, as I have explained, means, "Are such distressing situations within the province of the Highest Art?"

When Margery says "Gorky" twice in one night, it is useless to argue. I gave in at once. "b.u.t.ter," I said, "placed upon the haft of the javelin, would make it slip, and put him off his shot. He would miss the Secretary and marry the niece." So we put a good deal of b.u.t.ter on Sir Arthur, and for the moment the Secretary is safe. I don't know if we shall be able to keep it there; but in case jam does as well, Margery has promised to stroke him every day.

However, I antic.i.p.ate. As soon as the secretarial life was saved, Margery said "Agga," which is as it were, "_Encore_," or "_Bis_," so that I have her permission to tell you that story all over again.

Instead I will give you the tragedy of George, the other fellow (no knight he), as she told it to me afterwards.

"George was quite a different man from Sir Arthur. So far from being elected to anything under Rule Two, he got blackballed for the North London Toilet Club. Opinions differed as to why this happened; some said that it was his personal unpopularity (he had previously been up, without success, for the membership of the local Ratepayers a.s.sociation) others (among them the Proprietor), that his hair grew too quickly.

Anyhow, it was a great shock to George, and they had to have a man in to break it to him. (It's always the way when you have a man in.)

"George was stricken to the heart. This last blow was too much for what had always been a proud nature. He decided to emigrate. Accordingly he left home, and moved to Islington. Whether he is still there or not I cannot say; but a card with that postmark reached his niece only this week. It was unsigned, and bore on the s.p.a.ce reserved for inland communications these words: 'The old, old wish--A Merry Christmas and a Happy New Year.'"

"But what about the javelin?" I asked Margery. (This fellow had a javelin too, you remember.)

"Gorky," said Margery for the third time, which means----

Well, upon my word, I don't know what it means. But it would explain it all.

Meanwhile Sir Arthur (he was in my story, you know) is still waiting for the Secretary. In case the b.u.t.ter gives out, have I mentioned that the Secretary wants _all_ the flowers to be white?