_Miss Gryll._ That is an odd term, doctor.

_The Rev. Dr. Opimian._ It relates, I imagine, to some graceful gesture of pantomimic dancing: for beautiful hostesses were often accomplished dancers. Virgil's Copa, which, by the way, is only half panegyrical, gives us, nevertheless, a pleasant picture in this kind It seems to have been one of the great attractions of a Roman tavern: and the host, in looking out for a wife, was probably much influenced by her possession of this accomplishment. The dancing, probably, was of that kind which the moderns call _demi-caractere_, and was performed in picturesque costume----

The doctor would have gone off in a dissertation on dancing hostesses, but Miss Gryll recalled him to the story, which he continued, in the words of Niceros:

'But, by Hercules, mine was pure love; her manners charmed me, and her friendliness. If I wanted money, if she had earned an _as_, she gave me a _semis_. If I had money, I gave it into her keeping. Never was woman more trustworthy. Her husband died at a farm which they possessed in the country. I left no means untried to visit her in her distress; for friends are shown in adversity. It so happened that my master had gone to Capua, to dispose of some cast-off finery. Seizing the opportunity, 1 persuaded a guest of ours to accompany me to the fifth milestone. He was a soldier, strong as Pluto. We set off before c.o.c.kcrow; the moon shone like day; we pa.s.sed through a line of tombs. My man began some ceremonies before the pillars. I sat down, singing, and counting the stars. Then, as I looked round to my comrade, he stripped himself, and laid his clothes by the wayside. My heart was in my nose: I could no more move than a dead man. But he walked three times round his clothes, and was suddenly changed into a wolf. Do not think I am jesting. No man's patrimony would tempt me to lie. But, as I had begun to say, as soon as he was changed into a wolf, he set up a long howl, and fled into the woods. I remained awhile, bewildered; then I approached to take up his clothes, but they were turned into stone. Who was dying of fear but I? But I drew my sword, and went on cutting shadows till I arrived at the farm. I entered the narrow way. The life was half boiled out of me; perspiration ran down me like a torrent: my eyes were dead. I could scarcely come to myself. My Melissa began to wonder why I walked so late; "and if you had come sooner," she said, "you might at least have helped us; for a wolf entered the farm and fell on the sheep, tearing them, and leaving them all bleeding. He escaped; but with cause to remember us; for our man drove a spear through his neck." When I heard these things I could not think of sleep; but hurried homeward with the dawn; and when I came to the place where the clothes had been turned into stone, I found nothing but blood.

'When I reached home, my soldier was in bed, lying like an ox, and a surgeon was dressing his neck. I felt that he was a turnskin, and I could never after taste bread with him, not if you would have killed me. Let those who doubt of such things look into them. If I lie, may the wrath of all your Genii fall on me.'

This story being told, Trimalchio, the lord of the feast, after giving his implicit adhesion to it, and affirming the indisputable veracity of Niceros, relates another, as a fact of his own experience.

'While yet I wore long hair, for from a boy I led a Chian life,{1} our little Iphis, the delight of the family, died; by Hercules, a pearl; quick, beautiful, one of ten thousand. While, therefore, his unhappy mother was weeping for him, and we all were plunged in sorrow, suddenly witches came in pursuit of him, as dogs, you may suppose, of a hare. We had then in the house a Cappadocian, tall, brave to audacity, capable of lifting up an angry bull. He boldly, with a drawn sword, rushed out through the gate, having his left hand carefully wrapped up, and drove his sword through a woman's bosom; here as it were; safe be what I touch! We heard a groan; but, a.s.suredly, I will not lie, we did not see the women. But our stout fellow returning, threw himself into bed, and all his body was livid, as if he had been beaten with whips; for the evil hand had touched him. We closed the gate, and resumed our watch over the dead; but when the mother went to embrace the body of her son, she touched it, and found it was only a figure, of which all the interior was straw, no heart, nothing. The witches had stolen away the boy, and left in his place a straw-stuffed image. I ask you--it is impossible not--to believe, that there are women with more than mortal knowledge, nocturnal women, who can make that which is uppermost downmost. But our tall hero after this was never again of his own colour; indeed, after a few days, he died raving.'

1 Free boys wore long hair. A Chian life is a delicate and luxurious life. Trimalchio implies that, though he began life as a slave, he was a pet in the household, and was treated as if he had been free.

'We wondered and believed,' says a guest who heard the story, 'and kissing the table, we implored the nocturnals to keep themselves to themselves, while we were returning from supper.'

_Miss Gryll._ Those are pleasant stories, doctor; and the peculiar style of the narrators testifies to their faith in their own marvels. Still, as you say, they are not ghost stories.

_Lord Curryfin._ Shakespeare's are glorious ghosts, and would make good stories, if they were not so familiarly known. There is a ghost much to my mind in Beaumont and Fletcher's _Lover's Progress_. Cleander has a beautiful wife, Calista, and a friend, Lisander, Calista and Lisander love each other, _en tout bien, tout honneur_. Lisander, in self-defence and in fair fight, kills a court favourite, and is obliged to conceal himself in the country. Cleander and Dorilaus, Calista's father, travel in search of him. They pa.s.s the night at a country inn. The jovial host had been long known to Cleander, who had extolled him to Dorilaus; but on inquiring for him they find he has been dead three weeks. They call for more wine, dismiss their attendants, and sit up alone, chatting of various things, and, among others, of mine host, whose skill on the lute and in singing is remembered and commended by Cleander. While they are talking, a lute is struck within; followed by a song, beginning

'Tis late and cold, stir up the fire,-- Sit close, and draw the table nigher: Be merry! and drink wine that's old.

And ending

Welcome, welcome, shall go round, And I shall smile, though underground.

And when the song ceases, the host's ghost enters. They ask him why he appears. He answers, to wait once more on Cleander, and to entreat a courtesy--

--to see my body buried In holy ground: for now I lie unhallowed, By the clerk's fault: let my new grave be made Amongst good fellows, that have died before me, And merry hosts of my kind.

Cleander promises that it shall be done; and Dorilaus, who is a merry old gentleman throughout the play, adds--

And forty stoops of wine drank at thy funeral.

Cleander asks him--

Is't in your power, some hours before my death, To give me warning?

The host replies--

I cannot tell you truly: But if I can, so much on earth I loved you, I will appear again.

In a subsequent scene the ghost forewarns him, and he is soon after a.s.sa.s.sinated: not premeditatedly, but as an accident, in the working out, by subordinate characters, of a plot to bring into question the purity of Calista's love for Lisander.

_Miss Ilex._ In my young days ghosts were so popular that the first question asked about any new play was, Is there a ghost in it? The _Castle Spectre_ had set this fashion. It was one of the first plays I saw, when I was a very little girl. The opening of the folding-doors disclosing the illuminated oratory; the extreme beauty of the actress who personated the ghost; the solemn music to which she moved slowly forward to give a silent blessing to her kneeling daughter; and the chorus of female voices chanting _Jubilate;_ made an impression on me which no other scene of the kind has ever made. That is my ghost, but I have no ghost story worth telling.

_Mr. Falconer._ There are many stories in which the supernatural is only apparent, and is finally explained. But some of these, especially the novels of Brockden Brown, carry the principle of terror to its utmost limits. What can be more appalling than his _Wielandt_ It is one of the few tales in which the final explanation of the apparently supernatural does not destroy or diminish the original effect.

_Miss Gryll._ Generally, I do not like that explaining away. I can accord a ready faith to the supernatural in all its forms, as I do to the adventures of Ulysses and Orlando. I should be sorry to see the enchantments of Circe expounded into sleights of hand.

_The Rev. Dr. Opimian._ I agree with you, _Miss Gryll._ I do not like to find a ghost, which has frightened me through two volumes, turned into a c.o.c.k Lane ghost in the third.

_Miss Gryll._ We are talking about ghosts, but we have not a ghost story. I want a ghost story.

_Miss Niphet._. I will try to tell you one, which I remember imperfectly. It relates, as many such stories do, to a buried treasure.

An old miser had an only daughter; he denied himself everything, but he educated her well, and treated her becomingly. He had acc.u.mulated a treasure, which he designed for her, but could not bear the thought of parting with it, and died without disclosing the place of its concealment. The daughter had a lover, not absolutely poor, nor much removed from it. He farmed a little land of his own, When her father died, and she was left dest.i.tute and friendless, he married her, and they endeavoured by economy and industry to make up for the deficiencies of fortune. The young husband had an aunt, with whom they sometimes pa.s.sed a day of festival, and Christmas Day especially. They were returning home late at night on one of these occasions; snow was on the ground the moon was in the first quarter, and nearly setting. Crossing a field, they paused a moment to look on the beauty of the starry sky; and when they again turned their eyes to the ground, they saw a shadow on the snow; it was too long to have any distinct outline; but no substantial form was there to throw it. The young wife clung trembling to the arm of her husband. The moon set, and the shadow disappeared. New Year's Day came, and they pa.s.sed it at the aunt's. On their return the moon was full, and high in heaven. They crossed the same field, not without hesitation and fear. In the same spot as before they again saw the shadow; it was that of a man in a large loose wrapper, and a high-peaked hat. They recognised the outline of the old miser.

The husband sustained his nearly fainting wife; as their eyes were irresistibly fixed on it, it began to move, but a cloud came over the moon, and they lost sight of it. The next night was bright, and the wife had summoned all her courage to follow out the mystery; they returned to the spot at the same hour; the shadow again fell on the snow, and again it began to move, and glided away slowly over the surface of the snow.

They followed it fearfully. At length it stopped on a small mound in another field of their own farm. They walked round and round it, but it moved no more. The husband entreated his wife to remain, while he sought a stick to mark the place. When she was alone, the shadow spread out its arms as in the act of benediction, and vanished. The husband found her extended on the snow; he raised her in his arms; she recovered, and they walked home. He returned in the morning with a pickaxe and spade, cleared away the snow, broke into the ground, and found a pot of gold, which was unquestionably their own. And then, with the usual end of a nurse's tale, 'they lived happily all the rest of their lives.'

_Miss Ilex._ Your story, though differing in all other respects, reminds me of a ballad in which there is a shadow on the snow,

Around it, and round, he had ventured to go, But no form that had life threw that stamp on the snow.{1}

_Mr. Gryll._ In these instances the shadow has an outline, without a visible form to throw it. I remember a striking instance of shadows without distinguishable forms. A young chevalier was riding through a forest of pines, in which he had before met with fearful adventures, when a strange voice called on him to stop. He did not stop, and the stranger jumped up behind him. He tried to look back, but could not turn his head. They emerged into a glade, where he hoped to see in the moonlight the outline of the unwelcome form. But 'unaccountable shadows fell around, unstamped with delineations of themselves.'{2}

1 Miss Bannerman's _Tales of Superst.i.tion and Chivalry_.

2 _The Three Brothers_, vol. iv. p. 193.

_Miss Gryll._ Well, Mr. MacBorrowdale, have you no ghost story for us?

_Mr. MacBorrowdale._ In faith, Miss Gryll, ghosts are not much in my line: the main business of my life has been among the driest matters of fact; but I will tell you a tale of a bogle, which I remember from my boyish days.

There was a party of witches and warlocks a.s.sembled in the refectory of a ruined abbey, intending to have a merry supper, if they could get the materials. They had no money, and they had for servant a poor bogle, who had been lent to them by his Satanic majesty, on condition that he should provide their supper if he could; but without buying or stealing.

They had a roaring fire, with nothing to roast, and a large stone table, with nothing on it but broken dishes and empty mugs. So the firelight shone on an uncouth set of long hungry faces. Whether there was among them 'ae winsome wench and wawlie,' is more than I can say; but most probably there was, or the bogle would scarcely have been so zealous in the cause. Still he was late on his quest. The friars of a still nourishing abbey were making preparations for a festal day, and had despatched a man with a cart to the nearest town, to bring them a supply of good things. He was driving back his cart well loaded with beef, and poultry, and ham; and a supply of choice rolls, for which a goodwife in the town was famous; and a new arrival of rare old wine, a special present to the Abbot from some great lord. The bogle having smelt out the prize, presented himself before the carter in the form of a sailor with a wooden leg, imploring charity, The carter said he had nothing for him, and the sailor seemed to go on his way. He reappeared in various forms, always soliciting charity, more and more importunately every time, and always receiving the same denial. At last he appeared as an old woman, leaning on a stick, who was more pertinacious in her entreaties than the preceding semblances; and the carter, after a.s.severating with an oath that a whole shipload of beggars must have been wrecked that night on the coast, reiterated that he had nothing for her. 'Only the smallest coin, master,' said the old woman. 'I have no coin,' said the carter. 'Just a wee bite and sup of something,' said the old woman; 'you are scarcely going about without something to eat and drink; something comfortable for yourself. Just look in the cart: I am sure you will find something good.' 'Something, something, something,'

said the carter; 'if there is anything fit to eat or drink in the cart, I wish a bogle may fly away with it.' 'Thank you,' said the bogle, and changed himself into a shape which laid the carter on his back, with his heels in the air. The bogle made lawful prize of the contents of the cart. The refectory was soon fragrant with the odour of roast, and the old wine flowed briskly, to the great joy of the a.s.sembly, who pa.s.sed the night in feasting, singing, and dancing, and toasting Old Nick.

But Tarn kend what was whni fu' brawlie: There was ae winsome wend and wawlie, Thai night enlisted in the core, Lang after kend on Carrick sh.o.r.e.

--Tam o' Shanter.

_Miss Gryll._ And now, Mr. Falconer, you who live in an old tower, among old books, and are deep in the legends of saints, surely you must have a ghost story to tell us.

_Mr. Falconer_. Not exactly a ghost story. Miss Gryll but there is a legend which took my fancy, and which I taured into a ballad. If you permit me, I will repeat it.

The permission being willingly granted, Mr. Falconer closed the series of fireside marvels by reciting

THE LEGEND OF SAINT LAURA

Saint Larua, in her sleep of death, Preserves beneath the tomb --'Tis willed where what is willed must be--{1} In incorruptability Her beauty and her bloom.

So pure her maiden life had been, So free from earthly stain, 'Twas fixed in fate by Heaven's own Queen, That till the earth's last closing scene She should unchanged remain.

1 Vuolsi cosi cola dove si puote Cio che si vuole, e piii non domandare.

--Dante.

Within a deep sarcophagus Of alabaster sheen, With sculptured lid of roses white, She slumbered in unbroken night, By mortal eyes unseen.

Above her marble couch was reared A monumental shrine, Where cloistered sisters, gathering round, Made night and morn the aisle resound With choristry divine The abbess died: and in her pride Her parting mandate said, They should her final rest provide The alabaster couch beside, Where slept the sainted dead.