"I believe that we both have been wise to-night; though it is true that a man dislikes being a fool and having it made manifest."

"And how about the woman scorned?" with an enchanting smile.

"It is kismet," he acknowledged.

Chapter II

Warrington laid down his pen, brushed his smarting eyes, lighted his pipe, and tilted back his chair. With his hands clasped behind his head, he fell into a waking dream, that familiar pastime of the creative mind. It was half after nine, and he had been writing steadily since seven. The scenario was done; the villain had lighted his last cigarette, the hero had put his arms protectingly around the heroine, and the irascible rich uncle had been brought to terms. All this, of course, figuratively speaking; for no one ever knew what the plot of that particular play was, insomuch as Warrington never submitted the scenario to his manager, an act which caused almost a serious rupture between them. But to-night his puppets were moving hither and thither across the stage, pulsing with life; they were making entrances and exits; developing this climax and that; with wit and satire, humor and pathos. It was all very real to the dreamer.

The ma.n.u.script lay scattered about the top of his broad flat desk, and the floor beside the waste-basket was flaked with the remains of various futile lines and epigrams. The ash-pan was littered with burnt matches, ends of cigars and pipe tobacco, while the ash-crumbs speckled all dark objects, not excepting the green rug under his feet.

Warrington smoked incessantly while at work, now a cigarette, now a cigar, now a pipe. Specialists declare with cold authoritative positiveness that the use of tobacco blunts the thought, dulls the edge of invention; but Warrington knew better. Many a night he had thrown his coat over his smoking-jacket and dashed down the street to the corner drug-store for a fresh supply of tobacco. He simply could not work without it. I do not know that he saw his heroes and heroines any plainer for the smoke; but I do know that when their creator held a cigar between his teeth, they frowned less, and the spirit of malice and irony, of which he was master, became subdued.

Warrington was thirty-five now. The grey hair at the temples and the freshness of his complexion gave him a singularly youthful appearance.

His mouth was even-lipped and rather pleasure-loving, which, without the balance of a strong nose, would have appealed to you as effeminate. Warrington's was what the wise phrenologists call the fighting nose; not pugnacious, but the nose of a man who will fight for what he believes to be right, fight bitterly and fearlessly.

To-day he was famous, but only yesterday he had been fighting, retreating, throwing up this redoubt, digging this trench; fighting, fighting. Poverty, ignorance and contempt he fought; fought dishonesty, and vice, and treachery, and discouragement.

Presently he leaned toward the desk and picked up a letter. He read it thoughtfully, and his brows drew together. A smile, whimsically sad, stirred his lips, and was gone. It was written by a girl or a very young woman. There was no signature, no address, no veiled request for an autograph. It was one of those letters which bring to the novelist or dramatist, or any man of talent, a real and singular pleasure. It is precious because honest and devoid of the tawdry gilt of flattery.

Richard Warrington--You will smile, I know, when you read this letter, doubtless so many like it are mailed to you day by day. You will toss it into the waste-basket, too, as it deserves to be. But it had to be written. However, I feel that I am not writing to a mere stranger, but to a friend whom I know well. Three times you have entered into my life, and on each occasion you have come by a different avenue. I was ill at school when you first appeared to me. It was a poem in a magazine. It was so full of the spirit of joyousness, so full of kindliness, so rich in faith and hope, that I cried over it, cut it out and treasured it, and re-read it often in the lonely hours when things discouraged me,--things which mean so little to women but so much to girls. Two years went by, and then came that brave book! It was like coming across a half-forgotten friend. I actually ran home with it, and sat up all night to complete it. It was splendid. It was the poem matured, broadened, rounded. And finally your first play! How I listened to every word, watched every move! I wrote you a letter that night, but tore it up, not having the courage to send it to you.

How versatile you must be: a poem, a book, a play! I have seen all your plays these five years, plays merry and gay, sad and grave. How many times you have mysteriously told me to be brave! I envy and admire you. What an exquisite thing it must be to hear one's thoughts spoken across the footlights! Please do not laugh. It would hurt me to know that you could laugh at my honest admiration. You won't laugh, will you? I am sure you will value this letter for its honesty rather than for its literary quality. I have often wondered what you were like. But after all, that can not matter, since you are good and kind and wise; for you can not be else, and write the lofty things you do.

Warrington put the letter away, placed it carefully among the few things he held of value. It would not be true to say that it left him unaffected. There was an innocent barb in this girlish admiration, and it pierced the quick of all that was good in him.

"Good and kind and wise," he mused. "If only the child knew! Heigh-ho!

I am kind, sometimes I've been good, and often wise. Well, I can't disillusion the child, happily; she has given me no address."

He rose, wheeled his chair to a window facing the street, and opened it. The cool fresh April air rushed in, clearing the room of its opalescent clouds, cleansing his brain of the fever that beset it. He leaned with his elbows on the sill and, breathed noisily, gratefully.

Above, heaven had decked her broad bosom with her flickering stars, and from the million lamps of the great city rose and floated a tarnished yellow haze. So many sounds go forth to make the voices of the night: somewhere a child was crying fretfully, across the way the faint tinkle of a piano, the far-off rattle of the elevated, a m.u.f.fled laugh from a window, above, the rat-tat of a cab-horse, the breeze in the ivy clinging to the walls of the church next door, the quarrelsome chirp of the sleepy sparrows; and then, recurrence. Only the poet or the man in pain opens his ears to these sounds.

Over on Broadway a child of his fertile brain was holding the rapt attention of several hundred men and women; and across the broad land that night four other dramas were being successfully acted. People were discussing his theories, denouncing or approving his conception of life. The struggle was past, his royalties were making him rich.

And here he was this night, drinking the cup of bitterness, of unhappiness, the astringent draft of things that might and should have been. The coveted grape was sour, the desired apple was withered.

Those who traverse the road with Folly as boon companion find only emptiness.

And so it was with Warrington. He had once been good, wholly good and kind and wise, lofty as a rural poet who has seen nothing of life save nature's pure and visible face. In the heat of battle he had been strong, but success had subtly eaten into the fibers and loosed his hold, and had swept him onward into that whirlpool out of which no man emerges wholly undefiled. It takes a great and strong man to withstand success, and Warrington was only a genius. It was not from lack of will power; rather it was because he was easy-going and loved pleasure for its own sake. He had fought and starved, and now for the jingle of the guinea in his pocket and the junkets of the gay! The prodigality of these creative beings is not fully understood by the laity, else they would forgive more readily the transgressions. Besides, the harbor of family ties is a man's moral bulwark; and Warrington drifted hither and thither with no harbor in view at all.

He had been an orphan since his birth; a mother meant simply a giver of life, and a father meant, even less. Until he had read the reverse and obverse sides of life, his sense of morality had lain dormant and untilled. Such was his misfortune. The solitary relative he laid claim to was an aged aunt, his father's sister. For her he had purchased a beautiful place in the town of his birth, vaguely intending to live out his old age there.

There had been a fight for all he possessed. Good had not come easily, as it does to some particularly favored mortals. There was no family, aristocracy to back him up, no melancholy recollections of past grandeur to add the interest of romance to his endeavors. His father had been a poor man of the people, a farmer. And yet Warrington was by no means plebeian. Somewhere there was a fine strain. It had been a fierce struggle to complete a college education. In the summer-time he had turned his hand to all sorts of things to pay his winter's tuition. He had worked as clerk in summer hotels, as a surveyor's a.s.sistant in laying street-railways, he had played at private secretary, he had hawked vegetables about the streets at dawn.

Happily, he had no false pride. Chance moves quite as mysteriously as the tides. On leaving college he had secured a minor position on one of the daily newspapers, and had doggedly worked his way up to the coveted position of star-reporter. Here the latent power of the story-teller, the poet and the dramatist was awakened; in any other pursuit the talent would have quietly died, as it has died in the b.r.e.a.s.t.s of thousands who, singularly enough, have not stood in the path of Chance.

Socially, Warrington was one of the many n.o.bodies; and if he ever attended dinners and banquets and b.a.l.l.s, it was in the capacity of reporter. But his cynical humor, which was manifest even in his youth, saved him the rancor and envy which is the portion of the outsider.

At length the great city called him, and the lure was strong. He answered, and the long battle was on. Sometimes he dined, sometimes he slept; for there's an old Italian saying that he who sleeps dines. He drifted from one paper to another, lived in prosperity one week and in poverty the next; haggled with p.a.w.nbrokers and landladies, and borrowed money and lent it. He never saved anything; the dreamer never does. Then one day the end came to the long lane, as it always does to those who keep on. A book was accepted and published; and then followed the first play.

By and by, when his name began to figure in the dramatic news items, and home visitors in New York returned to boast about the Warrington "first nights," the up-state city woke and began to recollect things--what promise Warrington had shown in his youth, how clever he was, and all that. Nothing succeeds like success, and n.o.body is so interesting as the prophet who has shaken the dust of his own country and found honor in another. Human nature can't help itself: the women talked of his plays in the reading-clubs, the men speculated on the backs of envelopes what his royalties were, and the newspaper that had given him a bread-and-b.u.t.ter pittance for a man's work proudly took it upon itself to say that its columns had fostered the genius in the growing. This was not because the editors were really proud of their townsman's success; rather it was because it made a neat little advertis.e.m.e.nt of their own particular foresight, such as it was. In fact, in his own town (because he had refused to live in it!) Warrington was a lion of no small dimensions.

Warrington's novel (the only one he ever wrote) was known to few. To tell the truth, the very critics that were now praising the dramatist had slashed the novelist cruelly. And thereby hangs a tale. A New York theatrical manager sent for Warrington one day and told him that he had read the book, and if the author would attempt a dramatic version, the manager would give it a fair chance. Warrington, the bitterness of failure in his soul, undertook the work, and succeeded. Praise would have made an indifferent novelist of him, for he was a born dramatist.

Regularly each year he visited his birthplace for a day or so, to pay in person his taxes. For all that he labored in New York, he still retained his right to vote in his native town.

A sudden desire seized him to-night to return to his home, to become a citizen in fact and deed. It was now the time of year when the spring torrents flood the lowlands, when the melting snows trickle down the bleak hillsides, when the dead hand of winter lies upon the bosom of awakening spring, and the seed is in travail. Heigh-ho! the world went very well in the springs of old; care was in bondage, and all the many gateways to the heart were bastioned and sentineled.

"Sir, a lady wishes to see you."

Warrington turned. His valet stood respectfully in the doorway.

"The name?" Warrington rose impatiently. n.o.body likes to have his dreams disturbed.

"Miss Challoner, sir."

"Challoner!" in surprise; "and this time of night?" He stroked his chin. A moment pa.s.sed. Not that he hesitated to admit her; rather he wished to make a final a.n.a.lysis of his heart before his eyes fell down to worship her beauty. "Admit her at once." He brushed the ashes from his jacket and smoothed his hair. The valet disappeared. "If I only loved the woman, loved her honestly, boldly, fearlessly, what a difference it would make! I don't love her, and I realize that I never did. She never touched my heart, only my eye and mind. I may be incapable of loving any one; perhaps that's it. But what can have possessed her to leave the theater this time of night?"

A swish of petticoats, a rush of cool air with which mingled an indefinable perfume, and, like a bird taking momentary rest in the pa.s.sage, she stood poised on the threshold. A beautiful woman is a tangible enchantment; and fame and fortune had made Katherine Challoner beautiful, roguishly, daringly, puzzlingly beautiful. Her eyes sparkled like stars on ruffled waters, the flame of health and life burned in her cheeks, and the moist red mobile mouth expressed emotions so rapidly and irregularly as to bewilder the man who attempted to follow them. Ah, but she could act; comedy or tragedy, it mattered not; she was always superb.

There was a tableau of short duration. Her expression was one of gentle inquiry, his was one of interest not unmixed with fascination.

He felt a quick touch of compa.s.sion, of embarra.s.sment. There had been times when yonder woman had seemed to show him the preference that is given only to men who are loved. Even as the thought came to him, he prayed that it was only his man's vanity that imagined it. As he stared at her, there came the old thrill: beauty is a power tremendous.

"d.i.c.k, you do not say you are glad to see me."

"Beauty striketh the sage dumb," he laughed. "What good fortune brings you here to-night? What has happened? How could you find time between the acts to run over?"

"I am not acting to-night."

"What?"

"No. Nor shall I be to-morrow night, nor the thousand nights that shall follow."

"Why, girl!" he cried, pushing out a chair. He had not seen her for two weeks. He had known nothing of her movements, save that her splendid talents had saved a play from utter ruin. Her declaration was like a thunderbolt. "Explain!"

"Well, I am tired, d.i.c.k; I am tired." She sat down, and her gaze roved about the familiar room with a veiled affection for everything she saw. "The world is empty. I have begun to hate the fools who applaud me. I hate the evil smells which hang about the theater. I hate the overture and the man with the drums," whimsically.

"What's he done to you?"

"Nothing, only he makes more noise than the others. I'm tired. It is not a definite reason; but a woman is never obliged to be definite."

"No; I never could understand you, even when you took the trouble to explain things."

"Yes, I know." She drew off her gloves and rubbed her fingers, which were damp and cold.

"But, surely, this is only a whim. You can't seriously mean to give up the stage when the whole world is watching you!"

She did not answer him, but continued to rub her fingers. She wore several rings, among which was a brilliant of unusual l.u.s.ter.

Warrington, however, had eyes for nothing but her face. For the past six months he had noted a subtle change in her, a growing reserve, a thoughtfulness that was slowly veiling or subduing her natural gaiety.

She now evaded him when he suggested one of their old romps in queer little restaurants; she professed illness when he sent for her to join him in some harmless junketing. She was slowly slipping away from him; no, drifting, since he made no real effort to hold her. And why had he made no real effort? Sometimes he thought he could answer this question, and then again he knew that he could not. Ah, if he only loved her! What a helpmeet: cheerful, resourceful, full of good humor and practical philosophy, a brilliant wit, with all the finished graces of a G.o.ddess. Ah, if indeed he only loved her! This thought kept running through his mind persistently; it had done so for days; but it had always led him back to the starting point. Love is not always reasoning with itself. Perhaps--and the thought filled him with regret--perhaps he was indeed incapable of loving any one as his poet's fancy believed he ought to love. And this may account for the truth of the statement that genius is rarely successful in love; the ideal is so high that it is out of the reach of life as we, genius or clod, live it.